{"product_id":"altrock","title":"Toontrack Alt-Rock Drums EZX Expansion For EZdrummer","description":"\u003ch1 style=\"text-align: center;\"\u003e\n\u003ciframe width=\"690\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/WaTJAICVRCs\" frameborder=\"0\" allowfullscreen\u003e\u003c\/iframe\u003e\n\u003ciframe width=\"690\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/VNRjI1ruZGM\" frameborder=\"0\" allowfullscreen\u003e\u003c\/iframe\u003e\n\u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003e\u003cimg height=\"401\" src=\"https:\/\/www.jrrshop.com\/media\/catalog\/product\/a\/l\/alt-rock_ezx_jrr_edit.jpg\" width=\"690\"\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eSteve Albini’s imprint on the sound of rock is undeniable. Having worked on seminal albums by the Pixies, PJ Harveyand, perhaps most notably, Nirvana’s milestone record “In Utero,” his sonic DNA is in the fabric of productions that have helped create a new branch in rock history. This collection of drums captures the incomparable sonic fingerprint of not only Steve Albini but also the ambience of his very own studio, which he personally built and designed. Welcome to Electrical Audio in Chicago, IL, and a truly unique collection of drums.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe \u003cstrong\u003eAlt-Rock EZX\u003c\/strong\u003e presents a crude, genuine and raw palette of drum sounds with an incredible range, perfect for the soft-loud-soft approach that is synonymous with the distinct dynamics of the classic alt-rock sound. Capturing Steve’s unique method of mic placement, attention to detail and drum tuning scrutiny, this EZX gives you two full kits and cymbal setups as well as several additional instruments and percussion pieces, all crafted to perfection.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eEven though this EZX takes off in the tremors of the nineties alt-rock scene, it presents a tonal palette with enough color to aid you in painting whatever sonic landscape you wish.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eFEATURE SPOTLIGHT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eRecorded by Steve Albini at Electrical Audio\u003cbr\u003eTwo (2) full kits and cymbal setups (Ludwig Club Date \u0026amp; DW Collector’s Series)\u003cbr\u003eFive (5) additional snares, two (2) kicks and five (5) cymbals\u003cbr\u003eFive (5) percussion instruments, including 26” and 29” Ludwig timpani drums\u003cbr\u003eComes with a selection of MIDI drum grooves inspired by alt-rock music\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e \u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch1\u003eTHE DRUMS.\u003c\/h1\u003e\n\u003cp\u003eSteve Albini’s own words on the selection of drums recorded during the Alt-Rock EZX session.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cimg alt=\"\" height=\"486\" src=\"https:\/\/www.toontrack.com\/wp-content\/uploads\/product\/alt-rock-ezx\/jpg\/ludwig3.jpg\" width=\"690\"\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch4\u003e\u003c\/h4\u003e\n\u003ch4\u003eLUDWIG CLUB DATE.\u003c\/h4\u003e\n\u003cp\u003eThis is a ’60s Ludwig kit with thin shells, sized 20″, 12″ and 14”. The Club Date design uses a single central lug on each shell that accepts a tension rod from each head rather than two separate lugs, so the shells have less weight and fewer mechanical attachments. Though it was designed to lower the parts count and cost, this feature makes the drums slightly more resonant and lively than shells made with separate lugs. We kept it skinned with Remo Rennaissance heads, which have an elastic bounce with fewer high overtones than other single ply heads, while still having a strong fundamental pitch and clear sustain. The toms are tuned with the bottom head slightly higher in pitch than the top heads, which causes a slight rise in the pitch as the drums sustain. The additional drums added to fill out the compliment of toms are other Ludwig toms from the same era, tuned similarly. The bass drum features a full front (resonant) head, which provides a singing sustain with extended decay. The snare drum is a WFL 3×13” piccolo with a calfskin batter head. This drum has a short, dry and percussive midrange-voiced sound that is most expressive at the lower end of the dynamic range.\u003c\/p\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e \u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch4\u003eDW COLLECTOR’S SERIES.