{"product_id":"eddiekramerslegacyofrocksdx","title":"Toontracks Eddie Kramer's Legacy of Rock SDX","description":"\u003ch1 style=\"text-align: center;\"\u003e\n\u003ciframe width=\"690\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/TIkPoWB_jj4\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\n\u003ciframe width=\"690\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/7lNIkYW79PQ\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\n\u003ciframe width=\"690\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/hMPRXdWCO3Q\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\n\u003ciframe width=\"690\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/ovoQn_7u4zQ\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\n\u003ciframe width=\"690\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/NGirf3kmTyc\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\n\u003ciframe width=\"690\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/2rlxDPO7RSA\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\n\u003ciframe width=\"690\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/n9vrDsRu2fw\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\n\u003ciframe width=\"690\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/9dpKazU887w\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\n\u003ciframe width=\"690\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/jio_kbrPICk\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\n\u003ciframe width=\"690\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/T9IqTl2itsE\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\n\u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003cdiv class=\"tt-in-view container-fluid color-gradient-white\" style=\"text-align: center;\"\u003e\n\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"tt-product-intro\"\u003e\n\u003cdiv id=\"2566089\" class=\", post-2566089 product type-product status-publish has-post-thumbnail product_cat-sdx product_cat-superiorline product_tag-920 product_tag-rock pa_delivery-pm-download superiorline first instock taxable shipping-taxable purchasable product-type-variable has-default-attributes\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-8 col-sm-offset-2 text-xs-left text-center\"\u003e\n\u003ch2 class=\"color-text-default\"\u003e\n\u003cimg alt=\"\" src=\"https:\/\/www.jrrshop.com\/media\/catalog\/product\/l\/e\/legacyofrocksdx.jpg\" height=\"551\" width=\"633\"\u003e \u003c\/h2\u003e\n\u003ch1 class=\"color-text-default\"\u003eLegacy of Rock SDX\u003c\/h1\u003e\n\u003ch3\u003eROCK ROYALTY.\u003c\/h3\u003e\n\u003cp class=\"sub-headline\"\u003e\u003cstrong\u003eDrums recorded by one of the most iconic recording engineers\/mixers\/producers in rock history: Eddie Kramer.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"sub-headline\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"summary entry-summary\" style=\"text-align: center;\"\u003e\n\u003cdiv class=\"container-fluid-max color-gray-lightest\"\u003e\n\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-10 col-md-7 col-sm-offset-1 col-md-offset-0 text-left\"\u003e\n\u003cp\u003eNot many can say that they were there when it happened. \u003cspan\u003eEddie Kramer\u003c\/span\u003e has been right smack center of it as it happened, \u003cem\u003emaking\u003c\/em\u003e it happen and shaping its very essence with his bare hands for five decades and counting. We’re talking about rock – the sound of rock and the deafening impact the craft of engineering, producing and mixing it right has on how it ends up echoing through history. Meet audio visionary Eddie Kramer, the uncrowned king who shaped the sound of the legends that became immortal icons of rock and who in the process became a royalty of rock himself. This is his collection of drums and a true homage to classic rock as we know it.\u003c\/p\u003e\n\u003cp\u003eThe \u003cspan\u003eLegacy of Rock SDX\u003c\/span\u003e zones in on Eddie’s formative years in the buzzing sixties London scene and continues on through the seventies. It includes five drum kits, each sourced and tailored to mirror a significant era or sound in Kramer’s remarkable career. All drums were recorded in Kramer’s studio of choice, Studio 1 at AIR in London, and captured through signal chains of vintage microphones as well as handpicked, rare and custom equipment scouted specifically for these sessions.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThese drums rock.\u003c\/span\u003e Take it from the man who only in the first two decades of his career managed to work with The Rolling Stones and The Beatles, record the entire Jimi Hendrix catalog, capture several of Led Zeppelin’s most pioneering albums and man the board as the original Woodstock festival was caught on tape. Welcome to a bona fide treasure chest of drum sounds – ready for you to hone, mold and shape to make your own dent in rock history with.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-10 col-md-5 col-sm-offset-1 col-md-offset-0 text-left\"\u003e\n\u003ch3 class=\"color-text-default\"\u003e \u003c\/h3\u003e\n\u003ch3 class=\"color-text-default\"\u003e\u003cspan\u003eFEATURE SPOTLIGHT\u003c\/span\u003e\u003c\/h3\u003e\nRecorded by legendary engineer\/mixer\/producer Eddie Kramer in Studio 1 at AIR in London, UK\u003cbr\u003eFive full kits, all tailored after a significant era or sound in Eddie Kramer’s career\u003cbr\u003eThree extra kicks, six snares and a wide variety of cymbals\u003cbr\u003eIncludes two timpani and 36″ and 60″ gongs\u003cbr\u003eSelect kits include brushes, mallets and hand\/finger samples\u003cbr\u003eRecorded with an additional five room microphones for playback in stereo or up to 5.1 systems\u003cbr\u003eCustom presets engineered by Eddie Kramer\u003cbr\u003eIncludes a selection of drum MIDI inspired by classic songs from Eddie’s discography\u003c\/div\u003e\n\u003cdiv class=\"col-sm-10 col-md-5 col-sm-offset-1 col-md-offset-0 text-left\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"col-sm-10 col-md-5 col-sm-offset-1 col-md-offset-0 text-left\"\u003e\n\u003ch3 class=\"color-text-white\"\u003e\u003cspan\u003eABOUT\u003cbr\u003eEDDIE KRAMER.