{"product_id":"masterbundle","title":"Zynaptiq Master Bundle: Intensity, UNMIX::DRUMS, and UNFILTER","description":"\u003ch1 style=\"text-align: center;\"\u003e\n\u003ciframe width=\"690\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/_whRLEwHx-M\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen\u003e\u003c\/iframe\u003e\u003ciframe width=\"690\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/DnPPPKPmcc0?feature=player_embedded\" frameborder=\"0\" allowfullscreen\u003e\u003c\/iframe\u003e\n\u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003cdiv id=\"c1313\"\u003e\n\u003cdiv\u003e\n\u003ch1 style=\"text-align: center;\"\u003e\u003cimg alt=\"\" height=\"335\" src=\"https:\/\/www.jrrshop.com\/media\/catalog\/product\/z\/y\/zynaptiqmasterbundle.jpg\" width=\"690\"\u003e\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eZynaptiq Master Bundle\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003e\u003cimg alt=\"\" src=\"https:\/\/www.jrrshop.com\/media\/catalog\/product\/i\/n\/intensity-jrr-edit.jpg\" width=\"690\"\u003e\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eDetail | Clarity | Density | Loudness\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eINTENSITY is a new kind of audio processor for mixing, mastering and sound design. Built on techniques typically found in facial recognition algorithms, INTENSITY brings out a sound’s inherent detail, increases its perceived loudness and density, and adds insane amounts of clarity. The unique algorithm carves out important signal features – making sounds sound more like themselves – and is operated with essentially one control. Between the proprietary algorithm and an optional soft-knee saturating limiter in the plugin’s output stage, INTENSITY also excels at attaining maximum loudness and creating a beautifully aggressive tone. \u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"c1311\" style=\"text-align: center;\"\u003e\n\u003ch4\u003eThe key INTENSITY features at a glance:\u003c\/h4\u003e\nMastering-grade processing for more detail, clarity, density and loudness. \u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eIntuitive and fast workflow using a streamlined set of controls. \u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eProprietary INTENSITY circuit with optional frequency-dependent BIAS function. \u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eAdditional precision soft-knee saturating limiter at the output stage. \u003c\/div\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003cdiv id=\"c1297\" style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch1\u003eThink \"Compressor\"\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cp\u003eSo what IS this thing, then? You can think of INTENSITY like an infinite-band compressor operating in relative terms – whose time constants are zero, and which is controlled by an artificial intelligence at audio rate – making it possible to adjust the process with essentially just one knob.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"c1307\" style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch1\u003eOr Actually, do NOT Think \"Compressor\"\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cp\u003eWell, except that this description would be completely inaccurate, as INTENSITY is absolutely NOT a compressor, and works in a completely different way. There's no RMS detector, no threshold, no ratio, no attack or release time. It doesn't pump or modulate in any other way. It doesn't overshoot and it works regardless of absolute levels and input type.\u003c\/p\u003e\n\u003cp\u003eThat said, the compressor analogy does serve to give you an idea of when to use it and what for.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"c1325\" style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch1\u003eAcross the Board\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cp\u003eINTENSITY is equally suited for processing individual tracks like speech, SFX, instruments – including guitars, bass and piano – as well as full mixes, multi-channel film stems, drum busses, and other complex content. This makes INTENSITY an indispensable tool for music producers, mastering engineers, sound designers, video producers, broad\/podcasters, forensics professionals, audiophiles, or virtually anyone to quickly and easily add clarity, definition, and perceived loudness to their audio projects.