{"product_id":"svxhybridlibrary","title":"Hideaway S-VX Hybrid Library Kontakt Instrument","description":"\u003ch1 style=\"text-align: center;\"\u003e\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/70276641\u0026amp;show_comments=false\u0026amp;show_user=false\"\u003e\u003c\/iframe\u003e\u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cimg height=\"511\" src=\"https:\/\/www.jrrshop.com\/media\/catalog\/product\/h\/i\/hideawaystudiosvx.jpg\" width=\"641\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e“It’s a very well thought instrument, a very useful and inspiring tool. \u003c\/em\u003e \u003cem\u003eVery user friendly, the GUI shows the essentials, all the needed knobs are here and the presets give a good idea of where this VI goes. \u003c\/em\u003e \u003cem\u003eThe general tone is analog and “tuby” and I could easily find the “hot spots” for the pads to cut through after a little tweaking from the VI knobs. It s really a steal for £10!!!!  With such a street price and power it’s definitely a winner !!!”    \u003c\/em\u003e\u003cstrong\u003eClaude Samard-Polikar (Musician \u0026amp; Musical Director for Jean Michel Jarre)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e“a truly inspiring, deep and unique treasure trove of organic sound. In fact, I got stuck on preset #1, Apollo Strings, and time just flew…”\u003c\/em\u003e    \u003cstrong\u003eJoachim Smith\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e“I bought S-VX yesterday and am liking it a lot. \u003c\/em\u003e\u003cem\u003eI have only just scratched the surface but I can see lots of warm, moving tones and plenty of mangling opportunities. Well done. I look forward to more from you. And the Multis inspired me to try out a few of my own – there are loads of possibilities.”  \u003c\/em\u003e\u003cstrong\u003eDarkStar, KVR Forum\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e“just bought this, and been playing around for a bit, and every single noise that comes out of this beast is warm, lush, and straight-up INSPIRATIONAL!  i have a suspicion i’ll probably be (over)using this beast for quite some time!”  \u003c\/em\u003e\u003cstrong\u003eFunky Lime, KVR Forum\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eComplex Analog Oscillators with 12-bit Crunch into Curtis Filters….\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eIn the mid 80’s AKAI released the infamous S900 which was to be one of the first of a new generation of highly affordable professional samplers.  The S900 and it’s bigger brother, the S950, became big sellers and completely changed the playing field amongst their competitors with their five digit offerings.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe S900 was a 12-bit machine with a tiny 750K memory and a floppy drive for sample storage. At the time it was a revelation but it’s now really very basic by today’s standards.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003eHowever….\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eLike so many early samplers such as the E-mu Emulator II, the SCI Prophet 2000 and the Ensoniq Mirage, the S900 has sonic character in bucket loads and still has a following to this day.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eOne feature of the S900 that was often overlooked was a curious 13 pin connector on the rear panel marked \u003cstrong\u003e“VOICE OUT”\u003c\/strong\u003e…\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cdiv class=\"wp-caption alignleft\" id=\"attachment_16\" style=\"text-align: center;\" data-shortcode=\"caption\"\u003e\n\u003cimg alt=\"Voice Out.FX1\" class=\"size-medium wp-image-16  \" src=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/voice-out-fx1.jpg?w=300\u0026amp;h=297\" data-attachment-id=\"16\" data-permalink=\"https:\/\/hideawaystudio.net\/2012\/12\/07\/introducing-the-new-s900-vx90-hybrid-k4-library\/voice-out-fx1\/#main\" data-orig-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/voice-out-fx1.jpg\" data-orig-size=\"885,888\" data-comments-opened=\"1\" data-image-meta=\"{\" aperture data-image-title=\"Voice Out.FX1\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/voice-out-fx1.jpg?w=300\" data-large-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/voice-out-fx1.jpg?w=824\"\u003e\n\u003cp class=\"wp-caption-text\" id=\"caption-attachment-16\"\u003e \u003c\/p\u003e\n\u003cp class=\"wp-caption-text\"\u003eThe Mystery 13 Pin DIN\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: center;\"\u003eAKAI had released a small number of polyphonic analog synthesizers during the same era as the S900. These included the AX73 keyboard and the VX90 rack mount.  