{"product_id":"spitfire-audio-samuel-sim-chrysalis","title":"Spitfire Audio Samuel Sim Chrysalis","description":"\u003cdiv\u003e\n\u003ch2 style=\"text-align: center;\"\u003eOVERVIEW\u003c\/h2\u003e\n\u003cp style=\"text-align: center;\"\u003eSamuel is one of the busiest composers working in London today. The ferocious pace at which he works exposes the quality and drawbacks of the tools he uses. Chrysalis is a collection of tools and sounds based on Samuel pondering \"what if...\" and by analysing why he returned to some tools and not others. By grappling with the increasing demands of TV and film execs to reinvent the wheel and create something 'totally new' Samuel like many of us struggles with the concept of unfamiliarly familiar.\u003cbr\u003e\u003cbr\u003eIt is the latter point that crystallised the core concept of the project. To create something that could be used like a piano, but wasn't a piano; that projected like a harp, but didn't have the classical baggage; that played like a guitar, but without the folky, geocentric or ethnic connotation.\u003cbr\u003e\u003cbr\u003eSo at the heart of the library is a beautifully performed and deep sampled harp played by the man himself. Alongside additional techniques are 'impossible' techniques. Bending strings beyond comprehension in order to bow adjacent strings as a mere example. Samuel also played some very interesting and modern styles that experience has led him to believe is the way to make a workhorse set of tools. \u003cbr\u003e\u003cbr\u003eSamuel also played through an array of awesome FX pedals and processing, delivering a barely recognisable and very edgy set of sounds.\u003cbr\u003e\u003cbr\u003eSpitfire and Samuel then took all of this rich and raw material and bent it out of comprehensive shape into some of the freshest sounds both Samuel and the Spitfire team has ever heard.\u003cbr\u003e\u003cbr\u003eThe final piece of the jigsaw was a process of curation to combine sounds into an instantly gratifying set of instruments that only a man of Samuel's experience would know how to put together! In what Samuel described as \"2am instruments\" his aim was to create some presets that would allow you, when at your whits end in the early hours of the morning, to write, produce and complete a cue in realtime before you fall into an overworked slumber on the floor of your studio.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch2\u003e \u003c\/h2\u003e\n\u003ch2\u003eBACKGROUND\u003c\/h2\u003e\n\u003cp\u003eSamuel Sim is part of the vibrant musical community at Tileyard Studios, North London. Alongside fellow TV \u0026amp; Film composers Dru Masters, Christian Henson \u0026amp; Paul Thomson they often formed a discreet coterie of drinkers for \"whine at five\" sessions moaning about the state of the industry over a few glasses whilst the pop and dance contingent of Tileyard started their days work.\u003cbr\u003e\u003cbr\u003eThese conversations became especially impassioned when talking about sampling, and it was only a matter of time before Sam and the Spitfire team started dreaming up a library of his very own. Following 4 years of pondering procrastination, experimentation and then weeks of slavish sampling, months of sound design the team and Sam can't quite believe that it's finally happened. But are proud that it surpasses everyone's expectations, born of bucolic and slightly slurred suggestions and protestations.