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"c1312\" style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch1\u003eFast, Faster, INTENSITY\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cp\u003eThis plugin is probably the fastest way to get great sound. No kidding. The actual, real-world usage story goes pretty much exactly like this:\u003c\/p\u003e\nInsert plugin\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eAdjust INTENSITY amount\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eEnjoy the result.\u003cbr\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch4\u003eIn some cases, you may additionally:\u003c\/h4\u003e\nAdjust BIAS Amount and\/or Curve\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eSwitch LEVEL COMPENSATION off\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eActivate the saturation.\u003cbr\u003e\n\u003cp\u003e ...that is literally it.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"csc-default\" id=\"c1306\"\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003eTL;DR – Summarize that in Plain English, Please.\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: center;\"\u003eOK, we'll drop the geek.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eIt's a high-tech thing that makes everything sound way more awesome.\u003cbr\u003eWhich is why we call it The AWESOME!-Knob in our offices.\u003cbr\u003ePut it on everything, all of the time. \u003cbr\u003eBe careful, it's highly addictive.\u003cbr\u003ePlain enough? :-)\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eDetails\u003c\/h1\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003cdiv id=\"c1309\" style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cimg alt=\"Zynaptiq INTENSITY: INTENSITY Trackball\" height=\"192\" src=\"https:\/\/www.zynaptiq.com\/typo3temp\/pics\/7a9523a2e5.png\" width=\"192\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eINTENSITY\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cp\u003eAt the heart of the plugin lies its namesake, the INTENSITY  circuit. A combination of advanced neural network based analysis and proprietary input and output transforms is used to separate the signal into broad strokes and detail features. By boosting the details while leaving the broad strokes in place, the sound's unique characteristics are amplified, masking effects mitigated, details carved out, the density and perceived loudness increased. Sounds high tech? That's because it IS.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"c1326\" style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cimg alt=\"Zynaptiq INTENSITY: BIAS Trackball\" height=\"192\" src=\"https:\/\/www.zynaptiq.com\/typo3temp\/pics\/ef61c6e08a.png\" width=\"192\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eBIAS\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cp\u003eIn most cases, the INTENSITY trackball is all you'll need to use to get a great sound. But the processing amount can be controlled frequency dependently, too, using the BIAS function.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"c1327\" style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cimg alt=\"Zynaptiq INTENSITY: BIAS CURVE Icon\" height=\"192\" src=\"https:\/\/www.zynaptiq.com\/typo3temp\/pics\/7374a3a59f.png\" width=\"192\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003ePreset BIAS Curves\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cp\u003eINTENSITY features ten preset bias curves, including two equal loudness curves, a presence boost curve, linear tilt curves, and more. Curves are selected using our proprietary Visual Menu widget, which allows you to preview a setting simply by hovering your mouse over it. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"c1329\" style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cimg alt=\"Zynaptiq INTENSITY: BIAS Sliders\" height=\"192\" src=\"https:\/\/www.zynaptiq.com\/typo3temp\/pics\/472d30ff5b.png\" width=\"192\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eCustom BIAS Curve\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cp\u003eOr simply create your own. Supported by multiple macro functions, finding just the right curve is a snap.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"csc-default\" id=\"c1308\"\u003e\n\u003cdiv class=\"csc-textpic csc-textpic-intext-left-nowrap\"\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cimg alt=\"Zynaptiq INTENSITY: SATURATE Function\" height=\"192\" src=\"https:\/\/www.zynaptiq.com\/typo3temp\/pics\/b53ed7c400.png\" width=\"192\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"csc-textpic-text\"\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eSATURATE\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: center;\"\u003eOn top of the high-tech INTENSITY circuit, there's also a slightly more traditional, but nonetheless state-of-the-art soft-knee saturating limiter that can optionally be switched into the output stage. From subtle glue to in-your-face-ness to Yeah-I-Just-Got-Three-dB-of-Loudness-For-Free in mastering to straight-up overdrive, the SATURATE circuit delivers a beautifully warm, meaty tone...and can drive the loudness into La-La-Land.