{"title":"Preamps\/Solid State Mic Preamps","description":"","products":[{"product_id":"focusrite-isa428-mkii","title":"Focusrite ISA428 mkII","description":"\u003cp\u003e\u003cspan\u003eFour Rupert Neve ISA preamps in a classy 2-space rack unit. The addition of four selectable input impedances makes this one of the finest preamps available for ribbon mics. A JRR top pick!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe ISA428 MkII provides four of Focusrite’s prestigious transformer-based microphone preamps. It features the same classic circuitry and renowned audio quality found in the original at a new level of affordability. With selectable input impedance, direct instrument inputs and an optional eight channels of high-quality analogue to digital conversion, the ISA428 MkII creates the perfect front end for the discerning recording professional.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFirst introduced in 1985, the ISA microphone preamp holds a reputation for outstanding transparency along with subtle warmth contributed by transformer core saturation. The addition of a variable impedance circuit allows ISA users to perfectly match the preamp with any microphone, or to use different settings creatively to shape the sound of the microphone. Unchanged for decades, the ISA microphone preamp topology offers incredible clarity and the signature Focusrite sound that makes it the top choice among many audio professionals today.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe optional class-leading \u003ca href=\"http:\/\/www.focusrite.com\/products\/isa\/isa_8_channel_adc__compatible_with_isa428__isa428_mkii_and_isa828_\"\u003eeight-channel A-D converter option\u003c\/a\u003eused with the ISA828 is also compatible with the ISA428 MkII. Along with the four mic preamp inputs, four additional inputs allow you to route other line signals through the converter. High quality Burr-Brown Pro Audio Amplifiers and flagship PCM4220 A-D converter chips seated within Focusrite custom analogue circuitry deliver unparalleled performance. Specifications include a dynamic range of 122dB and jitter performance below 250 picoseconds. The card can be retrofitted at any time. Thanks to its convenient 25-pin D-Type connector, it integrates seamlessly with most digital workstations, including Pro Tools.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFour instrument inputs, instantly accessible on the front panel, allow quick and easy connection without the need for a separate DI box. Extra processing can be placed between preamp and conversion via the units dedicated insert points, featured on every channel. Finally, accurate six-segment LED metering is designed to catch even the fastest transients on every channel.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eOver 25 years, Focusrite has earned a reputation for bringing superb audio quality and engineering excellence to an array of audio professionals. Whether you’re looking to preserve the sound of your classic microphones, or searching for the perfect front end for your digital studio, the ISA428 MkII brings legendary tools to your studio at an exceptional new price.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe ISA microphone preamplifier was first introduced back in 1985. This transformer-based preamplifier formed the first half of the ISA110 mic pre and EQ module on Focusrite's critically acclaimed Forté console. This console, and the later Studio console were hailed by many as the finest sounding consoles ever built.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe ISA microphone preamplifier went on to form the cornerstone of all ISA and RED Focusrite products. The topology has never changed, except for the addition of a variable impedance circuit, allowing ISA users to either perfectly match the preamp with any microphone, thus maximizing level, or to use different settings creatively to shape the sound of the microphone being used. The original ISA110 setting was supplemented by three further impedance settings.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe Focusrite preamp is renowned for its transparency, but there's also a subtle warmth that transformer core saturation contributes. This seeming contradiction of warmth plus beautifully open, unrestricted high frequencies, is a classic hallmark of the mid 80's Focusrite designs.\u2028\u2028\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWith processors whose bandwidth is strictly limited to the audible (20Hz to 20kHz) bandwidth alone, significant roll-off can still occur, affecting the higher audible frequencies of the signal. Therefore, in order to capture every subtle nuance, exactly as it occurs whilst avoiding any roll-off, the preamp must operate over a far greater bandwidth. The extremely broad frequency response of Focusrite preamps - close to 200kHz at the top end - guarantees accurate phase response across the much narrower range of human hearing, the roll-off point being moved entirely outside of the audible hearing range.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Features: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv style=\"padding: 0px; margin: 0px;\"\u003e\n\u003cstrong\u003eFour ISA series transformer-based preamps\u003c\/strong\u003e\u2028\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv style=\"padding: 0px; margin: 0px;\"\u003eISA series mic preamps have been the producers’ choice on countless hit records over the last two decades.\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv style=\"padding: 0px; margin: 0px;\"\u003e \u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv style=\"padding: 0px; margin: 0px;\"\u003e\n\u003cbr\u003e\n\u003cdiv style=\"padding: 0px; margin: 0px;\"\u003e\u003cstrong\u003eEight-channel optional A-D converter\u003c\/strong\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv style=\"padding: 0px; margin: 0px;\"\u003e\u2028Four additional A-D converter inputs allow eight channels of high-quality conversion, with a dynamic range of 122dB and jitter performance below 250 picoseconds. More information can be found \u003ca href=\"http:\/\/www.focusrite.com\/products\/isa\/isa_8_channel_adc__compatible_with_isa428__isa428_mkii_and_isa828_\"\u003ehere\u003c\/a\u003e.\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv style=\"padding: 0px; margin: 0px;\"\u003e \u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv style=\"padding: 0px; margin: 0px;\"\u003e\n\u003cbr\u003e\n\u003cdiv style=\"padding: 0px; margin: 0px;\"\u003e\u003cstrong\u003eSelectable impedance\u003c\/strong\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv style=\"padding: 0px; margin: 0px;\"\u003e\u2028Ideal for mic matching or extended microphone creativity. Settings include the ‘Vintage ISA110’ setting, providing the original Focusrite signature sound.\u2028\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv style=\"padding: 0px; margin: 0px;\"\u003e \u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv style=\"padding: 0px; margin: 0px;\"\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eFour front panel instrument inputs\u2028\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eInstant access on the front fascia - no separate DI box required.\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv style=\"padding: 0px; margin: 0px;\"\u003e \u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv style=\"padding: 0px; margin: 0px;\"\u003e\n\u003cbr\u003e\n\u003cdiv style=\"padding: 0px; margin: 0px;\"\u003e\u003cstrong\u003eDedicated analogue insert points\u003c\/strong\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv style=\"padding: 0px; margin: 0px;\"\u003e\u2028Switchable insert points are featured on every channel, allowing routing (between pre-amp and output) through additional external processing.\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv style=\"padding: 0px; margin: 0px;\"\u003e \u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv style=\"padding: 0px; margin: 0px;\"\u003e\n\u003cbr\u003e\n\u003cdiv style=\"padding: 0px; margin: 0px;\"\u003e\u003cstrong\u003eVariable high pass Focusrite filter\u2028\u003c\/strong\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv style=\"padding: 0px; margin: 0px;\"\u003eProvided on every channel, this is the same filter as featured on the original ISA428.\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv style=\"padding: 0px; margin: 0px;\"\u003e \u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv style=\"padding: 0px; margin: 0px;\"\u003e\n\u003cbr\u003e\n\u003cdiv style=\"padding: 0px; margin: 0px;\"\u003e\u003cstrong\u003eAccurate LED meters for every channel\u2028\u003c\/strong\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv style=\"padding: 0px; margin: 0px;\"\u003eClear metering designed to catch even the fastest and most elusive of transients.\u2028\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":54332060631324,"sku":"isa428mkii","price":1499.