\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"color-text-white\"\u003eThe brushstrokes of Eddie Kramers’s ability to paint with sound has made rock history a glaring palette of color. Not only did he help shape the iconic sound of \u003cspan\u003eLed Zeppelin\u003c\/span\u003e, \u003cspan\u003eJimi Hendrix\u003c\/span\u003e, \u003cspan\u003eKiss\u003c\/span\u003e and many more in the sixties and seventies – his ear, touch and craftsmanship has had an immense impact throughout his entire career and to this day. We dare to say that arguably no one in his field has left a more distinct footprint on their path through rock history than he has.\u003c\/p\u003e\n\u003cp class=\"color-text-white\"\u003eReading his list of credits from top to bottom sums his collaborations up to more than 750 albums covering all genres, all facets of rock and a myriad of the names anyone would file under ‘icons’ without thinking twice.\u003c\/p\u003e\n\u003cp class=\"color-text-white\"\u003eIn addition to his deep-rooted passion for audio production, Eddie is also a published author and photographer. Eddie’s candid portraits of the rock luminaries he’s worked with over the years have been exhibited in some of the world’s most prestigious galleries and museums and have become of interest for collectors internationally.\u003c\/p\u003e\n\u003cp class=\"color-text-white\"\u003eBeing frequent lecturer at workshops and seminars, he also likes to educate by sharing his lifelong well of experience from his side of the studio glass with the next generation of audio craftsmen.\u003c\/p\u003e\n\u003cp class=\"color-text-white\"\u003e \u003c\/p\u003e\n\u003cdiv class=\"animated fadeIn affix\" data-animation-offset=\"80\" data-animation-direction=\"in\" data-animation-name=\"fadeIn\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-10 col-sm-offset-1 col-md-8 col-md-offset-2 text-center\"\u003e\n\u003ch3 class=\"visible-xs\"\u003e\u003cstrong\u003eEDDIE –\u003cbr\u003eTHROUGH THE\u003cbr\u003eDECADES.\u003c\/strong\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"animated fadeIn affix\" data-animation-offset=\"80\" data-animation-direction=\"in\" data-animation-name=\"fadeIn\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-12 text-center\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/legacy-of-rock-sdx\/jpg\/1960.jpg\" height=\"457\" width=\"690\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-10 col-sm-offset-1 col-md-8 col-md-offset-2 text-center\"\u003e\n\u003ch3 class=\"visible-xs\"\u003e\u003cstrong\u003e1960s\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eIn the early 1960s, the then 19-year old Eddie relocated from his native South Africa to a buzzing London scene. During his London years, he worked at three of the most legendary studios in rock: Pye Studios, Regent Sound and Olympic Studios. In these studios is where he recorded Jimi Hendrix, The Rolling Stones, The Beatles, Traffic and many more. In 1968, Kramer relocated to New York primarily to work more closely with Jimi Hendrix but also founded many other long-lasting musical relationships, one of them being the start of his five-album stint with Led Zeppelin. Kramer rounded off the 1960s by capturing the original Woodstock festival on tape. The recordings ended up on the three-disc album “Woodstock: Music from the Original Soundtrack and More,” featuring a myriad of now iconic performances.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-12 text-center hidden-xs\"\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003ch5\u003e\n\u003cstrong\u003eTHE BEATLES\u003c\/strong\u003e “MAGICAL MYSTERY TOUR” (1967)\u003c\/h5\u003e\n\u003ch5\u003e\n\u003cstrong\u003eJIMI HENDRIX\u003c\/strong\u003e “ARE YOU EXPERIENCED?” (1967)\u003c\/h5\u003e\n\u003ch5\u003e\n\u003cstrong\u003eJIMI HENDRIX\u003c\/strong\u003e “AXIS: BOLD AS LOVE” (1967)\u003c\/h5\u003e\n\u003ch5\u003e\n\u003cstrong\u003eTRAFFIC\u003c\/strong\u003e “MR. FANTASY” (1967)\u003c\/h5\u003e\n\u003ch5\u003e\n\u003cstrong\u003eJIMI HENDRIX\u003c\/strong\u003e “ELECTRIC LADYLAND” (1968)\u003c\/h5\u003e\n\u003ch5\u003e\n\u003cstrong\u003eTHE ROLLING STONES\u003c\/strong\u003e “BEGGARS BANQUET” (1968)\u003c\/h5\u003e\n\u003ch5\u003e\n\u003cstrong\u003eLED ZEPPELIN\u003c\/strong\u003e “LED ZEPPELIN II” (1969)\u003c\/h5\u003e\n\u003ch5\u003e\n\u003cstrong\u003eJOHN MAYALL\u003c\/strong\u003e “TURNING POINT” (1969)\u003c\/h5\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-12 text-center visible-xs\"\u003e\n\u003ch5\u003e\n\u003cstrong\u003eTHE BEATLES\u003c\/strong\u003e “MAGICAL MYSTERY TOUR” (1967)\u003c\/h5\u003e\n\u003ch5\u003e\n\u003cstrong\u003eJIMI HENDRIX\u003c\/strong\u003e “ARE YOU EXPERIENCED?” (1967)\u003c\/h5\u003e\n\u003ch5\u003e\n\u003cstrong\u003eJIMI HENDRIX\u003c\/strong\u003e “AXIS: BOLD AS LOVE” (1967)\u003c\/h5\u003e\n\u003ch5\u003e\n\u003cstrong\u003eTRAFFIC\u003c\/strong\u003e “MR. FANTASY” (1967)\u003c\/h5\u003e\n\u003ch5\u003e\n\u003cstrong\u003eJIMI HENDRIX\u003c\/strong\u003e “ELECTRIC LADYLAND” (1968)\u003c\/h5\u003e\n\u003ch5\u003e\n\u003cstrong\u003eTHE ROLLING STONES\u003c\/strong\u003e “BEGGARS BANQUET” (1968)\u003c\/h5\u003e\n\u003ch5\u003e\n\u003cstrong\u003eLED ZEPPELIN\u003c\/strong\u003e “LED ZEPPELIN II” (1969)\u003c\/h5\u003e\n\u003ch5\u003e\n\u003cstrong\u003eJOHN MAYALL\u003c\/strong\u003e “TURNING POINT” (1969)\u003c\/h5\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv class=\"hidden-xs\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"animated fadeIn affix\" data-animation-offset=\"80\" data-animation-direction=\"in\" data-animation-name=\"fadeIn\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-12 text-center\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/legacy-of-rock-sdx\/jpg\/1970.jpg\" height=\"457\" width=\"690\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-10 col-sm-offset-1 col-md-8 col-md-offset-2 text-center\"\u003e\n\u003ch3 class=\"visible-xs\"\u003e\u003cstrong\u003e1970s\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eEddie began the seventies by working alongside famous acoustician John Storyk to oversee the creation of Electric Lady Studios, Jimi Hendrix’s state-of-the-art studio on Manhattan, costing a then-staggering one million dollars to build and equip. Through the decade, Eddie continued to work on seminal records for Led Zeppelin and Jimi Hendrix as well as a string of other artists such as Peter Frampton, David Bowie, Joe Cocker and many more. Perhaps most notably, his lengthy association with Kiss begins with his work on “Alive!,” an album that in many ways defined the early stages of Kiss’ career. It subsequently went multi-platinum and Eddie produced five more of the band’s albums – all of which went platinum.