{"product_id":"theqred","title":"MAAT Labs thEQred EQ Plugin","description":"\u003ch1 style=\"text-align: center;\"\u003e\u003ciframe width=\"690\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/epV4jTwlJ9A\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ch1 style=\"text-align: center;\"\u003e\u003cimg height=\"453\" src=\"https:\/\/www.jrrshop.com\/media\/catalog\/product\/p\/r\/product-theqred-42b9d07b.png\" width=\"690\"\u003e\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eRed Is The New Black\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eThink of thEQred as LP PEQ Red 2.0…we’ve taken the fundamentals of Algorithmix’s exemplary LinearPhase PEQ Red, and given it a MAAT makeover. There is no other æsthetic equalizer like thEQred. With its ability to invisibly provide spectral counterweight to mixes that lean one way or another, thEQred excels at straightening up biased content. Add crystalline air without stridency to a dark mix, or beef up lower mids and bass without bloat or loss of focus. With twelve bands or Sections of precision, linear phase parametric equalization featuring unique shelving filters, mastery of complex mixes without changing their overall sonic character is just a few clicks away.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eA little backstory…An idea was born to reissue this masterpiece, along with the other legendary Algorithmix EQs, and make it available as 64 bit in all common formats and (finally!) for macOS. As a power user, our visionary Friedemann had some ideas in mind regarding the improvements. Specifically, he wanted to make the user interface, the UI, more flexible and faster to use because there is no other tool in the mastering chain that receives as much “seat time.” The result: Our thEQ UI and feature set. The UI affords super fast setup and includes a number of unique features which help to speed your work: The positive \u0026amp; negative Contribution function including absolute difference, the highly adjustable sonogram which makes detecting problem spots easy, and the possibility to play a note on the keyboard that you have in your head and then snap a Section to that respective frequency with one click. Also, having all twelve Sections visible simultaneously, not to mention the SORT button function.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eFrequency Forward\u003c\/h1\u003e\n\u003cp\u003ethEQred works in the frequency domain. That is, the input signal is first transformed into a spectral representation. Then, that spectral equivalent is operated upon. Special measures have been taken to ensure high resolution at critical low frequencies while keeping time resolution untouched. Unlike other frequency-domain filters, this avoids drums or other instrument containing strong transients from being blurred. In addition, extremely high compute resolution has been used to avoid any cumulative truncation effects typical in complex frequency transforms. This results in unblemished sound quality.\u003cbr\u003eThere are other plug–ins on the market using frequency–domain techniques. Most of them apply relatively low frequency resolution and then claim that frequency response mathematically interpolated between a few set points or that freehand drawing is the best solution. This may be true for some industrial applications, but such filters simply don’t sound musical. We’ve worked hard to insure that filter shapes in thEQred exactly match the best analog references. The result is sonic quality that is undisputed, even at baseband 44.1 and 48 kHz rates.\u003c\/p\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eUnobtrusive Power\u003c\/h1\u003e\n\u003cp\u003e“An equalizer should have no, ideally, should have no distortion of its own. It’s almost impossible to do it without some distortion but, that’s the aim. So, if you can do that…Now there are a lot of equalizers about, where people have just taken a circuit out of some reference book and hoped for the best and they’ve never really succeeded because they haven’t taken into account all these other things.” — Rupert Neve on EQ in Rupert Neve: The SOS Interview on YouTube\u003c\/p\u003e\n\u003cp\u003ethEQred was designed to deliver the highest possible linearity down to subsonic frequencies. This and other powerful features hide behind its clean and simple UI. Eye candy is great for newbies, but thEQr isn’t your typical filter: thEQred packs all the advanced features you need into one resizable window that’s easy on the eyes. Not only does the UI “get out of the way” so you can be more productive, we’ve incorporated industry–first features that speed your workflow, neatly packaged to make thEQred easy and intuitive to use.