\u003cbr\u003e\u003cbr\u003eSamuel is widely considered to be one of the most exceptional musical talents of his generation. His beautifully evocative music and award winning film and television scores are fast making him one of the most sought-after composers working in the industry today.\u003cbr\u003e\u003cbr\u003eEarly in his career, Samuel quickly stood out from the crowd with his award winning score for the BBC’s Dunkirk. A whirlwind success followed which soon saw him composing for the Hollywood feature film Awake for the Weinstein Company.\u003cbr\u003e\u003cbr\u003eMost recently Samuel has scored ITV’s hugely successful TV drama Home Fires, C4’s drama The Mill (for which Samuel’s score received an Ivor Novello nomination), ITV’s Chasing Shadows, the touching ITV feature Father’s Day, and the Charlie Brooker\/Daniel Maier comedy creation Touch Of Cloth. He also composed a wonderfully evocative score for the riveting STOP AT NOTHING: The Lance Armstrong Story.\u003c\/p\u003e\n\u003ch2\u003e \u003c\/h2\u003e\n\u003ch2\u003eFEATURES\u003c\/h2\u003e\n\u003cp\u003e176 hand-sculpted sounds, organised into four distinct categories that follow the development of the library from an intimate harp, to a warped organic masterpiece.\u003cbr\u003e\u003cbr\u003e'Initial Pupae' contains the pure harp sound, deep sampled with 6 different microphone options. It contains the 'typical' plucked harp sound normale, as well as a selection of atypical articulations, including all the strings resonating from a cello bow.\u003cbr\u003e\u003cbr\u003e'Nympha Pedals' is a selection of sounds created by amplifying the live harp through an coterie of pedals and into a Marshall JCM800. Each sound has 4 signals, so you can blend between the pure sound of the harp and the mesmerising soundscapes emanating from the amplifier, with different options for each.\u003cbr\u003e\u003cbr\u003eThe next stage of Chrysalis 'Metamorphosis Warps' is 23 different sounds, each with a single pluck and tremolo option. These each have two signals, combining the harp with an affected other. \u003cbr\u003e\u003cbr\u003e'The Cocoonase' completes Chrysalis with 100 sounds, again with two signals between the pure and the impure signal. The sounds in here are the softer side to Chrysalis, with luscious pads and ambiences.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 style=\"text-align: center;\"\u003e \u003c\/h2\u003e\n\u003ch2 style=\"text-align: center;\"\u003eGUIS\u003c\/h2\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\u003cimg alt=\"\" src=\"https:\/\/d1t3zg51rvnesz.cloudfront.net\/_resources\/images\/cms2\/196\/smc0148_gui1_main.png\" height=\"166\" width=\"468\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch4\u003eTHE OVERVIEW PANEL\u003c\/h4\u003e\nGives you a quick and easy way to access, view and load the different articulations, mic mixes and essential controller functions which you can then re-assign to suit your workflow.