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-12 text-center hidden-xs\"\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003ch5\u003e\n\u003cstrong\u003eWOODSTOCK:\u003c\/strong\u003e MUSIC FROM THE ORIGINAL SOUNDTRACK AND MORE (1970)\u003c\/h5\u003e\n\u003ch5\u003e\n\u003cstrong\u003eJOE COCKER\u003c\/strong\u003e “MAD DOGS \u0026amp; ENGLISHMEN” (1970)\u003c\/h5\u003e\n\u003ch5\u003e\n\u003cstrong\u003eJIMI HENDRIX\u003c\/strong\u003e “BAND OF GYPSYS” (1970)\u003c\/h5\u003e\n\u003ch5\u003e\n\u003cstrong\u003eLED ZEPPELIN\u003c\/strong\u003e “HOUSES OF THE HOLY” (1973)\u003c\/h5\u003e\n\u003ch5\u003e\n\u003cstrong\u003eKISS\u003c\/strong\u003e “ALIVE” (1975)\u003c\/h5\u003e\n\u003ch5\u003e\n\u003cstrong\u003eLED ZEPPELIN\u003c\/strong\u003e “PHYSICAL GRAFFITI” (1975)\u003c\/h5\u003e\n\u003ch5\u003e\n\u003cstrong\u003eDAVID BOWIE\u003c\/strong\u003e “YOUNG AMERICANS” (1975)\u003c\/h5\u003e\n\u003ch5\u003e\n\u003cstrong\u003ePETER FRAMPTON\u003c\/strong\u003e “FRAMPTON COMES ALIVE!” (1976)\u003c\/h5\u003e\n\u003ch5\u003e\n\u003cstrong\u003eLED ZEPPELIN\u003c\/strong\u003e “THE SONG REMAINS THE SAME” (1976)\u003c\/h5\u003e\n\u003ch5\u003e\n\u003cstrong\u003eKISS\u003c\/strong\u003e “LOVE GUN” (1977)\u003c\/h5\u003e\n\u003ch5\u003e\n\u003cstrong\u003eTHE ROLLING STONES\u003c\/strong\u003e “LOVE YOU LIVE” (1977)\u003c\/h5\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-12 text-center visible-xs\"\u003e\n\u003ch5\u003e\n\u003cstrong\u003eWOODSTOCK:\u003c\/strong\u003e MUSIC FROM THE ORIGINAL SOUNDTRACK AND MORE (1970)\u003c\/h5\u003e\n\u003ch5\u003e\n\u003cstrong\u003eJOE COCKER\u003c\/strong\u003e “MAD DOGS \u0026amp; ENGLISHMEN” (1970)\u003c\/h5\u003e\n\u003ch5\u003e\n\u003cstrong\u003eJIMI HENDRIX\u003c\/strong\u003e “BAND OF GYPSYS” (1970)\u003c\/h5\u003e\n\u003ch5\u003e\n\u003cstrong\u003eLED ZEPPELIN\u003c\/strong\u003e “HOUSES OF THE HOLY” (1973)\u003c\/h5\u003e\n\u003ch5\u003e\n\u003cstrong\u003eKISS\u003c\/strong\u003e “ALIVE” (1975)\u003c\/h5\u003e\n\u003ch5\u003e\n\u003cstrong\u003eLED ZEPPELIN\u003c\/strong\u003e “PHYSICAL GRAFFITI” (1975)\u003c\/h5\u003e\n\u003ch5\u003e\n\u003cstrong\u003eDAVID BOWIE\u003c\/strong\u003e “YOUNG AMERICANS” (1975)\u003c\/h5\u003e\n\u003ch5\u003e\n\u003cstrong\u003ePETER FRAMPTON\u003c\/strong\u003e “FRAMPTON COMES ALIVE!” (1976)\u003c\/h5\u003e\n\u003ch5\u003e\n\u003cstrong\u003eLED ZEPPELIN\u003c\/strong\u003e “THE SONG REMAINS THE SAME” (1976)\u003c\/h5\u003e\n\u003ch5\u003e\n\u003cstrong\u003eKISS\u003c\/strong\u003e “LOVE GUN” (1977)\u003c\/h5\u003e\n\u003ch5\u003e\n\u003cstrong\u003eTHE ROLLING STONES\u003c\/strong\u003e “LOVE YOU LIVE” (1977)\u003c\/h5\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv class=\"hidden-xs\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"animated fadeIn affix\" data-animation-offset=\"80\" data-animation-direction=\"in\" data-animation-name=\"fadeIn\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-12 text-center\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/legacy-of-rock-sdx\/jpg\/1980.jpg\" height=\"457\" width=\"690\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-10 col-sm-offset-1 col-md-8 col-md-offset-2 text-center\"\u003e\n\u003ch3 class=\"visible-xs\"\u003e\u003cstrong\u003e1980s\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThe eighties saw Kramer working with a myriad of artists predominantly in the heavier end of the rock and metal spectrum. Aside from working with Led Zeppelin on “Coda,” his rejuvenation of Anthrax with their “Among the Living” record in 1987 as well as his work with Whitesnake, Icon and Pretty Maids are likely some of the most noteworthy collaborations.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-12 text-center hidden-xs\"\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003ch5\u003e\n\u003cstrong\u003eLED ZEPPELIN\u003c\/strong\u003e “CODA” (1982)\u003c\/h5\u003e\n\u003ch5\u003e\n\u003cstrong\u003eTWISTED SISTER\u003c\/strong\u003e “UNDER THE BLADE” (1982)\u003c\/h5\u003e\n\u003ch5\u003e\n\u003cstrong\u003eTRIUMPH\u003c\/strong\u003e “THUNDER SEVEN” (1984)\u003c\/h5\u003e\n\u003ch5\u003e\n\u003cstrong\u003eANTHRAX\u003c\/strong\u003e “AMONG THE LIVING” (1987)\u003c\/h5\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-12 text-center visible-xs\"\u003e\n\u003ch5\u003e\n\u003cstrong\u003eLED ZEPPELIN\u003c\/strong\u003e “CODA” (1982)\u003c\/h5\u003e\n\u003ch5\u003e\n\u003cstrong\u003eTWISTED SISTER\u003c\/strong\u003e “UNDER THE BLADE” (1982)\u003c\/h5\u003e\n\u003ch5\u003e\n\u003cstrong\u003eTRIUMPH\u003c\/strong\u003e “THUNDER SEVEN” (1984)\u003c\/h5\u003e\n\u003ch5\u003e\n\u003cstrong\u003eANTHRAX\u003c\/strong\u003e “AMONG THE LIVING” (1987)\u003c\/h5\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv class=\"hidden-xs\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"animated fadeIn affix\" data-animation-offset=\"80\" data-animation-direction=\"in\" data-animation-name=\"fadeIn\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-12 text-center\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/legacy-of-rock-sdx\/jpg\/1990.jpg\" height=\"457\" width=\"690\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-10 col-sm-offset-1 col-md-8 col-md-offset-2 text-center\"\u003e\n\u003ch3 class=\"visible-xs\"\u003e\u003cstrong\u003e1990s\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eIn the nineties, Kramer continued to work with a broad range of artists as well as several Hendrix-related collaborations. Some of his notable accomplishments include producing and engineering Buddy Guy’s album “Slippin In,“ winner of 1995 Grammy Award for Best Contemporary Blues Record as well as a W.C. Handy Blues Foundation award for Album of the Year 1995. He also won a Grammy Award for the audio production on the video for Jimi Hendrix’s live album “Band of Gypsys” and received a nomination for “The Wind Cries Mary,” which was Sting’s contribution to the 1996 Jimi Hendrix tribute album featuring a myriad of artists.