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003cdiv id=\"c1319\" style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch1\u003eFormats\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eINTENSITY is available for a variety of formats.\u003c\/p\u003e\n\u003cp\u003eOn MacOS X:\u003c\/p\u003e\nApple AudioUnits (32\/64bit)\u003cbr\u003eAvid RTAS\u003cbr\u003eAvid AAX Native including AudioSuite (32\/64bit)\u003cbr\u003eSteinberg VST 2.4 (32\/64bit)\u003cbr\u003eSteinberg VST 3 (32\/64bit)\u003cbr\u003e\n\u003cp\u003eOn Windows:\u003c\/p\u003e\nAvid RTAS\u003cbr\u003eAvid AAX Native including AudioSuite (32\/64bit)\u003cbr\u003eSteinberg VST 2.4 (32\/64bit)\u003cbr\u003eSteinberg VST 3 (32\/64bit)\u003c\/div\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"c986\" style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch1\u003eSystem Requirements Mac\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eApple Mac computer\u003cbr\u003eOSX 10.8.x or newer\u003cbr\u003eIntel CPU with at least 2 Cores; i7 or better recommended.\u003cbr\u003eApple AU (AudioUnits), Steinberg VST 2.4, VST 3 or Avid RTAS\/AAX compatible Host software\u003cbr\u003eFor AAX Native 32-bit, the minimum required Pro Tools version is 10.3.6\u003cbr\u003eiLok.com account for machine- or iLok 2 based activation (of full as well as demo versions)\u003cbr\u003eInternet Connection for Software Activation (though not necessarily on the computer used for audio)\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"c987\" style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eSystem Requirements Windows\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eWindows 7 or newer\u003cbr\u003eCPU with at least 2 Cores; Intel CPU recommended, i7 or better recommended.\u003cbr\u003eSteinberg VST 2.4, VST 3 or Avid RTAS\/AAX compatible Host software\u003cbr\u003eFor AAX Native 32-bit, the minimum required Pro Tools version is 10.3.6\u003cbr\u003eiLok.com account for machine- or iLok 2 based activation (of full as well as demo versions)\u003cbr\u003eInternet Connection for Software Activation (though not necessarily on the computer used for audio)\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"c988\"\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eCopy Protection\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eThis software uses the latest PACE copy protection, which allows you to place your activation on your machine or on an iLok 2* (or newer; not included). You will need a free iLok.com account to use our software, even for the the demos – but you do not necessarily need the iLok 2 dongle, if your machine has internet access (activation of a system without internet connectivity requires an iLok 2 device). All required software is installed along with our plugins, but we generally recommend downloading the latest versions directly from iLok.com.\u003c\/p\u003e\n\u003cp\u003e\u003csub\u003e*Please note: the older, first generation (blue) iLok is not supported!\u003c\/sub\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"\" src=\"https:\/\/www.jrrshop.com\/media\/catalog\/product\/1\/s\/1screen_shot_2015-10-26_at_.jpg\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 class=\"wsite-content-title\" style=\"text-align: center;\"\u003e\u003cstrong\u003eBOOST OR ATTENUATE DRUMS IN MIXED MUSIC\u003c\/strong\u003e\u003c\/h1\u003e\n\u003ch1\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/h1\u003e\n\u003cdiv class=\"paragraph\" style=\"text-align: center;\"\u003e\n\u003cstrong\u003eUNMIX::DRUMS\u003c\/strong\u003e is the world’s first audio plugin that allows attenuating or boosting drums in mixed music, in real-time. Using advanced \u003cem\u003esource signal separation\u003c\/em\u003e (a.k.a. \u003cem\u003ede-mixing, unmixing, sound extraction, sound isolation\u003c\/em\u003e) technology under the hood, UNMIX::DRUMS provides frequency dependent drum level control that ranges from up to +18dB of boost to virtually complete removal* – while always sounding great. Whether used on a full mix or on a drum bus, UNMIX::DRUMS can be used to shape and enhance the impact of your drums in a unique new way. Sporting an intuitive multi-level GUI, frequency dependent control of key parameters, a sample accurate sub-bass (re)synthesizer, our high-precision analyzer display, M\/S operation and an output limiter, UNMIX::DRUMS opens up exciting new options for mastering, music production, sample-based music creation, mash-up artists, remixers and DJs.