{"product_id":"theroomsofhansa","title":"Toontrack The Rooms of Hansa SDX","description":"\u003ch1 style=\"text-align: center;\"\u003e\u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003cdiv class=\"tt-in-view container-fluid color-gradient-white\" style=\"text-align: center;\"\u003e\n\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"tt-product-intro\"\u003e\n\u003cdiv id=\"2532407\" class=\", post-2532407 product type-product status-publish has-post-thumbnail product_cat-superiorline product_cat-sdx pa_delivery-pm-download superiorline first instock taxable shipping-taxable purchasable product-type-variable has-default-attributes\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-8 col-sm-offset-2 text-xs-left text-center\"\u003e\n\u003ch1 class=\"color-text-default\"\u003e\u003cimg alt=\"\" src=\"https:\/\/www.jrrshop.com\/media\/catalog\/product\/t\/h\/theroomsofhansa.jpg\" height=\"195\" width=\"474\"\u003e\u003c\/h1\u003e\n\u003ch1 class=\"color-text-default\"\u003eTHE ROOMS OF HANSA SDX\u003c\/h1\u003e\n\u003ch2\u003eA WALL OF SOUND.\u003c\/h2\u003e\n\u003cp class=\"sub-headline\"\u003eA massive collection of drums captured in the four different rooms of the Hansa Tonstudio.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"summary entry-summary\" style=\"text-align: center;\"\u003e\n\u003cdiv class=\"container-fluid-max color-gray-lightest\"\u003e\n\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-10 col-md-7 col-sm-offset-1 col-md-offset-0 text-left\"\u003e\n\u003cp\u003e\u003cspan\u003eThe Rooms of Hansa SDX\u003c\/span\u003e features drums produced by Grammy Award-winning recording\/mixing engineer Michael Ilbert in one of the most iconic studios currently in existence: the Hansa Tonstudio in Berlin, Germany. With a broad and handpicked collection of drums captured in all four available rooms on the studio premises, this SDX showcases an incredible width in regard to both tonal range and ambience.\u003c\/p\u003e\n\u003cp\u003eWelcome to a unique collection of drums, all touched by the inimitable soul of a studio whose legacy is forever etched in music history.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-10 col-md-5 col-sm-offset-1 col-md-offset-0 text-left\"\u003e\n\u003ch3 class=\"color-text-default\"\u003e \u003c\/h3\u003e\n\u003ch3 class=\"color-text-default\"\u003e\u003cspan\u003eFEATURE SPOTLIGHT\u003c\/span\u003e\u003c\/h3\u003e\nSix (6) complete kits in addition to many optional configurations\u003cbr\u003eIn total, 12 snares and 7 kicks as well as a broad collection of hi-hats and cymbals\u003cbr\u003eProduced by Grammy Award-winning recording\/mixing engineer Michael Ilbert (Adele, Taylor Swift, Katy Perry, Pink, Muse, Ed Sheeran)\u003cbr\u003eRecorded at the legendary Hansa Tonstudio in Berlin, Germany\u003cbr\u003eFeatures four individual room configurations including the iconic “Meistersaal”\u003cbr\u003e“Meistersaal” setup recorded in 5.1 surround with two additional height\/ambience microphone pairs\u003cbr\u003eAlso includes an extra stereo ambience captured in the famous Hansa staircase (available for select kits)\u003cbr\u003eComes with a collection of drum MIDI grooves\u003c\/div\u003e\n\u003cdiv class=\"col-sm-10 col-md-5 col-sm-offset-1 col-md-offset-0 text-left\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"col-sm-10 col-md-5 col-sm-offset-1 col-md-offset-0 text-left\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"col-sm-10 col-md-5 col-sm-offset-1 col-md-offset-0 text-left\"\u003e\n\u003cdiv class=\"container-fluid-max lazyload\"\u003e\n\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-12 text-center\"\u003e\n\u003ch1 class=\"color-text-white visible-lg\"\u003e\u003cspan\u003eHANSA –\u003cbr\u003eTHE STUDIO\u003cbr\u003eBY THE WALL\u003c\/span\u003e\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid-max color-white\"\u003e\n\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-xs-12 col-md-6\"\u003e\n\u003cp\u003eSince its inception in 1913, the magnificent building on Köthener Straße No. 38 that houses Hansa Tonstudios and the iconic Meistersaal – just a stone’s throw away from Potsdamer Platz in Berlin’s Kreuzberg district – has served as a ballroom, a concert hall, a theatre and a place for the arts. However, what forever ingrained the spirit of this place in the fabric of our culture was neither of those things – it was the music immortalized between its four walls decades later. The Meistersaal was first converted to a studio in 1961, the same year as the Berlin Wall was erected just shy of 150 meters from the building. But in wasn’t until the mid-’70s, when the Meisel brothers Tomas and Peter bought the building and restored it to fully meet the standards of a recording studio, that its true golden years under the Hansa Tonstudios monicker began. Since then, countless classic albums have been recorded and mixed inside the building – many of which literally changed the course of music history.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-md-6\"\u003e\u003ca class=\"image-popup\" href=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/the-rooms-of-hansa-sdx\/jpg\/1_popup.jpg\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/the-rooms-of-hansa-sdx\/jpg\/1.jpg\" height=\"480\" width=\"690\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"hidden-xs\"\u003e \u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-xs-6 col-md-3\"\u003e\u003ca class=\"image-popup\" href=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/the-rooms-of-hansa-sdx\/jpg\/2_popup.jpg\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/the-rooms-of-hansa-sdx\/jpg\/2.jpg\" height=\"690\" width=\"690\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-xs-6 col-md-3\"\u003e\u003ca class=\"image-popup\" href=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/the-rooms-of-hansa-sdx\/jpg\/3_popup.jpg\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/the-rooms-of-hansa-sdx\/jpg\/3.jpg\" height=\"690\" width=\"690\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-xs-6 col-md-3\"\u003e\u003ca class=\"image-popup\" href=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/the-rooms-of-hansa-sdx\/jpg\/4_popup.jpg\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/the-rooms-of-hansa-sdx\/jpg\/4.jpg\" height=\"690\" width=\"690\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-xs-6 col-md-3\"\u003e\u003ca class=\"image-popup\" href=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/the-rooms-of-hansa-sdx\/jpg\/5_popup.jpg\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/the-rooms-of-hansa-sdx\/jpg\/5.jpg\" height=\"690\" width=\"690\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"col-sm-8\"\u003e\n\u003cdiv class=\"animated responsiveFadeInFromLeft affix\" data-animation-name=\"responsiveFadeInFromLeft\" data-animation-direction=\"in\" data-animation-offset=\"80\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/the-rooms-of-hansa-sdx\/jpg\/notablerecords.jpg\" height=\"425\" width=\"690\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-4 hidden-xs\"\u003e\n\u003cdiv class=\"animated responsiveFadeInFromRight affix\" data-animation-name=\"responsiveFadeInFromRight\" data-animation-direction=\"in\" data-animation-offset=\"80\"\u003e\n\u003ch5 class=\"color-text-gray-darker\"\u003e\n\u003cspan\u003eDavid Bowie\u003c\/span\u003e\u003cbr\u003e“Low” and “‘Heroes’” (1977)\u003c\/h5\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003ch5 class=\"color-text-gray-darker\"\u003e\n\u003cspan\u003eIggy Pop\u003c\/span\u003e\u003cbr\u003e“The Idiot” and “Lust for Life” (1977)\u003c\/h5\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003ch5 class=\"color-text-gray-darker\"\u003e\n\u003cspan\u003eMarillion\u003c\/span\u003e\u003cbr\u003e“Misplaced Childhood” (1985)\u003c\/h5\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003ch5 class=\"color-text-gray-darker\"\u003e\n\u003cspan\u003eDepeche Mode\u003c\/span\u003e\u003cbr\u003e“Black Celebration” (1986)\u003c\/h5\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003ch5 class=\"color-text-gray-darker\"\u003e\n\u003cspan\u003eU2\u003c\/span\u003e\u003cbr\u003e“Achtung Baby” (1991)\u003c\/h5\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003ch5 class=\"color-text-gray-darker\"\u003e\n\u003cspan\u003eR.E.M.\u003c\/span\u003e\u003cbr\u003e“Collapse into Now” (2011)\u003c\/h5\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"container-fluid-max color-black\"\u003e\n\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-md-10 col-lg-8 col-md-offset-1 col-lg-offset-2 text-center\"\u003e\n\u003ch1 class=\"hidden-xs\"\u003e\u003cspan\u003eTHE ROOMS\u003cbr\u003e\u0026amp; THE DRUMS.\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp class=\"color-text-gray-lighter\"\u003eFor this SDX, our ambition was to represent the entire sonic scope of natural ambiences that Hansa has to offer. As a result, we scoured the land for the best-suited drums, captured all four rooms in the building and felt compelled to also blend in some elements recorded in the famous Hansa staircase. Combined, the sonic possibilities are endless – from tight, minimal and dry to big, reverberant and massive.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection id=\"drums-marble-room\"\u003e\n\u003cdiv class=\"container-fluid-max color-black\"\u003e\n\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-12 text-center\"\u003e\n\u003ch1 class=\"color-text-white hidden-sm hidden-xs\"\u003e\u003cspan\u003eTHE MARBLE ROOM.\u003c\/span\u003e\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-md-10 col-md-offset-1\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-xs-12 col-sm-7\"\u003e\n\u003cp\u003eContradictory of its somewhat moderate size, the reflective surface of the walls and ceiling of this “stone” room makes for an ambience that sounds huge. Luckily, the hardwood flooring effectively breaks up the diffusion and keeps the decay in check – making it the perfect ambience for controlled but still reverberant rock drums. In combination with the additional ambience channel recorded in the all-concrete environment of the adjacent Hansa staircase, you’ll be able to dial in drum mixes with an enormous and unique natural reverb.