{"product_id":"spatialaudiodesignerproducer","title":"New Audio Technology Spatial Audio Designer - Producer","description":"\u003ch1 style=\"text-align: center;\"\u003e\u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003e\u003cimg height=\"730\" src=\"https:\/\/www.jrrshop.com\/media\/catalog\/product\/n\/e\/newaudiotechnologyspatialaudiodesigner.jpg\" width=\"690\"\u003e\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eSpatial Audio Designer\u003c\/h1\u003e\n\u003ch4 style=\"text-align: center;\"\u003eHigh-performance professional audio plug-in\u003c\/h4\u003e\n\u003cp style=\"text-align: center;\"\u003eThe Spatial Audio Designer (SAD) is the market’s leading audio plug-in for creating and monitoring next-generation immersive audio.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eCompare Versions\u003c\/h1\u003e\n\u003ctable align=\"center\" style=\"margin-left: auto; margin-right: auto;\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilm Stage (4 Producer Plus licenses)\u003cbr\u003eComplete mix \u0026amp; binaural engine, 330 discrete outs, 8 seats\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eProducer Plus (3 plug-ins: Send, Mix, Channel Out)\u003cbr\u003eComplete mix \u0026amp; binaural engine, 330 discrete outs, 2 seats\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eProducer (3 plug-ins: Send, Mix, Channel Out)\u003cbr\u003eComplete mix \u0026amp; binaural engine, 8 discrete outs, 2 seats\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eVirtual Producer (2 plug-ins: Send, Mix)\u003cbr\u003eComplete mix \u0026amp; binaural engine, binaural out, 2 seats\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"\" src=\"https:\/\/www.newaudiotechnology.com\/wp-content\/uploads\/2022\/01\/Product-Images-SAD-3.png\" width=\"690\"\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003cp\u003eUsing an advanced virtual bus system, the SAD allows for the mixing and monitoring of any immersive format in all digital audio workstations (DAWs) and many video workstations.\u003c\/p\u003e\n\u003cp\u003eFormats like 5.1, 7.1, Dolby Atmos 7.1.2 to 9.1.6, AURO-3D, MPEG-H, IMAX 3D and 22.2 are just a mouse-click away with the SAD. Use it to create and export multi-format mixes for custom configurations such as those in planetariums or other installations.\u003c\/p\u003e\n\u003cp\u003eIn addition, you’ll see that the SAD can use existing panning and volume automation data. This means that existing multi-channel 5.1 mix sessions are just minutes away from a discrete 7.1 mix – and then of evolving to a 3D audio mix for home, cinema, 360\/VR or mobile entertainment applications.\u003c\/p\u003e\n\u003cp\u003eThe SAD is also the only tool in the market for authoring, mixing, monitoring, exporting and encoding all MPEG-H formats, including those compatible with Sony 360 Reality Audio.\u003c\/p\u003e\n\u003cp\u003eThe binaural virtual loudspeaker processing capabilites of the SAD is based on real studio measurements as well as unechoed chambers and allows for any type of format to be mixed with just regular headphones if no appropriate loudspeaker system is available.\u003c\/p\u003e\n\u003cp\u003eThe SAD is also the perfect tool for the straightforward production of breathtaking binaural audio mixes.\u003c\/p\u003e\n\u003cp\u003eThe In-One version is a plug-in geared towards monitoring needs, giving users the binaural headphone virtualization capabilities required for these purposes instantly. If you want to create rather than simply monitor, you’ll likely want to have a Virtual Producer or more expansive licenses, as the SAD In-One Plug-in does not support MPEG-H creation.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eKey features\u003c\/h1\u003e\n\u003cul\u003e\n\u003cli\u003e100% object-base processing\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eCreate a mix in one certain environment and play it back instantly in the environment of your choice,.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUnlimited inputs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eYour DAW can work with hundreds of objects\/track channels easily. The objects can be from either a mono, stereo or 7.1 source.