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/focusrite_isa428mkii_ch1.jpg?v=1784602147"},{"product_id":"cloud-microphones-cl-z-cloudlifter","title":"Cloud Microphones CL-Z Cloudlifter","description":"\u003cp\u003e\u003cstrong\u003eMaximize Your Mic Signal for Stage or Studio\u003c\/strong\u003e\u003cbr\u003eThe Cloud Microphones CL-Z mic activator uses phantom power from your preamp to solve an array of common issues with dynamic and ribbon microphones while maximizing your signal’s quality, making it a must-have box for your studio or live toolset. It’s designed to be a middleman between your mic and preamp, maximizing signal quality while driving long cable runs. The direct-coupled, discrete JFET circuitry preserves your signal’s integrity while the CL-Z goes to work. You get control over the input impedance to get the best out of any mic, and a variable output level (+12 to +24dB) so you can drive even the longest cable runs with ease. You even get a variable low-cut filter to clean up your signal before it ever graces your preamp. Whether you run live sound or just use a variety mics on a daily basis in your studio, you’ll love working with the CL-Z mic activator!\u003c\/p\u003e\n\u003cp\u003eCloud Microphones CL-Z Mic Activator at a Glance:\u003cbr\u003e\u003cstrong\u003eVariable input impedance\u003cbr\u003eHot but clean output\u003cbr\u003ePre-preamp control and flexibility\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eVariable input impedance\u003c\/strong\u003e\u003cbr\u003eThe Cloud Microphones CL-Z mic activator’s input features variable impedance from 150 to 15k ohms. Since every microphone is different, and typically sound best at a specific input impedance, you can tailor the CL-Z to any mic to get the best performance. And even if your preamp features variable impedance, the CL-Z lets you control this near your mic – great if your mic pres are across the room, let alone across a crowded venue!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHot but clean output\u003c\/strong\u003e\u003cbr\u003eSometimes you need a little extra juice to get a quality mic signal to your preamp, especially with long cable runs. The Cloud Microphones CL-Z mic activator makes it easy, adding 12 to 24dB of gain to your signal, while the premium circuitry passes your audio un-colored. It’s great for low-output ribbon and dynamic mics in your studio, and it’s awesome at driving long cable runs from the stage to the board in live sound settings.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePre-preamp control and flexibility\u003c\/strong\u003e\u003cbr\u003eThe CL-Z from Cloud Microphones is placed between your mic and preamp, giving you access to the additional gain and variable low-cut filter on the CL-Z. In your studio, that makes it easy to optimize your signal before it hits your preamp. Sure, your preamp may have a filter, and maybe even variable impedance – but it’s across the room, maybe even in another room. The CL-Z lets you dial the filter in and maximize your signal for a long cable run, meaning you’ll be hitting your favorite preamp with the best signal possible.\u003c\/p\u003e\n\u003cp\u003eCloud Microphones CL-Z Mic Activator at a Glance:\u003cbr\u003e-Excellent way to maximize your microphone’s signal quality, with problem-solving features and impeccable sonic quality\u003cbr\u003e-Get the best sound possible out of any mic with the variable input impedance\u003cbr\u003e-Low-cut filter is variable from 20Hz-250Hz to cut out unwanted low end, optimizing your signal before it ever hits your preamp\u003cbr\u003e-Great way to transparently increase the output of ribbon and dynamic mics\u003cbr\u003e-Rugged steel enclosure for excellent shielding and rock-solid reliability\u003cbr\u003e-Requires +48V phantom power from your preamp\u003c\/p\u003e\n\u003cp\u003eOptimize any dynamic or ribbon microphone in your locker with the Cloud Microphones CL-Z mic activator!\u003cbr\u003eSpecification Detail\u003cbr\u003eType Mic Activator\u003cbr\u003eChannels 1\u003cbr\u003eInputs 1 x XLR\u003cbr\u003eOutputs 1 x XLR\u003c\/p\u003e","brand":"Cloud Microphones","offers":[{"title":"Default Title","offer_id":54332060729628,"sku":"clz","price":299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/z-front-500px.png?v=1784602150"},{"product_id":"eventide-mixing-link-pigtronix-infinity-looper-combo","title":"Eventide Mixing Link + Pigtronix Infinity Looper Combo","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/eventidemixinglinkinfinitylooper.jpg?v=1784602379\" height=\"338\" width=\"690\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eLITTLE FERRY, NEW JERSEY, November 12, 2013 — Today, Eventide announced a new studio-quality microphone pre amp plus effects loop in a compact stompbox form factor. The Mixing Link™ fits neatly on a pedal board or in a backpack, making the wide world of guitar stompbox effects available to vocalists.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e“Our pedals were designed for guitar but most of the effects really work well for voice. The Mixing Link makes it rather easy for singers to connect to most guitar stompboxes and, with its high quality mic pre, it’s at home both on stage and in the studio,” said Tony Agnello of Eventide and Manifold Labs. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eHigh Quality - Microphone preamplifier with FX Loop in a compact from factor\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eFX Loop - Effects send\/return accommodates balanced and unbalanced signals and interfaces with consoles or guitar pedals easily\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eFX Footswitch - Latching or momentary footswitch control of effects loop for performance effects\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eWorks with a wide range of microphones including condenser and ribbon microphones with up to 65dB of clean gain\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eAux I\/O - Connection supporting stereo input and mobile device send level\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eGuitar amp output and headphone monitor output with separate master volume control\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eInternational universal 9VDC power supply included, or 9V battery\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e48V phantom power for condenser microphones\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eBalanced XLR output which supports DI and Line levels (-10dB to +18dBu)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eInstrument and balanced line level inputs (-10dB to +18dBu)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eVersatile mix control supports 3 modes of operation –\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e100% microphone plus effects\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003emicrophone\/effects balance (effects mix)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e100% FX (no microphone)\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cspan\u003ePigtronix Infinity Looper\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003ePigtronix Infinity is the world’s most musical looping pedal. Simple to operate, yet tremendously powerful and flexible, the Infinity Looper from Pigtronix sets a new world standard for latency-free looping. Our state-of-the-art looping platform provides instantaneous record, playback, dub, undo and redo, on two stereo loop pairs that can be configured in several ways. On top of superior speed and a unique, performance friendly feature set, Infinity Looper sounds downright incredible thanks to its discreet analog limiter stages, transparent analog pass-through and 24bit \/ 48kHz HD recording engine.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eInfinity’s innovative “SYNC MULTI” mode provides a multiplier function allowing the length of Loop 2 to be 1, 2, 3, 4 or 6 times the length of Loop 1. The two loops can also be run out of sync or even in SERIES, for verse \/ chorus song structures. Ninja style input split mode assigns Input 1 to Loop 1 and Input 2 to Loop 2, effectively allowing performers to record and overdub separate instruments on separate loops, into isolated amps simultaneously.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe Pigtronix Infinity also provides a long awaited AUX Loop output intended to send looped audio to stage monitors. This is especially helpful for drummers to hear and stay in time. An expression pedal jack for Loop Volume allows hands free control of the overall audio output. We thought of everything and kept only the F.A.T.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eMidi input for beat clock sync causes loop start and stop points to obey Pro Tools or any other DAW \/ Sequencer that outputs Midi. The Infinity’s USB access allows you to and transfer your music to a computer at full 24bit, 48kHz resolution for further mixing, mastering or immediate publication. We have also implemented audio upload with automatic format conversion, allowing you to upload virtually any digital audio file onto the Infinity Looper.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eTHE MUST HAVE PIGTRONIX for any musician. The Infinity Looper will inspire compositional depth and engaging performances; it is the ultimate practice and performance tool for every style of music.\u003c\/p\u003e","brand":"Eventide","offers":[{"title":"Default Title","offer_id":54332074492188,"sku":"mixinglinkinfinityloopercombo","price":699.