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg alt=\"thEQred Pennant\" src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQo\/thEQo-Power-60a253fe.png\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cimg alt=\"thEQred Topo Controls\" src=\"https:\/\/www.maat.digital\/assets\/images\/products\/thEQo\/thEQo-Matrix\u0026amp;TopoDetail.web-90a1822f.png\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch1 style=\"text-align: center;\"\u003eBetter By Design\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eWhether you’re looking for gentle rehabilitation, colorless correction, or simply baggage–free spectral contouring, our proprietary, precision algorithm delivers on the promise of linear phase EQ. Bring the power and purity of thEQred to bear for all your critical equalization tasks.\u003c\/p\u003e\n\u003cdiv id=\"headingOne\" style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eFeatures\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"collapseOne\"\u003e\n\u003cdiv style=\"text-align: center;\"\u003eAs Friedemann says, “It’s all about the curves.” Along with all the features of our thEQ family, thEQred incorporates a unique and proprietary filter technology allowing you to adjust any slope between nearly 0 and 24 dB\/octave. Almost any filter needed or desired can be dialed in quickly and easily, from broad shallow strokes to cascaded deep cuts.\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eDetails\u003c\/h1\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003eFive Panorama modes; stereo, mono (L+R), left–only, right–only and difference (L-R) for focused treatment or enhancement\u003c\/li\u003e\n\u003cli\u003eTwo Stereo modes; Left\/Right or Mid\/Side\u003c\/li\u003e\n\u003cli\u003eFour Contribution modes; positive addition only, negative addition only, EQ contribution only, and “normal” EQ out help you to keep track of your progress\u003c\/li\u003e\n\u003cli\u003eExtended frequency range covers the ultrasonic, suitable for any HRA post\u003c\/li\u003e\n\u003cli\u003eEqual delay at all frequencies independent of filter settings, perfectly preserving the time relationship of harmonics\u003c\/li\u003e\n\u003cli\u003eNo phase distortion and no temporal dispersion, eliminating transient smear\u003c\/li\u003e\n\u003cli\u003eFreedom from unwanted coloration for exceptional clarity, transparency, and definition\u003c\/li\u003e\n\u003cli\u003eExclusive VariSlope technology offers shelf and cut filters with any roll-off in the range of 6 to 24 dB\/octave as well as continuous slope adjustment below 6 dB\/octave, impossible with any classic filter\u003c\/li\u003e\n\u003cli\u003eTwelve Sections with eight freely assignable parametric filter types: classic bell, high or low shelf, high or low cut as well as VariSlope high or low shelf, and high or low cut\u003c\/li\u003e\n\u003cli\u003eAdjustable Q for shelving and cut filters\u003c\/li\u003e\n\u003cli\u003eProprietary algorithms deliver extraordinarily low distortion and noise\u003c\/li\u003e\n\u003cli\u003eFor ultimate fidelity, deep 80 bit super double precision internals virtually eliminate rounding errors and distortion\u003c\/li\u003e\n\u003cli\u003ePerfect emulation of analog filter characteristics, clearly perceptible when equalizing audio at baseband sample rates\u003c\/li\u003e\n\u003cli\u003eExtremely shallow VariSlope shelves for gentle brightening or added weight\u003c\/li\u003e\n\u003cli\u003eCascade cut filters for “brick wall” characteristics\u003c\/li\u003e\n\u003cli\u003eResizable UI for easy and precise adjustments or for ultra–high resolution displays\u003c\/li\u003e\n\u003cli\u003eMAAT’s smart AutoGain for effortless A\/B comparisons\u003c\/li\u003e\n\u003cli\u003eInbuilt tone generator makes for quick location of trouble spots\u003c\/li\u003e\n\u003cli\u003eSORT function eliminates the need for busy, distracting UI elements\u003c\/li\u003e\n\u003cli\u003eTUNE function aligns center frequencies to Western tunings\u003c\/li\u003e\n\u003cli\u003eGrid snap toggles between surgical and musical applications, emulating popular hardware resonant frequency choices, including Maselec and