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\u003cimg alt=\"\" src=\"https:\/\/d1t3zg51rvnesz.cloudfront.net\/_resources\/images\/cms2\/196\/smc0148_gui2_main.png\" height=\"166\" width=\"468\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch4\u003eGENERAL CONTROLS PANEL\u003c\/h4\u003e\nA deeper but still simple UI panel that allows you to tweak the general settings. How many round robins you would like and how you would like them to behave. How would you like memory to be organised alongside pitch options and how velocity works.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\u003cimg alt=\"\" src=\"https:\/\/d1t3zg51rvnesz.cloudfront.net\/_resources\/images\/cms2\/196\/smc0148_gui3_main.png\" height=\"166\" width=\"468\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch4\u003eTHE OSTINATUM\u003c\/h4\u003e\nQuite simply a little inspiration machine. Not quite an arpegiattor, not quite a sequencer. This intuitive device allows you to build up complex patterns that react to your playing to achieve wild systems results tantalising Zimmeresque tension beds or cheeky multi-tonguing effects!\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cimg alt=\"\" src=\"https:\/\/d1t3zg51rvnesz.cloudfront.net\/_resources\/images\/cms2\/196\/smc0148_gui4_main.png\" height=\"184\" width=\"468\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch4\u003eMERCURY SYNTH\u003c\/h4\u003e\nThe mercury synth is the front end for all of our steam punked, sound designed and warped section of any library. It is an ingenious user interface that allows you to have instant fun without having to roll up your sleeves and go under the Kontakt hood. All of the controls are assignable to your control surface giving you the immediate ability to make our sounds your own.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2\u003e \u003c\/h2\u003e\n\u003ch2\u003ePRESETS \/ ARTICULATIONS \/ MICS \/ MIXES\u003c\/h2\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ch3\u003ePRESETS \/ ARTICULATIONS\u003c\/h3\u003e\n\u003ch4\u003eINSTRUMENTS:\u003c\/h4\u003e\n\u003ch5\u003eA - INITIAL PUPAE - STUDIO HARP:\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eGlisses Spread\u003c\/li\u003e\n\u003cli\u003eLongs - Bowed\u003c\/li\u003e\n\u003cli\u003eLongs - Damped\u003c\/li\u003e\n\u003cli\u003eLongs - Normale\u003c\/li\u003e\n\u003cli\u003eLongs - Octave Trems\u003c\/li\u003e\n\u003cli\u003eLongs - Same Note Trems\u003c\/li\u003e\n\u003cli\u003eSuper Quiet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eB - NYMPHA PEDALS:\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eBig Sky Trems\u003c\/li\u003e\n\u003cli\u003eBloom Pad (volume pedal)\u003c\/li\u003e\n\u003cli\u003eBloom Pad\u003c\/li\u003e\n\u003cli\u003eCathedral Twinkle\u003c\/li\u003e\n\u003cli\u003eEbow\u003c\/li\u003e\n\u003cli\u003eEnvelope Delay Gated\u003c\/li\u003e\n\u003cli\u003eEnvelope Delay\u003c\/li\u003e\n\u003cli\u003eHuge Bloom\u003c\/li\u003e\n\u003cli\u003eKemper Cathedral\u003c\/li\u003e\n\u003cli\u003eLarge Bloom\u003c\/li\u003e\n\u003cli\u003eManipulated Pog\u003c\/li\u003e\n\u003cli\u003ePitched Lo-Fi\u003c\/li\u003e\n\u003cli\u003ePog Bloom - 8ve Trems Fast\u003c\/li\u003e\n\u003cli\u003ePog Bloom - 8ve Trems Slow\u003c\/li\u003e\n\u003cli\u003ePog Bloom\u003c\/li\u003e\n\u003cli\u003eSharp Pad\u003c\/li\u003e\n\u003cli\u003eSlow Fast Trems\u003c\/li\u003e\n\u003cli\u003eSuper Slow