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUp to 330 outputs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eA discrete 5.1 output is as easy as 7.1.4 for MPEG-H and Dolby Atmos or 64.0 for a full-dome environment.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eObject-based export\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFollowing the general export of your production, any format can be rendered discretely using the separate SAD Offline Export Tool.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOSC control\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAll input objects and outputs can be controlled using OSC.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGUI adjustment\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eCustomize the interface with just a few clicks and work with the panning grid in either box or sphere style.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMPEG-H \u0026amp; SONY 360 RA creation\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eUsing Fraunhofers technology, both formats are provided in approved workflows and quality.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOutput monitoring\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAny output format can be monitored and calibrated with gain, mute, and solo functions discretely and in groups.\u003c\/p\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cimg alt=\"\" height=\"400\" src=\"https:\/\/www.newaudiotechnology.com\/wp-content\/uploads\/2021\/11\/Box-Pan-Verlauf_Schatten-1.png\" width=\"600\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eFilm Style Box Panning\u003c\/h1\u003e\n\u003cp\u003eStraightforward box panning for film and video productions as the main formats like MPEG-H, Dolby Atmos, AURO-3D, and 22.2 demand.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003e\u003cimg alt=\"\" height=\"400\" src=\"https:\/\/www.newaudiotechnology.com\/wp-content\/uploads\/2021\/11\/Box-Pan-Verlauf_Schatten-2.png\" width=\"600\"\u003e\u003c\/h1\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eVR Style Sphere Panning\u003c\/h1\u003e\n\u003cp\u003eAdvanced sphere panning for dome and VR \/ 360 productions as well as for Sony 360 RA and MPEG-H object panning.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\u003cimg alt=\"\" height=\"400\" src=\"https:\/\/www.newaudiotechnology.com\/wp-content\/uploads\/2021\/11\/Box-Pan-Verlauf_Schatten-3.png\" width=\"600\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eFlexible and Scalable Interface\u003c\/h1\u003e\n\u003cp\u003eDepending on production workflows and stages, the SAD provides different interface scales and configurations by a click.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003e\u003cimg alt=\"\" height=\"400\" src=\"https:\/\/www.newaudiotechnology.com\/wp-content\/uploads\/2021\/11\/Box-Pan-Verlauf_Schatten-4.png\" width=\"600\"\u003e\u003c\/h1\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eBinaural Processing\u003c\/h1\u003e\n\u003cp\u003eFlexible and individual binaural processing for music, film, VR\/360, full domes, standard surround, and immersive productions with every regular set of headphones in the market.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\u003cimg alt=\"\" height=\"400\" src=\"https:\/\/www.newaudiotechnology.com\/wp-content\/uploads\/2022\/05\/Float-Images-Monitor.jpg\" width=\"600\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eOutput Monitoring\u003c\/h1\u003e\n\u003cp\u003eFlexible and format-independent monitoring of output channels, discretely and in groups with gain, mute, and solo.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eApplications\u003c\/h1\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cimg alt=\"Spatial Audio Designer – Plugin –Application Professional\" height=\"400\" src=\"https:\/\/www.newaudiotechnology.com\/wp-content\/uploads\/2021\/08\/Professional.jpg\" width=\"600\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg alt=\"Spatial Audio Designer – Plugin –Application Industry\" height=\"400\" src=\"https:\/\/www.newaudiotechnology.com\/wp-content\/uploads\/2021\/08\/Industry.jpg\" width=\"600\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eSystem Requirements\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eMacintosh\u003cbr\u003eIntel Mac PC with 2 GHz Dual2Core Processor or better, M1 (Rosetta)\u003cbr\u003eMac OS X 10.13 – 11.