Manley\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eExtras\u003c\/h1\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003eExclusive dual view, monochrome\/color real time spectrogram with user adjustable temporal wiper lets you choose “when” to transition to low distraction monochrome\u003c\/li\u003e\n\u003cli\u003eChoice of parametric editing via numerical fields or directly via the graphical display\u003c\/li\u003e\n\u003cli\u003eOperates at up to 384 kHz sample rates for HRA or game audio workflows\u003c\/li\u003e\n\u003cli\u003eComplete setup exchange across multiple instances\u003c\/li\u003e\n\u003cli\u003eAutomatic latency compensation with all modern DAWs\u003c\/li\u003e\n\u003cli\u003eA\/B comparison for fast decision making\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eApplications\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv id=\"collapseTwo\"\u003e\n\u003cdiv style=\"text-align: center;\"\u003ethEQred is a unique tool for mastering engineers who already have access to diverse high end EQs for different tasks. There are several frequency–domain, linear phase EQs on the market, but thEQred, with its wide, 80 bit double precision processing and optimized–for–fidelity algorithm, will bring a new sense of transparency to your work.\u003cbr\u003eWith all the features and functionality of Algorithmix’s beloved original LP PEQ Red, the feature–packed thEQred brings so much more. Use its powerful processing and double precision I\/O for:\n\u003cul\u003e\n\u003cli\u003eMastering and remastering tasks on complex, high fidelity mixes\u003c\/li\u003e\n\u003cli\u003eRemoving unwanted ultrasonic content from HRA recordings\u003c\/li\u003e\n\u003cli\u003eIdentifying resonances with ease when sweeping, due to the low inherent ringing\u003c\/li\u003e\n\u003cli\u003ePutting mixes with too much DC or a super fat kick on a diet\u003c\/li\u003e\n\u003cli\u003eUncolored aesthetic equalization of acoustic performances, perfect for classical, jazz and folk\u003c\/li\u003e\n\u003cli\u003eVariSlope rebalancing of unbalanced mixes\u003c\/li\u003e\n\u003cli\u003eAdding super-clear and inconspicuous “air” to dark material\u003c\/li\u003e\n\u003c\/ul\u003e\nAll true linear phase EQs have similar specs. Dirac spikes and other artificial test signals will produce about the same results regardless of whose product you try. A solo chime or kick drum track is not what thEQred was designed for. As for all our thEQ products, it excels at equalizing actual music!\u003cbr\u003eWhat not to use thEQred for is tracking or mixing! thEQred is a low channel count plug–in, designed for the master buss and mastering. Due to the insane complexity of the algorithm, thEQred has a hefty CPU demand. It’s not a “light weight”!\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eEssentials\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv id=\"collapseThree\"\u003e\n\u003cdiv style=\"text-align: center;\"\u003ethEQred fits in with all modern workflows:\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003eSupports LPCM sample rates up to 384k for DSD and high–end postproduction\u003c\/li\u003e\n\u003cli\u003eAll standard formats: AU, VST 2 and 3, AAX\u003c\/li\u003e\n\u003cli\u003eCompatible with macOS and Windows\u003c\/li\u003e\n\u003cli\u003eLow fatigue visual design\u003c\/li\u003e\n\u003cli\u003eResizable user interface for every screen resolution\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eLinear Phase Royalty\u003c\/h1\u003e\n\u003cp\u003eMost all parametric equalizers or PEQs are implemented via phase shift. That is, the incoming dry signal is mixed with a phase–shifted version. Because the amount of the phase shift is frequency dependent, some cancellation or reinforcement occurs at the desired frequency. It gets the job done, but with a major disadvantage: the different signal components of the resulting audio become spread out in time, so time relationships between harmonics in the filtered output is heavily altered. The result: a nice sharp attack becomes slurred and muddy or worse, strident and brittle.\u003c\/p\u003e\n\u003cp\u003ethEQred changes all that, providing profoundly punchy lows and airy, silky smooth highs like no other. It preserves the time relationships of harmonics, which translates into a smoother top end, sweeter and bigger midrange, and a clearer, more distinct bottom when compared to phase shift–style EQs. The resultant sound seems less processed, more like what should have naturally been captured by the microphone. You won’t get those punchy transients and silky highs with analog outboard or any ol’ IIR digital.