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-12 text-center hidden-xs\"\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003ch5\u003e\n\u003cstrong\u003eROBIN TROWER\u003c\/strong\u003e “IN THE LINE OF FIRE” (1990)\u003c\/h5\u003e\n\u003ch5\u003e\n\u003cstrong\u003eKISS\u003c\/strong\u003e “ALIVE III” (1993)\u003c\/h5\u003e\n\u003ch5\u003e\n\u003cstrong\u003eJOHN MCLAUGHLIN\u003c\/strong\u003e “THE PROMISE” (1993)\u003c\/h5\u003e\n\u003ch5\u003e\n\u003cstrong\u003eBUDDY GUY\u003c\/strong\u003e “SLIPPIN’ IN” (1995)\u003c\/h5\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-12 text-center visible-xs\"\u003e\n\u003ch5\u003e\n\u003cstrong\u003eROBIN TROWER\u003c\/strong\u003e “IN THE LINE OF FIRE” (1990)\u003c\/h5\u003e\n\u003ch5\u003e\n\u003cstrong\u003eKISS\u003c\/strong\u003e “ALIVE III” (1993)\u003c\/h5\u003e\n\u003ch5\u003e\n\u003cstrong\u003eJOHN MCLAUGHLIN\u003c\/strong\u003e “THE PROMISE” (1993)\u003c\/h5\u003e\n\u003ch5\u003e\n\u003cstrong\u003eBUDDY GUY\u003c\/strong\u003e “SLIPPIN’ IN” (1995)\u003c\/h5\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"hidden-xs\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"animated fadeIn affix\" data-animation-offset=\"80\" data-animation-direction=\"in\" data-animation-name=\"fadeIn\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-12 text-center\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/legacy-of-rock-sdx\/jpg\/2000.jpg\" height=\"457\" width=\"690\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv class=\"hidden-xs\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-10 col-sm-offset-1 col-md-8 col-md-offset-2 text-center\"\u003e\n\u003ch3 class=\"visible-xs\"\u003e\u003cstrong\u003e2000s –\u003cbr\u003ePRESENT DAY\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThrough the 2000s and to this day, Kramer has continued to work at the very apex of the industry and with a wide variety of artists and projects. In the early 2000s, he engineered the Grammy-winning recording of the Carlos Santana feat. Michelle Branch single “The Game of Love.” In 2003, Eddie received a \u003cstrong\u003eLifetime Achievement Award\u003c\/strong\u003e at the AES show in New York City and in 2010 he was \u003cstrong\u003enominated for a star on the Hollywood Walk of Fame.\u003c\/strong\u003e One of the most recent highlights was the \u003cstrong\u003eEmmy Award\u003c\/strong\u003e he won for his work on the Jimi Hendrix documentary “Hear My Train a Comin’.”\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-12 text-center hidden-xs\"\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003ch5\u003e\n\u003cstrong\u003eCARLOS SANTANA FEAT. MICHELLE BRANCH\u003c\/strong\u003e “THE GAME OF LOVE” (2002)\u003c\/h5\u003e\n\u003ch5\u003e\n\u003cstrong\u003eLED ZEPPELIN\u003c\/strong\u003e “HOW THE WEST WAS WON” (2003)\u003c\/h5\u003e\n\u003ch5\u003e\n\u003cstrong\u003eAL DI MEOLA\u003c\/strong\u003e “ELYSIUM” (2015)\u003c\/h5\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-12 text-center visible-xs\"\u003e\n\u003ch5\u003e\n\u003cstrong\u003eCARLOS SANTANA FEAT. MICHELLE BRANCH\u003c\/strong\u003e “THE GAME OF LOVE” (2002)\u003c\/h5\u003e\n\u003ch5\u003e\n\u003cstrong\u003eLED ZEPPELIN\u003c\/strong\u003e “HOW THE WEST WAS WON” (2003)\u003c\/h5\u003e\n\u003ch5\u003e\n\u003cstrong\u003eAL DI MEOLA\u003c\/strong\u003e “ELYSIUM” (2015)\u003c\/h5\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"animated fadeIn affix\" data-animation-offset=\"80\" data-animation-direction=\"in\" data-animation-name=\"fadeIn\"\u003e\n\u003cdiv class=\"container-fluid-max lazyload\"\u003e\n\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-12 text-center\"\u003e\n\u003ch4 class=\"color-text-superior\"\u003e\u003cspan\u003eWELCOME TO\u003c\/span\u003e\u003c\/h4\u003e\n\u003ch3 class=\"color-text-superior hidden-xs\"\u003e\u003cspan\u003eAIR STUDIOS.\u003c\/span\u003e\u003c\/h3\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003ch4 class=\"color-text-superior\"\u003e\u003cspan\u003eA LONDON LANDMARK.\u003c\/span\u003e\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid-max \"\u003e\n\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-6\"\u003e\n\u003cp\u003eOne couldn’t possibly confuse the colossal 26,000 square feet Victorian-style building towering up like a beacon on Lyndhurst Road in the midst the busy Hampstead suburb of north London for anything but a church. Only if arriving at night, while the floodlighting shoots up along all sides of the red-brick facade and glares in the massive stained glass windows, it may suggest otherwise. But a studio? Probably not anyone’s guess. It indeed is – and likely one of the most impressive ones in the world at that.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAIR Studios, founded by Sir George Martin back in 1970,\u003c\/span\u003e was originally located on Oxford Street in Central London but had to move in 1991 when its 22-year lease ran out. It was then that the Lyndhurst location was found and a cumbersome conversion from church to state-of-the-art studio was undertaken. It finally opened its doors in December 1992. In between the two London locations, Martin also opened a branch on the remote Caribbean island of Montserrat.