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-sm-5\"\u003e\n\u003cp class=\"hidden-xs\"\u003e\u003cem\u003e“This is the definition of a versatile recording room. Simply a great room for big-sounding and punchy rock drums.”\u003cbr\u003e– Michael Ilbert\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv class=\"hidden-xs\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-xs-12 col-sm-7\"\u003e\u003ca class=\"image-popup\" href=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/post\/the-rooms-of-hansa-sdx-the-marble-room\/jpg\/TheTwinShellKit_popup.jpg\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/post\/the-rooms-of-hansa-sdx-the-marble-room\/jpg\/TheTwinShellKit.jpg\" height=\"480\" width=\"690\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-sm-5\"\u003e\n\u003cdiv class=\"hidden-md hidden-sm\"\u003e \u003c\/div\u003e\n\u003ch4\u003eTHE TWIN SHELL KIT.\u003c\/h4\u003e\n\u003cp\u003eThis is a very special kit, custom-built by Berlin-based boutique drum manufacturer Udo Masshoff. The stand-out feature in these drums is the the so-called “twin shells.” These shells make use of both steel and maple, resulting in drums that produce very warm, powerful and unique tones with an amazing frequency range.\u003c\/p\u003e\n\u003cdiv class=\"hidden-sm\"\u003e \u003c\/div\u003e\n\u003cp class=\"hidden-sm\"\u003e\u003cem\u003e“These are simply my all-time favorite drum kits and snares. Udo just got it right with these! They can be played hard without choking and also soft and still sound huge with a lot of presence and a great low end.” \u003c\/em\u003e– Michael Ilbert\u003c\/p\u003e\n\u003cp class=\"hidden-sm\"\u003e \u003c\/p\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-3\"\u003e\n\u003ch6 class=\"not-responsive\"\u003eKICK\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e14×24″ Masshoff Stainless Steel \/ Maple Twin Shell\u003cbr\u003eBatter head: Evans Level 360 Head\u003cbr\u003eResonance head: Remo Powerstroke 3 Ebony\u003cbr\u003eBeater: Wood\u003c\/p\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003ch6 class=\"not-responsive\"\u003eSNARE\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e6.5×14″ Masshoff Stainless Steel \/ Maple Twin Shell\u003cbr\u003eBatter head: Remo Controlled Sound Coated Black Dot\u003cbr\u003eResonance head: Remo Ambassador Hazy\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-3\"\u003e\n\u003ch6 class=\"not-responsive\"\u003eRACK TOM\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e9×13″ Masshoff Stainless Steel \/ Maple Twin Shell\u003cbr\u003eBatter head: Remo Emperor Coated\u003cbr\u003eResonance head: Aquarian Performance II\u003c\/p\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003ch6 class=\"not-responsive\"\u003eFLOOR TOMS\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e14×16″ Masshoff Stainless Steel \/ Maple Twin Shell\u003cbr\u003eBatter head: Remo Emperor Coated\u003cbr\u003eResonance head: Aquarian Performance II\u003c\/p\u003e\n\u003cp class=\"small-bread\"\u003e14×18″ Masshoff Stainless Steel \/ Maple Twin Shell\u003cbr\u003eBatter head: Remo Emperor Coated\u003cbr\u003eResonance head: Aquarian Performance II\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-3\"\u003e\n\u003ch6 class=\"not-responsive\"\u003eHI-HAT\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e15″ Paiste 2002 Red Label Heavy Hi-Hats\u003c\/p\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003ch6 class=\"not-responsive\"\u003eRIDE\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e24″ Paiste 2002 Red Label Medium Ride\u003c\/p\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003ch6 class=\"not-responsive\"\u003eCRASH CYMBALS\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e18″ Paiste 2002 Red Label Medium Crash\u003cbr\u003e16″ Paiste Formula 602 Modern Essentials Crash\u003cbr\u003e20″ Paiste 2002 Red Label Medium Crash\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-3\"\u003e\n\u003ch6 class=\"not-responsive\"\u003eADDITIONAL INSTRUMENTS\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e\u003cspan\u003eKICK\u003c\/span\u003e\u003cbr\u003e14×22″ Masshoff Stainless Steel\u003cbr\u003eBatter head: Evans Emad Clear\u003cbr\u003eResonance head: Remo Powerstroke 3\u003cbr\u003eBeater: Wood\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"col-sx-12 col-sm-7\"\u003e\u003ca class=\"image-popup\" href=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/post\/the-rooms-of-hansa-sdx-the-marble-room\/jpg\/TheTwinShellKit_Dampened_popup.jpg\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/post\/the-rooms-of-hansa-sdx-the-marble-room\/jpg\/TheTwinShellKit_Dampened.jpg\" height=\"480\" width=\"690\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-sm-5\"\u003e\n\u003cdiv class=\"visible-lg\"\u003e \u003c\/div\u003e\n\u003ch4\u003eTHE TWIN SHELL KIT (DAMPED).\u003c\/h4\u003e\n\u003cp\u003eAs an alternative, we recorded the Twin Shell Kit in a more damped way by applying tea towels to the toms. We also added Michael Ilbert’s personal and favorite Masshoff snare drum, the mighty 14×8″ “Big Chief” – a pure powerhouse made of stainless steel.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-3\"\u003e\n\u003ch6 class=\"not-responsive\"\u003eKICK\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e14×24″ Masshoff Stainless Steel \/ Maple Twin Shell (tuned low)\u003cbr\u003eBatter head: Remo Emperor Coated\u003cbr\u003eResonance head: Remo Ambassador Coated\u003cbr\u003eBeater: Felt\u003c\/p\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003ch6 class=\"not-responsive\"\u003eSNARE\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e8×14″ Masshoff ‘Big Chief’ Stainless Steel (copper finish)\u003cbr\u003eBatter head: Remo Fiberskyn (damped with Snareweight, Moongel and tissue)\u003cbr\u003eResonance head: Remo Ambassador Hazy\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-3\"\u003e\n\u003ch6 class=\"not-responsive\"\u003eRACK TOM\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e9×13″ Masshoff Stainless Steel \/ Maple Twin Shell\u003cbr\u003eBatter head: Remo Emperor Coated (damped with tea towel)\u003cbr\u003eResonant head: Aquarian Performance II\u003c\/p\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003ch6 class=\"not-responsive\"\u003eFLOOR TOMS\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e14×16″ Masshoff Stainless Steel \/ Maple Twin Shell\u003cbr\u003eBatter head: Remo Emperor Coated\u003cbr\u003eResonance head: Aquarian Performance II (damped with tea towel)\u003c\/p\u003e\n\u003cp class=\"small-bread\"\u003e14×18″ Masshoff Stainless Steel \/ Maple Twin Shell\u003cbr\u003eBatter head: Remo Emperor Coated\u003cbr\u003eResonance head: Aquarian Performance II (damped with tea towel)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-3\"\u003e\n\u003ch6 class=\"not-responsive\"\u003eADDITIONAL INSTRUMENTS\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e\u003cspan\u003eSNARE\u003c\/span\u003e\u003cbr\u003e8×14″ Masshoff ‘Big Chief’ Stainless Steel (gold ceramic finish)\u003cbr\u003eBatter: Remo Ambassador Renaissance\u003cbr\u003eResonance head: Remo Ambassador Hazy\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"col-sx-12 col-sm-7\"\u003e\u003ca class=\"image-popup\" href=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/post\/the-rooms-of-hansa-sdx-the-marble-room\/jpg\/AcrylicKit_popup.jpg\"\u003e\u003cimg alt=\" width=\" src=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/post\/the-rooms-of-hansa-sdx-the-marble-room\/jpg\/AcrylicKit.jpg\" height=\"480\" width=\"690\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-sm-5\"\u003e\n\u003cdiv class=\"visible-lg visible-xs\"\u003e \u003c\/div\u003e\n\u003ch4\u003eTHE ACRYLIC KIT.\u003c\/h4\u003e\n\u003cp\u003eThis is the personal kit of German drummer icon Armin Ruehl and the very same one he’s played on many of his many tours with Herbert Gröenemeyer. The acrylic shells of this kit produce a very direct and focused sound – rich with higher-mid overtones although with a warm, round tone with a deep low-end. To make it even more interesting tone-wise, we added four 6” acrylic octabans in varying lengths of 8, 10, 12 and 14“ – giving you a monster kit with seven toms.\u003c\/p\u003e\n\u003cdiv class=\"hidden-sm\"\u003e \u003c\/div\u003e\n\u003cp class=\"hidden-sm\"\u003e\u003cem\u003e“This is a unique and one-of-a-kind kit. Instant vibe with big tom sounds.”\u003c\/em\u003e – Michael Ilbert\u003c\/p\u003e\n\u003cp class=\"hidden-sm\"\u003e \u003c\/p\u003e\n\u003cdiv class=\"col-sm-3\"\u003e\n\u003ch6 class=\"not-responsive\"\u003eKICK\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e16×24″ Wahan Supreme Classic Acrylic\u003cbr\u003eBatter head: Remo Powerstroke 3 Clear\u003cbr\u003eResonance head: Remo Powerstroke 4 Clear\u003cbr\u003eBeater: Wood\u003c\/p\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003ch6 class=\"not-responsive\"\u003eSNARE\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e14×5.5 Masshoff Stainless Steel \/ Maple Twin shell\u003cbr\u003eBatter head: Remo Controlled Sound Coated Black Dot Head\u003cbr\u003eResonance head: Remo Ambassador Hazy\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-3\"\u003e\n\u003ch6 class=\"not-responsive\"\u003eHIGH TOMS\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e6×8″ Wahan Acrylic Octoban\u003cbr\u003eBatter head: Remo Ambassador Clear\u003c\/p\u003e\n\u003cp class=\"small-bread\"\u003e6×10″ Wahan Acrylic Octoban\u003cbr\u003eBatter head: Remo Ambassador Clear\u003c\/p\u003e\n\u003cp class=\"small-bread\"\u003e6×12″ Wahan Acrylic Octoban\u003cbr\u003eBatter head: Remo Ambassador Clear\u003c\/p\u003e\n\u003cp class=\"small-bread\"\u003e6×14″ Wahan Acrylic Octoban\u003cbr\u003eBatter head: Remo Ambassador Clear\u003c\/p\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003ch6 class=\"not-responsive\"\u003eRACK TOMS\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e8×12″ Wahan Supreme Classic Acrylic\u003cbr\u003eBatter head: Remo Pinstripe Clear\u003cbr\u003eResonance head: Remo Ambassador Clear\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-3\"\u003e\n\u003ch6 class=\"not-responsive\"\u003eFLOOR TOMS\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e14×14″ Wahan Supreme Classic Acrylic\u003cbr\u003eBatter head: Remo Pinstripe Clear\u003cbr\u003eResonance head: Remo Ambassador Clear\u003c\/p\u003e\n\u003cp class=\"small-bread\"\u003e14×16″ Wahan Supreme Classic Acrylic\u003cbr\u003eBatter head: Remo Pinstripe Clear\u003cbr\u003eResonance head: Remo Ambassador Clear\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-3\"\u003e\n\u003ch6 class=\"not-responsive\"\u003eADDITONAL INSTRUMENTS\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e\u003cspan\u003eCHINA\u003c\/span\u003e\u003cbr\u003e18″ Paiste 2002 Novo Red Label China\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"col-sx-12 col-sm-7\"\u003e\u003ca class=\"image-popup\" href=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/post\/the-rooms-of-hansa-sdx-the-marble-room\/jpg\/Rototoms_popup.jpg\"\u003e\u003cimg alt=\" width=\" src=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/post\/the-rooms-of-hansa-sdx-the-marble-room\/jpg\/Rototoms.jpg\" height=\"480\" width=\"690\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-sm-5\"\u003e\n\u003cdiv class=\"visible-lg\"\u003e \u003c\/div\u003e\n\u003ch4\u003eTHE ROTOTOMS KIT.