{"product_id":"rsphaseshifter","title":"MAAT Labs RSPhaseShifter","description":"\u003ch1 style=\"text-align: center;\"\u003e\u003ciframe width=\"690\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/AOui2jdL8DU\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003e\u003cimg height=\"436\" src=\"https:\/\/www.jrrshop.com\/media\/catalog\/product\/p\/r\/product-rsps-9745beec.png\" width=\"345\"\u003e\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eRSPhaseShifter High Fidelity Phase Rotator\u003c\/h1\u003e\n\u003ch4 style=\"text-align: center;\"\u003eGreat Sounding Alignment, Made Easy\u003c\/h4\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eAnalog Soul, Digital Heart\u003c\/h1\u003e\n\u003cp\u003eCreating a very high fidelity, phase shifted version of the input, RSPhaseShifter provides a fast, convenient an d musical means of aligning individual mix elements for best subjective result. RSPhaseShifter is great for any situation where you need to creatively control tonality, power spectrum and harmonic content through phase manipulation. Post–production, stem mastering, outboard gear compensation, film re–recording, “live” production, sound reinforcement, along with content creation for gaming and VR all benefit from having RSPhaseShifter on hand.\u003c\/p\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eOld Skool Values\u003c\/h1\u003e\n\u003cp\u003eRSPhaseShifter was created in conjunction with Roger Schult\/German Audio Lab, and is a painstaking, 64 bit digital realization of Schult’s trusted Phase Shifter W2324 analog phase rotator hardware. When multiple sources compete rather than complement, RSPhaseShifter should be your choice for a fast, intuitive, easy to use and effective remedy.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eSimple Yet Versatile\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eRSPhaseShifter: a mixer’s secret weapon, both live and in the studio…Whether it’s mix sessions with multiple tracks of one instrument, or alignment of spots and overheads, RSPhaseShifter makes quick work of cancellation issues, bringing back the richness and impact you cannot get from basic delay compensation. Match and optimize the time delay or phase response of a subwoofer in a surround monitoring environment, address fold–down issues or create thick, ultra–wide sounds and phase sweeps by deliberately manipulating phase of one side of a stereo track.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003ePurpose–built\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eRSPhaseShifter’s analog–style controls are no accident. They’re the same controls found on the tried and true Phase Shifter W2324 hardware, only better. With no added noise, double precision internal processing plus support for AAX and 8x sample rates, RSPhaseShifter is a cost effective addition to any engineer’s toolkit.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eBetter By Design\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eAs with all Roger Schult by MAAT products, the RSPhaseShifter is hand crafted and precision engineered in California by way of Germany. This is an explicit digital recreation of the analog W2324 topology, not a modeling or simulation algorithm. We copied the functionality of the original hardware without analog’s shortcomings. This tool´s value is more about what it does technically, so we left out stuff like fake transformer color, hum or Johnson Noise. There are lots of colorful plug–ins, we simply provide convenient access to the useful functionality along with a classic API Lunchbox look.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv id=\"accordion\"\u003e\n\u003cdiv id=\"headingOne\"\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eFeatures\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eThe original W2324 analog degree scale is highly non–linear, due to issues with analog circuitry. The original also has ten tick marks, from 10 to 125°. Freed from the limitations of an analog implementation, we have moved to a true, linear scale and extended the range slightly, something only possible in the digital domain. RSPhaseShifter’s eleven tick marks, in 15° steps, start at 15 and go to 180°; 15; 30; 45; 60; 75; 90; 105; 120; 135; 150; 180°\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003eRealtime adjustment of phase angle, resonant frequency, gain\u003c\/li\u003e\n\u003cli\u003eMIRROR and FLIP modes speed stereo setting selection\u003c\/li\u003e\n\u003cli\u003eδ (DELTA) mode for modifying stereo spread in an MS workflow\u003c\/li\u003e\n\u003cli\u003eAll