Trems\u003c\/li\u003e\n\u003cli\u003eTrem Scrapes\u003c\/li\u003e\n\u003cli\u003eWarped Trems\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eC - METAMORPHASIS WARPS:\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003e007 Harp - Trems\u003c\/li\u003e\n\u003cli\u003e007 Harp\u003c\/li\u003e\n\u003cli\u003eAlone In the Dark - Trems\u003c\/li\u003e\n\u003cli\u003eAlone In the Dark\u003c\/li\u003e\n\u003cli\u003eCat Is Out Of The Bag - Trems\u003c\/li\u003e\n\u003cli\u003eCat Is Out Of The Bag\u003c\/li\u003e\n\u003cli\u003eCrazy Harp Pig - Trems\u003c\/li\u003e\n\u003cli\u003eCrazy Harp Pig\u003c\/li\u003e\n\u003cli\u003eCrisp Attack - Trems\u003c\/li\u003e\n\u003cli\u003eCrisp Attack\u003c\/li\u003e\n\u003cli\u003eCrystal Rain - Trems\u003c\/li\u003e\n\u003cli\u003eCrystal Rain\u003c\/li\u003e\n\u003cli\u003eDark Hole - Trems\u003c\/li\u003e\n\u003cli\u003eDark Hole\u003c\/li\u003e\n\u003cli\u003eDistorted Mess - Trems\u003c\/li\u003e\n\u003cli\u003eDistorted Mess\u003c\/li\u003e\n\u003cli\u003eDistortion Faery - Trems\u003c\/li\u003e\n\u003cli\u003eDistortion Faery\u003c\/li\u003e\n\u003cli\u003eFlippin Hell - Trems\u003c\/li\u003e\n\u003cli\u003eFlippin Hell\u003c\/li\u003e\n\u003cli\u003eGentle Drops - Trems\u003c\/li\u003e\n\u003cli\u003eGentle Drops\u003c\/li\u003e\n\u003cli\u003eGhostly Beauty - Trems\u003c\/li\u003e\n\u003cli\u003eGhostly Beauty\u003c\/li\u003e\n\u003cli\u003eGoldfingers - Trems\u003c\/li\u003e\n\u003cli\u003eGoldfingers\u003c\/li\u003e\n\u003cli\u003eGreat Wobble - Trems\u003c\/li\u003e\n\u003cli\u003eGreat Wobble\u003c\/li\u003e\n\u003cli\u003eHarpelicious - Trems\u003c\/li\u003e\n\u003cli\u003eHarpelicious\u003c\/li\u003e\n\u003cli\u003eMelancholy Dreams - Trems\u003c\/li\u003e\n\u003cli\u003eMelancholy Dreams\u003c\/li\u003e\n\u003cli\u003eRingmod Fun - Trems\u003c\/li\u003e\n\u003cli\u003eRingmod Fun\u003c\/li\u003e\n\u003cli\u003eSpace Wobble - Trems\u003c\/li\u003e\n\u003cli\u003eSpace Wobble\u003c\/li\u003e\n\u003cli\u003eSwelling Tail - Trems\u003c\/li\u003e\n\u003cli\u003eSwelling Tail\u003c\/li\u003e\n\u003cli\u003eTumbleweeds Delay - Trems\u003c\/li\u003e\n\u003cli\u003eTumbleweeds Delay\u003c\/li\u003e\n\u003cli\u003eTurner Arounder - Trems\u003c\/li\u003e\n\u003cli\u003eTurner Arounder\u003c\/li\u003e\n\u003cli\u003eVoice of Alien - Trems\u003c\/li\u003e\n\u003cli\u003eVoice of Alien\u003c\/li\u003e\n\u003cli\u003eWe Got The Funk - Trems\u003c\/li\u003e\n\u003cli\u003eWe Got The Funk\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eD - THE COCOONASE:\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eA Frozen Pluck - Trems\u003c\/li\u003e\n\u003cli\u003eA Frozen Pluck\u003c\/li\u003e\n\u003cli\u003eAquatic Hug - Trems\u003c\/li\u003e\n\u003cli\u003eAquatic Hug\u003c\/li\u003e\n\u003cli\u003eBowed Voices - Trems\u003c\/li\u003e\n\u003cli\u003eBowed Voices\u003c\/li\u003e\n\u003cli\u003eBuilding Space - Trems\u003c\/li\u003e\n\u003cli\u003eBuilding Space\u003c\/li\u003e\n\u003cli\u003eCathedral Lift - Trems\u003c\/li\u003e\n\u003cli\u003eCathedral Lift\u003c\/li\u003e\n\u003cli\u003eCavernous Body - Trems\u003c\/li\u003e\n\u003cli\u003eCavernous Body\u003c\/li\u003e\n\u003cli\u003eCeramic Plate Spin - Trem\u003c\/li\u003e\n\u003cli\u003eCeramic Plate