They have often been overlooked over the years possibly due to their rather control-free front panels and menu driven user interfaces. This is a perhaps a little unkind as these instruments feature genuine Curtis VCOs and filters unlike many offerings of the time such as the Juno-106 which was a DCO synth.  To this effect they drift out tune with temperature like the best of them!\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003eThank god for the auto-tune button!…\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe infamous 13 pin connector permitted the sampler to be used as a complex oscillator source driving the filter stages and VCAs modulated by the envelope generators.   In short, you get to mix 12-bit digital crunch with the warmth of analog filters!\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cdiv class=\"wp-caption alignleft\" id=\"attachment_41\" style=\"text-align: center;\" data-shortcode=\"caption\"\u003e\n\u003cimg alt=\"S900_HxC_VX90_Combo (chrome)\" class=\"size-medium wp-image-41 \" height=\"225\" src=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/s900_hxc_vx90_combo-chrome.jpg?w=300\u0026amp;h=225\" width=\"300\" data-attachment-id=\"41\" data-permalink=\"https:\/\/hideawaystudio.net\/2012\/12\/07\/introducing-the-new-s900-vx90-hybrid-k4-library\/s900_hxc_vx90_combo-chrome\/#main\" data-orig-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/s900_hxc_vx90_combo-chrome.jpg\" data-orig-size=\"540,405\" data-comments-opened=\"1\" data-image-meta=\"{\" aperture data-image-title=\"S900_HxC_VX90_Combo (chrome)\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/s900_hxc_vx90_combo-chrome.jpg?w=300\" data-large-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/s900_hxc_vx90_combo-chrome.jpg?w=540\"\u003e\n\u003cp class=\"wp-caption-text\" id=\"caption-attachment-41\"\u003e \u003c\/p\u003e\n\u003cp class=\"wp-caption-text\"\u003eS900 \u0026amp; VX90 As One\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1 style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003e\u003cstrong\u003eThe Sampling Process…\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eThe instruments in the S-VX Hybrid Library were constructed using several vintage analog sound sources acting as complex sampled oscillators feeding the VX90 synth.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cdiv class=\"wp-caption alignleft\" id=\"attachment_42\" style=\"text-align: center;\" data-shortcode=\"caption\"\u003e\n\u003cimg alt=\"Hideaway Minimoog\" class=\"size-medium wp-image-42 \" height=\"225\" src=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/dans-minimoog-sn7751-b.jpg?w=300\u0026amp;h=225\" width=\"300\" data-attachment-id=\"42\" data-permalink=\"https:\/\/hideawaystudio.net\/2012\/12\/07\/introducing-the-new-s900-vx90-hybrid-k4-library\/dans-minimoog-sn7751-b\/#main\" data-orig-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/dans-minimoog-sn7751-b.jpg\" data-orig-size=\"2160,1620\" data-comments-opened=\"1\" data-image-meta=\"{\" aperture data-image-title=\"Hideaway Minimoog\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/dans-minimoog-sn7751-b.jpg?w=300\" data-large-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/dans-minimoog-sn7751-b.jpg?w=824\"\u003e\n\u003cp class=\"wp-caption-text\" id=\"caption-attachment-42\"\u003e \u003c\/p\u003e\n\u003cp class=\"wp-caption-text\"\u003e1976 Model D – Lending it’s Oscillators!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: center;\"\u003eThis formed the basis of an unusual albeit somewhat clunky hybrid synth…. Sound sources were mostly Minimoog model D but also included 1938 Novachord, 1967 Philicorda GM751, 1978 ARP Omni-2 string section, Roland JUNO-106 polysynth and 3  tube waveshaped 1960’s tube oscillators beating in parallel.