\u003c\/h4\u003e\n\u003cp\u003eWhy stop at octobans? For the Acrylic Kit, we also recorded a setup featuring rototoms in 6, 8, 10, 12 and 14“ sizes. These were recorded to go in the standard tom positions and will provide that characteristic, piercing slap sound for the toms. In combination with the thunderous Wahan bass drum, the smack of the Masshoff snare and the soaring voice of the Red Label cymbals, you’ll have a classic but still profoundly unusual kit.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"col-sx-12 col-sm-7\"\u003e\u003ca class=\"image-popup\" href=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/post\/the-rooms-of-hansa-sdx-the-marble-room\/jpg\/Rototoms_popup.jpg\"\u003e\u003cimg alt=\" width=\" src=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/post\/the-rooms-of-hansa-sdx-the-marble-room\/jpg\/Rototoms.jpg\" height=\"480\" width=\"690\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-sm-5\"\u003e\n\u003cdiv class=\"visible-lg\"\u003e \u003c\/div\u003e\n\u003ch4\u003eTHE ROTOTOMS KIT.\u003c\/h4\u003e\n\u003cp\u003eWhy stop at octobans? For the Acrylic Kit, we also recorded a setup featuring rototoms in 6, 8, 10, 12 and 14“ sizes. These were recorded to go in the standard tom positions and will provide that characteristic, piercing slap sound for the toms. In combination with the thunderous Wahan bass drum, the smack of the Masshoff snare and the soaring voice of the Red Label cymbals, you’ll have a classic but still profoundly unusual kit.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"col-sm-3\"\u003e\n\u003ch6 class=\"not-responsive\"\u003eKICK\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e24×16″ Wahan Acrylic\u003cbr\u003eBatter head: Remo Powerstroke 3 Clear\u003cbr\u003eResonance head: Remo Ambassador Coated w\/ 6″ hole\u003cbr\u003eBeater: Wood\u003c\/p\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003ch6 class=\"not-responsive\"\u003eSNARE\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e14×7.5″ Wahan Wood\u003cbr\u003eBatter head: Remo Controlled Sound Coated Black Dot\u003cbr\u003eResonance head: Remo Ambassador Hazy\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-3\"\u003e\n\u003ch6 class=\"not-responsive\"\u003eHIGH TOMS\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e6″ Remo Rototom\u003cbr\u003eBatter head: Remo Pinstripe Clear\u003cbr\u003eResonance head: None\u003c\/p\u003e\n\u003cp class=\"small-bread\"\u003e8″ Remo Rototom\u003cbr\u003eBatter head: Remo Clear Heads\u003cbr\u003eResonance head: None\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-3\"\u003e\n\u003ch6 class=\"not-responsive\"\u003eRACK TOMS\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e10″ Remo Rototom\u003cbr\u003eBatter head: Remo Pinstripe Clear\u003cbr\u003eResonance head: None\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-3\"\u003e\n\u003ch6 class=\"not-responsive\"\u003eFLOOR TOMS\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e12″ Remo Rototom\u003cbr\u003eBatter head: Remo Pinstripe Clear\u003cbr\u003eResonance head: None\u003c\/p\u003e\n\u003cp class=\"small-bread\"\u003e14″ Remo Rotom\u003cbr\u003eBatter head: Remo Pinstripe Clear\u003cbr\u003eResonance head: None\u003c\/p\u003e\n\u003cdiv class=\"col-sm-3\"\u003e\n\u003ch6 class=\"not-responsive\"\u003eKICK\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e24×16″ Wahan Acrylic\u003cbr\u003eBatter head: Remo Powerstroke 3 Clear\u003cbr\u003eResonance head: Remo Ambassador Coated w\/ 6″ hole\u003cbr\u003eBeater: Wood\u003c\/p\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003ch6 class=\"not-responsive\"\u003eSNARE\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e14×7.5″ Wahan Wood\u003cbr\u003eBatter head: Remo Controlled Sound Coated Black Dot\u003cbr\u003eResonance head: Remo Ambassador Hazy\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-3\"\u003e\n\u003ch6 class=\"not-responsive\"\u003eHIGH TOMS\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e6″ Remo Rototom\u003cbr\u003eBatter head: Remo Pinstripe Clear\u003cbr\u003eResonance head: None\u003c\/p\u003e\n\u003cp class=\"small-bread\"\u003e8″ Remo Rototom\u003cbr\u003eBatter head: Remo Clear Heads\u003cbr\u003eResonance head: None\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-3\"\u003e\n\u003ch6 class=\"not-responsive\"\u003eRACK TOMS\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e10″ Remo Rototom\u003cbr\u003eBatter head: Remo Pinstripe Clear\u003cbr\u003eResonance head: None\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-3\"\u003e\n\u003ch6 class=\"not-responsive\"\u003eFLOOR TOMS\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e12″ Remo Rototom\u003cbr\u003eBatter head: Remo Pinstripe Clear\u003cbr\u003eResonance head: None\u003c\/p\u003e\n\u003cp class=\"small-bread\"\u003e14″ Remo Rotom\u003cbr\u003eBatter head: Remo Pinstripe Clear\u003cbr\u003eResonance head: None\u003c\/p\u003e\n\u003cp class=\"small-bread\"\u003e \u003c\/p\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-12 text-center\"\u003e\n\u003ch1 class=\"color-text-white hidden-sm hidden-xs\"\u003e\u003cspan\u003eMEISTERSAAL.\u003c\/span\u003e\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-xs-12 col-sm-7\"\u003e\n\u003cp\u003eLocated directly below the main\/live space is the Meistersaal – the indisputable crown jewel of the Hansa legacy and arguably one of the most iconic recording rooms in the world. The majestic ambience of the Meistersaal can be heard on seminal works by the likes of Nick Cave, U2 and R.E.M., just to name a few. Still to this day, the Meistersaal remains a vivid Berlin landmark and is a common stop on guided tours of the city. Since this room no longer is officially an operational part of Hansa, the amount of projects recorded here are few and selected very carefully. However, with the help of Michael Ilbert and the owners of Hansa Tonstudios, we were given the unique opportunity to capture drums in this historic space. This SDX would simply not have been complete without the iconic ambience and aura of the “Big Hall by the Wall.” The gear Michael used to capture the Meistersaal drums features a handpicked selection of U67s, extremely rare M50s and a whole array of V72 pre-amps, just to give a few examples. We also captured the room with a classic 5.0 surround microphone positioning setup with the addition of four extra height microphones, giving you even more surround possibilities. Furthermore, an additional amplifier was set up in the room to play back and enhance the low frequencies of bass drums and toms.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-sm-5\"\u003e\n\u003cp class=\"hidden-xs\"\u003e\u003cem\u003e“This is just a unique room. Put any instrument in there, mic it up and it comes out amazing. I think this is a room that makes you a better performer. If those walls could speak…”\u003cbr\u003e– Michael Ilbert\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv class=\"hidden-xs\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-xs-12 col-sm-7\"\u003e\u003ca class=\"image-popup\" href=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/post\/the-rooms-of-hansa-sdx-meistersaal\/jpg\/MahoganyStaveKit_popup.jpg\"\u003e\u003cimg alt=\" width=\" src=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/post\/the-rooms-of-hansa-sdx-meistersaal\/jpg\/MahoganyStaveKit.jpg\" height=\"480\" width=\"690\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-sm-5\"\u003e\n\u003cdiv class=\"visible-lg\"\u003e \u003c\/div\u003e\n\u003ch4\u003eTHE TWIN SHELL KIT.\u003c\/h4\u003e\n\u003cp\u003eThis is the same kit as the one that was recorded in the Marble Room. In the Meistersaal, though, it has an altogether different voice. It sounds huge! We also captured it with mallets, which again, introduces a completely new voice.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"col-sm-3\"\u003e\n\u003ch6 class=\"not-responsive\"\u003eKICK\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e14×28” Masshoff Custom Vintage\u003cbr\u003eBatter head: Calfskin\u003cbr\u003eResonance head: Calfskin\u003cbr\u003eBeater: Felt\u003c\/p\u003e\n\u003ch6 class=\"not-responsive\"\u003eSNARE\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e6.5×14” Masshoff Stainless Steel \/ Maple Twin Shell\u003cbr\u003eBatter head: Remo Controlled Sound Coated Black Dot\u003cbr\u003eResonance head: Remo Ambassador Hazy\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-3\"\u003e\n\u003ch6 class=\"not-responsive\"\u003eRACK TOM\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e9×13” Masshoff Stainless Steel \/ Maple Twin Shell\u003cbr\u003eBatter head: Remo Ambassador Coated\u003cbr\u003eResonance head: Aquarian Performance II\u003c\/p\u003e\n\u003ch6 class=\"not-responsive\"\u003eFLOOR TOMS\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e14×16″ Masshoff Stainless Steel \/ Maple Twin Shell\u003cbr\u003eBatter head: Remo Ambassador Coated\u003cbr\u003eResonance head: Aquarian Performance II\u003c\/p\u003e\n\u003cp class=\"small-bread\"\u003e14×18″ Masshoff Stainless Steel \/ Maple Twin Shell\u003cbr\u003eBatter head: Remo Ambassador Coated\u003cbr\u003eResonance head: Aquarian Performance II\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-3\"\u003e\n\u003ch6 class=\"not-responsive\"\u003eHI-HATS\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e18” Paiste Formula 602 Thin Crash (top), 18” Paiste Giant Beat Crash (bottom)\u003c\/p\u003e\n\u003ch6 class=\"not-responsive\"\u003eRIDE\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e22” Paiste Signature Dark Energy Mark II Ride (‘Sticks’ only)\u003c\/p\u003e\n\u003ch6 class=\"not-responsive\"\u003eCRASH CYMBALS\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e20” Paiste Formula 602 Thin Crash\u003cbr\u003e22” Paiste Formula 602 Thin Crash\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-3\"\u003e\n\u003ch6 class=\"not-responsive\"\u003eADDITIONAL INSTRUMENTS.