Spin\u003c\/li\u003e\n\u003cli\u003eContemporary Post Drone - Trems\u003c\/li\u003e\n\u003cli\u003eContemporary Post Drone\u003c\/li\u003e\n\u003cli\u003eDetuned Tails - Trems\u003c\/li\u003e\n\u003cli\u003eDetuned Tails\u003c\/li\u003e\n\u003cli\u003eDigital Waves - Trems\u003c\/li\u003e\n\u003cli\u003eDigital Waves\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003eDisillusioned Choir - Trems\u003c\/li\u003e\n\u003cli\u003eDisillusioned Choir\u003c\/li\u003e\n\u003cli\u003eDistorted Warmth - Trems\u003c\/li\u003e\n\u003cli\u003eDistorted Warmth\u003c\/li\u003e\n\u003cli\u003eEdges of Noise - Trems\u003c\/li\u003e\n\u003cli\u003eEdges of Noise\u003c\/li\u003e\n\u003cli\u003eGlittered Whispers - Trems\u003c\/li\u003e\n\u003cli\u003eGlittered Whispers\u003c\/li\u003e\n\u003cli\u003eGoing Down - Trems\u003c\/li\u003e\n\u003cli\u003eGoing Down\u003c\/li\u003e\n\u003cli\u003eHail Mary - Trems\u003c\/li\u003e\n\u003cli\u003eHail Mary\u003c\/li\u003e\n\u003cli\u003eHarmonious Resonance - Trems\u003c\/li\u003e\n\u003cli\u003eHarmonious Resonance\u003c\/li\u003e\n\u003cli\u003eHarp at Bathtime - Trems\u003c\/li\u003e\n\u003cli\u003eHarp at Bathtime\u003c\/li\u003e\n\u003cli\u003eHarp Saw - Trems\u003c\/li\u003e\n\u003cli\u003eHarp Saw\u003c\/li\u003e\n\u003cli\u003eHarp Sustainer - Trems\u003c\/li\u003e\n\u003cli\u003eHarp Sustainer\u003c\/li\u003e\n\u003cli\u003eIncreasing Darkness - Trems\u003c\/li\u003e\n\u003cli\u003eIncreasing Darkness\u003c\/li\u003e\n\u003cli\u003eLake Normale - Trems\u003c\/li\u003e\n\u003cli\u003eLake Normale\u003c\/li\u003e\n\u003cli\u003eLate Riser - Trems\u003c\/li\u003e\n\u003cli\u003eLate Riser\u003c\/li\u003e\n\u003cli\u003eLow Digital Pad - Trems\u003c\/li\u003e\n\u003cli\u003eLow Digital Pad\u003c\/li\u003e\n\u003cli\u003eLow Octave Resonance - Trems\u003c\/li\u003e\n\u003cli\u003eLow Octave Resonance\u003c\/li\u003e\n\u003cli\u003eMystical Lake - Trems\u003c\/li\u003e\n\u003cli\u003eMystical Lake\u003c\/li\u003e\n\u003cli\u003eOrgan Harmonics - Trems\u003c\/li\u003e\n\u003cli\u003eOrgan Harmonics\u003c\/li\u003e\n\u003cli\u003eOrganic Slow Sine - Trems\u003c\/li\u003e\n\u003cli\u003eOrganic Slow Sine\u003c\/li\u003e\n\u003cli\u003ePassing Scream - Trems\u003c\/li\u003e\n\u003cli\u003ePassing Scream\u003c\/li\u003e\n\u003cli\u003eQuite Odd - Trems\u003c\/li\u003e\n\u003cli\u003eQuite Odd\u003c\/li\u003e\n\u003cli\u003eQuite Slowly - Trems\u003c\/li\u003e\n\u003cli\u003eQuite Slowly\u003c\/li\u003e\n\u003cli\u003eRepeteted - Trems\u003c\/li\u003e\n\u003cli\u003eRepeteted\u003c\/li\u003e\n\u003cli\u003eReverse Angel Bow - Trems\u003c\/li\u003e\n\u003cli\u003eReverse Angel Bow\u003c\/li\u003e\n\u003cli\u003eScraped Ambience - Trems\u003c\/li\u003e\n\u003cli\u003eScraped Ambience\u003c\/li\u003e\n\u003cli\u003eSink Gurgle - Trems\u003c\/li\u003e\n\u003cli\u003eSink Gurgle\u003c\/li\u003e\n\u003cli\u003eSlapback Strings - Trems\u003c\/li\u003e\n\u003cli\u003eSlapback Strings\u003c\/li\u003e\n\u003cli\u003eSlow Filler - Trems\u003c\/li\u003e\n\u003cli\u003eSlow Filler\u003c\/li\u003e\n\u003cli\u003eSpace Bow - Trem\u003c\/li\u003e\n\u003cli\u003eSpace Bow\u003c\/li\u003e\n\u003cli\u003eSub Current Swells - Trems\u003c\/li\u003e\n\u003cli\u003eSub Current Swells\u003c\/li\u003e\n\u003cli\u003eSuspense