\u003c\/p\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eVersatile VariSlope\u003c\/h1\u003e\n\u003cp\u003eIn addition to all the user–centric features that MAAT brings you, like Panorama mode and Contribution controls, thEQred features VariSlope™ technology, proprietary to thEQr. With VariSlope, shelving and cut filters offer continuous adjustment of any slope in the range from near 0 to 24 dB\/octave. Unlike other EQs that let you define or draw the curve, VariSlope offers unique versatility while preserving the sound quality MAAT EQs are known for.\u003c\/p\u003e\n\u003cp\u003eThe exclusive VariSlope filter technology lets you dial in continuous slope filters that emulate any critically damped shelf in the range from 1st to 4th order, including all imaginary filters in between. “Imaginary” because critically damped filters offer only slopes in discreet 6 dB\/octave steps per “order”: 6, 12, 18, 24 et cetera. Our continuous slope low and high cut filter performs similarly, yet you can continuously change its slope from a critically damped 4th order equivalent, through 3rd, 2nd, and 1st order down to zero. The critically damped VariSlope high cut mirrors the continuous slope VariSlope low cut.\u003c\/p\u003e\n\u003cp\u003eSuch “in–between” frequency-response filter characteristics, especially with slopes less than 6 dB\/octave, are absolutely impossible to implement with classical filter technology. The only workaround would be to cascade many 1st order filters with specially weighted amplitudes to get the overall amplitude envelope lower then 6 dB\/octave. Such kludgy filters, however, deliver a wavy frequency response characteristic and are tainted with nasty phase shift and group delay. Quite the opposite, our VariSlope filter affords very smooth, controlled spectral changes without any phase shift.\u003c\/p\u003e\n\u003cp\u003ethEQred works strictly in the frequency domain, while sounding a bit softer than her linear phase sister, thEQorange. Performing at up to 384 kHz, which extends resonant frequency settings up to 80 kHz, it’s perfect for high resolution DSD, DXD and game audio post–production. Its calculations are stored at 80 bits of precision, way more than 32 bit commodity EQs and more than what even fancy 64 bit EQs manage. The result: the construction of your composite filter is impeccable, with vanishingly low THD and without loss of very low amplitude detail.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eVive La Différence\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eWhat are the differences between thEQorange and thEQred? We recommend thEQo for “surgical” work, mostly negative gain EQs to address issues in a mix during mastering when material needs to be “fixed” because it has a problem. On the other hand, thEQred is best at aesthetic work, artistic equalization that makes material sound better without affecting the time domain. As with thEQorange and both being linear phase, thEQred doesn’t leave a signature on the sound the way thEQblue does. Because it’s minimum phase not linear phase, thEQblue is for when you would reach for an analog EQ, but with ultimate fidelity that can’t be achieved with analog. So, the three of them together replace all EQ use cases, unless you want distortion, and thEQblue with its 12 Architectures replaces all analog EQs one might want.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003ethEQred also has VariSlope, something we think is unique in the industry. So, in keeping with that aesthetically minded approach, with thEQred, you can do really broad or really gentle lifts or suppression, as well as all the “normal” stuff you’d expect from a fixed–order EQ. Most engineers think that all equalizers are both problem solvers and artistic. To that we say, “When all you have is a hammer, everything looks like a nail.” Grab a copy of both thEQred and thEQorange, then listen to both side by side. I think you’ll hear why we think of them differently.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eIf you can afford only one of our thEQ products, it’s probably best to go with thEQblue. Its versatility is unsurpassed. If, however, you work with a fair amount of acoustically recorded performances and higher fidelity recordings, then over time you will find both thEQorange and thEQred indispensable. Specifically for that, we have the annual thEQlp (Linear Phase) subscription, which includes both thEQorange and thEQred.