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/eventidemixinglinkinfinitylooper.jpg?v=1784602379"},{"product_id":"eventide-mixing-link","title":"Eventide Mixing Link Pedal","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/mixinglink_5.jpg?v=1784602422\" height=\"418\" width=\"500\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eEventide's Mixing Link is a new studio-quality microphone pre amp plus effects loop in a compact stompbox form factor. The Mixing Link™ fits neatly on a pedal board or in a backpack, making the wide world of guitar stompbox effects available to vocalists.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e“Our pedals were designed for guitar but most of the effects really work well for voice. The Mixing Link makes it rather easy for singers to connect to most guitar stompboxes and, with its high quality mic pre, it’s at home both on stage and in the studio,” said Tony Agnello of Eventide and Manifold Labs. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003cspan style=\"font-family: Arial; font-size: small;\"\u003eHigh Quality - Microphone preamplifier with FX Loop in a compact from factor\u003c\/span\u003e\u003cbr\u003e \u003cspan style=\"font-family: Arial; font-size: small;\"\u003eFX Loop - Effects send\/return accommodates balanced and unbalanced signals and interfaces with consoles or guitar pedals easily\u003c\/span\u003e\u003cbr\u003e \u003cspan style=\"font-family: Arial; font-size: small;\"\u003eFX Footswitch - Latching or momentary footswitch control of effects loop for performance effects\u003c\/span\u003e\u003cbr\u003e \u003cspan style=\"font-family: Arial; font-size: small;\"\u003eWorks with a wide range of microphones including condenser and ribbon microphones with up to 65dB of clean gain\u003c\/span\u003e\u003cbr\u003e \u003cspan style=\"font-family: Arial; font-size: small;\"\u003eAux I\/O - Connection supporting stereo input and mobile device send level\u003c\/span\u003e\u003cbr\u003e \u003cspan style=\"font-family: Arial; font-size: small;\"\u003eGuitar amp output and headphone monitor output with separate master volume control\u003c\/span\u003e\u003cbr\u003e \u003cspan style=\"font-family: Arial; font-size: small;\"\u003eInternational universal 9VDC power supply included, or 9V battery\u003c\/span\u003e\u003cbr\u003e \u003cspan style=\"font-family: Arial; font-size: small;\"\u003e48V phantom power for condenser microphones\u003c\/span\u003e\u003cbr\u003e \u003cspan style=\"font-family: Arial; font-size: small;\"\u003eBalanced XLR output which supports DI and Line levels (-10dB to +18dBu)\u003c\/span\u003e\u003cbr\u003e \u003cspan style=\"font-family: Arial; font-size: small;\"\u003eInstrument and balanced line level inputs (-10dB to +18dBu)\u003c\/span\u003e\u003cbr\u003e \u003cspan style=\"font-family: Arial; font-size: small;\"\u003eVersatile mix control supports 3 modes of operation –\u003c\/span\u003e\u003cbr\u003eo\u003cspan style=\"font-family: 'Times New Roman'; font-size: xx-small;\"\u003e    \u003c\/span\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e100% microphone plus effects\u003c\/span\u003e\u003cbr\u003eo\u003cspan style=\"font-family: 'Times New Roman'; font-size: xx-small;\"\u003e    \u003c\/span\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003emicrophone\/effects balance (effects mix)\u003c\/span\u003e\u003cbr\u003eo\u003cspan style=\"font-family: 'Times New Roman'; font-size: xx-small;\"\u003e    \u003c\/span\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e100% FX (no microphone)\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe width=\"690\" height=\"388\" src=\"\/\/www.youtube.com\/embed\/4ssxKVoseTQ\" frameborder=\"0\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Eventide","offers":[{"title":"Default Title","offer_id":54332076097820,"sku":"mixinglink","price":299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/mixinglink_5.jpg?v=1784602422"},{"product_id":"focusrite-isa-two-dual-mono-mic-preamp","title":"Focusrite ISA Two Dual Mono Mic Preamp","description":"\u003cp\u003eYou may only need a couple of mic preamps, but they need to be the very best. The ISA Two dual-mono mic pre is the ideal solution: two independent channels of the highest quality classic Focusrite mic pres, with line in and front-panel instrument inputs – no DI box required. Based on the legendary designs found in the Focusrite Forte and Studio Consoles, ISA Two is the ideal front-end for your rack.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSuperb sound spanning four different decades\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFocusrite’s microphone preamplifiers go back to the original Focusrite ISA 110 modules, when Rupert Neve was commissioned by George Martin in 1985 to create a no-compromise channel strip for his Neve console. Combining the very best solid-state electronics with transformer coupling, Focusrite mic pres have played a key part in the recording of hundreds of hit records and they’re the choice of leading artists, producers and engineers around the world.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLundahl Transformers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt the heart of the ISA Two is a pair of Lundahl LL1538 transformers. ISA products have relied on Lundahl from the beginning, since their components were originally specified in 1985. The LL1538 features a 3-section winding, resulting in very low leakage inductance and, as a result, an extended frequency response. They’re encapsulated in mu-metal cans to shield them from stray magnetism.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVariable input impedance and up to 80 dB of gain\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eISA Two features two classic Focusrite mic preamps, with four impedance settings including the original ISA 110 setting. Variable input impedance allows you to go for an accurate, transparent sound or choose to highlight the character of your favourite vintage mic – and anywhere in between. With up to 80 dB of low-noise gain, ISA Two can perform in the most demanding situations - really bringing your ribbon, condenser or moving coil mics to life.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInsert your choice of processors\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEach channel has a fully-balanced insert point accessed via TRS sockets on the rear panel and activated with a front-panel button, so it’s easy to use outboard processors with the ISA Two. Just plug in your choice of EQ, compressor or limiter.\u003c\/p\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":54332090777884,"sku":"isatwo","price":699.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/isatwofront.jpg?v=1784602588"},{"product_id":"focusrite-isa-one-2-ch-a-d-card","title":"Focusrite ISA One 2-Ch A\/D Card","description":"\u003cp\u003eThe Focusrite ISA 2-Channel 192kHz A\/D Card allows the Focusrite ISA ONE preamp to be used as a high-quality two-channel ADC to convert analog signals to various digital formats (AES, S\/PDIF and ADAT). And, since AD should be the last process on your input chain (before recorder), this system lets you insert a signal processor, such as a compressor or EQ, between the ISA Preamp and the ISA sound card. The ISA 2-Channel 192kHz A\/D Card also has connections for word-clock in\/out.  \u003c\/p\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":54332090810652,"sku":"isaone2chadcard","price":399.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/focusriteisa2channeladcard_1.jpg?v=1784602588"},{"product_id":"focusrite-isa-one-analog","title":"Focusrite ISA One Analog","description":"\u003cp\u003eThe ‘ISA One’ microphone pre-amplifier delivers Focusrite's prestigious ISA transformer-based pre-amp in a rugged and portable chassis, at a groundbreaking price.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eISA One features the classic vintage microphone pre-amplifier topology from the original ISA110 module, including the Lundahl L1538 transformer and bespoke zobel network. 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In addition to the original ISA110 impedance, three further impedance settings allow perfect matching, or creative mismatching of the pre amp with any microphone. ISA One also features an insert point, should the need arise to place extra processing between the pre amp or D.I. and the optional converter. Phantom power, phase reverse and a 75Hz, 18dB\/octave high-pass filter are also available from the angled front fascia.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIndependent input metering for both channels is provided in the form of a moving coil VU meter with variable calibration to suit analogue and digital recording media, alongside two six-LED peak meters; inputs can be metered either pre- or post-insert. The meter calibrations utilise all the same reference points as Digidesign's Pro Tools HD system, allowing effortless line-up.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eISA One’s headphone output features a dedicated volume control, which delivers an external stereo cue mix, (a simple click track, or a stereo mix feed from an interface or a live console,) fed to the headphones via two TRS jack inputs on the rear of the unit.