Builder - Trems\u003c\/li\u003e\n\u003cli\u003eSuspense Builder\u003c\/li\u003e\n\u003cli\u003eThe Tables Have Turned - Trems\u003c\/li\u003e\n\u003cli\u003eThe Tables Have Turned\u003c\/li\u003e\n\u003cli\u003eTV 60s Lasers - Trems\u003c\/li\u003e\n\u003cli\u003eTV 60s Lasers\u003c\/li\u003e\n\u003cli\u003eTwinkles in the Sky - Trems\u003c\/li\u003e\n\u003cli\u003eTwinkles in the Sky\u003c\/li\u003e\n\u003cli\u003eUnderwater Bypass - Trems\u003c\/li\u003e\n\u003cli\u003eUnderwater Bypass\u003c\/li\u003e\n\u003cli\u003eVoices in Waves - Trems\u003c\/li\u003e\n\u003cli\u003eVoices in Waves\u003c\/li\u003e\n\u003cli\u003eWet Bells - Trems\u003c\/li\u003e\n\u003cli\u003eWet Bells\u003c\/li\u003e\n\u003cli\u003eWidth Wobbler - Trems\u003c\/li\u003e\n\u003cli\u003eWidth Wobbler\u003c\/li\u003e\n\u003cli\u003eWitness This - Trems\u003c\/li\u003e\n\u003cli\u003eWitness This\u003c\/li\u003e\n\u003cli\u003eWonderous Reveal - Trems\u003c\/li\u003e\n\u003cli\u003eWonderous Reveal\u003c\/li\u003e\n\u003cli\u003eWrap Around - Trems\u003c\/li\u003e\n\u003cli\u003eWrap Around\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eMICS \u0026amp; MIXES\u003c\/h3\u003e\n\u003ch4\u003eINITIAL PUPAE\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eIn - Inside Soundboard\u003c\/li\u003e\n\u003cli\u003eRi - Ribbon Pair\u003c\/li\u003e\n\u003cli\u003eC - Condenser Pair\u003c\/li\u003e\n\u003cli\u003eFi - Mono Ribbon on Fingers\u003c\/li\u003e\n\u003cli\u003eR - Room\u003c\/li\u003e\n\u003cli\u003eD - Dirty Mono\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eNYMPHA PEDALS\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e1 - Amplifier Condenser\u003c\/li\u003e\n\u003cli\u003e2 - Amplifier Dynamic\u003c\/li\u003e\n\u003cli\u003e3 - Inside Soundboard\u003c\/li\u003e\n\u003cli\u003e4 - Condenser Pair\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eMETAMORPHOSIS WARPS AND THE COCOONASE\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e1 - The Harp\u003c\/li\u003e\n\u003cli\u003e2 - The Warp\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eKEY STATS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e7230 SAMPLES\u003c\/li\u003e\n\u003cli\u003e30.5 GB UNCOMPRESSED .WAV\u003c\/li\u003e\n\u003cli\u003e15.9 GB DISK SPACE REQUIRED\u003c\/li\u003e\n\u003cli\u003e31.8 GB DISK SPACE REQUIRED DURING INSTALL\u003c\/li\u003e\n\u003cli\u003eKONTAKT FULL REQUIRED\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ciframe width=\"690\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/5oZwwpwBffs\" frameborder=\"0\" allowfullscreen\u003e\u003c\/iframe\u003e\n\u003ciframe width=\"345\" height=\"194\" src=\"https:\/\/www.youtube.com\/embed\/ZMAMmdB2NGc\" frameborder=\"0\" allowfullscreen\u003e\u003c\/iframe\u003e\u003ciframe width=\"345\" height=\"194\" src=\"https:\/\/www.youtube.com\/embed\/gxf6y1ZpbJU\" frameborder=\"0\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Spitfire Audio","offers":[{"title":"Default Title","offer_id":54332697837852,"sku":"samuelsimchrysalis","price":119.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/smc0148_portrait_productview.jpg?v=1784613253","url":"https:\/\/jrrshop-3235.myshopify.com\/products\/spitfire-audio-samuel-sim-chrysalis","provider":"jrrshop","version":"1.0","type":"link"}