\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e\u003cspan\u003eKICK\u003c\/span\u003e\u003cbr\u003e14×24” Masshoff Stainless Steel \/ Maple Twin Shell\u003cbr\u003eBatter head: Aquarian Super Kick II Clear\u003cbr\u003eResonance head: Aquarian Coated w\/ 6″ Hole\u003cbr\u003eBeater: Felt\u003c\/p\u003e\n\u003cp class=\"small-bread\"\u003e\u003cspan\u003eSNARE\u003c\/span\u003e\u003cbr\u003e6.5×14 Paiste Jeff Ocheltree Spirit of 2002\u003cbr\u003eBatter head: Remo Emperor X Coated\u003cbr\u003eResonance head: Remo Ambassador Hazy\u003c\/p\u003e\n\u003cp class=\"small-bread\"\u003e \u003c\/p\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-12 text-center\"\u003e\n\u003ch1 class=\"color-text-white hidden-sm hidden-xs\"\u003e\u003cspan\u003eTHE VOCAL BOOTH.\u003c\/span\u003e\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-md-10 col-md-offset-1\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-xs-12 col-sm-7\"\u003e\n\u003cp\u003eAlthough this room likely never was intended as a drum room, it has proven time and time again that if you’re after dry and muffled drum tones – this is where to get them. This room has a special something that pushes each instrument to the edge of the speakers without making it sound contained or claustrophobic. For beat-making, mixing and matching or hybrid kit creation, these drum tones are optimal – transparent, direct and dry but still very graphic in the mix. In other words: dead but very much alive.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-sm-5\"\u003e\n\u003cp class=\"hidden-xs\"\u003e\u003cem\u003e“Definitely my favorite recording room for very dry drum sounds. So punchy and warm!”\u003cbr\u003e– Michael Ilbert\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv class=\"hidden-xs\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-xs-12 col-sm-7\"\u003e\u003ca class=\"image-popup\" href=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/post\/the-rooms-of-hansa-sdx-vocal-booth\/jpg\/TheMahoganyStaveKit_popup.jpg\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/post\/the-rooms-of-hansa-sdx-vocal-booth\/jpg\/TheMahoganyStaveKit.jpg\" height=\"480\" width=\"690\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-sm-5\"\u003e\n\u003ch4\u003eTHE MAHOGANY STAVE KIT.\u003c\/h4\u003e\n\u003cp\u003eThis is another choice rather off the beaten track when it comes to drum selection – but for a reason. For the tight and dry space of the Vocal Booth, Michael Ilbert specifically wanted to record one of the beautiful high-end kits of Californian custom drum builder Sugar Percussion. These shells, all individually crafted from solid mahogany chunks, really sound unlike any other drums – extremely articulate, nuanced and deep. The beauty of these drums is that they project a wonderful wooden tone even when played with very low velocities, something Michael was specifically looking for in the Vocal Booth tones.\u003c\/p\u003e\n\u003cdiv class=\"hidden-sm\"\u003e \u003c\/div\u003e\n\u003cp class=\"hidden-sm\"\u003e\u003cem\u003e“This kit is kind of like my secret weapon kit…until now! Again, beautiful craftsmanship and amazing-sounding instruments. To me, this sounds just like a wood kit should!” \u003c\/em\u003e– Michael Ilbert\u003c\/p\u003e\n\u003cp class=\"hidden-sm\"\u003e \u003c\/p\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-3\"\u003e\n\u003ch6 class=\"not-responsive\"\u003eKICK\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e14×22” Sugar Percussion Mahogany Stave\u003cbr\u003eBatter head: Powerstroke 3 Clear\u003cbr\u003eResonance head: Remo Emperor Coated w\/ 6” hole\u003cbr\u003eBeater: Felt\u003c\/p\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003ch6 class=\"not-responsive\"\u003eSNARE\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e14×5.5 Sugar Percussion Macassar Ebony Stave\u003cbr\u003eBatter head: Remo Controlled Sound Coated\u003cbr\u003eResonance head: Remo Ambassador Hazy\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-3\"\u003e\n\u003ch6 class=\"not-responsive\"\u003eRACK ROM\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e7×12″ Sugar Percussion Mahogany Stave\u003cbr\u003eBatter head: Remo Emperor Coated\u003cbr\u003eResonance head: Remo Ambassador Coated\u003c\/p\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003ch6 class=\"not-responsive\"\u003eFLOOR TOM\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e15×16″ Sugar Percussion Mahogany Stave\u003cbr\u003eBatter head: Remo Emperor Coated\u003cbr\u003eResonance head: Remo Ambassador Coated\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-3\"\u003e\n\u003ch6 class=\"not-responsive\"\u003eHI-HAT\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e15” Paiste 2002 Black Label Medium Hi-Hat\u003c\/p\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003ch6 class=\"not-responsive\"\u003eRIDE\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e20” Paiste Formula 602 Modern Essentials Ride\u003c\/p\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003ch6 class=\"not-responsive\"\u003eCRASH CYMBALS\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e8” Paiste Formula 602 Modern Essentials Crash\u003cbr\u003e20” Paiste Formula 602 Modern Essentials Crash\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-3\"\u003e\n\u003ch6 class=\"not-responsive\"\u003eADDITIONAL INSTRUMENTS\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e\u003cspan\u003eKICK\u003c\/span\u003e\u003cbr\u003e14×22” Sugar Percussion – Low tuned\u003cbr\u003eBatter head: Powerstroke 3 Clear\u003cbr\u003eResonance head: Remo Emperor Coated w\/ 6” hole\u003cbr\u003eBeater: Felt\u003c\/p\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cp class=\"small-bread\"\u003e\u003cspan\u003eSNARE\u003c\/span\u003e\u003cbr\u003e6.5×14” Sonor ‘One of a Kind’ Macassar Ebony\u003cbr\u003eBatter head: Remo Ambassador Coated\u003cbr\u003eResonance head: Remo Ambassador Hazy\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"col-xs-12 col-sm-7\"\u003e\u003ca class=\"image-popup\" href=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/post\/the-rooms-of-hansa-sdx-vocal-booth\/jpg\/ItalianKit.jpg\"\u003e\u003cimg alt=\" width=\" src=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/post\/the-rooms-of-hansa-sdx-vocal-booth\/jpg\/ItalianKit.jpg\" height=\"480\" width=\"690\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-sm-5\"\u003e\n\u003cdiv class=\"hidden-md hidden-sm\"\u003e \u003c\/div\u003e\n\u003ch4\u003eTHE 1960s ITALIAN KIT.\u003c\/h4\u003e\n\u003cp\u003eThis Meazzi Wooding kit from the 1960s is truly something of a sonic revelation. The moment you hear it you’ll know why. It has a deep and mellow tone that fit perfectly for this confined space. This is the second set from Armin Ruehl’s personal collection and one that Michael Ilbert knew very well from previous recordings of his. He had a clear plan of how to capture it for this SDX and it can out beautifully.\u003c\/p\u003e\n\u003cdiv class=\"hidden-sm\"\u003e \u003c\/div\u003e\n\u003cp class=\"hidden-sm\"\u003e\u003cem\u003e“This ‘Wooding’ kit is another one Armin’s personal sets. It just sounds ‘right’ to me, especially when played at softer to medium levels.” \u003c\/em\u003e– Michael Ilbert\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"col-sm-3\"\u003e\n\u003ch6 class=\"not-responsive\"\u003eKICK\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e14×22” Meazzi Wooding\u003cbr\u003eBatter head: Remo Powerstroke 3 Clear\u003cbr\u003eResonance head: Ambassador Coated\u003cbr\u003eBeater: Plastic\u003c\/p\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003ch6 class=\"not-responsive\"\u003eSNARE\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e6.5×14” Masshoff ‘Hansa Edition’\u003cbr\u003eBatter head: Evans Hydraulic\u003cbr\u003eResonance head: Evans Level 360\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-3\"\u003e\n\u003ch6 class=\"not-responsive\"\u003eRACK TOMS\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e8×12” Meazzi Wooding\u003cbr\u003eBatter head: Remo Ambassador Coated\u003cbr\u003eResonance head: Ambassador Clear\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-3\"\u003e\n\u003ch6 class=\"not-responsive\"\u003eFLOOR TOMS\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e16×16” Meazzi Wooding\u003cbr\u003eBatter head: Remo Ambassador Coated\u003cbr\u003eResonance head: Ambassador Clear\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-3\"\u003e\n\u003ch6 class=\"not-responsive\"\u003eADDITIONAL INSTRUMENTS\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e\u003cspan\u003eSNARE\u003c\/span\u003e\u003cbr\u003e6×14” Wahan Copper\u003cbr\u003eBatter head: Remo Ambassador Coated top\u003cbr\u003eResonance head: Remo Ambassador Hazy\u003c\/p\u003e\n\u003cp class=\"small-bread\"\u003e \u003c\/p\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-12 text-center\"\u003e\n\u003ch1 class=\"color-text-white hidden-sm hidden-xs\"\u003e\u003cspan\u003eTHE LIVE ROOM.\u003c\/span\u003e\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-md-10 col-md-offset-1 col-lg-8 col-lg-offset-2 text-center\"\u003e\n\u003cp\u003eFrom the mid-‘70s and through to today, the cream of the crop of European and international artists have recorded timeless works in this room. In here, anything from insanely popular German schlager to pop, rock and metal has been captured. For drums, it’s a perfect room – spacious but with a relatively moderate ceiling height, making it ambient without sounding overpowering. Simply put, the definition of a perfectly crafted and versatile drum room.