\u003c\/h4\u003e\n\u003cp\u003eThis is a thoroughly contemporary kit made with modern materials and processes, so the tolerances and behavior of the drums are both predictable and consistent. The kit has large sizes (24″, 15″, 16″ and 18”) and Remo Emperor batter heads to control the irregular high-harmonic modes of the larger heads (and Remo Ambassador heads for the resonant side). These drums are characterized by a strong attack and fundamental tone with few overtones and a smooth fast decay. These drums are tuned with the resonant head slightly lower in pitch than the batter head, which causes a slight drop in pitch as the drum sound decays. The bass drum has a Superkick II head for strong attack with quick decay and the resonant head has a hole in it. The the decay is fast and suitable for quick patterns, despite its size. The DW 5×14” snare drum is the same shell construction as the rest of the kit and has a Remo CS batter head and a Diplomat-weight snare bottom head with a 2″ strainer. It has a modest amount of shell tone and a quick decay.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cimg alt=\"\" height=\"502\" src=\"https:\/\/www.toontrack.com\/wp-content\/uploads\/product\/alt-rock-ezx\/jpg\/dw_kit2.jpg\" width=\"690\"\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cimg alt=\"\" height=\"460\" src=\"https:\/\/www.toontrack.com\/wp-content\/uploads\/product\/alt-rock-ezx\/jpg\/gretsch_kit1.jpg\" width=\"690\"\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch4 style=\"text-align: center;\"\u003e\u003c\/h4\u003e\n\u003ch4 style=\"text-align: center;\"\u003eEXTRA KICK AND TOMS.\u003c\/h4\u003e\n\u003cp style=\"text-align: center;\"\u003eThe extra kick and toms are ’70s Gretsch but updated with cast hoops and minimally-invasive mounting hardware. They all have Remo Ambassador batter heads and Evans resonant heads. The shells are slightly thicker with a plain lacquer finish, so the natural pitches of the drums are slightly lower than the same sized drums on our other kits and resonances are not damped by an external wrap. These drums have the batter heads and resonant heads tuned to nearly the same pitch, so each drum has a long, consonant sustain and a definite pitch. The bass drum has Remo Ambassador heads and is lightly damped.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003ch4 style=\"text-align: center;\"\u003e“THIS EXPERIENCE IS DEFINITELY ONE OF THE TOP MOMENTS, ESPECIALLY BECAUSE OF HOW PERSONAL THIS PROJECT WAS TO ME…”\u003c\/h4\u003e\n\u003ch5 style=\"text-align: center;\"\u003ePAUL SZLACHTA ON THE ALT-ROCK EZX SESSIONS\u003c\/h5\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"\" height=\"460\" src=\"https:\/\/www.toontrack.com\/wp-content\/uploads\/product\/alt-rock-ezx\/jpg\/PaulSzlachta2.jpg\" width=\"690\"\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003ch3\u003eINSTRUMENT LIST\u003c\/h3\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003eLUDWIG CLUB DATE.\u003c\/div\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eKICK\u003c\/td\u003e\n\u003ctd\u003e14×20” Ludwig Club Date Silver Sparkle\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSNARE\u003c\/td\u003e\n\u003ctd\u003e3×13” WFL\/Ludwig Jazz Combo Duco finish\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eRACKTOM 1\u003c\/td\u003e\n\u003ctd\u003e8×12” Ludwig Club Date Silver Sparkle\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eRACKTOM 2\u003c\/td\u003e\n\u003ctd\u003e9×10” Gretsch USA Custom Natural Maple\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFLOOR TOM 1\u003c\/td\u003e\n\u003ctd\u003e14×14” Ludwig Club Date Silver Sparkle\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFLOOR TOM 2\u003c\/td\u003e\n\u003ctd\u003e16×16” Ludwig Hollywood Mod Orange finish\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHI-HAT\u003c\/td\u003e\n\u003ctd\u003e13” Meinl Byzance Traditional Medium\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCYMBAL 1\u003c\/td\u003e\n\u003ctd\u003e18” Meinl Byzance Traditional Medium Thin\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCYMBAL 2\u003c\/td\u003e\n\u003ctd\u003e19” Meinl Byzance Traditional Medium Thin\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCYMBAL 3\u003c\/td\u003e\n\u003ctd\u003e17” Meinl Byzance Traditional Medium Thin\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eRIDE\u003c\/td\u003e\n\u003ctd\u003e20” Meinl Byzance  Traditional Medium\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCOWBELL\u003c\/td\u003e\n\u003ctd\u003e6” Cosmic Percussion by LP cowbell\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv\u003eDW COLLECTOR’S SERIES.