{"product_id":"bassmachine","title":"Hideaway Studio Bass Machine Kontakt Instrument","description":"\u003ch1 style=\"text-align: center;\"\u003e\u003ciframe width=\"100%\" height=\"300\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/109464886\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e\u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"The Bass Machine GUIb_1\" class=\"size-full wp-image-1575 alignleft\" src=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/09\/the-bass-machine-guib_1.jpg?w=824\" data-attachment-id=\"1575\" data-permalink=\"https:\/\/hideawaystudio.net\/2013\/09\/08\/hideaway-studio-proudly-presents-bass-machine\/the-bass-machine-guib_1\/#main\" data-orig-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/09\/the-bass-machine-guib_1.jpg\" data-orig-size=\"636,405\" data-comments-opened=\"1\" data-image-meta=\"{\" aperture data-image-title=\"The Bass Machine GUIb_1\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/09\/the-bass-machine-guib_1.jpg?w=300\" data-large-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/09\/the-bass-machine-guib_1.jpg?w=636\"\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eBass Machine\u003c\/strong\u003e was in essence an attempt to revisit a commonly used trick of the trade whereby the warm roundness, power and motion of the \u003cem\u003eMinimoog’s\u003c\/em\u003e bottom end was blended with the bite and clinical accuracy of \u003cem\u003eFM\u003c\/em\u003e bass.  The result is a nice example of where the whole is greater than sum of its parts…\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eIn order to capture as much of the Model D’s character as possible, four patches were dialled into the instrument complete with filter envelope.  Since such a process would probably have rendered rather inflexible results another four patches were captured with the filter wide open.  Every white key was captured as four random round robins resulting in over 800 samples from Hideaway Studio’s beloved \u003cem\u003e1976 Minimoog No.7751\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eEight patches were then dialled up on a classic 4-OP FM synth.  Four sounds were lightly tweaked and four were programmed to offer a wide range of sonic palette that suitably complemented the patches from the Model D.  Over 280 samples were captured from the instrument on every white key.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"D-OSC and 4-OP\" class=\"wp-image-1577 alignleft\" height=\"222\" src=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/09\/d-osc-and-4-op.jpg?w=422\u0026amp;h=222\" width=\"422\" data-attachment-id=\"1577\" data-permalink=\"https:\/\/hideawaystudio.net\/2013\/09\/08\/hideaway-studio-proudly-presents-bass-machine\/d-osc-and-4-op\/#main\" data-orig-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/09\/d-osc-and-4-op.jpg\" data-orig-size=\"863,455\" data-comments-opened=\"1\" data-image-meta=\"{\" aperture data-image-title=\"D-OSC and 4-OP\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/09\/d-osc-and-4-op.jpg?w=300\" data-large-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/09\/d-osc-and-4-op.jpg?w=824\"\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eAt the heart of the Bass Machine is a superb dual voice synth engine which was implemented by Stephen Howell (Hollow Sun) and scripting guru Mario Krušelj thus permitting samples from each instrument to be layered complete with independent filters, envelopes and LFO’s for each channel.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eOver 50 example patches were programmed during the course of the project and are bundled with the download.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e“A wonderfully crafted musical instrument. I was able to step sequence some crazy DAF – style basslines that were as enigmatic and unstable as the real machines I was using three decades ago. Also covered are Sub Sine creations that add weight and character to the bottom end in an extremely subtle way. It’s a full – on bass synth studio for Kontakt that i will use a lot i am sure.” \u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eHarvey Jones\u003c\/strong\u003e, Synth player with Sex and Sorrow, Nadia Ackerman, and Blow Up Hollywood.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e“The Bass Machine has an awesome analogue sound to it! Loving what you can do with a bit of tweaking. Congrats on a great product.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003ePhil Meadley\u003c\/strong\u003e (aka Lucidity Lo-Fi)\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"The Bass Machine GUIb_2\" class=\"alignleft  wp-image-1623\" height=\"326\" src=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/09\/the-bass-machine-guib_2.jpg?w=509\u0026amp;h=326\" width=\"509\" data-attachment-id=\"1623\" data-permalink=\"https:\/\/hideawaystudio.net\/2013\/09\/08\/hideaway-studio-proudly-presents-bass-machine\/the-bass-machine-guib_2\/#main\" data-orig-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/09\/the-bass-machine-guib_2.jpg\" data-orig-size=\"636,407\" data-comments-opened=\"1\" data-image-meta=\"{\" aperture data-image-title=\"The Bass Machine GUIb_2\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/09\/the-bass-machine-guib_2.jpg?w=300\" data-large-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/09\/the-bass-machine-guib_2.jpg?w=636\"\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eBass Machine\u003c\/strong\u003e features a performance \/ FX page which is worth a mention…\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eAs well as a useful array of effects including saturation, Bass Machine features a number of functions well suited for bass timbres.  The u\u003cstrong\u003enison\u003c\/strong\u003e control permits several voices to be stacked with variable detune and spread.  Similarly the\u003cstrong\u003e glide\u003c\/strong\u003e function with\u003cstrong\u003e legato\u003c\/strong\u003e and \u003cstrong\u003eretrigger\u003c\/strong\u003e switches is ideal for recreating various performance styles.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eBass Machine also features an extensive \u003cstrong\u003evelocity mapping\u003c\/strong\u003e and routing function.  The user may setup velocity map based on exponential, linear, logarithmic or S-curve laws. The remapped output is then routed in varying degrees to overall volume, filter amount, filter attack phase and VCA attack phase.  In conjunction with the significant degree of movement already present in the Moog’s triple free running oscillators and the round robins, the performance functions really help to breath life into live performances and programmed sequences.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eSeveral of the demo patches also make use of the mod wheel via the LFO mapping function to bring in various vibrato and filter effects.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eSystem Requirements\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eThis library requires the full version of Kontakt 4.2.4 or higher.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eDownload Contents\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan\u003e– Bass Machine Dual Channel Synth Engine\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e– 8 Model D Multi-Oscillator Waves \u003c\/span\u003e\u003cem\u003e(sampled on every white key with 4 round robins)\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e– 8 4-OP FM Oscillator Waves \u003c\/span\u003e\u003cem\u003e(sampled on every white key)\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e– 1104 24-bit Samples \u003c\/span\u003e\u003cem\u003e(**and one other!??)\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e– 52 Editable \u0026amp; Savable Example Patches\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e– User Manual\u003c\/span\u003e\u003c\/p\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003eRegistration Information\u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003eSerial Number\u003c\/p\u003e","brand":"Hideaway Studio","offers":[{"title":"Default Title","offer_id":53052709011740,"sku":"1405-1063","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/the-bass-machine-guib_1.jpg?v=1758873174","url":"https:\/\/jrrshop-3235.myshopify.com\/products\/bassmachine","provider":"jrrshop","version":"1.0","type":"link"}