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv class=\"hidden-xs\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-xs-12 col-sm-7\"\u003e\u003ca class=\"image-popup\" href=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/post\/the-rooms-of-hansa-sdx-the-live-room\/jpg\/LA_Kit_popup.jpg\"\u003e\u003cimg alt=\" width=\" src=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/post\/the-rooms-of-hansa-sdx-the-live-room\/jpg\/LA_Kit.jpg\" height=\"480\" width=\"690\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-sm-5\"\u003e\n\u003ch4\u003eTHE 1970s L.A. KIT.\u003c\/h4\u003e\n\u003cp\u003eEarly during the planning for this SDX, Michael expressed his desire to record a classic Camco kit in the Marble Room. We eventually found the ideal one over in the UK and ended up shipping it over to Berlin for the session. This specific set is from the brand’s 1970s L.A. era and this kit is probably best described as the perfect allround choice for a kit. Having a thick and warm sound but still a really crisp finish to its tones, it really works in any mix or style of music.\u003c\/p\u003e\n\u003cdiv class=\"hidden-sm\"\u003e \u003c\/div\u003e\n\u003cp class=\"hidden-sm\"\u003e\u003cem\u003e“This Camco was the only vintage kit I brought in for this session. I’ve been a fan of these drums for a long time already. I think they were the perfect choice for the Live Room.” \u003c\/em\u003e– Michael Ilbert\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-3\"\u003e\n\u003ch6 class=\"not-responsive\"\u003eKICK\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e14×24” Camco L.A. Era\u003cbr\u003eBatter head: Emperor Coated\u003cbr\u003eResonance head: Remo Ambassador Coated w\/ 6” hole\u003cbr\u003eBeater: Plastic\u003c\/p\u003e\n\u003ch6 class=\"not-responsive\"\u003eSNARE\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e6.5×14 Dunnett Classic Titanium\u003cbr\u003eBatter head: Remo controlled sound Coated\u003cbr\u003eResonance head: Remo Ambassador Hazy\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-3\"\u003e\n\u003ch6 class=\"not-responsive\"\u003eRACK TOM\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e10×14” Camco L.A. Era\u003cbr\u003eBatter head: Remo Ambassador Coated\u003cbr\u003eResonance head: Remo Ambassador Coated\u003c\/p\u003e\n\u003ch6 class=\"not-responsive\"\u003eFLOOR TOM\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e16×18” Camco L.A. Era\u003cbr\u003eBatter head: Remo Ambassador Coated\u003cbr\u003eResonance head: Remo Ambassador Coated\u003c\/p\u003e\n\u003ch6 class=\"not-responsive\"\u003eHI-HAT\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e14” Paiste Formula 602 Modern Essentials\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-3\"\u003e\n\u003ch6 class=\"not-responsive\"\u003eRIDE\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e20” Paiste 2002 Black Label Ride\u003c\/p\u003e\n\u003ch6 class=\"not-responsive\"\u003eCRASH CYMBALS\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e18” Paiste Giant Beat Crash\u003cbr\u003e20” Paiste Giant Beat Crash\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-3\"\u003e\n\u003ch6 class=\"not-responsive\"\u003eADDITIONAL INSTRUMENTS.\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e\u003cspan\u003eSNARES\u003c\/span\u003e\u003cbr\u003e8×14” Masshoff ‘Big Chief’ Stainless Steel (gold ceramic finish)\u003cbr\u003eBatter head: Remo Emperor Renaissance w\/ Evans E-Ring\u003cbr\u003eResonance head: Remo Ambassador Hazy\u003c\/p\u003e\n\u003cp class=\"small-bread\"\u003e6.5×14” DW (Custom model 1\/7, cryogenically treated by Frank Gegerle)\u003cbr\u003eBatter head: Remo DW Coated\u003cbr\u003eResonance head: Remo Ambassador Hazy\u003c\/p\u003e\n\u003cp class=\"small-bread\"\u003e\u003cspan\u003eKICKS\u003c\/span\u003e\u003cbr\u003e14×24” Camco L.A. Era (dry)\u003cbr\u003eBatter head: Powerstroke 3 Clear\u003cbr\u003eResonance head: Emperor Coated\u003c\/p\u003e\n\u003cp class=\"small-bread\"\u003e14×24” Camco L.A. Era\u003cbr\u003eBatter head: Powerstroke 3 Clear\u003cbr\u003eResonance head: None\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"col-sm-12 text-center\"\u003e\n\u003ch1 class=\"color-text-gray-darker hidden-sm hidden-xs\"\u003e\u003cspan\u003eGERMAN CRAFTSMANSHIP\u003cbr\u003e\u0026amp; BOUTIQUE INSTRUMENTS.\u003c\/span\u003e\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-4\"\u003e\n\u003cp\u003eFrom the onset of this project, both Michael Ilbert and the sound design team at Toontrack had a joint vision of not only focusing on finding the perfect drums for each room but also to make sure that the instruments had a close connection to Hansa, Berlin and Germany on a whole. “Knowing that Michael has a long working relationship with in particular Udo Masshoff, we knew we had the perfect way in with one of Germany’s premier instrument makers,” says Norman Garschke, sampling drummer and one of the initiators of this project.\u003c\/p\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e“We knew we had the perfect way in with one of Germany’s premier instrument makers”\u003cbr\u003e– Norman Garschke\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e“I really could write a book about this man and his drums. Udo is a good friend and an amazing visionary in the craft of drum making. Our collaboration started many years ago when I hired him as a drum tech. By that time he hadn’t made his first snare drum design yet, which was his first instrument to later be released. The next time we met, he brought this big fat 8″ stainless steel snare in. When I heard it for the first time, I immediately felt that there was something different about this instrument. Later down the line when he’d built his first prototype kit and I heard that, I instantly knew that ‘there’s a new kit in town.’ This is the exact kit we captured for this SDX, and I couldn’t be happier with how it came out. Udo’s drums make drum recording a lot easier and faster – it’s like they’re already EQ’d. They just have the right frequencies and dynamics built into the shells. I love them,”\u003c\/em\u003e comments Michael Ilbert.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-4\"\u003e\n\u003cp\u003eIn addition to the prototype \u003cspan\u003eMasshoff\u003c\/span\u003e kit, several unique Masshoff-built snares were also captured for this SDX.\u003c\/p\u003e\n\u003cp\u003eAnother local brand that makes extraordinary drums is \u003cspan\u003eWahan\u003c\/span\u003e. Since 1995, the top-shelf instruments handcrafted by Wahan “Willy” Cherbettchian have made their way onto tons of records and been embraced by top drummers around the world. One of his absolutely most unique kits is of course the Supreme Classic Acrylic, solely made out of acrylic shells. We were lucky to sample this kit not only with a regular set of toms but also with four octabans built from the very same shell material. This kit even has a deeper story worth noting.\u003c\/p\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003ca class=\"image-popup\" href=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/the-rooms-of-hansa-sdx\/jpg\/hansadrum_popup.jpg\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/the-rooms-of-hansa-sdx\/jpg\/hansadrum.jpg\" height=\"708\" width=\"690\"\u003e\u003c\/a\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-4\"\u003e\n\u003ca class=\"image-popup\" href=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/the-rooms-of-hansa-sdx\/jpg\/snaredrum_popup.jpg\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/the-rooms-of-hansa-sdx\/jpg\/snaredrum.jpg\" height=\"460\" width=\"690\"\u003e\u003c\/a\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e“Through Michael’s many years of engineering for Herbert Grönemeyer and his producer Alex Silva, we were lucky to get direct access to drummer Armin Ruel’s personal kits and snares with the help of Armin’s personal drum tech Jan Dehling. The Acrylic Kit is actually one of the sets he used on many Grönemeyer albums and tours, most notably the ‘Mensch’ album which to this day is Germany’s best-selling record ever,”\u003c\/em\u003e says Norman Garschke.\u003c\/p\u003e\n\u003cp\u003eIn addition to the German-made drums, this SDX also features many other carefully selected drums and unique instruments from around the world – perhaps most notably the cryogenically treated ones from the personal collection of Munich-based cymbal manufacturer Frank Gegerle.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"container-fluid-max lazyload\"\u003e\n\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-8 col-xs-12 col-lg-7\"\u003e\n\u003ch3 class=\"color-text-white\"\u003eMEET THE ENGINEER –\u003c\/h3\u003e\n\u003ch1 class=\"color-text-white hidden-xs hidden-sm\"\u003e\u003cspan\u003eMICHAEL\u003cbr\u003eILBERT.\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003eMichael Ilbert has been recording and mixing records non-stop since the mid-’80s. His career began on the west coast of Sweden, working for rock, punk and up-and-coming pop bands of the time. The quality of his work quickly transitioned into gigs in the mainstream realm with productions for the likes of Roxette and many more. Since 2007, Michael works out of his own room at Hansa, delivering mixes back to back for the absolute top tier of the industry. Some of his recent recording engineering work includes Grammy Award-winning records for Adele and Taylor Swift, to name but a few. With a background in recording and mixing anything from punk and metal to electronic pop, his experience is enormous – something that shines through in the broad range of sounds and engineering techniques that The Rooms of Hansa SDX presents.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid-max \"\u003e\n\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"hidden-xs\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-md-4\"\u003e\n\u003cp\u003e\u003cspan\u003eWhat was your overall vision for this project?\u003c\/span\u003e\u003cbr\u003eWhen I was approached by Toontrack, I told them that if they want to record with me I need to do it my way – which they did. I didn’t want to do different drum kits in one room, but instead use specific kits for each space that this studio has to offer. First of all, I proposed that we’d do four different room setups. For example, I used a stainless steel kit in the loud ‘Marble Room’ and warm-sounding maple kits in the ‘Vocal Booth.’ It was a lot of fun to tailor each room with suiting kit and cymbals. In the ‘Meistersaal’ we used a 28” kick. You know, things like that. Second, I wanted to make drum sounds that quickly could be inspiring for users, so therefore I included some of my go-to parallel chains in the recordings as well.\u003c\/p\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003ca class=\"image-popup\" href=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/the-rooms-of-hansa-sdx\/jpg\/ilbert2_popup.jpg\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/the-rooms-of-hansa-sdx\/jpg\/ilbert2.jpg\" height=\"461\" width=\"690\"\u003e\u003c\/a\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003eNow that the product is done and you’ve had a chance to work with the sounds, engineer presets and really put the kits through the grinder, what are your thoughts on how it turned out?\u003c\/span\u003e\u003cbr\u003eI am very pleased with the outcome and extremely impressed with the program! I have been able to tweak my recordings in a way you can not do in real life, getting the polarity right on each drum and additional mics. This brings out the full capacity of the recordings and the plugin. It really captures the essence of the rooms at Hansa. I would like to thank Toontrack and everyone who made this possible – my favorite team Pierre-Olivier Margerand, Martin Brängesjö and Udo Masshoff as well as the amazing Hansa staff, Alex Wende and Nanni Johansson. Finally, a salute to the best drummer there is, Mr. Norman Garschke. Without him this would have never been possible.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-md-4\"\u003e\n\u003cp\u003e\u003cspan\u003eHow do you see yourself using these drum sounds in your work?\u003c\/span\u003e\u003cbr\u003eWell, every day I need to add something to a missing recording – sometimes close mics or just the room mics.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTo you, what defines a great drum sound?\u003c\/span\u003e\u003cbr\u003eOh, that is a big question with as many answers…but to me, it’s not always about the loudest, fattest whatever sound – it’s all about the song. To me, the drum sound needs to compliment that. I think when you hear my presets, you’ll get the picture. I think Hansa was the perfect place to capture this SDX and my vision for drums on a whole. This is a place that inspires you to create and that pushes you harder and further into record-making. The history of this place speaks for itself.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWalk us through a typical day in the life of Michael Ilbert!\u003c\/span\u003e\u003cbr\u003eIt starts waking up at 06:30 AM, prepping breakfast for my daughter and then walk our dog. Then, check some emails and head to the studio. These days it’s all about mixing. I work without an assistant engineer, so either I start by doing some revisions or setting up the next song to mix. Then, food break between 3:30-4:30 after which I keep mixing a few more hours to finally get the song done and go home.\u003c\/p\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003ca class=\"image-popup\" href=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/the-rooms-of-hansa-sdx\/jpg\/grammy_popup.jpg\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/the-rooms-of-hansa-sdx\/jpg\/grammy.jpg\" height=\"1018\" width=\"690\"\u003e\u003c\/a\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-md-4\"\u003e\n\u003ch5 class=\"color-text-white\"\u003e\u003cspan\u003eSELECT RECORDING\/MIXING DISCOGRAPHY.\u003c\/span\u003e\u003c\/h5\u003e\n\u003cspan class=\"font-conduit-extra-bold\"\u003eEd Sheeran\u003c\/span\u003e “No. 6 Collaborations Project” (2019)\u003cbr\u003e\u003cspan class=\"font-conduit-extra-bold\"\u003eMuse\u003c\/span\u003e “Simulation Theory” (2018)\u003cbr\u003e\u003cspan class=\"font-conduit-extra-bold\"\u003ePink\u003c\/span\u003e “Beautiful Trauma” (2017)\u003cbr\u003e\u003cspan class=\"font-conduit-extra-bold\"\u003eAlphaville\u003c\/span\u003e “Strange Attractor” (2017)\u003cbr\u003e\u003cspan class=\"font-conduit-extra-bold\"\u003eTravis\u003c\/span\u003e “Where You Stand” (2016)\u003cbr\u003e\u003cspan class=\"font-conduit-extra-bold\"\u003eKent\u003c\/span\u003e “Då som nu för alltid” (2016)\u003cbr\u003e\u003cspan class=\"font-conduit-extra-bold\"\u003eAdele\u003c\/span\u003e “25” (2015)\u003cbr\u003e\u003cspan class=\"font-conduit-extra-bold\"\u003eAdam Lambert\u003c\/span\u003e “The Original High” (2015)\u003cbr\u003e\u003cspan class=\"font-conduit-extra-bold\"\u003eTaylor Swift\u003c\/span\u003e “1989” (2014)\u003cbr\u003e\u003cspan class=\"font-conduit-extra-bold\"\u003eTove Lo\u003c\/span\u003e “Queen of the Clouds” (2014)\u003cbr\u003e\u003cspan class=\"font-conduit-extra-bold\"\u003eHerbert Grönemeyer\u003c\/span\u003e “Dauernd Jetzt” (2014)\u003cbr\u003e\u003cspan class=\"font-conduit-extra-bold\"\u003eKaty Perry\u003c\/span\u003e “Prism” (2013)\u003cbr\u003e\u003cspan class=\"font-conduit-extra-bold\"\u003eA-ha\u003c\/span\u003e “Analogue” (2006)\u003cbr\u003e\u003cspan class=\"font-conduit-extra-bold\"\u003eRobyn\u003c\/span\u003e “Robyn” (2005)\u003cbr\u003e\u003cspan class=\"font-conduit-extra-bold\"\u003eSupergrass\u003c\/span\u003e “Road to Rouen” (2005)\u003cbr\u003e\u003cspan class=\"font-conduit-extra-bold\"\u003eThe Hives\u003c\/span\u003e “Tyrannosaurus Hives” (2004)\u003cbr\u003e\u003cspan class=\"font-conduit-extra-bold\"\u003eThe Cardigans\u003c\/span\u003e “Long Gone Before Daylight” (2003)\u003c\/div\u003e\n\u003cdiv class=\"col-md-4\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"col-md-4\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"col-md-4\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-12 text-center\"\u003e\n\u003ch1 class=\"color-text-white hidden-xs hidden-sm\"\u003e\u003cspan\u003eUNCOMPROMISING\u003cbr\u003eINSTRUMENT DETAIL.\u003c\/span\u003e\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-10 col-sm-offset-1 col-lg-8 col-lg-offset-2 text-center\"\u003e\n\u003cp class=\"color-text-white sub-headline\"\u003eTo us, sampling sounds for an SDX is more than merely recording instruments. It is the craft of capturing the essence and every unique voice of each instrument to give you, the user, the ability to produce limitless and stunningly real performances.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-4\"\u003e\n\u003ca class=\"image-popup\" href=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/the-rooms-of-hansa-sdx\/jpg\/hihat.jpg\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/the-rooms-of-hansa-sdx\/jpg\/hihat.jpg\" height=\"473\" width=\"690\"\u003e\u003c\/a\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003ch5 class=\"color-text-gray-darker\"\u003e\u003cspan\u003eHI-HAT.\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003eDue to the complex nature and immense variation in voicing this instrument offers, the hi-hats were recorded with up to 27 unique multi-sampled articulations.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-4\"\u003e\n\u003ca class=\"image-popup\" href=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/the-rooms-of-hansa-sdx\/jpg\/ride.jpg\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/the-rooms-of-hansa-sdx\/jpg\/ride.jpg\" height=\"473\" width=\"690\"\u003e\u003c\/a\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003ch5 class=\"color-text-gray-darker\"\u003e\u003cspan\u003eRIDE CYMBALS.\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003eThe ride cymbals were sampled with up to seven articulations and cover a broad range of voices, enabling you to produce stunningly detailed performances.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-4\"\u003e\n\u003ca class=\"image-popup\" href=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/the-rooms-of-hansa-sdx\/jpg\/snare.jpg\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/the-rooms-of-hansa-sdx\/jpg\/snare.jpg\" height=\"473\" width=\"690\"\u003e\u003c\/a\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003ch5 class=\"color-text-gray-darker\"\u003e\u003cspan\u003eSNARE.\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003eThe snares sampled with ‘wires on’ and sticks include eight unique articulations.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-4 col-sm-offset-2\"\u003e\n\u003cdiv class=\"hidden-xs\"\u003e \u003c\/div\u003e\n\u003ca class=\"image-popup\" href=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/the-rooms-of-hansa-sdx\/jpg\/crash.jpg\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/the-rooms-of-hansa-sdx\/jpg\/crash.jpg\" height=\"473\" width=\"690\"\u003e\u003c\/a\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003ch5 class=\"color-text-gray-darker\"\u003e\u003cspan\u003eCRASH CYMBALS.\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003eThe crashes were sampled in up to six articulations, allowing you to produce anything from subtle crescendos to using any crash cymbal essentially as a leading instrument.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-4\"\u003e\n\u003cdiv class=\"hidden-xs\"\u003e \u003c\/div\u003e\n\u003ca class=\"image-popup\" href=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/the-rooms-of-hansa-sdx\/jpg\/rototoms.jpg\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/the-rooms-of-hansa-sdx\/jpg\/rototoms.jpg\" height=\"473\" width=\"690\"\u003e\u003c\/a\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003ch5 class=\"color-text-gray-darker\"\u003e\u003cspan\u003eTOMS, OCTOBANS \u0026amp; ROTOTOMS.\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003eAll these instruments were sampled with three unique articulations: center hits, rimshots and rims only. This will enable you to produce deeply detailed performances expressing the entire tonal range of each drum.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003csection id=\"presets\"\u003e\n\u003cdiv class=\"animated fadeIn affix\" data-animation-name=\"fadeIn\" data-animation-direction=\"in\" data-animation-offset=\"80\"\u003e\n\u003cdiv class=\"container-fluid-max color-black\"\u003e\n\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-12 text-center\"\u003e\n\u003ch1 class=\"hidden-xs hidden-sm\"\u003e\u003cspan\u003eTHE PRESETS.