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAn optional state-of-the-art stereo A-D converter is also available (the same card as used with the ISA430 Mk II), embodying cutting-edge conversion technology seated within Focusrite’s custom analogue circuitry. This optional card can be retrofitted at any time and provides two channels of 24 bit\/192kHz A-D conversion with a dynamic range of 119dB.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMain Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eISA Series Transformer-based Pre-amplifier\u003c\/strong\u003e \u003cbr\u003e\u003cbr\u003e Encased in a rugged and portable chassis, ISA One offers the classic Focusrite microphone pre-amplifier at its lowest cost to date.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFlexible Independent D.I. 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Rugged plywood construction with a solid polypropylene exterior and reinforced corners.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHeadphone Output with Volume Control\u003c\/strong\u003e \u003cbr\u003e\u003cbr\u003e ISA One can feed either a sum of the two inputs to the headphones output, or an external stereo cue mix (such as a stereo mix feed from an interface) via two TRS Jack inputs on the rear of the unit.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDedicated Insert Point\u003c\/strong\u003e \u003cbr\u003e\u003cbr\u003e Allows you to place extra processing between the pre-amplifi er or D.I. and the optional converter, such as an EQ or compressor.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":54332090843420,"sku":"isaone","price":449.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/isa_one_front.jpg?v=1784602592"},{"product_id":"focusrite-isa-828","title":"Focusrite ISA 828","description":"\u003ch4\u003eCLASSIC EIGHT CHANNEL ISA SERIES PRE-AMPLIFIER\u003c\/h4\u003e\n\u003cp\u003eFocusrite’s new ISA828 eight channel microphone pre-amplifier, providing eight original ISA transformer-based pre amps in a single robust 2U chassis, offering the Focusrite signature sound at its lowest cost per channel to date.\u003c\/p\u003e\n\u003cp\u003eThe eight ISA-series transformer-based microphone pre amps, with switchable impedance and direct instrument inputs, are complemented by eight line inputs, eight line outputs and an optional eight channel 192kHz ADC. Thanks to its convenient 25 pin D-Type connectors, the ISA828 integrates quickly and seamlessly with ProTools HD, as well as other popular hard disc recorders and mixing desks.\u003c\/p\u003e\n\u003cp\u003eThe microphone input stage includes a variable impedance circuit, allowing the user to switch between four carefully selected input impedance settings. The original ISA 110 setting is supplemented by three further impedance settings to either perfectly match the pre amp with any microphone, thus maximizing level, or to use different settings creatively to shape the sound of the microphone being used.\u003c\/p\u003e\n\u003cp\u003eThe four front panel instrument inputs also feature high and low impedance options to provide a comprehensive and accessible DI solution. Insert points are also featured on every channel, should the need arise to place extra processing between the pre amp and converter, Vintage design high pass filters are also provided on every channel, ideal for eliminating unwanted low frequencies without affecting the rest of the audio signal.\u003c\/p\u003e\n\u003cp\u003eThe ISA828’s new optional eight-channel 192kHz ADC is the first audio ADC to utilise Texas Instruments Burr-Brown Pro Audio Amplifiers and Flagship Analog to Digital Converter PCM4220 chips. This cutting-edge technology is encompassed within Focusrite’s own custom analogue circuitry to provide eight channels of unparalleled A\/D conversion, delivering a dynamic range of 122dB and jitter at \u0026lt; 250 picoseconds.\u003c\/p\u003e\n\u003cp\u003eFinally, every channel features a six LED input meter, complete with precise meter trim. 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It also features the same digital option as the ISA 430, providing you with a high quality digital route direct from the 220 into your digital recording system.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFeatures:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePrecision VU metering of input level or compressor gain reduction (switched) \u003c\/li\u003e\n\u003cli\u003e16 LED Digital Output meters for both internal and external inputs. \u003c\/li\u003e\n\u003cli\u003eClassic Focusrite transformer based Mic pre \u003c\/li\u003e\n\u003cli\u003eSwitched High and Low pass filter controls \u003c\/li\u003e\n\u003cli\u003eSwitched High and Low shelving filter frequency controls \u003c\/li\u003e\n\u003cli\u003eOptional Stereo A\/D – 24 bit 96 KHz Delta Sigma converter running at 128KHz oversampling - dithers down to 20 or 16 bit \u003c\/li\u003e\n\u003cli\u003eProprietory Focusrite discrete Class A VCA Compressor side chain design for lower distortion and Noise performance \u003c\/li\u003e\n\u003cli\u003eIlluminated push button for switching the compressor between pre and post EQ \u003c\/li\u003e\n\u003cli\u003eNew Blend feature for adding dynamics into the compressed signal path \u003c\/li\u003e\n\u003cli\u003eNew De-esser design based on optical technology for lower distortion and transparency \u003c\/li\u003e\n\u003cli\u003e' De-esser Listen' for precise control over sibilance \u003c\/li\u003e\n\u003cli\u003eFrequency adaptive limiter to avoid critical digital overs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":54332090941724,"sku":"ISA 220 Sess","price":1999.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/focusriteisa220sessionpack1.jpg?v=1784602594"},{"product_id":"focusrite-isa-430-mk2-producer-pack","title":"Focusrite ISA-430-MK2 'Producer Pack'","description":"\u003cp\u003eThe ISA 430 MKII represents the pinnacle of Focusrite’s analogue channel strip technology, bringing together all the classic designs in one comprehensive production tool. Augmented with additional features and flavours, alongside unmatched internal routing and connectivity, the ISA 430 MKII enables today’s recording professional to enjoy the unique sonic contribution of these heritage designs within one extremely versatile processor. Focusrite’s iconic status as the leading manufacturer of channel strips remains unrivalled.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMain features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eClassic Focusrite transformer-based Mic-pre with variable impedance and ‘Air’ feature\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eMulti format Compressor; switch between Focusrite’s transparent VCA circuit and a vintage optical circuit\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eUnmatched flexibility with an incredible variety of insert points and variable signal path arrangements\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eAbility to function as 4 separate modular processors: mic pre, EQ, Dynamics and stereo ADC\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003ePrecision VU metering of input level, Insert 1 or 2 Return level, Compressor gain reduction or Sidechain listen level (switched) Classic Focusrite EQ design; an expanded version of the original ISA 110\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003ePost mic pre output for the shortest possible signal path\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eProprietary Focusrite discrete Class A VCA Gate and Expander designs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e‘Listen’ feature for precise control over compression, gating, expansion and de-essing\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eDe-esser design based on optical technology for lower distortion and transparency\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eSoft Limiter to avoid critical digital overload\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eOptional Stereo A\/D – 24-bit 192 kHz Delta Sigma converter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":54332090974492,"sku":"ISA-430MK2","price":1999.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/focusriteisa430mk2.jpg?v=1784602597"},{"product_id":"focusrite-isa-220-session-pack-ad-card","title":"Focusrite ISA 220 Session Pack AD Card","description":"\u003cp\u003eWith the addition of the Stereo A\/D card, the ISA 220 can be used as a high quality mono\/stereo tracking converter or at mix down as a stereo converter channel for final mastering.\u003c\/p\u003e\n\u003cp\u003eAt the heart of the Stereo A\/D card is a high quality 24-bit 96KHz Delta Sigma converter running at 128KHz over-sampling for maximum conversion performance. Focusrite proprietary designs are used for all internal clocking and phase lock loop circuits to guarantee the absolute minimum jitter possible, whether free running or locked to wordclock or ProTools Superclock. When recording to non-24 bit destinations 16 and 20 bit dithering can be selected to ensure the highest quality digital conversion for any format.