\u003c\/p\u003e\n\u003cp\u003eToday, AIR Lyndhurst accommodates the entire scope of the demands of the recording industry and handles anything from capturing full orchestras for scores to serving top artists of all genres with album productions.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-6\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/legacy-of-rock-sdx\/jpg\/1.jpg\" height=\"460\" width=\"690\" data-src=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/legacy-of-rock-sdx\/jpg\/1.jpg\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"hidden-xs\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-4\"\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cimg alt=\"\" src=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/legacy-of-rock-sdx\/jpg\/2.jpg\" height=\"460\" width=\"690\"\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-4\"\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cimg alt=\"\" src=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/legacy-of-rock-sdx\/jpg\/3.jpg\" height=\"460\" width=\"690\"\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-4\"\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cimg alt=\"\" src=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/legacy-of-rock-sdx\/jpg\/4.jpg\" height=\"460\" width=\"690\"\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-4\"\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cimg alt=\"\" src=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/legacy-of-rock-sdx\/jpg\/5.jpg\" height=\"460\" width=\"690\"\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-4\"\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cimg alt=\"\" src=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/legacy-of-rock-sdx\/jpg\/6.jpg\" height=\"460\" width=\"690\"\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-4\"\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cimg alt=\"\" src=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/legacy-of-rock-sdx\/jpg\/7.jpg\" height=\"460\" width=\"690\"\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv class=\"hidden-xs\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-6\"\u003e\n\u003cp\u003e\u003cspan\u003eStudio 1\u003c\/span\u003e, which was the choice room requested by Eddie Kramer for this session, has the perfect acoustics for rock drums – big, reverberant but far from uncontrolled or overpowering. Over the years, it’s hosted names such as Coldplay, Radiohead, Muse, Biffy Clyro, U2, Paul McCartney, Adele and Katy Perry.\u003c\/p\u003e\n\u003cp\u003eHaving recorded literally every major name in rock history, the undeniable DNA of AIR runs in the artery of music history and the fabric of the entire popular culture heritage of the 20th century. We couldn’t be more proud than to bring some of that invisible magic to your songs.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-6\"\u003e\n\u003ch3 class=\"color-text-gray-darker\"\u003e \u003c\/h3\u003e\n\u003ch3 class=\"color-text-gray-darker\"\u003e\u003cspan\u003eSOME FACTS YOU MAYBE DIDN’T KNOW\u003c\/span\u003e\u003c\/h3\u003e\nAIR is an acronym for Associated Independent Recordings\u003cbr\u003eIn 1989, AIR Studio in Montserrat had to close after Hurricane Hugo devastated the Caribbean island it was located on (the last album to ever be recorded there was The Rolling Stones’ “Steel Wheels”)\u003cbr\u003eThe Lyndhurst Hall is one of the world’s largest recording rooms\u003cbr\u003eThe Studio 1 room used to be a lecture hall and can accommodate up to 45 musicians\u003cbr\u003eStudio 1 has a moving wall which allows you to control the natural reverberation of the room\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container-fluid-max \"\u003e\n\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-12 text-center\"\u003e\n\u003ch3 class=\"hidden-xs color-text-white\"\u003e\u003cspan\u003eTHE DRUMS.\u003c\/span\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid-max \"\u003e\n\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-12 text-center\"\u003e\n\u003cp class=\"small-bread color-text-white\"\u003e*All other manufacturers’ product names are trademarks of their respective owners, which are in no way associated or affiliated with Toontrack. See full notice here.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-6\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-12\"\u003e\n\u003ch3 class=\"color-text-white\"\u003e\u003cspan\u003eTHE AMBER KIT.\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"color-text-white\"\u003eThis kit represents a reproduction of the live setup that Led Zeppelin’s John Bonham used during the classic “Song Remains the Same” recordings at Madison Square Garden in 1976. The drums, cymbals, timpani and gong were all sourced to be as close to the original setup as possible. During the recording of this SDX, a considerable amount of time was spent referencing the original video recording. As a consequence, we recorded configurations with snare wires off, mallets and hands to get all the different sounds that Bonham used during the performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-xs-5 col-sm-4 col-md-5 col-lg-5\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-6\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/legacy-of-rock-sdx\/jpg\/TheAmberKit1.jpg\" height=\"460\" width=\"690\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm-6\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"col-sm-6\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"col-sm-6\"\u003e\n\u003cdiv class=\"col-sm-6\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-12\"\u003e\n\u003ch3 class=\"color-text-white\"\u003e\u003cspan\u003eTHE SPARKLE KIT.\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"color-text-white\"\u003eThis serves as our tribute to Eddie’s studio work with Led Zeppelin in the late ’60s and early ’70s. Both in composition and sound, this kit is very similar to the setup that was used on Led Zeppelin II, “Houses of the Holy,” “Physical Graffiti,” and “Coda.” Simply a mind-blowingly big kit that still has that intimate and tight proximity.