\u003c\/span\u003e\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-10 col-sm-offset-1 col-lg-8 col-lg-offset-2 text-center\"\u003e\n\u003cp class=\"color-text-gray-lighter sub-headline\"\u003eTo inspire and enable you to make music instantly, The Rooms of Hansa SDX includes a broad range of mix-ready presets showcasing the different rooms, kits and expansive width of styles the included drums can be used for.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv class=\"hidden-xs\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-4\"\u003e\n\u003cdiv\u003e\n\u003ch5 class=\"color-text-white\"\u003eDEFAULT PRESETS\u003c\/h5\u003e\n\u003c\/div\u003e\n\u003cp class=\"color-text-gray-lighter\"\u003eMichael’s idea behind these presets was to demonstrate the most honest and natural state of the different kits and configurations. Each preset involves careful consideration in terms of instrument choices as well as extreme scrutinization in regard to microphone balancing, leveling, phase correction and instrument bleed. Aside from all of that, the processing is minimal, giving you a raw but expertly engineered starting point to continue to build on. This collection of presets is perfect for quickly auditioning the massive amount of options this SDX has to offer and for finding something on the fly that works for the song you’re working on.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-4\"\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch5 class=\"color-text-white\"\u003eMIX PRESETS\u003c\/h5\u003e\n\u003c\/div\u003e\n\u003cp class=\"color-text-gray-lighter\"\u003eIn the second batch of presets, Michael digs deeper into the endless ways of working with the sound shaping tools that Superior Drummer 3 has to offer. While still very much on the acoustic and natural side of things, these presets will cater to a more niched use and involve a heavier portion of processing. Tight, snappy, heavy, roomy and squashed – these settings will go great with anything from tight pop to roomy rock.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-4\"\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch5 class=\"color-text-white\"\u003eTOONTRACK PRESETS.\u003c\/h5\u003e\n\u003c\/div\u003e\n\u003cp class=\"color-text-gray-lighter\"\u003eFor these presets, the Toontrack sound design team unleashed their creativity to engineer a variety of kit presets that range from round and warm and to edgy, modern and downright out-of-this-world-like.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e  \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection id=\"midi\"\u003e\n\u003cdiv class=\"animated fadeIn affix\" data-animation-name=\"fadeIn\" data-animation-direction=\"in\" data-animation-offset=\"80\"\u003e\n\u003cdiv class=\"container-fluid-max color-white\"\u003e\n\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-12 text-center\"\u003e\n\u003ch1 class=\"hidden-xs hidden-sm\"\u003e\u003cspan\u003eTHE MIDI.\u003c\/span\u003e\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-10 col-sm-offset-1 col-lg-8 col-lg-offset-2 text-center\"\u003e\n\u003cp class=\"sub-headline\"\u003eTo give you the perfect battery of grooves and fills to get you started on your journey through this SDX, Michael Ilbert and drummer Norman Garschke weighed in not only the rich history of records recorded at Hansa but also what type of grooves would work the best for each room, the different kits and the era or style they best represent. Each room has its own designated library of MIDI, making it easy to call up a groove, a kit and a preset that all harmonize perfectly both on a sonic and a performance level.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv class=\"hidden-xs\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-6\"\u003e\n\u003ch5 class=\"color-text-gray-darker not-responsive\"\u003e\u003cspan\u003eTHE MARBLE ROOM.\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003eHere you’ll find MIDI that perfectly fits the rather aggressive, rough and edgy sonic characteristics of this room and kits. Think new wave, alt-rock, punk-inspired rock and, well, any kind of loud rock that calls for an edgy kit and the perfect grooves to go with it.\u003c\/p\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003ch5 class=\"color-text-gray-darker not-responsive\"\u003e\u003cspan\u003eTHE MEISTERSAAL.\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003eThe MIDI for this room was greatly inspired by some of the iconic artists that recorded seminal works in this majestic hall. In short, this section provides thunderous rock grooves and big fills – tailored for use with the breathtaking ambience of the Meistersaal.\u003c\/p\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003ch5 class=\"color-text-gray-darker not-responsive\"\u003e\u003cspan\u003eTHE LIVE ROOM.\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003eThe grooves we chose to lay down for this section work great with the warm, thick and lively sound of the different variations of the 1970s L.A. Kit. These drums really shine when played slightly laid back and not hammered upon, so expect grooves with loads of nuance and feel.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-6\"\u003e\n\u003ch5 class=\"color-text-gray-darker not-responsive\"\u003e\u003cspan\u003eTHE VOCAL BOOTH.\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003eThe extremely dry and absorbing space of this room brings out the most bare and honest nature of these beautiful drums. For that reason, Michael had a crystal-clear vision of showcasing these amazing instruments with a collection of subtle, nuanced and balanced grooves that really give the drums room to shine – all performed at low velocities and with a relaxed feel.\u003c\/p\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003ch5 class=\"color-text-gray-darker not-responsive\"\u003e\u003cspan\u003eMALLETS AND ROTOTOMS.\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003eThis category gives you material specifically suited for use with the rototoms and octabans of the Marble Room kit configurations and\/or the Meistersaal Twin Shell Kit recorded with mallets. Mix, match and have fun with these many groove variations showcasing the unique mapping and extensive expression that these instruments offer.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-8\"\u003e\n\u003ch4 class=\"color-text-default\"\u003eMICROPHONE \u0026amp; INPUT LIST.\u003c\/h4\u003e\n\u003ch1 class=\"color-text-white\"\u003e\u003cspan\u003eTHE MARBLE ROOM.\u003c\/span\u003e\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-12\"\u003e\n\u003cdiv class=\"dark-styled-table\"\u003e\n\u003ctable class=\"table table-striped color-text-gray-lighter small-bread\"\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eCH\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eSOURCE\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eMIC\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003ePRE\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eINS\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eSDX MIXER\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003e1\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003eKick In\u003c\/td\u003e\n\u003ctd\u003eAkg D12e\u003c\/td\u003e\n\u003ctd\u003eNeve 1089\u003c\/td\u003e\n\u003ctd\u003eAPI560\u003c\/td\u003e\n\u003ctd\u003eKick\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003e2\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003eKick Out\u003c\/td\u003e\n\u003ctd\u003eNeumann U47fet\u003c\/td\u003e\n\u003ctd\u003eNeve 1089\u003c\/td\u003e\n\u003ctd\u003e \u003c\/td\u003e\n\u003ctd\u003eKick\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003e3\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003eKick Sub\u003c\/td\u003e\n\u003ctd\u003eNS10\u003c\/td\u003e\n\u003ctd\u003eNeve 1089\u003c\/td\u003e\n\u003ctd\u003e \u003c\/td\u003e\n\u003ctd\u003eKick Sub\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003e4\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003eKick Snare\u003c\/td\u003e\n\u003ctd\u003eNeumann U87\u003c\/td\u003e\n\u003ctd\u003eNeve 1081\u003c\/td\u003e\n\u003ctd\u003e1176 Blk\u003c\/td\u003e\n\u003ctd\u003eKick Snare\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003e5\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003eSnr Top\u003c\/td\u003e\n\u003ctd\u003eSm57\u003c\/td\u003e\n\u003ctd\u003eNeve 1089\u003c\/td\u003e\n\u003ctd\u003e \u003c\/td\u003e\n\u003ctd\u003eSnare Top\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003e6\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003eSnr Top\u003c\/td\u003e\n\u003ctd\u003eAkg 451eb\u003c\/td\u003e\n\u003ctd\u003eNeve 1089\u003c\/td\u003e\n\u003ctd\u003e1176 Blue\u003c\/td\u003e\n\u003ctd\u003eSnare Top\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003e7\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003eSnr Side\u003c\/td\u003e\n\u003ctd\u003eAkg 414eb\u003c\/td\u003e\n\u003ctd\u003eNeve 1089\u003c\/td\u003e\n\u003ctd\u003e \u003c\/td\u003e\n\u003ctd\u003eSnare Top\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003e8\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003eSnr Btm\u003c\/td\u003e\n\u003ctd\u003eAkg 414eb\u003c\/td\u003e\n\u003ctd\u003eNeve 1089\u003c\/td\u003e\n\u003ctd\u003e \u003c\/td\u003e\n\u003ctd\u003eSnare Bottom\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003e9\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003eCrunch mic\u003c\/td\u003e\n\u003ctd\u003eAltec Saltshaker\u003c\/td\u003e\n\u003ctd\u003eNeve 1081\u003c\/td\u003e\n\u003ctd\u003eLevel-Or\u003c\/td\u003e\n\u003ctd\u003eTrash\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003e10\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003eOH Mono\u003c\/td\u003e\n\u003ctd\u003eAkg D19\u003c\/td\u003e\n\u003ctd\u003eNeve 1089\u003c\/td\u003e\n\u003ctd\u003e1176 Blk\u003c\/td\u003e\n\u003ctd\u003eOH Mono\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003e11\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003eOH L\u003c\/td\u003e\n\u003ctd\u003eMA200A\u003c\/td\u003e\n\u003ctd\u003eNeve 1089\u003c\/td\u003e\n\u003ctd\u003e \u003c\/td\u003e\n\u003ctd\u003eOH\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003e12\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003eOH R\u003c\/td\u003e\n\u003ctd\u003eMA200A\u003c\/td\u003e\n\u003ctd\u003eNeve 1089\u003c\/td\u003e\n\u003ctd\u003e \u003c\/td\u003e\n\u003ctd\u003eOH\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003e13\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003eRide\u003c\/td\u003e\n\u003ctd\u003eAkg 451eb\u003c\/td\u003e\n\u003ctd\u003eNeve 1089\u003c\/td\u003e\n\u003ctd\u003e \u003c\/td\u003e\n\u003ctd\u003eRide\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003e14\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003eHat\u003c\/td\u003e\n\u003ctd\u003eAkg 451eb\u003c\/td\u003e\n\u003ctd\u003eNeve 1089\u003c\/td\u003e\n\u003ctd\u003e \u003c\/td\u003e\n\u003ctd\u003eHi-Hat\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003e15\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003eF.Tom top 18”\u003c\/td\u003e\n\u003ctd\u003eJosephson E22s\u003c\/td\u003e\n\u003ctd\u003eNeve 1089\u003c\/td\u003e\n\u003ctd\u003e \u003c\/td\u003e\n\u003ctd\u003eFloortom 2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003e16\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003eF.Tom btm 18”\u003c\/td\u003e\n\u003ctd\u003eJosephson E22s\u003c\/td\u003e\n\u003ctd\u003eNeve 1089\u003c\/td\u003e\n\u003ctd\u003e \u003c\/td\u003e\n\u003ctd\u003eFloortom 2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003e17\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003eF.Tom top 16”\u003c\/td\u003e\n\u003ctd\u003eJosephson E22s\u003c\/td\u003e\n\u003ctd\u003eNeve 1089\u003c\/td\u003e\n\u003ctd\u003e \u003c\/td\u003e\n\u003ctd\u003eFloortom 1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003e18\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003eF.Tom btm 16”\u003c\/td\u003e\n\u003ctd\u003eJosephson E22s\u003c\/td\u003e\n\u003ctd\u003eNeve 1089\u003c\/td\u003e\n\u003ctd\u003e \u003c\/td\u003e\n\u003ctd\u003eFloortom 1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003e19\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003eR.Tom top 12”\u003c\/td\u003e\n\u003ctd\u003eJosephson E22s\u003c\/td\u003e\n\u003ctd\u003eNeve 1089\u003c\/td\u003e\n\u003ctd\u003e \u003c\/td\u003e\n\u003ctd\u003eRacktom\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003e20\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003eR.Tom btm 12”\u003c\/td\u003e\n\u003ctd\u003eJosephson E22s\u003c\/td\u003e\n\u003ctd\u003eNeve 1089\u003c\/td\u003e\n\u003ctd\u003e \u003c\/td\u003e\n\u003ctd\u003eRacktom\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003e21\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003eMono Kit\u003c\/td\u003e\n\u003ctd\u003eNeumann U47\u003c\/td\u003e\n\u003ctd\u003eNeve 1089\u003c\/td\u003e\n\u003ctd\u003eSS 610 – API 560\u003c\/td\u003e\n\u003ctd\u003eMono Kit\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003e22\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003eMono Room\u003c\/td\u003e\n\u003ctd\u003eColes 4038\u003c\/td\u003e\n\u003ctd\u003eNeve 1089\u003c\/td\u003e\n\u003ctd\u003e \u003c\/td\u003e\n\u003ctd\u003eAmb Close\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003e23\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003eRoom Close L\u003c\/td\u003e\n\u003ctd\u003eAEA84\u003c\/td\u003e\n\u003ctd\u003eNeve 1089\u003c\/td\u003e\n\u003ctd\u003e \u003c\/td\u003e\n\u003ctd\u003eAmb Close\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003e24\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003eRoom Close R\u003c\/td\u003e\n\u003ctd\u003eAEA84\u003c\/td\u003e\n\u003ctd\u003eNeve 1089\u003c\/td\u003e\n\u003ctd\u003e \u003c\/td\u003e\n\u003ctd\u003eAmb Close\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003e25\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003eRoom Floor L\u003c\/td\u003e\n\u003ctd\u003eCMV563\u003c\/td\u003e\n\u003ctd\u003eNeve 1089\u003c\/td\u003e\n\u003ctd\u003e \u003c\/td\u003e\n\u003ctd\u003eAmb Mid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003e26\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003eRoom Floor R\u003c\/td\u003e\n\u003ctd\u003eCMV563\u003c\/td\u003e\n\u003ctd\u003eNeve 1089\u003c\/td\u003e\n\u003ctd\u003e \u003c\/td\u003e\n\u003ctd\u003eAmb Mid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003e27\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003eWall L\u003c\/td\u003e\n\u003ctd\u003eCrown PZM\u003c\/td\u003e\n\u003ctd\u003eNeve 1089\u003c\/td\u003e\n\u003ctd\u003eCompex F760X-RS\u003c\/td\u003e\n\u003ctd\u003eAmb Side\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003e28\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003eWall R\u003c\/td\u003e\n\u003ctd\u003eCrown PZM\u003c\/td\u003e\n\u003ctd\u003eNeve 1089\u003c\/td\u003e\n\u003ctd\u003eCompex F760X-RS\u003c\/td\u003e\n\u003ctd\u003eAmb Side\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003e29\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003eRoom Far L\u003c\/td\u003e\n\u003ctd\u003eNeumann U87\u003c\/td\u003e\n\u003ctd\u003eNeve 1089\u003c\/td\u003e\n\u003ctd\u003ePOM-PYE\u003c\/td\u003e\n\u003ctd\u003eAmb Far\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003e30\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003eRoom Far R\u003c\/td\u003e\n\u003ctd\u003eNeumann U87\u003c\/td\u003e\n\u003ctd\u003eNeve 1089\u003c\/td\u003e\n\u003ctd\u003ePOM-PYE\u003c\/td\u003e\n\u003ctd\u003eAmb Far\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003e31\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003eMono Low\u003c\/td\u003e\n\u003ctd\u003eB\u0026amp;K 4006\u003c\/td\u003e\n\u003ctd\u003eNeve 1089\u003c\/td\u003e\n\u003ctd\u003eLevel-Or\u003c\/td\u003e\n\u003ctd\u003eMono Low\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003e32\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003eChamber\u003c\/td\u003e\n\u003ctd\u003eNeumann U87\u003c\/td\u003e\n\u003ctd\u003eNeve 1081\u003c\/td\u003e\n\u003ctd\u003e \u003c\/td\u003e\n\u003ctd\u003eStairs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003e33\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003eX-Tom\u003c\/td\u003e\n\u003ctd\u003eJosephson E22s\u003c\/td\u003e\n\u003ctd\u003eNeve 1089\u003c\/td\u003e\n\u003ctd\u003e \u003c\/td\u003e\n\u003ctd\u003eHightom 1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003e34\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003eX-Tom\u003c\/td\u003e\n\u003ctd\u003eJosephson E22s\u003c\/td\u003e\n\u003ctd\u003eNeve 1089\u003c\/td\u003e\n\u003ctd\u003e \u003c\/td\u003e\n\u003ctd\u003eHightom 2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003e35\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003eX-Tom\u003c\/td\u003e\n\u003ctd\u003eJosephson E22s\u003c\/td\u003e\n\u003ctd\u003eNeve 1089\u003c\/td\u003e\n\u003ctd\u003e \u003c\/td\u003e\n\u003ctd\u003eHightom 3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003e36\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003eX-Tom\u003c\/td\u003e\n\u003ctd\u003eJosephson E22s\u003c\/td\u003e\n\u003ctd\u003eNeve 1089\u003c\/td\u003e\n\u003ctd\u003e \u003c\/td\u003e\n\u003ctd\u003eHightom 4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e \u003c\/td\u003e\n\u003ctd\u003eStereo Parallel comp\u003c\/td\u003e\n\u003ctd\u003eUrei 1178\u003c\/td\u003e\n\u003ctd\u003e \u003c\/td\u003e\n\u003ctd\u003eBAX Eq\u003c\/td\u003e\n\u003ctd\u003eComp 1178\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e \u003c\/td\u003e\n\u003ctd\u003eMono Parallel Comp\u003c\/td\u003e\n\u003ctd\u003eGates SA39B\u003c\/td\u003e\n\u003ctd\u003e \u003c\/td\u003e\n\u003ctd\u003e \u003c\/td\u003e\n\u003ctd\u003eMono Comp\u003cbr\u003e\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-8\"\u003e\n\u003ch4 class=\"color-text-default\"\u003eMICROPHONE \u0026amp; INPUT LIST.\u003c\/h4\u003e\n\u003ch1 class=\"color-text-white\"\u003e\u003cspan\u003eMEISTERSAAL.\u003c\/span\u003e\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-12\"\u003e\n\u003cdiv class=\"dark-styled-table\"\u003e\n\u003ctable class=\"table table-striped color-text-gray-lighter small-bread\"\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eCH\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eSOURCE\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eMIC\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003ePRE\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eINS\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eSDX MIXER\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003e1\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003eKick Out\u003c\/td\u003e\n\u003ctd\u003eAkg D45\u003c\/td\u003e\n\u003ctd\u003eHelios – 69\u003c\/td\u003e\n\u003ctd\u003eAPI560\u003c\/td\u003e\n\u003ctd\u003eKick\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003e2\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003eKick Out\u003c\/td\u003e\n\u003ctd\u003eNeumann U47fet\u003c\/td\u003e\n\u003ctd\u003eHelios – 69\u003c\/td\u003e\n\u003ctd\u003e \u003c\/td\u003e\n\u003ctd\u003eKick\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003e3\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003eKick Sub\u003c\/td\u003e\n\u003ctd\u003eNS10\u003c\/td\u003e\n\u003ctd\u003eNeve 1089\u003c\/td\u003e\n\u003ctd\u003e \u003c\/td\u003e\n\u003ctd\u003eKick Sub\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003e4\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003eKick Beater\u003c\/td\u003e\n\u003ctd\u003eSm98\u003c\/td\u003e\n\u003ctd\u003eHelios – 69\u003c\/td\u003e\n\u003ctd\u003e \u003c\/td\u003e\n\u003ctd\u003eKick Beater\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003e5\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003eKick Snare\u003c\/td\u003e\n\u003ctd\u003eNeumann U87\u003c\/td\u003e\n\u003ctd\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eRegistration Information\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eSerial Number: https:\/\/www.toontrack.com\/product-manager\/  \u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Toontrack","offers":[{"title":"Default Title","offer_id":53053133783324,"sku":null,"price":179.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/theroomsofhansa_1.jpg?v=1758877144","url":"https:\/\/jrrshop-3235.myshopify.com\/products\/theroomsofhansa","provider":"jrrshop","version":"1.0","type":"link"}