\u003c\/p\u003e\n\u003cp\u003eThe ISAs have two separate channels available for conversion named the INT and EXT with both fed to the A\/D inputs, via the Spectral limiter and high resolution LED meter, giving a clean, protected, high quality path to digital.\u003c\/p\u003e\n\u003cp\u003eINT (Internal Signal)\u003c\/p\u003e\n\u003cp\u003eThe internal input to the A\/D is normally connected to the internal module channel signal passing through the EQ and Dynamics. However, this point can be broken by the rear INT A\/D Direct jack and allows a signal to be directly connected to the A\/D input (bypassing the internal processing).\u003c\/p\u003e\n\u003cp\u003eEXT (External Input)\u003cbr\u003e\u003cbr\u003eThe external input (XLR on the rear panel) gives the user access to the second channel of conversion on the A\/D card for Stereo recording or for combining signals in Sum mode.\u003c\/p\u003e\n\u003cp\u003eClock Select\u003cbr\u003e\u003cbr\u003eSelectable between 44.1kHz, 48kHz, 88.2kHz and 96kHz.\u003c\/p\u003e\n\u003cp\u003eBit Rate Select\u003cbr\u003e\u003cbr\u003eSelectable between 24, 20 and 16 bits.\u003c\/p\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":54332091007260,"sku":"isa220adcard","price":619.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/focusriteisa2channeladcard.jpg?v=1784602599"},{"product_id":"avedis-audio-ma5","title":"Avedis Audio MA5 500 Series Mic Preamp","description":"\u003ctable style=\"width: 900px; height: 608px;\" border=\"0\" align=\"center\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd width=\"377\" height=\"596\"\u003e\n\u003cp class=\"style4\"\u003eFeatures:\u003c\/p\u003e\n\u003cp class=\"style2\"\u003e- Standard 500 series modular size 1.5\" x 5.25\"\u003cbr\u003e- Single-ended Class A amplifier\u003cbr\u003e- UK-made Carnhill\/St Ives input transformer\u003cbr\u003e- Custom-designed Jensen output transformer\u003cbr\u003e- Stepped-gain rotary switch in 5dB steps \u003cbr\u003e- Output level pot for trim and mute\u003cbr\u003e- LED-lit pushbuttons\u003cbr\u003e- 28kHz feature brings out high frequency detail \u003cbr\u003e- Custom-made Marconi-style knobs\u003cbr\u003e- High headroom \u0026amp; CMR, low noise design\u003c\/p\u003e\n\u003cp class=\"style1\"\u003e\u003cspan class=\"style3\"\u003ePrice $775.00 USD\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"style2\"\u003e \u003c\/p\u003e\n\u003cp class=\"style2\"\u003e\u003cimg src=\"http:\/\/www.avedisaudio.com\/Avedis%20Images\/lead-free.jpg\" alt=\"lead free\" width=\"89\" height=\"89\"\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd width=\"184\"\u003e\u003cimg src=\"http:\/\/www.avedisaudio.com\/Avedis%20Images\/ma5FrontFW.jpg\" alt=\"MA5black\" width=\"158\" height=\"560\"\u003e\u003c\/td\u003e\n\u003ctd width=\"37\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"style1\"\u003e \u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd width=\"284\"\u003e\n\u003cdiv align=\"center\"\u003e\n\u003cp\u003e\u003cimg id=\"ma5side\" src=\"http:\/\/www.avedisaudio.com\/Avedis%20Images\/ma5side.gif\" alt=\"ma5side\" name=\"ma5side\" width=\"243\" height=\"580\" border=\"0\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp align=\"center\"\u003e \u003c\/p\u003e\n\u003ctable style=\"width: 894px; height: 235px;\" border=\"0\" align=\"center\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd width=\"888\" height=\"231\"\u003e\n\u003cp class=\"style2\"\u003eThe MA5 was created to fill the need for a high-quality microphone preamplifier with the characteristic sound of early ‘70s British Class-A consoles. The re-engineering in the creation of the MA5 stemmed from years of experience restoring both American and British modules, deeply rooted in classic transformer-balanced, discrete electronics. Only the best and most suitable components are used throughout, regardless of cost, to attain the best sound.\u003c\/p\u003e\n\u003cp\u003eOver a year was spent on the MA5- not only on the engineering side of the design, but also in extensive sound evaluation with observation of specific settings, gain structures, and key components.\u003c\/p\u003e\n\u003cp\u003eWe have always believed that our ears' sensitivity coupled with experienced judgment of sound is still unparalleled- even with some of the best audio test analyzers which we own and use. In the end, it is our ears we are trying to satisfy.\u003c\/p\u003e\n\u003cp\u003eThe MA5’s full and open sound is due to a rich harmonic content, particularly in the very low frequencies- even down to, and below, 10Hz. The clear mids and smooth highs come through without sounding dull or smeared.\u003c\/p\u003e\n\u003cp class=\"style2\"\u003e \u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv align=\"center\"\u003e\n\u003cbr\u003e\u003cstrong\u003eMA5 Specifications\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003ctable style=\"width: 791px;\" border=\"4\" align=\"center\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd width=\"292\"\u003e\n\u003cdiv align=\"center\"\u003e\n\u003cdiv align=\"center\"\u003e\u003cspan class=\"style2\"\u003eFrequency Response\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/td\u003e\n\u003ctd width=\"489\"\u003e\n\u003cdiv align=\"center\"\u003e\u0026lt;10Hz to -3dB at 67kHz\u003c\/div\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cdiv align=\"center\"\u003e\u003cspan class=\"style2\"\u003eInput Impedance\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cdiv align=\"center\"\u003e≅1250 ohms\u003c\/div\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cdiv align=\"center\"\u003e\u003cspan class=\"style2\"\u003eOutput Impedance\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cdiv align=\"center\"\u003e\u003cspan class=\"style2\"\u003e\u0026lt;75 ohms, bias variable\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cdiv align=\"center\"\u003eCommon Mode Rejection Ratio\u003c\/div\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cdiv align=\"center\"\u003e\u0026gt;100dB min @ 60Hz\u003c\/div\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cdiv align=\"center\"\u003e\u003cspan class=\"style2\"\u003eMaximum Output Level\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cdiv align=\"center\"\u003e+32.2 dBu @ 100KΩ, +27 dBu @ 600Ω bias variable\u003c\/div\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cdiv align=\"center\"\u003e\u003cspan class=\"style2\"\u003ePower Requirements\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cdiv align=\"center\"\u003e±16 vdc @ 75mA per rail\u003c\/div\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cdiv align=\"center\"\u003e\u003cspan class=\"style2\"\u003eGain Voltage\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cdiv align=\"center\"\u003e0 to 33.4 Volts\u003c\/div\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cdiv align=\"center\"\u003e\u003cspan class=\"style2\"\u003eGain dB\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cdiv align=\"center\"\u003e0 to 71.2 dB\u003c\/div\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cdiv align=\"center\"\u003e\u003cspan class=\"style2\"\u003eEquivalent Input Noise\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cdiv align=\"center\"\u003e-110 dBu; Unweighted 300kHz bandwidth\u003c\/div\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cdiv align=\"center\"\u003e\u003cspan class=\"style2\"\u003eWeight\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cdiv align=\"center\"\u003e2.7 lbs \/ 1.13kg\u003c\/div\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv align=\"center\"\u003e\n\u003cspan class=\"style2\"\u003eThank you Jay Matheson and EQ Magazine for including the MA5 in the 500 Roundup\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"style2\"\u003e\u003ca href=\"http:\/\/www.avedisaudio.com\/MA5.html\"\u003e\u003cimg src=\"http:\/\/www.avedisaudio.com\/Avedis%20Images\/EQ_dec08.jpg\" alt=\"EQmag1208\" width=\"690\" height=\"371\"\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ctable style=\"width: 1019px;\" border=\"0\" align=\"center\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd width=\"1013\"\u003e\n\u003cp class=\"style10\"\u003eFAQ's\u003c\/p\u003e\n\u003cp class=\"style11\"\u003eHow can I run LINE level inputs into it from my PT's or converters?\u003c\/p\u003e\n\u003cp\u003eBecause the MA5's gain is stepped, it makes a very accurate and great-sounding line amplifier to run mixes through. It will add its signature harmonic overtones to the low end. However it is important to optimize the input load and output source impedances.\u003c\/p\u003e\n\u003cp\u003eThe LINE PAD-Z is designed for mic pre's without line inputs, such as the MA5, enabling you to plug a line signal into the mic input.\u003c\/p\u003e\n\u003cp\u003eThe LINE PAD-Z adaptor serves three important purposes: 1) It provides the proper load to your PT or other converters without overloading them. 2) It drops the level -35dB, to the range of a microphone. 3) Its output impedance \"looks\" like a microphone to the MA5 preamp, so source impedances appear normal.\u003c\/p\u003e\n\u003cp\u003eWith the use of the LINE PAD-Z on the input of the MA5, unity gain would be at the 35dB position on the gain switch, with the output turned all the way up.