+\u003cbr\u003e2GB min., 4GB or more suggested.\u003c\/p\u003e\n\u003cp\u003e64 Bit Host Application\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eWindows\u003cbr\u003eIntel PC with 2 GHz Dual2Core processor or better\u003cbr\u003eWindows 7\/64 bit – 11\u003cbr\u003e2GB min., 4GB or more suggested.\u003c\/p\u003e\n\u003cp\u003e64 Bit Host Application\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eInterface\u003cbr\u003eAAX, AU, VST 2\u0026amp;3\u003c\/p\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eUser Quotes\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv id=\"\" style=\"text-align: center;\" data-slick-index=\"-1\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cimg alt=\"\" height=\"604\" src=\"https:\/\/www.newaudiotechnology.com\/wp-content\/uploads\/2022\/01\/Oliver-Finazzo-1-683x1024.jpg\" width=\"403\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e“In our theme park’s new fulldome, we feature all kinds of different shows and audio formats, so we’re glad to have the Spatial Audio Designer Processor to support all our needs so well and effectively.”\u003c\/p\u003e\n\u003cp\u003eOliver Finazzo\u003c\/p\u003e\n\u003cp\u003eTechnical Director of House\u003c\/p\u003e\n\u003cp\u003ePhoto credit: Naturgewalten-Sylt\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-slick-index=\"0\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cimg alt=\"Fritz Hilpert – 3D Mix Engineer (Kraftwerk, Booka Shade)\" height=\"346\" src=\"https:\/\/www.newaudiotechnology.com\/wp-content\/uploads\/2021\/04\/DSCF8047bX-1024x1024.jpg\" width=\"346\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e“The SAD is one of the most versatile tools I’ve ever used for spatial productions in any format, and its binaural functions create really stunning emulations of 3D speaker setups in different rooms.”\u003c\/p\u003e\n\u003cp\u003eFritz Hilpert\u003c\/p\u003e\n\u003cp\u003e3D Mix Engineer (Kraftwerk, Booka Shade)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-slick-index=\"1\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-slick-index=\"2\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cimg alt=\"Lasse Nipkow – \nImmersive Audio Producer (Stradivari-Quartett, George Gruntz, Thierry Lang und Dino Saluzzi, Daniel Schnyder)\" height=\"384\" src=\"https:\/\/www.newaudiotechnology.com\/wp-content\/uploads\/2021\/04\/Lasse-Nipkow.png\" width=\"574\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e“The binaural processing power of the Spatial Sound Card and its ability to produce such natural-sounding audio surprises me every time.”\u003c\/p\u003e\n\u003cp\u003eLasse Nipkow\u003c\/p\u003e\n\u003cp\u003eImmersive Audio Producer (Stradivari Quartet, George Gruntz, Thierry Lang and Dino Saluzzi, Daniel Schnyder)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-slick-index=\"3\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cimg alt=\"Prof. Thomas W. Kraupe – \nDirector Planetarium Hamburg \/ Former Officer \u0026amp; President of the International Planetarium Society (IPS)\n(Photo by Wolfgang Koehler)\" height=\"420\" src=\"https:\/\/www.newaudiotechnology.com\/wp-content\/uploads\/2021\/04\/ThomasKraupe2020_1_c_Wolfgang_Ko%CC%88hler-683x1024.jpg\" width=\"293\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e“Spatial and interactive audio is an essential element in an immersive storytelling venue – often even more important than the visuals. We love the creative freedom offered by NAT applications when we choreograph scenes for our dome theater!”\u003c\/p\u003e\n\u003cp\u003eProfessor Thomas W. Kraupe\u003c\/p\u003e\n\u003cp\u003eDirector Planetarium Hamburg \/ Former Officer \u0026amp; President of the International Planetarium Society (IPS)\u003cbr\u003ePhoto credit: Wolfgang Koehler\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-slick-index=\"4\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cimg alt=\"Mark Edward Lewis – \nSenior Cinema Sound Instructor\" height=\"384\" src=\"https:\/\/www.newaudiotechnology.com\/wp-content\/uploads\/2021\/06\/Mark-Edward-Lewis-954x1024.jpg\" width=\"353\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e“Doing immersive audio production for cinematic applications just wasn’t as easy on my audio workstation as with the Spatial Audio Designer Plug-in.”