\u003cbr\u003e\u003cem\u003e* Actually achievable amounts depend on input signal specifics.\u003c\/em\u003e\n\u003c\/div\u003e\n\u003ch1 class=\"paragraph\" style=\"text-align: center;\"\u003e  \u003c\/h1\u003e\n\u003cdiv class=\"paragraph\" style=\"text-align: center;\"\u003eThe \u003cstrong\u003e UNMIX::DRUMS \u003c\/strong\u003efeatures at a glance:\u003c\/div\u003e\n\u003cdiv class=\"paragraph\" style=\"text-align: center;\"\u003eSource Separation-Based Control of Drum Level in Mixed Music\u003c\/div\u003e\n\u003cdiv class=\"paragraph\" style=\"text-align: center;\"\u003eSMOOTH and PUNCHY Boost Modes\u003c\/div\u003e\n\u003cdiv class=\"paragraph\" style=\"text-align: center;\"\u003eSample-Accurate Sub-base (Re)Synthesizer\u003c\/div\u003e\n\u003cdiv class=\"paragraph\" style=\"text-align: center;\"\u003eFrequency Dependent Control of Key Parameters\u003c\/div\u003e\n\u003cdiv class=\"paragraph\" style=\"text-align: center;\"\u003eIntuitive 3-way GUI Design\u003c\/div\u003e\n\u003cdiv class=\"paragraph\" style=\"text-align: center;\"\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eTURN IT UP (OR DOWN)\u003c\/h1\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cem\u003e\u003cem\u003e\u003cspan\u003e\u003cspan\u003e\u003cimg alt=\"Picture\" class=\"wsite-image galleryImageBorder\" src=\"http:\/\/www.11dmedia.com\/uploads\/1\/1\/2\/3\/11231080\/1445876306.png\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/em\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003cdiv class=\"paragraph\" style=\"text-align: center;\"\u003e\n\u003cbr\u003e\u003cstrong\u003eUNMIX::DRUMS\u003c\/strong\u003e is your \u003cem\u003eafter-the-fact fader\u003c\/em\u003e for the drums. It takes a mixed music input and allows you to change the level of the drums relative to everything else, in real-time. Attenuate the drums to \"headphone bleed\" levels, or make them sit squarely in your face – the choice is yours. Adjust DRUM LEVEL and THRESHOLD, done.\u003c\/div\u003e\n\u003chr\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eIMPACT SHAPING\u003c\/h1\u003e\n \u003cem\u003e\u003cem\u003e\u003cspan\u003e\u003cspan\u003e\u003cimg alt=\"Picture\" class=\"wsite-image galleryImageBorder\" src=\"http:\/\/www.11dmedia.com\/uploads\/1\/1\/2\/3\/11231080\/1445876567.png\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/em\u003e\n\u003cdiv class=\"paragraph\" style=\"text-align: center;\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"paragraph\" style=\"text-align: center;\"\u003e\n\u003cbr\u003e\u003cstrong\u003eUNMIX::DRUMS\u003c\/strong\u003e doesn't only work with mixed music – you can slap it onto a drum buss, too. Adjusting DRUM LEVEL frequency dependently - using our slick breakpoint editor in the CURVES view - lets you shape the impact and punch of your drums like never before. Without touching a compressor or transient processor, and even if they're inside a full mix. We call this \u003cem\u003eimpact equalization\u003c\/em\u003e. As drum punch connoisseurs, we're proud to say: It's simply awesome.\u003c\/div\u003e\n\u003chr\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eSMOOTH PUNCH, PUNCHY SMOOTHNESS\u003c\/h1\u003e\n\u003cem\u003e\u003cem\u003e\u003cspan\u003e\u003cspan\u003e\u003cimg alt=\"Picture\" class=\"wsite-image galleryImageBorder\" src=\"http:\/\/www.11dmedia.com\/uploads\/1\/1\/2\/3\/11231080\/1445876507.png\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/em\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003cdiv class=\"paragraph\" style=\"text-align: center;\"\u003e\n\u003cbr\u003eSpeaking of punch: \u003cstrong\u003eUNMIX::DRUMS\u003c\/strong\u003e offers two boost modes, SMOOTH and PUNCHY. The SMOOTH mode was designed with a dry, organic sound in mind, for natural sounding medium boost situations, as well as pre-processing for drum extraction applications. PUNCHY produces a very snappy, tight sound that can really make the drums jump at you. Both modes allow boosting the drum reverb, too, SMOOTH focusing on early reflections and PUNCHY on long reverb tails. \u003c\/div\u003e\n\u003chr\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eOFF THE RICHTER SCALE\u003c\/h1\u003e\n\u003cem\u003e\u003cem\u003e\u003cspan\u003e\u003cspan\u003e\u003cimg alt=\"Picture\" class=\"wsite-image