\u003c\/p\u003e\n\u003cp\u003eIMPORTANT: When coming out of the preamp into the A\/D converter, you must go into the LINE input of your digital converter, not the MIC input which would add gain; otherwise you will have headroom issues and a poor signal-to-noise ratio. Some inputs are both, so you must switch to LINE input or use the TRS part of the combo XLR - read the manual to find out.\u003c\/p\u003e\n\u003cp\u003eThe LINE PAD-Z works very well and can be used with other high quality, low noise preamps. Not recommended for unbalanced interfaces. DO NOT ENGAGE PHANTOM POWER WHEN USING THIS LINE PAD!\u003c\/p\u003e\n\u003cp class=\"style1\"\u003e \u003c\/p\u003e\n\u003cp class=\"style1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLINE PAD-Z SPECIFICATIONS: \u003c\/span\u003e\u003cbr\u003eMade with Switchcraft parts\u003cbr\u003eInput impedance = 10K ohms\u003cbr\u003eAttenuation = -36dB\u003cbr\u003eOutput impedance = 150 ohms\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePrice: $35.00\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"style1\"\u003eMay be purchased with the MA5 preamplifier, or separately.\u003c\/p\u003e\n\u003ctable style=\"width: 400px;\" border=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cimg src=\"http:\/\/www.avedisaudio.com\/Avedis%20Images\/LinePad.jpg\" alt=\"Line PAD-Z\" width=\"528\" height=\"110\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp class=\"style11\"\u003eHow much current does it draw?\u003c\/p\u003e\n\u003cp class=\"style1\"\u003e75mA per rail, so 150mA total. This is about double compared to the current draw of the E27 since it is a class A amp with a big output transistor. But unlike class AB units, the current draw stays fairly constant, regardless of level or load to the output.\u003c\/p\u003e\n\u003cp class=\"style1\"\u003e\u003cspan class=\"style9\"\u003eAPI 1608 info:\u003c\/span\u003e It has come to our attention that the MA5's initial current surge the first second of powering up causes the 1608 power supply to trigger its regulation and turn off. We will work together and hopefully come up with a solution that does not compromise the sound of the MA5, yet meets API's console requirements. Please contact us with any questions. \u003cbr\u003e\u003cbr\u003e\u003cspan class=\"style5\"\u003eADDITIONAL INFO: \u003c\/span\u003e\u003cbr\u003eIt is equally important to work out how the power supply in a rack or lunchbox responds to the inrush of current to the modules in it. All power supplies we tested have current limiting regulation, meaning that the power supply rail will shut off if it senses a lot of sudden current draw, which can be triggered just by turning the rack\/lunchbox on when full of modules.\u003c\/p\u003e\n\u003cp class=\"style1\"\u003eSo, always check to make sure all the lights are lit and everything is working when you first power up. If a rail does not power up, and the power supply had gone into its current limit mode, then turn it off. You will have to find a trim pot on the inside of the power supply which regulates the current limit and turn it up one o'clock at a time and retest each time until the power supply turns on without triggering the limit. Be absolutely sure it's the \u003cspan style=\"text-decoration: underline;\"\u003ecurrent\u003c\/span\u003e limit adjustment, and not the \u003cspan style=\"text-decoration: underline;\"\u003evoltage\u003c\/span\u003e adjustment, trim pot you are turning. Get a professional's help to do this, or contact the manufacturer of the rack or lunchbox.\u003cbr\u003e\u003cbr\u003eThe BAE 11-space Rackmount comes with a large power supply. An example of what the trimpot looks inside is pictured here:\u003c\/p\u003e\n\u003cp class=\"style1\"\u003e \u003cimg src=\"http:\/\/www.avedisaudio.com\/Avedis%20Images\/trimpot.jpg\" alt=\"trimpot\" width=\"208\" height=\"184\"\u003e \u003cbr\u003e\u003cbr\u003ePlease contact us if you have any questions and we'll help you out.\u003c\/p\u003e\n\u003cp class=\"style11\"\u003eWhat's the 28kHz pushbutton for?\u003c\/p\u003e\n\u003cp class=\"style1\"\u003eThis was an idea borrowed from our E27 equalizer, but this time it's only a 6dB rise and \u003cstrong\u003eshelving\u003c\/strong\u003e rise at 28kHz. We realized it was so useful for bringing back life and realism to many instruments, we had to put it in the MA5.\u003c\/p\u003e\n\u003cp class=\"style1\"\u003eIt started when we first heard it on live orchestral music recorded by a friend- we could hear the sound stage and its reflections, resulting in a better depth of field. On acoustic guitars, it brought out the upper-end frequency timbre of the instrument. On drums, it sounds particularly nice on the room mic, capturing the natural high-frequency reflections better. Even dynamic microphones can be utilized in certain applications that you wouldn't have used before.\u003c\/p\u003e\n\u003cp class=\"style1\"\u003eFor vocals, it brought the singer closer without turning up the sibilance frequencies. We thought it might be a good idea to put them on vocals, as many of today's condenser microphones inherently have a bright top end, but not always in the right place for a particular voice. Adding 28kHz would allow you to use a de-esser or equalizer without losing too much of the top end detail, and without using too much additive eq later. This does depends on the characteristics of the microphone, so be careful not to put the 28kHz on everything!\u003c\/p\u003e\n\u003cp class=\"style1\"\u003eThere's much more to the applications of the 28kHz feature... just experiment.\u003c\/p\u003e\n\u003cp class=\"style11\"\u003e\u003cstrong\u003eNEWLY UPDATED\u003c\/strong\u003e: About the DI....\u003c\/p\u003e\n\u003cp class=\"style1\"\u003eAfter sound evaluations of three different DI circuits using different bass and guitars for this preamp, we found that we liked the Jensen direct box transformer the best - maybe because the sound went through the mic input transformer as well. It was an immediate winner in tests and had the fullness and definition in the low frequencies we liked.\u003c\/p\u003e\n\u003cp class=\"style1\"\u003eOur best advice would be for you to purchase a high quality DI, like the one made by Jensen Transformers called the ISOMAX DB-2PX. It's actually a great value because it is a 2-CHANNEL unit, and you could also use it in the way the Line Padz works, running a Line level signal throught it as well (-22dbu of level loss so it's going to be a bit louder than the LPZ) You could have it mounted inside your rack and wire it up to your patchbay.\u003c\/p\u003e\n\u003cp class=\"style1\"\u003eWe sell it for $200 each directly. Call with any questions.\u003c\/p\u003e\n\u003cp class=\"style6\"\u003e\u003cspan class=\"style11\"\u003eWhat's the -6dB for on the output pot?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"style1\"\u003eIt's a fine trim adjustment to get in between the 5 dB steps of the gain switch. It also mutes when turned down all the way, so you can exchange mics and prevent the speaker thump from phantom power.\u003c\/p\u003e\n\u003cp class=\"style11\"\u003eNo meter?\u003c\/p\u003e\n\u003cp class=\"style1\"\u003eA meter would be nice for seeing if there is signal present, but considering how high the headroom is on this preamp (+31dBu into 10kohms, +27dBu into 600 ohms) the meter you should be looking at is the one for your recorder, like an A\/D converter, which will clip at a lower level.\u003c\/p\u003e\n\u003cp class=\"style11\"\u003eI've seen these with a Red gain knob. Can I get it that way?\u003c\/p\u003e\n\u003cp class=\"style1\"\u003eYes, just let your dealer know you want a red knob.\u003c\/p\u003e\n\u003cp class=\"style11\"\u003eI see your MA5 being produced with a red or a black faceplate. What's that all about? Just cosmetical reasons? Or is there any difference between the two?\u003c\/p\u003e\n\u003cp class=\"style1\"\u003eThere are no differences between faceplate or knob colors and it is purely cosmetic.\u003c\/p\u003e\n\u003cp class=\"style1\"\u003eThe first group of MA5's had red faceplates due to a few dealer's suggestions. I had always preffered a blackface (with the red highlights on the logo and name) so had them made but never showed it until a client asked if black was available, and it was. It has been the default color now.\u003c\/p\u003e\n\u003cp class=\"style1\"\u003eThere was also another color made for another dealer, a greyish color with green tint, which was a color matched from some old test equipment we had, but there are not many of these.\u003c\/p\u003e\n\u003cp class=\"style11\"\u003eWhen installing them in my API rack, they're a little tight due to the two screws at the top and bottom. What to do?\u003c\/p\u003e\n\u003cp class=\"style1\"\u003ePlace the lower part of the MA5 in first with the screws just inside, then just pull on the top slightly to get the top screws in. The lip on the API lunchbox or rack is bent a little too far in on some units, and using countersunk flathead screws on the MA5 means using weaker screws that can strip easily, instead of the stainless steel that used now. The original dimensions of the MA5 is correct.\u003c\/p\u003e\n\u003cp class=\"style11\"\u003eCan I purchase output transformers from you for a DIY?