standard formats: AU, VST \u0026amp; AAX Mac\/Win\u003c\/li\u003e\n\u003cli\u003eOptimized internal 64 bit processing for highest fidelity\u003c\/li\u003e\n\u003cli\u003eOperates at all standard sample rates, from 44.1 to 384 kHz\u003c\/li\u003e\n\u003cli\u003eCompatible with standard OSs; macOS, Windows\u003c\/li\u003e\n\u003cli\u003eLow fatigue visual design\u003c\/li\u003e\n\u003cli\u003eCompact layout\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eBetter By Design\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eAs with all Roger Schult by MAAT products, the RSPhaseShifter is hand crafted and precision engineered in California by way of Germany. This is an explicit digital recreation of the analog W2324 topology, not a modeling or simulation algorithm. We copied the functionality of the original hardware without analog’s shortcomings. This tool´s value is more about what it does technically, so we left out stuff like fake transformer color, hum or Johnson Noise. There are lots of colorful plug–ins, we simply provide convenient access to the useful functionality along with a classic API Lunchbox look.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv id=\"accordion\"\u003e\n\u003cdiv id=\"headingTwo\" style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eFunctions\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"collapseTwo\"\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003eFilter gain range of -5 to + 5 dB via 41 position stepped control\u003c\/li\u003e\n\u003cli\u003eContinuously adjustable phase angle between 15° and 180°\u003c\/li\u003e\n\u003cli\u003e3 position switch to extend phase angle from 180° to 360°\u003c\/li\u003e\n\u003cli\u003eBypass position for quick and easy comparison with the uncorrected signal\u003c\/li\u003e\n\u003cli\u003eStepped or continuous rotary control to select frequency range from 16 to 4 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv id=\"headingThree\" style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eControls\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"collapseThree\"\u003e\n\u003ch4 style=\"text-align: center;\"\u003e \u003c\/h4\u003e\n\u003ch4 style=\"text-align: center;\"\u003eRANGE\u003c\/h4\u003e\n\u003cp style=\"text-align: center;\"\u003eThis three position switch is used to select the range of the phase shifter.\u003c\/p\u003e\n\u003ctable style=\"margin-left: auto; margin-right: auto;\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eTop position:\u003c\/td\u003e\n\u003ctd\u003e　　+180° (180 - 360°)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCenter position:\u003c\/td\u003e\n\u003ctd\u003e　　Bypass\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBottom position:\u003c\/td\u003e\n\u003ctd\u003e　　0 - 180°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe center Phase position, the “0” setting or Bypass mode, provides a means to compare the effect of the selected phase shift with the unprocessed, original phase of the source material.\u003c\/p\u003e\n\u003ch4 style=\"text-align: center;\"\u003e \u003c\/h4\u003e\n\u003ch4 style=\"text-align: center;\"\u003eFREQUENCY\u003c\/h4\u003e\n\u003cp style=\"text-align: center;\"\u003eThe phase shift is dependent on the selected frequency setting. The Frequency control is either stepped for repeatability or continuous; your choice. Resonant frequency selection is managed by an 13 step ELMA–style control with the following frequencies:\u003c\/p\u003e\n\u003ctable style=\"margin-left: auto; margin-right: auto;\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e16 Hz\u003c\/td\u003e\n\u003ctd\u003e　　400 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e25 Hz\u003c\/td\u003e\n\u003ctd\u003e　　630 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e40 Hz\u003c\/td\u003e\n\u003ctd\u003e　　1000 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e63 Hz\u003c\/td\u003e\n\u003ctd\u003e　　1600 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e100 Hz\u003c\/td\u003e\n\u003ctd\u003e　　2500 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e160 Hz\u003c\/td\u003e\n\u003ctd\u003e　　4 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e250 Hz\u003c\/td\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eAdditional controls include a ±5 dB of gain refinement plus MIRROR, FLIP and δ (DELTA) modes for use during stereo operation.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eWhat’s Your Headache?