galleryImageBorder\" src=\"http:\/\/www.11dmedia.com\/uploads\/1\/1\/2\/3\/11231080\/1445876605.png\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/em\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003cdiv class=\"paragraph\" style=\"text-align: center;\"\u003e\n\u003cstrong\u003eUNMIX::DRUMS\u003c\/strong\u003e features the world's first and only sample accurate sub-bass (re)synthesizer. Adding punchy and clean low frequency energy to your music or drums has never been easier. Simply raise the BASS SYNTH slider to taste – no level instabilities, false triggers or phase cancellation included. Whether subtly extending the frequency range on a jazz master or creating earth shattering club beats of woofer destruction, the onboard BASS SYNTH delivers – with minimal effort.\u003c\/div\u003e\n\u003chr\u003e\n\u003ch1 class=\"wsite-content-title\" style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 class=\"wsite-content-title\" style=\"text-align: center;\"\u003eWORKFLOW MONSTER\u003c\/h1\u003e\n\u003cem\u003e\u003cem\u003e\u003cspan\u003e\u003cimg alt=\"Picture\" class=\"galleryImageBorder wsite-image\" src=\"http:\/\/www.11dmedia.com\/uploads\/1\/1\/2\/3\/11231080\/1445876648.png\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"paragraph\" style=\"text-align: center;\"\u003e\n\u003cdiv class=\"paragraph\" style=\"text-align: center;\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"paragraph\" style=\"text-align: center;\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"paragraph\" style=\"text-align: center;\"\u003eSo what is this plug-in \u003cem\u003efor\u003c\/em\u003e? In a nut-shell: creating unheard new sounds and smooth, sonically pleasing transitions that are different from the cookie-cutter crossfade approach. Create creature voices by combining speech with other sounds, apply the features of a drum loop to a sustained pad, transition from one ambience or SFX to another with surreal intermediate stages, or or create hybrid rhythms or instruments.\u003c\/div\u003e\n\u003cdiv class=\"paragraph\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"paragraph\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"paragraph\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"paragraph\"\u003e\n\u003ch1\u003eSPECIFICATIONS\u003c\/h1\u003e\n\u003cstrong\u003e\u003cstrong\u003e\u003cspan\u003e\u003cspan\u003e\u003cimg alt=\"Picture\" class=\"wsite-image galleryImageBorder\" src=\"http:\/\/www.11dmedia.com\/uploads\/1\/1\/2\/3\/11231080\/__________3559906.png\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/strong\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003cdiv class=\"paragraph\"\u003e \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-size: large;\"\u003eFormats\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMORPH 2 \u003c\/strong\u003eis available for a variety of formats.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOn MacOS X:\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"paragraph\"\u003e\n\u003cbr\u003eApple AudioUnits (32\/64bit)\u003cbr\u003eAvid RTAS\u003cbr\u003eAvid AAX Native including AudioSuite (32\/64bit)\u003cbr\u003eSteinberg VST 2.4 (32\/64bit)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOn Windows:\u003c\/strong\u003e\u003cbr\u003eAvid RTAS\u003cbr\u003eAvid AAX Native including AudioSuite (32\/64bit)\u003cbr\u003eSteinberg VST 2.4 (32\/64bit)\u003c\/div\u003e\n\u003cdiv class=\"paragraph\"\u003e \u003c\/div\u003e\n\u003ch4 class=\"paragraph\"\u003e\u003cstrong\u003eSystem Requirements Mac\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cdiv class=\"paragraph\"\u003eApple Mac computer\u003cbr\u003eOSX 10.6.8 or newer\u003cbr\u003eIntel CPU with at least 2 Cores\u003cbr\u003eApple AU (AudioUnits), Steinberg VST 2.4 or Avid RTAS\/AAX compatible Host software\u003cbr\u003eFor AAX Native 32-bit, the minimum required Pro Tools version is 10.3.6\u003cbr\u003eInternet Connection for Software Activation (though not necessarily on the computer used for audio with iLok 2)\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003ch4 class=\"paragraph\"\u003eSystem Requirements Windows\u003c\/h4\u003e\n\u003cdiv class=\"paragraph\"\u003eWindows Vista or newer (XP SP3 may work but is untested in-house)\u003cbr\u003eCPU with at least 2 Cores\u003cbr\u003eSteinberg VST 2.4 (32\/64-bit) or Avid RTAS\/AAX compatible Host software\u003cbr\u003eFor AAX Native 32-bit, the minimum required Pro Tools version is 10.3.6\u003cbr\u003eiLok.com account for machine- or iLok 2 based activation (of full as well as demo versions)\u003cbr\u003eInternet Connection for Software Activation (though not necessarily on the computer used for audio with iLok 