\u003c\/div\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eKICK\u003c\/td\u003e\n\u003ctd\u003e18×24” DW Collector’s Maple Black Oyster Pearl\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSNARE\u003c\/td\u003e\n\u003ctd\u003e5×14” Ludwig Universal 1920s Nickel Over Brass\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eRACKTOM 1\u003c\/td\u003e\n\u003ctd\u003e12×14” Gretsch USA Custom Natural Maple\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eRACKTOM 2\u003c\/td\u003e\n\u003ctd\u003e14×15” DW Collector’s Maple Black Oyster Pearl\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFLOOR TOM 1\u003c\/td\u003e\n\u003ctd\u003e16×16” DW Collector’s Maple Black Oyster Pearl\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFLOOR TOM 2\u003c\/td\u003e\n\u003ctd\u003e16×18” DW Collector’s Maple Black Oyster Pearl\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHI-HAT\u003c\/td\u003e\n\u003ctd\u003e15” Paiste Giant Beat\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCYMBAL 1\u003c\/td\u003e\n\u003ctd\u003e18” Paiste Giant Beat\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCYMBAL 2\u003c\/td\u003e\n\u003ctd\u003e20” Paiste Giant Beat\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCYMBAL 3\u003c\/td\u003e\n\u003ctd\u003e10” Meinl Byzance Traditional Splash\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eRIDE\u003c\/td\u003e\n\u003ctd\u003e24” Paiste Giant Beat\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003ePERCUSSION.\u003c\/div\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eSLOT 1\u003c\/td\u003e\n\u003ctd\u003e29” Ludwig Universal timpani (low)\u003cbr\u003e28” Slingerland Radio King bass drum (calfskin)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSLOT 2\u003c\/td\u003e\n\u003ctd\u003e26” Ludwig Universal timpani (high)\u003cbr\u003e28” Slingerland Radio King bass drum (calfskin)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCOWBELL\u003c\/td\u003e\n\u003ctd\u003e6” Cosmic Percussion by LP cowbell\u003cbr\u003e15” Paiste Giant Beat hi-hat bottom (hand-held) “cowbell”\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv\u003eADDITIONAL DRUMS.\u003c\/div\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eSNARE DRUMS\u003c\/td\u003e\n\u003ctd\u003e5×14” Ludwig Universal 1920s Nickel Over Brass\u003cbr\u003e6×14” DW Collector’s Maple Black Oyster Pearl\u003cbr\u003e5×14” Ludwig Acrolite 1960s\u003cbr\u003e5×14” Tama Starclassic Maple Red finish\u003cbr\u003e3×13” Bison Piccolo Black Stain finish\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEXTRA KICKS\u003c\/td\u003e\n\u003ctd\u003e16×22” Gretsch USA Custom Natural Maple\u003cbr\u003e14×20” Ludwig Club Date Silver Sparkle (fluffy beater)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv\u003eADDITIONAL CYMBALS.\u003c\/div\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eCRASH CYMBALS\u003c\/td\u003e\n\u003ctd\u003e18” Bosphorus Prototype Crash\u003cbr\u003e20” Bosphorus Prototype Crash Ride\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eRIDE CYMBALS\u003c\/td\u003e\n\u003ctd\u003e20” Paiste Sound Creation Dark Ride\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCHINA\u003c\/td\u003e\n\u003ctd\u003e16” Istanbul Agop Signature China\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSTACKED RIDE\u003c\/td\u003e\n\u003ctd\u003e20” Paiste Sound Creation Dark Ride over cracked 20” Zildjian K Custom Dark Ride\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ch3\u003eMICROPHONES \u0026amp; SIGNAL CHAINS\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eKIT 1 – LUDWIG CLUB DATE\u003cbr\u003eAll mic preamps Neotek Elite unless noted\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eBass drum batter head:\u003c\/td\u003e\n\u003ctd\u003eCrown GLM 100\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBass drum resonant head:\u003c\/td\u003e\n\u003ctd\u003eBeyer M380 –\u0026gt; Bob Alach modified Urei 1176 4+8 slow attack, medium release (NB: 1176 used as mic preamp)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSnare drum top:\u003c\/td\u003e\n\u003ctd\u003eAltec 175 –\u0026gt; NTI equalizer\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSnare drum bottom:\u003c\/td\u003e\n\u003ctd\u003eShure SM98\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e10″ tom top:\u003c\/td\u003e\n\u003ctd\u003eAKG451 + CK1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e10″ tom bottom:\u003c\/td\u003e\n\u003ctd\u003eAKG451 + CK1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e12″ tom top:\u003c\/td\u003e\n\u003ctd\u003eAKG451 + CK1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e12″ tom bottom:\u003c\/td\u003e\n\u003ctd\u003eAKG451 + CK1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e14″ tom bottom:\u003c\/td\u003e\n\u003ctd\u003eAKG C414\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e14″ tom bottom:\u003c\/td\u003e\n\u003ctd\u003eAKG C414\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e16″ tom bottom:\u003c\/td\u003e\n\u003ctd\u003eAKG C414\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e16″ tom bottom:\u003c\/td\u003e\n\u003ctd\u003eAKG C414\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOverhead L:\u003c\/td\u003e\n\u003ctd\u003eSTC 4038 300 Ohm –\u0026gt; HPF @375 Hz – Manley ELOP limiter, 200Hz HPF on detector, maximum 6 dB deflection – GML 8200 EQ +4 dB shelf @7.5kHz +5 broadest bell @26 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOverhead R:\u003c\/td\u003e\n\u003ctd\u003eSTC 4038 300 Ohm –\u0026gt; HPF @375 Hz – Manley ELOP limiter, 200Hz HPF on detector, maximum 6 dB deflection – GML 8200 EQ +4 dB shelf @7.5kHz +5 broadest bell @26 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBlumlein stereo front-of-kit L\u0026amp;R:\u003c\/td\u003e\n\u003ctd\u003eSM2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAmbient boundary L:\u003c\/td\u003e\n\u003ctd\u003eNeumann Geffel CMV563 + N55k –\u0026gt; John Hardy M2 mic preamp –\u0026gt; Eventide EA delay +22 ms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAmbient boundary R:\u003c\/td\u003e\n\u003ctd\u003eNeumann Geffel CMV563 + N55k –\u0026gt; John Hardy M2 mic preamp –\u0026gt; Eventide EA delay +20 ms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHi-hat:\u003c\/td\u003e\n\u003ctd\u003eBeyer M160 –\u0026gt; HPF @325 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDistant ambience:\u003c\/td\u003e\n\u003ctd\u003eSTC 4038 30 Ohm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBass drum sub:\u003c\/td\u003e\n\u003ctd\u003eBandpass of CH2, resonant head @45 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eKIT 2 – DW COLLECTOR’S SERIES\u003cbr\u003eAll mic preamps Neotek Elite unless noted\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eBass drum batter head:\u003c\/td\u003e\n\u003ctd\u003eCrown GLM 100 –\u0026gt; insert Drawmer DS201 ducking -6 dB keyed to snare hits\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBass drum resonant head\/internal:\u003c\/td\u003e\n\u003ctd\u003eBeyer M380 –\u0026gt; Bob Alach modified Urei 1176 4+8 slow attack, medium release (NB: 1176 used as mic preamp)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSnare drum top:\u003c\/td\u003e\n\u003ctd\u003eAltec 175 –\u0026gt; NTI equalizer, +4@3.5 kHz +1@10 kHz +2@40 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSnare drum bottom:\u003c\/td\u003e\n\u003ctd\u003eShure SM98\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e14″ tom top:\u003c\/td\u003e\n\u003ctd\u003eJosephson e22S\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e14″ tom bottom:\u003c\/td\u003e\n\u003ctd\u003eJosephson e22S\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e15″ tom top:\u003c\/td\u003e\n\u003ctd\u003eJosephson e22S\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e15″ tom bottom:\u003c\/td\u003e\n\u003ctd\u003eJosephson e22S\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e16″ tom bottom:\u003c\/td\u003e\n\u003ctd\u003eJosephson e22S\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e16″ tom bottom:\u003c\/td\u003e\n\u003ctd\u003eJosephson e22S\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e18″ tom bottom:\u003c\/td\u003e\n\u003ctd\u003eJosephson e22S\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e18″ tom bottom:\u003c\/td\u003e\n\u003ctd\u003eJosephson e22S\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOverhead L:\u003c\/td\u003e\n\u003ctd\u003eSTC 4038 300 Ohm HPF @375 Hz – Manley ELOP limiter, 200 Hz HPF on detector, maximum 6 dB deflection –\u0026gt; GML 8200 EQ +4 dB shelf @7.5 kHz +5 broadest bell @26 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOverhead R:\u003c\/td\u003e\n\u003ctd\u003eSTC 4038 300 Ohm –\u0026gt; HPF @375 Hz – Manley ELOP limiter, 200 Hz HPF on detector, maximum 6 dB deflection –\u0026gt; GML 8200 EQ +4 dB shelf @7.5 kHz +5 broadest bell @26 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBlumlein stereo front-of-kit L\u0026amp;R:\u003c\/td\u003e\n\u003ctd\u003eNeumann SM2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAmbient boundary L:\u003c\/td\u003e\n\u003ctd\u003eNeumann Geffel CMV563 + N55k –\u0026gt; John Hardy M2 mic preamp –\u0026gt; Eventide EA delay +22 ms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAmbient boundary R:\u003c\/td\u003e\n\u003ctd\u003eNeumann Geffel CMV563 + N55k –\u0026gt; John Hardy M2 mic preamp –\u0026gt; Eventide EA delay +20 ms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHi-hat:\u003c\/td\u003e\n\u003ctd\u003eBeyer M160 –\u0026gt; HPF @250 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDistant ambience:\u003c\/td\u003e\n\u003ctd\u003eSTC 4038 30 Ohm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBass drum sub:\u003c\/td\u003e\n\u003ctd\u003eBandpass of CH2, resonant head @42 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003eRegistration Information\u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003eSerial Number: https:\/\/www.toontrack.com\/product-manager\/  \u003c\/p\u003e","brand":"Toontrack","offers":[{"title":"Default Title","offer_id":53053180936476,"sku":"1365-1041","price":79.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/alt-rock_ezx_jrr_edit.jpg?v=1758877417","url":"https:\/\/jrrshop-3235.myshopify.com\/products\/altrock","provider":"jrrshop","version":"1.0","type":"link"}