\u003c\/p\u003e\n\u003cp class=\"color-text-white\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-6\"\u003e\u003ca class=\"image-popup\" href=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/legacy-of-rock-sdx\/jpg\/TheSparkleKit1.jpg\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/legacy-of-rock-sdx\/jpg\/TheSparkleKit1.jpg\" height=\"460\" width=\"690\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm-6\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"col-sm-6\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"col-sm-6\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"col-sm-6\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-6\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-12\"\u003e\n\u003ch3 class=\"color-text-white\"\u003e\u003cspan\u003eTHE JET BLACK KIT.\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"color-text-white\"\u003eThis kit was sourced as a reference to Eddie’s work on the “Beggars Banquet” album and is a near-replica of the very drums that Charlie Watts used for the original sessions. Charlie comes from a jazz background and this kit really underlines that heritage. Aside from the brands, sizes and finishes being historically accurate, also some of the original microphone pre-amps were retrieved from the Helios console residing at Olympic Studio and used in this SDX session.\u003c\/p\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-6\"\u003e\u003ca class=\"image-popup\" href=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/legacy-of-rock-sdx\/jpg\/TheJetBlackKit1.jpg\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/legacy-of-rock-sdx\/jpg\/TheJetBlackKit1.jpg\" height=\"460\" width=\"690\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"col-sm-6\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-12\"\u003e\n\u003ch3 class=\"color-text-white\"\u003e\u003cspan\u003eTHE OYSTER KIT.\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"color-text-white\"\u003eThis is another homage to the “Beggars Banquet” record. A kit hybrid made up of drums just like these and The Jet Black Kit is what Charlie Watts played when tracking the “Sympathy for the Devil” song at Olympic Studios in 1968. This is also depicted in several scenes in the movie with the same name.\u003c\/p\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-6\"\u003e\u003ca class=\"image-popup\" href=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/legacy-of-rock-sdx\/jpg\/TheOysterKit1.jpg\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/legacy-of-rock-sdx\/jpg\/TheOysterKit1.jpg\" height=\"460\" width=\"690\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm-6\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"col-sm-6\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"col-sm-6\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"col-sm-6\"\u003e\n\u003cdiv class=\"col-sm-6\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-12\"\u003e\n\u003ch3 class=\"color-text-white\"\u003e\u003cspan\u003eTHE SILVER KIT.\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"color-text-white\"\u003eThis setup is a tribute to Jimi Hendrix, drummer Mitch Mitchell and the work Eddie did on the albums they recorded together. Just like Watts, Mitchell was also from a jazz background. To highlight that and as a reference to his unique crossover style, heard on for example “Up from the Skies” featured on the “Axis: Bold as Love” record, we sampled this kit with drumsticks as well as brushes.\u003c\/p\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-6\"\u003e\u003ca class=\"image-popup\" href=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/legacy-of-rock-sdx\/jpg\/TheSilverKit1.jpg\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/legacy-of-rock-sdx\/jpg\/TheSilverKit1.jpg\" height=\"460\" width=\"690\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm-6\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"col-sm-6\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"col-sm-6\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"col-sm-6\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-10 col-sm-offset-1 text-center\"\u003e\n\u003ch3 class=\"visible-xs\"\u003e\u003cstrong\u003eMICROPHONE\u003cbr\u003ePOSITIONING \u0026amp; OVERVIEW.\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThis floorplan shows you how the drums, gong and timpani were placed and how the general ambience microphones were positioned in Studio 1.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-lg-10 col-lg-offset-1\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-6\"\u003e\n\u003cp\u003e\u003cstrong\u003e1. STEREO OVERHEAD\u003c\/strong\u003e\u003cbr\u003eNeumann U67 (large diaphragm tube condenser x2)\u003cbr\u003eNeve AIR Montserrat mic pre-amp, Neve 31106 EQ\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2. MONO Overhead\u003c\/strong\u003e\u003cbr\u003eNeumann U67 (large diaphragm tube condenser)\u003cbr\u003eHelios mic pre-amp, Helios EQ (Olympic)\u003cbr\u003eThermionic Culture Rooster mic pre-amp, Pultec EQP1A EQ\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e3. MONO AMBIENCE\u003c\/strong\u003e\u003cbr\u003eAEA R44C (bi-directional ribbon microphone)\u003cbr\u003eNeve AIR Montserrat mic pre-amp, Neve 31106 EQ\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e4. AMBIENCE NEAR\u003c\/strong\u003e\u003cbr\u003eAKG C24 (large diaphragm stereo tube condenser)\u003cbr\u003eNeve AIR Montserrat mic pre-amp, Neve 31106 EQ\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e5. AMBIENCE MID\u003c\/strong\u003e\u003cbr\u003eColes 4038 (BBC ribbon microphone x2)\u003cbr\u003eNeve AIR Montserrat mic pre-amp, Neve 31106 EQ\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-6\"\u003e\n\u003cp\u003e\u003cstrong\u003e6. AMBIENCE FAR\u003c\/strong\u003e\u003cbr\u003eBlue Bottle (large diaphragm tube condenser x2)\u003cbr\u003eNeve AIR Montserrat mic pre-amp, Neve 31106 EQ\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e7. FRONT CENTER\u003c\/strong\u003e\u003cbr\u003eSchoeps MK 21 (small diaphragm condenser)\u003cbr\u003eNeve AIR