2)\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003cdiv class=\"csc-default\" id=\"c328\" style=\"text-align: center;\"\u003e\n\u003cp class=\"bodytext\"\u003e\u003cimg alt=\"\" src=\"https:\/\/www.jrrshop.com\/media\/catalog\/product\/u\/n\/unfilter.jpg\"\u003e \u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003cp class=\"bodytext\"\u003e\u003cstrong\u003eUNFILTER\u003c\/strong\u003e is a real-time plug-in that removes filtering effects, such as comb filtering, resonance, or excessive equalization – effectively linearizing the frequency response of a signal automatically. UNFILTER can also apply a detected filter response to another signal, or export it to disk as an impulse response, and can even perform mastering grade adaptive, free-form, and graphic equalization. Whether you're in music production, film post, game audio, broadcast, sound design, forensics, or engineering – UNFILTER makes time-consuming and often impossible tasks as effortless as adjusting one control.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"csc-default\" id=\"c346\" style=\"text-align: center;\"\u003e\n\u003ch1 class=\"bodytext\"\u003e \u003c\/h1\u003e\n\u003cp class=\"bodytext\"\u003eThe \u003cstrong\u003eUNFILTER\u003c\/strong\u003e features at a glance: \u003c\/p\u003e\nAutomatically detect and remove resonances, equalization, roll-offs and the effects of comb filtering from musical,  location, dialog and surveillance recordings.\u003cbr\u003eApply the measured filter response to other signals to place them in the same \"acoustic world\".\u003cbr\u003eExport the measured filter response to or import it from a linear- or minimum-phase impulse response file (WAV).\u003cbr\u003eMastering grade adaptive, free-form and graphic equalization.\u003cbr\u003eExtremely steep 96dB\/octave shelving high-pass filter.\u003cbr\u003eOutput limiter for unsupervised use in batch processing applications.\u003cbr\u003eHighly time-efficient workflow and UI\u003c\/div\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003cdiv class=\"csc-default\" id=\"c347\" style=\"text-align: center;\"\u003e\n\u003cdiv class=\"csc-textpic csc-textpic-intext-left-nowrap\"\u003e\n\u003cdiv class=\"csc-textpic-imagewrap csc-textpic-single-image\"\u003e\u003cimg alt=\"UNFILTER Input Signal vs Output Signal\" height=\"75\" src=\"http:\/\/www.zynaptiq.com\/typo3temp\/pics\/62ec6e5b6b.png\" width=\"75\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"csc-textpic-text\"\u003e\n\u003cdiv class=\"csc-textpicHeader csc-textpicHeader-26\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eSet It Straight\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cp class=\"bodytext\"\u003e\u003cstrong\u003eUNFILTER\u003c\/strong\u003e automatically detects resonances, EQ or filter effects – essentially any frequency response anomalies that aren't part of the original signal. You can then remove these by simply adjusting one control, leaving the rest of the signal virtually untouched. As a result, previously problematic or unusable recordings can be made to sound good, and \u003cem\u003egood\u003c\/em\u003e recordings to sound \u003cem\u003egreat\u003c\/em\u003e. In real-time, and with minimal effort, Zynaptiq-style.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"csc-default\" id=\"c348\" style=\"text-align: center;\"\u003e\n\u003cdiv class=\"csc-textpic csc-textpic-intext-left-nowrap\"\u003e\n\u003cdiv class=\"csc-textpic-imagewrap csc-textpic-single-image\"\u003e\u003cimg alt=\"UNFILTER Negative INTENSITY For Applying Response Curve To Other Signal\" height=\"75\" src=\"http:\/\/www.zynaptiq.com\/typo3temp\/pics\/0cf4cbc300.png\" width=\"75\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"csc-textpic-text\"\u003e\n\u003cdiv class=\"csc-textpicHeader csc-textpicHeader-26\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eMake It So\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cp class=\"bodytext\"\u003eYou can also \u003cem\u003eapply\u003c\/em\u003e the measured filter response from one recording to another – placing the two in the same acoustic \"world\". Or you can create room-tone to fill editing gaps, by applying a measured filter response to noise. You can of course also store filter responses to disk as linear- or minimum-phase impulse response files, building a library of \"colors\" to have at your disposal any time. Whether you need to make ADR blend with production dialog, get one guitar snippet to sound like part of another, or create new sounds, UNFILTER makes this task fast and easy.