\u003c\/p\u003e\n\u003cp\u003eMark Edward Lewis\u003c\/p\u003e\n\u003cp\u003eSenior Cinema Sound Instructor\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-slick-index=\"5\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cimg alt=\"Yannik Grewe – \nTonmeister \u0026amp; Senior Sound Engineer – Audio Production Technologies at Fraunhofer IIS\" height=\"338\" src=\"https:\/\/www.newaudiotechnology.com\/wp-content\/uploads\/2021\/06\/Yannik_Grewe_small.jpg\" width=\"334\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e“We’re so glad to have collaborated with New Audio Technology on the Spatial Audio Designer plug-in, a flexible tool to author and produce immersive and interactive sound with MPEG-H Audio in every DAW!”\u003c\/p\u003e\n\u003cp\u003eYannik Grewe\u003c\/p\u003e\n\u003cp\u003eSenior Sound \u0026amp; Audio Engineer for Audio Production Technologies at Fraunhofer IIS\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-slick-index=\"6\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cimg alt=\"Max Fritz – \nAudio \u0026amp; Music Producer at Yessian (Oceanmind Humpbacks, Chimelong Parks China “Panda 4D”, North American International Auto Show Detroit for Ford, Dubai Parks and Resorts - Motion Gate - Ghostbusters 4D) \n(Photo by David Dollmann)\" height=\"330\" src=\"https:\/\/www.newaudiotechnology.com\/wp-content\/uploads\/2021\/06\/Max-Fritz-s-1024x979.jpg\" width=\"345\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e“Producing immersive audio for domes is always challenging, so I was happy to find a flexible tool like the Spatial Audio Designer to manage every stage of production quickly and efficiently.”\u003c\/p\u003e\n\u003cp\u003eMax Fritz\u003c\/p\u003e\n\u003cp\u003eAudio \u0026amp; Music Producer at Yessian (Ocean Mind Experience: “Humpbacks of Hawaii”; “Panda 4D” at China’s Chimelong Paradise amusement park; North American International Auto Show Detroit [Ford]; Motiongate Dubai [Dubai Parks and Resorts]; Ghostbusters 4D)\u003cbr\u003ePhoto credit: David Dollmann\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-slick-index=\"7\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cimg alt=\"Daniel Vogl – COO ARRI Media Services (Rush, Cloud Atlas, Dark)\n(Photo by Affonso Gavinha\/Arri Media)\" height=\"318\" src=\"https:\/\/www.newaudiotechnology.com\/wp-content\/uploads\/2021\/06\/Daniel-Vogl-1024x917.jpg\" width=\"345\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e“We’re very excited to be able to make our studios available virtually through NAT’s audio applications so that we can extend the reach of our audio services.”\u003c\/p\u003e\n\u003cp\u003eDaniel Vogl\u003c\/p\u003e\n\u003cp\u003eCOO ARRI Media Services (Rush, Cloud Atlas, Dark)\u003cbr\u003ePhoto credit: Affonso Gavinha\/Arri Media\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-slick-index=\"8\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cimg alt=\"\" height=\"594\" src=\"https:\/\/www.newaudiotechnology.com\/wp-content\/uploads\/2022\/01\/Prof.-Dr.-Susanne-Hu%CC%88ttemeister.jpg\" style=\"display: block; margin-left: auto; margin-right: auto;\" width=\"396\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e“The Spatial Audio Designer Processor has proven to be a solid solution for our spatial audio system, making it easy to manage our everyday standard and immersive audio formats easily – including real-time setups.”\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eDr. Susanne Hüttemeister\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eDirector of the Bochum Planetarium\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003eRegistration Information\u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003eSerial Number\u003c\/p\u003e","brand":"New Audio Technology","offers":[{"title":"Default Title","offer_id":53052786868508,"sku":null,"price":239.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/newaudiotechnologyspatialaudiodesigner_1_1.jpg?v=1758874447","url":"https:\/\/jrrshop-3235.myshopify.com\/products\/spatialaudiodesignerproducer","provider":"jrrshop","version":"1.0","type":"link"}