\u003c\/p\u003e\n\u003cp class=\"style1\"\u003eSorry, no. The output transformer is custom-made for us through a research and design collaboration between Avedis Audio and Jensen Transformers, in a proprietary agreement. Furthermore, we remain even more vigilant with regards to the potential of the cheap copiers.\u003c\/p\u003e\n\u003cp class=\"style11\"\u003eSeconds after powering down, it is normal to still hear a loud signal?\u003c\/p\u003e\n\u003cp class=\"style1\"\u003eYes, it's the capacitors discharging but keeping the power up for a little while. This is normal for this particular type of Class A amp. It is recommended to mute your monitors or disconnect the preamps from your speakers or headphones when you power down.\u003c\/p\u003e\n\u003cp class=\"style11\"\u003eWhy do I hear a buzz\/hum with the MA5 preamp but not with other pre's I also have in the same rack?\u003c\/p\u003e\n\u003cp class=\"style1\"\u003eThe rack itself may have a grounding issue, either as a Pin 1 problem, a common (zero) not connected to chassis, safety ground not connected (unsafe and illegal), or some combination including all three.\u003cbr\u003e\u003cbr\u003eThe noise is really on all the preamps, but it will be more noticeable with the MA5 because the Class A amplifiers run with more gain than most other 500 series preamps, which have less gain from the op-amp but more step-up gain from the input transformer. Any noise that gets into the audio ground will be heard proportional to the gain, (for example, via building ground\/conduit to pin 1).\u003c\/p\u003e\n\u003cp class=\"style1\"\u003eContact us if you're having a problem with the rack; we will need to run tests and document any problems before having it fixed.\u003c\/p\u003e\n\u003cp class=\"style1\"\u003e\u003cspan class=\"style5\"\u003eUPDATE\u003c\/span\u003e: Please DO NOT use the MA5 or the E27 with an OSA rack. The problems with regulator inconsistencies causing high ripple noise, miswiring of the rack, and even safety is a risk to our modules.\u003c\/p\u003e\n\u003cp class=\"style1\"\u003e\u003cspan class=\"style5\"\u003e2\/19\/10\u003c\/span\u003e - Please be careful not to pull on the output pot to remove the MA5 from the rack. This will damage the output pot and create a dead spot.\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Avedis Audio","offers":[{"title":"Default Title","offer_id":54332126626076,"sku":"ma5","price":850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/avedis_ma5_mic_pre_module_red-knob_f.jpg?v=1784603061"},{"product_id":"focusrite-isa-one","title":"Focusrite ISA One","description":"\u003cheader id=\"section-header\" class=\"section section-header\"\u003e\n\u003cdiv id=\"zone-user-wrapper\" class=\"zone-wrapper zone-user-wrapper clearfix\"\u003e\n\u003cdiv id=\"zone-user\" class=\"zone zone-user clearfix container-12\"\u003e\n\u003cdiv id=\"region-user-second\" class=\"grid-8 region region-user-second\"\u003e\n\u003cdiv class=\"region-inner region-user-second-inner\"\u003e\n\u003cdiv id=\"block-focusrite-search-global-search\" class=\"block block-focusrite-search block-global-search block-focusrite-search-global-search odd block-without-title\"\u003e\n\u003cdiv class=\"block-inner clearfix\"\u003e\n\u003cdiv class=\"content clearfix\"\u003e\u003cform id=\"search-api-search-form-global-search\" class=\"compact-form\" accept-charset=\"UTF-8\" method=\"post\"\u003e\n\u003cdiv class=\"form-item form-type-textfield form-item-keys-global-search\"\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-size: xx-large;\"\u003eISA One\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/form\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/header\u003e\n\u003csection id=\"section-content\" class=\"section section-content\"\u003e\n\u003cdiv id=\"zone-content-wrapper\" class=\"zone-wrapper zone-content-wrapper clearfix\"\u003e\n\u003cdiv id=\"zone-content\" class=\"zone zone-content clearfix container-12\"\u003e\n\u003cdiv id=\"region-content\" class=\"grid-9 region region-content\"\u003e\n\u003cdiv class=\"region-inner region-content-inner\"\u003e\n\u003cdiv id=\"block-system-main\" class=\"block block-system block-main block-system-main odd block-without-title\"\u003e\n\u003cdiv class=\"block-inner clearfix\"\u003e\n\u003cdiv class=\"content clearfix\"\u003e\n\u003carticle id=\"node-product-5334\" class=\"node node-product node-published node-not-promoted node-not-sticky author-martin odd clearfix\"\u003e\n\u003cdiv class=\"content clearfix\"\u003e\n\u003cdiv class=\"field field-name-body field-type-text-with-summary field-label-hidden clearfix\"\u003e\n\u003cdiv class=\"field-items\"\u003e\n\u003cdiv class=\"field-item even field-item-0\"\u003e\n\u003cdiv class=\"token_templating_container grid zebra-sections doc three-col-grid\"\u003e\n\u003csection id=\"overview\" class=\"section\" title=\"Overview\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"sub-row\"\u003e\n\u003cdiv class=\"col-3\"\u003e\n\u003ch2\u003eThe Focusrite Heritage Sound - in a versatile, transportable package\u003c\/h2\u003e\n\u003cp\u003eBack in the mid-1980s, Sir George Martin commissioned console design legend Rupert Neve to build a series of new, ‘no compromise’ console modules for AIR studios. They were an enormous hit and formed the basis of the Focusrite Studio Console, widely regarded as the best-sounding analogue recording console of all time. Today, the descendants of those modules are used in leading studios around the world, and their sought-after Focusrite Heritage Sound lies behind thousands of hit records. Today’s ISA Range from Focusrite puts the classic sound of Focusrite into your own studio or live performance.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"png full-width full-width\" data-media_nid=\"5334\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\n\u003cdiv class=\"cta_images_wrapper intrinsic_ratio_wrapper\"\u003eClassic Focusrite transformer-based mic preamplifier\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"section alt-color\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"sub-row\"\u003e\n\u003cdiv class=\"col-3\"\u003e\n\u003cp\u003eAt the heart of the ISA range is the microphone preamplifier with its Lundahl input transformer – essentially the same circuit, based on the original ISA110, that has been used for 30 years in successive Focusrite designs. The input transformer imparts a special character to the sound that can’t be truly emulated in any other way: inseparable from the microphone itself, the transformer input stage is ideal for use with classic microphones. But this mic pre has a twist the original didn’t have, which makes it far more versatile: four carefully-selected impedances allow you to match microphone to input in different ways. Bring out the character of a classic mic or emphasise a special feature, or go for a totally transparent, modern sound – it’s up to you.\u003c\/p\u003e\n\u003cdiv class=\"png full-width full-width second-image\" data-media_nid=\"5334\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\n\u003cdiv class=\"cta_images_wrapper intrinsic_ratio_wrapper\"\u003eIndependent direct input\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"section\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"sub-row\"\u003e\n\u003cdiv class=\"col-3\"\u003e\n\u003cp\u003eWhether you’re an artist, engineer or producer, you’ll appreciate the versatility of the ISA One, with its front-panel DI input. The DI includes low\/high impedance switching and an amplifier output, and its own feed to the optional A\/D converter and separate rear-panel XLR output\u003c\/p\u003e\n\u003cdiv class=\"png\" data-media_nid=\"5334\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\n\u003cdiv class=\"cta_images_wrapper intrinsic_ratio_wrapper\"\u003e\u003cimg class=\"cta_images_js_image cta_images\" alt=\"\" src=\"http:\/\/global.focusrite.com\/sites\/default\/files\/styles\/cta_scale_1280\/public\/Image-3.png\" data-image-id=\"2\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection id=\"multimedia\" class=\"section alt-color\" title=\"Multimedia\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"sub-row\"\u003e\n\u003cdiv class=\"col-3\"\u003e\n\u003ch2\u003eMultimedia\u003c\/h2\u003e\n\u003cdiv class=\"youtube_embed_wrapper\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection id=\"key-features\" class=\"section\" title=\"Key Features\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"sub-row\"\u003e\n\u003cdiv class=\"col-3\"\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"sub-row\"\u003e\n\u003cdiv class=\"col-1\"\u003e\n\u003cdiv data-media_nid=\"5334\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\n\u003cdiv class=\"cta_images_wrapper intrinsic_ratio_wrapper\"\u003e\u003cimg class=\"cta_images_js_image cta_images\" alt=\"\" src=\"http:\/\/global.focusrite.com\/sites\/default\/files\/styles\/cta_scale_320\/public\/KF1.jpg\" data-image-id=\"3\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003eISA series transformer-based preamplifier\u003c\/h3\u003e\n\u003cp\u003eEncased in a rugged and portable chassis, ISA One offers the classic Focusrite microphone preamplifier at its lowest cost to date.