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"csc-default\" id=\"c349\" style=\"text-align: center;\"\u003e\n\u003cdiv class=\"csc-textpic csc-textpic-intext-left-nowrap\"\u003e\n\u003cdiv class=\"csc-textpic-imagewrap csc-textpic-single-image\"\u003e\u003cimg alt=\"UNFILTER Free-Form EQ\" height=\"75\" src=\"http:\/\/www.zynaptiq.com\/typo3temp\/pics\/1cf6e3a122.png\" width=\"75\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"csc-textpic-text\"\u003e\n\u003cdiv class=\"csc-textpicHeader csc-textpicHeader-26\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eMore Equal\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cp class=\"bodytext\"\u003e\u003cstrong\u003eUNFILTER\u003c\/strong\u003e is also an EQ. Three mastering grade EQs and an excellent high-pass filter, actually. For one, its (un-)filtering engine can function as an adaptive program equalizer that continuously adjusts itself while the audio is playing. This helps maintain a balanced spectrum when working with audio that changes over time, for example when streaming mixed music in broadcast applications. Secondly, UNFILTER sports a free-form EQ with various curve interpolation modes, from super-gentle slopes, through narrow notches, to brickwall steps. Thirdly, we added a streamlined 7-band graphic EQ for good measure. And finally, there’s a super-steep 96dB per octave shelving high-pass filter that removes low frequency rumble so efficiently you’ll forget that there was ever anything down there.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"csc-default\" id=\"c350\" style=\"text-align: center;\"\u003e\n\u003cdiv class=\"csc-textpic csc-textpic-intext-left-nowrap\"\u003e\n\u003cdiv class=\"csc-textpic-imagewrap csc-textpic-single-image\"\u003e\u003cimg alt=\"UNFILTER LEARN Control\" height=\"75\" src=\"http:\/\/www.zynaptiq.com\/typo3temp\/pics\/02b2bd68c6.png\" width=\"75\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"csc-textpic-text\"\u003e\n\u003cdiv class=\"csc-textpicHeader csc-textpicHeader-26\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eRocket Science\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cp class=\"bodytext\"\u003eHow does \u003cstrong\u003eUNFILTER\u003c\/strong\u003e do all that? Technically, it performs a \u003cem\u003ereal-time blind de-convolution\u003c\/em\u003e, a cutting-edge technology rarely found even in the most advanced of research institutes. Fortunately, we don't do lab coats.\u003cbr\u003eThis technology allows UNFILTER to \u003cem\u003etake a close look at\u003c\/em\u003e your audio, estimate what happened to its frequency response, and then create a filter that will undo the process. Sounds like rocket science? That's because it \u003cem\u003eis\u003c\/em\u003e. But all the technology in the world doesn't matter if it's difficult to operate or doesn't sound good. Well, UNFILTER is a breeze to use, and doesn't just sound \u003cem\u003egood\u003c\/em\u003e...it sounds \u003cem\u003eamazing\u003c\/em\u003e.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"csc-default\" id=\"c351\" style=\"text-align: center;\"\u003e\n\u003cdiv class=\"csc-textpic csc-textpic-intext-left-nowrap\"\u003e\n\u003cdiv class=\"csc-textpic-imagewrap csc-textpic-single-image\"\u003e\u003cimg alt=\"UNFILTER LEARN Control\" height=\"75\" src=\"http:\/\/www.zynaptiq.com\/typo3temp\/pics\/d0f9d5cb3c.png\" width=\"75\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"csc-textpic-text\"\u003e\n\u003cdiv class=\"csc-textpicHeader csc-textpicHeader-26\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eLightspeed\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cp class=\"bodytext\"\u003eThe \u003cstrong\u003eUNFILTER\u003c\/strong\u003e UI is so fast and easy to use that corrective EQ can often be done within seconds by adjusting just one of our super-slick trackball sliders. And for advanced customization, every single function and control has been engineered with painstaking attention to detail – finely-tuned for optimal workflow and results. Whichever control you move, the right setting is never far away. UNFILTER is not only a life-saver, it is also a time-saver par excellance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003eRegistration Information\u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003eActivation Code: https:\/\/www.zynaptiq.com\/register\/  \u003c\/p\u003e","brand":"Zynaptiq","offers":[{"title":"Default Title","offer_id":53053364470044,"sku":"1063-62","price":499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/zynaptiqmasterbundle.jpg?v=1758878767","url":"https:\/\/jrrshop-3235.myshopify.com\/products\/masterbundle","provider":"jrrshop","version":"1.0","type":"link"}