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eAsymmetry Banished\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eExperts say that most digital EQs don’t sound like their analog antecedents, especially when working with baseband 44.1 or 48k sample rates. Spectrum modifications of high frequencies sound unbalanced. The reason is so–called “frequency warping,” which makes bell shapes asymmetric, while high shelves and cuts exhibit steeper slopes than expected. In thEQred, special corrections have been applied, making them look exactly like their analog counterparts while yielding a smooth analog sound.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eIf One is Good, Isn’t Two Better?\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003ePeople have asked us why we haven’t included alternative modes like minimal phase and all the other options you find in competing products. Our goal as plug-in designers is to create tools from the user perspective, offering just enough flexibility with a carefully chosen set of options so the user can focus on the job at hand. It would be easy to add dozens of additional options to the preferences window but why? That’s what thEQblue is for, a whole box of “colors”! As a mastering engineer, you need specialized tools which do a particular job in the fastest and best possible manner.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003ethEQred is a perfect example of just such a tool. Dr.s Musialik and Hatje have already worked through an extensive refinement process. When asked about this, Musialik stated that “…the optimization and refinement of our algorithms was a very long, tedious and iterative procedure between research, development and feedback from experienced mastering engineers. Unfortunately, in high res audio, not everything is measurable or provable by numbers. This is especially true for the measurement of dynamic behavior and reactions to real–world, complex signals.”\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eMusialik emphasizes that “There is no ‘best’ audio tool for everybody.” His advice: Perform your own listening tests, then select which instruments you want to include in your kit.\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eFeatures\u003c\/h1\u003e\n\u003cul\u003e\n\u003cli\u003eFully parametric linear phase EQ\u003c\/li\u003e\n\u003cli\u003eFree of group delay\u003c\/li\u003e\n\u003cli\u003eExclusive Contribution Control\u003c\/li\u003e\n\u003cli\u003eUnique VariSlope with continuous slope, from near 0 to 24 dB per octave\u003c\/li\u003e\n\u003cli\u003eOptional live spectrogram\u003c\/li\u003e\n\u003cli\u003eAutoGain for effortless A\/B comparisons\u003c\/li\u003e\n\u003cli\u003eVariable resonant ƒ tunings for common Western scales\u003c\/li\u003e\n\u003cli\u003eInbuilt tone generator for quick spectral navigation\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eSupporting\u003c\/h1\u003e\n\u003cul\u003e\n\u003cli\u003eAAX Native (Pro Tools 10.3.10 and newer), AU, VST 2, VST 3\u003c\/li\u003e\n\u003cli\u003eSample rates from 44.1 to 384 kHz\u003c\/li\u003e\n\u003cli\u003eVerified by pluginval, passing with a score of 10 (the highest strictness level)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eVST\u003c\/h1\u003e\n\u003cp\u003eVST PlugIn Interface Technology by Steinberg Media Technologies GmbH\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eLicense\u003c\/h1\u003e\n\u003cp\u003ePerpetual: One–Time Buyout\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eRequirements\u003c\/h1\u003e\n\u003cul\u003e\n\u003cli style=\"text-align: center;\"\u003emacOS 10.9 and newer, 64 bit only\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003eWindows 7 and newer, 32 \u0026amp; 64 bit\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003eOpenGL 3.2 or newer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003eRegistration Information\u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003eProduct Key: https:\/\/www.maat.digital\/support\/#installers  \u003c\/p\u003e","brand":"MAAT Labs","offers":[{"title":"Default Title","offer_id":53052756885788,"sku":"1414-1001","price":359.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/product-theqred-42b9d07b.png?v=1758873928","url":"https:\/\/jrrshop-3235.myshopify.com\/products\/theqred","provider":"jrrshop","version":"1.0","type":"link"}