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cdiv class=\"wp-caption alignleft\" id=\"attachment_44\" style=\"text-align: center;\" data-shortcode=\"caption\"\u003e\n\u003cimg alt=\"1938 Novachord #346\" class=\"size-medium wp-image-44  \" height=\"235\" src=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/dan-wilson_novachord_346.jpg?w=300\u0026amp;h=235\" width=\"300\" data-attachment-id=\"44\" data-permalink=\"https:\/\/hideawaystudio.net\/2012\/12\/07\/introducing-the-new-s900-vx90-hybrid-k4-library\/dan-wilson_novachord_346\/#main\" data-orig-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/dan-wilson_novachord_346.jpg\" data-orig-size=\"700,549\" data-comments-opened=\"1\" data-image-meta=\"{\" aperture data-image-title=\"1938 Novachord #346\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/dan-wilson_novachord_346.jpg?w=300\" data-large-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/dan-wilson_novachord_346.jpg?w=700\"\u003e\n\u003cp class=\"wp-caption-text\" id=\"caption-attachment-44\"\u003e \u003c\/p\u003e\n\u003cp class=\"wp-caption-text\"\u003e1938 Novachord #346 Lending it’s Sheer Organic Warmth\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: center;\"\u003e32 ten second long raw oscillator sources were captured in 12-bits using a recently refurbished S900 fitted with a new backlight and a (superb!) Lotharek HxC virtual floppy drive.  The results were stored on SD card as part of a bank of 79 virtual disks.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cdiv class=\"wp-caption alignleft\" id=\"attachment_43\" style=\"text-align: center;\" data-shortcode=\"caption\"\u003e\n\u003cimg alt=\"Hideaway Omni-2\" class=\"size-medium wp-image-43 \" height=\"225\" src=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/dw-arp-omni-post-recap_sm.jpg?w=300\u0026amp;h=225\" width=\"300\" data-attachment-id=\"43\" data-permalink=\"https:\/\/hideawaystudio.net\/2012\/12\/07\/introducing-the-new-s900-vx90-hybrid-k4-library\/dw-arp-omni-post-recap_sm\/#main\" data-orig-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/dw-arp-omni-post-recap_sm.jpg\" data-orig-size=\"2160,1620\" data-comments-opened=\"1\" data-image-meta=\"{\" aperture data-image-title=\"Hideaway Omni-2\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/dw-arp-omni-post-recap_sm.jpg?w=300\" data-large-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/dw-arp-omni-post-recap_sm.jpg?w=824\"\u003e\n\u003cp class=\"wp-caption-text\" id=\"caption-attachment-43\"\u003e \u003c\/p\u003e\n\u003cp class=\"wp-caption-text\"\u003eARP Omni-2 + Novachord – Basis for Gorgeous Synth Strings!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: center;\"\u003eThe resulting interim sample set acted as oscillator sources for the VX90. Several patches were programmed on the VX90 to filter the oscillators transposed over five octaves from the S900 and the results from the VX90, including it’s gorgeous analog chorus, was multi-sampled direct from the output in 24-bit stereo.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e376\u003c\/strong\u003e samples were captured in this manner for the library.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eThe result?…\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003eComplex warm analog oscillator sources transposed over 5 octaves with a touch of 12-bit crunch shaped with classic Curtis VCFs and VCAs!\u003c\/em\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e\u003cspan\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003e\u003cspan\u003e\u003cstrong\u003eSystem Requirements\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h1\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003eThe S-VX Hybrid Library requires Kontakt version 4.2.4 or higher\u003c\/li\u003e\n\u003cli\u003eAround 700Mb Free Hard Disk Space\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eDownload Contents\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan\u003e•376 24-bit samples\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e•\u003c\/span\u003e32 multi-sampled instruments acting as voices in the layering engine\u003cbr\u003e\u003cspan\u003e•4-Voice Layering Engine with ability to save\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e•\u003c\/span\u003e32 editable example instrument patches (in .nki format)\u003cbr\u003e\u003cspan\u003e•\u003c\/span\u003eUser Manual\u003c\/p\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003eRegistration Information\u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003eSerial Number\u003c\/p\u003e","brand":"Hideaway Studio","offers":[{"title":"Default Title","offer_id":53052708946204,"sku":"1405-1057","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/hideawaystudiosvx.jpg?v=1758873173","url":"https:\/\/jrrshop-3235.myshopify.com\/products\/svxhybridlibrary","provider":"jrrshop","version":"1.0","type":"link"}