Montserrat mic pre-amp, Focusrite ISA 110\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e8. FRONT L\/R\u003c\/strong\u003e\u003cbr\u003eSchoeps MK 21 (small diaphragm condenser x2)\u003cbr\u003eNeve AIR Montserrat mic pre-amp, Focusrite ISA 110\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e9. REAR L\/R\u003c\/strong\u003e\u003cbr\u003eSennheiser MKH 20 (small diaphragm condenser x2)\u003cbr\u003eNeve AIR Montserrat mic pre-amp, Focusrite ISA 110\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eThe Articulations\u003c\/span\u003e\u003c\/h3\u003e\n\u003cdiv class=\"container-fluid-max color-gradient-white\"\u003e\n\u003cdiv class=\"container\"\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-md-6 col-lg-5\"\u003e\n\u003cp\u003eIn this video we walk you through some of the articulations recorded for the Legacy of Rock SDX. The exact same set of articulations were multi-sampled with unparalleled velocity detail for each instrument type, configuration and striking tool.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv class=\"hidden-xs\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-6\"\u003e\n\u003ca class=\"image-popup\" href=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/legacy-of-rock-sdx\/jpg\/hihat.jpg\"\u003e \u003cimg alt=\"\" src=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/legacy-of-rock-sdx\/jpg\/hihat.jpg\" height=\"473\" width=\"690\"\u003e \u003c\/a\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003ch5\u003e\u003cspan\u003eHI-HAT.\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003eDue to the complex nature and immense variation in voicing this instrument offers, the hi-hats were recorded with up to 27 unique multi-sampled articulations.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-6\"\u003e\n\u003ca class=\"image-popup\" href=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/legacy-of-rock-sdx\/jpg\/ride.jpg\"\u003e \u003cimg alt=\"\" src=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/legacy-of-rock-sdx\/jpg\/ride.jpg\" height=\"473\" width=\"690\"\u003e \u003c\/a\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003ch5\u003e\u003cspan\u003eRIDE.\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003eThe ride cymbals were sampled with up to 8 articulations. Unique to the Legacy of Rock SDX are the ‘Bow Tip 2’ articulations for impressive realism when playing the ride cymbals on e-kits with positional sensoring technology.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-6\"\u003e\n\u003cdiv class=\"hidden-xs\"\u003e \u003c\/div\u003e\n\u003ca class=\"image-popup\" href=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/legacy-of-rock-sdx\/jpg\/snare.jpg\"\u003e \u003cimg alt=\"\" src=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/legacy-of-rock-sdx\/jpg\/snare.jpg\" height=\"473\" width=\"690\"\u003e \u003c\/a\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003ch5\u003e\u003cspan\u003eSNARE.\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003eThe snares sampled with ‘wires on’ and sticks include nine unique articulations while the subtle and many striking options needed in order to produce ultra-realistic brushed performances, this tool required 15 articulations.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-6\"\u003e\n\u003cdiv class=\"hidden-xs\"\u003e \u003c\/div\u003e\n\u003ca class=\"image-popup\" href=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/legacy-of-rock-sdx\/jpg\/crash.jpg\"\u003e \u003cimg alt=\"\" src=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/legacy-of-rock-sdx\/jpg\/crash.jpg\" height=\"473\" width=\"690\"\u003e \u003c\/a\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003ch5\u003e\u003cspan\u003eCRASH.\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003eThe crashes were sampled in up to seven articulations, allowing you to produce anything from subtle crescendos to using any crash cymbal essentially as a leading instrument.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-6\"\u003e\n\u003cdiv class=\"hidden-xs\"\u003e \u003c\/div\u003e\n\u003ca class=\"image-popup\" href=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/legacy-of-rock-sdx\/jpg\/snare-hand.jpg\"\u003e \u003cimg alt=\"\" src=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/legacy-of-rock-sdx\/jpg\/snare-hand.jpg\" height=\"473\" width=\"690\"\u003e \u003c\/a\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003ch5\u003e\u003cspan\u003eHANDS.\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003eSnares as well as all toms, crashes, ride and hi-hats offer a fundamental selection of articulations recorded using hands as a striking tool.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-sm-6\"\u003e\n\u003cdiv class=\"hidden-xs\"\u003e \u003c\/div\u003e\n\u003ca class=\"image-popup\" href=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/legacy-of-rock-sdx\/jpg\/timpanis.jpg\"\u003e \u003cimg alt=\"\" src=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/legacy-of-rock-sdx\/jpg\/timpanis.jpg\" height=\"473\" width=\"690\"\u003e \u003c\/a\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003ch5\u003e\u003cspan\u003eTIMPANI.\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003eInspired by Bonham’s playing style on the timpani, these were sampled using regular drumsticks and captured with three articulations each.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv class=\"hidden-xs\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid-max color-gradient-white\"\u003e\n\u003cdiv class=\"container-fluid-max color-gradient-white\"\u003e\n\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-8 col-sm-offset-2 text-center\"\u003e\n\u003ch3\u003e\u003cspan\u003eTHE PRESETS.\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"sub-headline\"\u003eTo inspire and enable you to make music immediately, the Legacy of Rock SDX includes a broad range of mix-ready presets for all kits, tools and configurations.