\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eFor most applications, it makes sense to use RSPhaseShifter on just one channel, rather than on both stereo channels. A common example would be when a stereo pair of ambiance mics suffer from slightly different distances to a localized source. Additional uses include:\u003c\/p\u003e\n\u003col style=\"text-align: center;\"\u003e\n\u003cli\u003eYou have a DI’d bass track which sounds dry and lifeless. You drop that track into a project so you can re–amp it, and dial up a great re–amped sound. When you try to blend the DI track with the re–amped track, it sounds…awful! Just grab RSPhaseShifter, insert it into the DI’d track, and start off with a low frequency setting. Sweep the phase angle control and fine tune the frequency and…Bang! Suddenly, it sound awesome.\u003c\/li\u003e\n\u003cli\u003eAnother scenario would be you have a set of two distorted guitar tracks recorded with different guitars or amps but playing the same riff. They sound nasty because both are modeling–based guitar amp simulations. Just insert the stereo version of the RSPhaseShifter into one of those pair of tracks and play around in Mirror mode, so that both sides of your processing track are ganged. Within seconds, you will find a sweet spot where both guitars blend perfectly, because by sweeping through the phase angle control, you’re applying very complex comb filters which you could not create with other EQ.\u003c\/li\u003e\n\u003cli\u003eSometimes mixes or stems come in with a stereo panorama that’s simply too wide. The resulting mix is way dense and requires more careful crafting of the soundstage, so you start to narrow individual elements. But wait, as the elements becomes narrower, their timbre suffers…RSPhaseShifter to the rescue! Bring back the grunt and meat while folding down toward mono.\u003c\/li\u003e\n\u003cli\u003eA common situation is you have closely spaced, multi–mic’ed sources, like a snare with top and bottom mics, some instrument with two mics, or an acoustic guitar with a mic and a piezo pickup. Just play around with the RSPhaseShifter on one of the feeds, preferably the one which is closest to the source, such as a piezo feed, and find the sweet spot by feel.\u003c\/li\u003e\n\u003cli\u003eYet another would be you’ve made a great acoustic stereo recording and have used supporting microphones, such as room, spot or far hall placements. To meld these into your main stereo pair, take your mains as the phase reference, and align one supporting mic after the other with the mains. This is easiest if your supporting sources are panned center and approximately the same level during phase alignment. Afterwards, you can set gain and panning back to taste.\u003c\/li\u003e\n\u003cli\u003eAcoustical issues are often an annoyance at low frequencies. RSPhaseShifter works to…\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eMinimize the influence of standing waves or room modes for a loudspeaker setup in conjunction with one or more subwoofers.\u003c\/li\u003e\n\u003cli\u003eReduce the acoustical energy caused by low frequency cancellation in live sound applications.\u003c\/li\u003e\n\u003cli\u003eAcoustically optimize the sound field in studio and live sound environments.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ol\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eFeatures\u003c\/h1\u003e\n\u003cul\u003e\n\u003cli\u003eAnalog–style phase shifting\u003c\/li\u003e\n\u003cli\u003eMono \u0026amp; stereo operation\u003c\/li\u003e\n\u003cli\u003edouble precision, 64 bit DSP\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eSupporting\u003c\/h1\u003e\n\u003cul\u003e\n\u003cli\u003eAAX Native (Pro Tools 10.3.10 and newer), AU, VST 2, VST 3\u003c\/li\u003e\n\u003cli\u003eSample rates from 44.1 to 384 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eLicense\u003c\/h1\u003e\n\u003cp\u003ePerpetual\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eRequirements\u003c\/h1\u003e\n\u003cul\u003e\n\u003cli style=\"text-align: center;\"\u003emacOS 10.9 and newer, Universal Binary 2, 64 bit only\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003eWindows 7 and newer, 32 \u0026amp; 64 bit\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003eRegistration Information\u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003eProduct Key: https:\/\/www.maat.digital\/support\/#installers  \u003c\/p\u003e","brand":"MAAT Labs","offers":[{"title":"Default Title","offer_id":53052756853020,"sku":"1414-1007","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/product-rsps-9745beec.png?v=1758873928","url":"https:\/\/jrrshop-3235.myshopify.com\/products\/rsphaseshifter","provider":"jrrshop","version":"1.0","type":"link"}