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"hidden-xs\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-6\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/legacy-of-rock-sdx\/jpg\/presetlist.jpg\" height=\"799\" width=\"690\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm-6 col-lg-5\"\u003e\n\u003cdiv class=\"visible-lg\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"visible-lg visible-xs\"\u003e \u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003eEDDIE KRAMER’S PRESETS.\u003c\/span\u003e\u003cbr\u003e Eddie’s selection of presets were engineered in Studio 1 at AIR and feature his very own take on mixes for each different kit as well as several of the included configurations.\u003c\/p\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003eTOONTRACK IN-HOUSE PRESETS.\u003c\/span\u003e\u003cbr\u003e These presets were created by Toontrack’s sound design team as serve as our very own homage to classic rock and Eddie’s illustrious discography.\u003c\/p\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003eKIT PRESETS.\u003c\/span\u003e\u003cbr\u003e In addition to the mix presets, there are kit presets available that enable you to quickly access and audition an unmixed state of all the different kits and configurations included.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection id=\"midi\"\u003e\n\u003cdiv class=\"container-fluid-max color-gradient-white\"\u003e\n\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-8 col-sm-offset-2 text-center\"\u003e\n\u003ch3\u003e\u003cspan\u003eTHE MIDI.\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eJust like the drum sounds, the main portion of the MIDI circles in on the era of Eddie’s career that stretches from the full-on rock years of the sixties through the seventies. Inspired by the like of Led Zeppelin, Jimi Hendrix, Kiss, The Rolling Stones and The Beatles, this MIDI will take you through thunderous onslaught of classic rock, the jazz-inspired psychedelic grooves to the straight-on pounding and in-your-face rock beats. The MIDI library also features a collection of grooves and patterns specifically designed for use with the brushes, mallets, timpani and gong as well as the hand and finger sounds included. In addition, all of the MIDI was recorded exclusively using the SDX sounds and all of its articulations, giving you a vivid display of all its rich detail in the context of different fitting performances.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv class=\"hidden-xs\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-12\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/legacy-of-rock-sdx\/jpg\/TheMidi2.jpg\" height=\"386\" width=\"690\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm-12\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"col-sm-12\"\u003e\n\u003cdiv class=\"col-md-6\"\u003e\n\u003cdiv class=\"hidden-xs hidden-sm\"\u003e \u003c\/div\u003e\n\u003cimg alt=\"\" src=\"https:\/\/cdn.toontrack.com\/wp-content\/uploads\/product\/legacy-of-rock-sdx\/png\/sdx_ezx2.png\" height=\"503\" width=\"690\"\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-md-6\"\u003e\n\u003cdiv class=\"visible-lg\"\u003e \u003c\/div\u003e\n\u003ch3\u003e\u003cspan\u003eSDX AND EZX.\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch4\u003e– WHAT’S THE DIFFERENCE?\u003c\/h4\u003e\n\u003cp\u003eThe \u003cspan\u003eClassic Rock EZX\u003c\/span\u003e comes with two mix-ready drum sets, both derived from the five kits featured in the \u003cspan\u003eLegacy of Rock SDX\u003c\/span\u003e. The EZX is best described as a slimmed down version of the SDX, both in terms of number of instruments, available articulations, microphones and mixer channel options. The EZX was produced to provide a specific type of mix-ready sound while the SDX, in addition to its large pool of presets, features raw and unprocessed drum tones.\u003c\/p\u003e\n\u003cp\u003eLooking for an instant classic rock sound – go for the EZX. Looking for all the options you need to mix, match and design the kits of your wildest dreams – go for the SDX.\u003c\/p\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv class=\"color-gray-lighter\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-xs-6\"\u003e\n\u003ch6 class=\"color-text-gray-darker\"\u003eLEGACY OF ROCK SDX.\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e\u003cspan\u003eWorks with:\u003c\/span\u003e\u003cbr\u003e Superior Drummer 3\u003cbr\u003e \u003cspan\u003eSize:\u003c\/span\u003e approx. 180 GB | \u003cspan\u003eKits:\u003c\/span\u003e 5 (plus additional instruments)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-xs-6\"\u003e\n\u003ch6 class=\"color-text-gray-darker\"\u003eCLASSIC ROCK EZX.\u003c\/h6\u003e\n\u003cp class=\"small-bread\"\u003e\u003cspan\u003eWorks with:\u003c\/span\u003e\u003cbr\u003e EZdrummer 2 and Superior Drummer 3\u003cbr\u003e \u003cspan\u003eSize:\u003c\/span\u003e 4.5 GB | \u003cspan\u003eKits:\u003c\/span\u003e 2 (plus additional instruments)\u003c\/p\u003e\n\u003cp class=\"small-bread\"\u003e \u003c\/p\u003e\n\u003ch3\u003eSYSTEM REQUIREMENTS.\u003c\/h3\u003e\n\u003cp\u003e64-bit Windows 7 or newer, 8 GB RAM (16 GB RAM or more recommended).\u003c\/p\u003e\n\u003cp\u003emacOS 10.9 or higher, 64-bit Intel-based Mac with 8 GB RAM (16 GB RAM or more recommended).\u003c\/p\u003e\n\u003cp\u003eFor the full Installation of this product you will need approximately 180 GB of free hard drive space, plus an additional 180 GB is required for the installation process\u003c\/p\u003e\n\u003cp\u003eA working Superior Drummer 3.2.0 (or above) installation\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003eRegistration Information\u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003eSerial Number: https:\/\/www.toontrack.com\/product-manager\/  \u003c\/p\u003e","brand":"Toontrack","offers":[{"title":"Default Title","offer_id":53053180051740,"sku":null,"price":179.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/legacyofrocksdx.jpg?v=1758877408","url":"https:\/\/jrrshop-3235.myshopify.com\/products\/eddiekramerslegacyofrocksdx","provider":"jrrshop","version":"1.0","type":"link"}