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-1\"\u003e\n\u003cdiv data-media_nid=\"5334\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\n\u003cdiv class=\"cta_images_wrapper intrinsic_ratio_wrapper\"\u003e\u003cimg class=\"cta_images_js_image cta_images\" alt=\"\" src=\"http:\/\/global.focusrite.com\/sites\/default\/files\/styles\/cta_scale_320\/public\/KF2.jpg\" data-image-id=\"4\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003eFlexible independent DI channel\u003c\/h3\u003e\n\u003cp\u003eISA One is ideal for both engineers and demanding performers alike, featuring independent gain control, an output for routing to an amp, an independent XLR output on the rear and routing to the optional A-D converter.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-1\"\u003e\n\u003cdiv data-media_nid=\"5334\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\n\u003cdiv class=\"cta_images_wrapper intrinsic_ratio_wrapper\"\u003e\u003cimg class=\"cta_images_js_image cta_images\" alt=\"\" src=\"http:\/\/global.focusrite.com\/sites\/default\/files\/styles\/cta_scale_320\/public\/KF3.jpg\" data-image-id=\"5\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003eSwitchable impedance\u003c\/h3\u003e\n\u003cp\u003eChoose one of four carefully selected input impedances, including the original ISA110 setting, to suit any microphone.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sub-row\"\u003e\n\u003cdiv class=\"col-1\"\u003e\n\u003cdiv data-media_nid=\"5334\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\n\u003cdiv class=\"cta_images_wrapper intrinsic_ratio_wrapper\"\u003e\u003cimg class=\"cta_images_js_image cta_images\" alt=\"\" src=\"http:\/\/global.focusrite.com\/sites\/default\/files\/styles\/cta_scale_320\/public\/KF4.jpg\" data-image-id=\"6\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003eHeadphone output with volume control\u003c\/h3\u003e\n\u003cp\u003eISA One can feed either a sum of the two input to the headphones output, or an external stereo cue mix (such as a stereo feed from an interface) via two TRS jack inputs on the rear of the unit.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-1\"\u003e\n\u003cdiv data-media_nid=\"5334\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\n\u003cdiv class=\"cta_images_wrapper intrinsic_ratio_wrapper\"\u003e\u003cimg class=\"cta_images_js_image cta_images\" alt=\"\" src=\"http:\/\/global.focusrite.com\/sites\/default\/files\/styles\/cta_scale_320\/public\/KF5.jpg\" data-image-id=\"7\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003eDedicated insert point\u003c\/h3\u003e\n\u003cp\u003eAllows you to place extra processing between the preamplifier or DI and the optional converter, such as an EQ or compressor.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-1\"\u003e\n\u003cdiv data-media_nid=\"5334\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\n\u003cdiv class=\"cta_images_wrapper intrinsic_ratio_wrapper\"\u003e\u003cimg class=\"cta_images_js_image cta_images\" alt=\"\" src=\"http:\/\/global.focusrite.com\/sites\/default\/files\/styles\/cta_scale_320\/public\/KF6.jpg\" data-image-id=\"8\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003eOptional stereo 192kHz A-D converter\u003c\/h3\u003e\n\u003cp\u003eYou can chose to upgrade your unit with an optional digital card that delivers the best A-D performance in its class (dynamic range of 118dB). Alternatively, the ISA One Digital comes with the A-D converter as standard.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sub-row\"\u003e\n\u003cdiv class=\"col-1\"\u003e\n\u003cdiv data-media_nid=\"5334\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\n\u003cdiv class=\"cta_images_wrapper intrinsic_ratio_wrapper\"\u003e\u003cimg class=\"cta_images_js_image cta_images\" alt=\"\" src=\"http:\/\/global.focusrite.com\/sites\/default\/files\/styles\/cta_scale_320\/public\/KF7.jpg\" data-image-id=\"9\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003e\u003cspan\u003eLundahl LL1538 Input Transformer\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eThe original mic transformer used in the original Red modules helps to provide the unique sound and performance of this groundbreaking design.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-1\"\u003e\n\u003cdiv data-media_nid=\"5334\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\n\u003cdiv class=\"cta_images_wrapper intrinsic_ratio_wrapper\"\u003e\u003cimg class=\"cta_images_js_image cta_images\" alt=\"\" src=\"http:\/\/global.focusrite.com\/sites\/default\/files\/styles\/cta_scale_320\/public\/KF8.jpg\" data-image-id=\"10\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003eBacklit VU meter with variable calibration\u003c\/h3\u003e\n\u003cp\u003eISA One has a moving coil VU meter with variable calibration to suit analogue and digital recording media, alongside two six-LED peak meters; inputs can be metered either pre- or post-insert.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection id=\"specifications\" class=\"section alt-color\" title=\"Specifications\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"sub-row\"\u003e\n\u003cdiv class=\"col-3\"\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cdiv data-media_nid=\"5334\" data-shortcode=\"code\" data-field_machine_name=\"field_tt_code\" data-block_machine_name=\"block\"\u003e\n\u003cdiv class=\"spec-table\"\u003e\n\u003cdiv class=\"spec-header\"\u003e\n\u003ch4\u003e\u003cspan\u003eAnalog inputs\u003c\/span\u003e\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eXLR mic input\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAn XLR line and a balanced TRS line input\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eXLR input with balanced TRS instruments\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eExternal sensor input with balanced jack\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eReturn with balanced TRS\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv class=\"spec-header\"\u003e\n\u003ch4\u003e\u003cspan\u003eAnalog outputs\u003c\/span\u003e\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eSend with balanced jack\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eBalanced XLR line output\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eXLR DI output\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eKlinke-OF-Through\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv class=\"spec-header\"\u003e\n\u003ch4\u003e\u003cspan\u003eAdditional analog inputs and outputs\u003c\/span\u003e\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eCue Mix input (left) with balanced jack\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCue Mix input (right) with balanced jack\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eHeadphone output with 6.3 mm jack symmetric\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec-table\"\u003e\n\u003cdiv class=\"spec-header\"\u003e\n\u003ch4\u003e\u003cspan\u003eMic input\u003c\/span\u003e\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eGain range\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003e\u003cspan\u003e0 dB to 60 dB in 10 dB steps and +20 dB adjustable gain\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eInput Impedance\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003e\u003cspan\u003eConnected impedances. \u003c\/span\u003e\u003cspan\u003eEquivalents of input impedance at 1 kHz\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003eLow = 600 Ohm\u003cbr\u003eISA110 = 1.400 Ohm\u003cbr\u003eMed = 2.400 Ohm\u003cbr\u003eHigh = 6.800 Ohm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eON (Equivalentes input noise)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003e\u003cspan\u003e-126 DB, measured at 60 dB gain with 150 Ohm impedance and 22 Hz \/ 22 kHz bandpass filter\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eMurmur\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eOutput noise with 0 dB gain and 22 Hz \/ 22 kHz bandpass filter\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003e-97 DBu\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGerauschspannungsabstand (SNR)\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003e\u003cspan\u003e106 dB, relative to the maximum headroom (9 dBu)\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTotal-Harmonic-Distortion + Rauschen\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eMeasured at average gain (30 dB) at 1 kHz -20 dBu input signal and 22 Hz \/ 22 kHz bandpass filter\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003e\u0026lt;0.0009%\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eFrequency response\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eAt minimum gain (0 dB)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003e-0.5 DB at 10 Hz and -3 dB at 125 kHz\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e \u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eAt maximum gain (60 dB)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003e-3 DB at 16 Hz and -3 dB at 118 kHz\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCMRR (Common Mode Rejection Ratio)\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003e\u003cspan\u003e98 dB (Channel 1, 1 kHz, maximum gain with +24 dBu input)\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eHowever, channel-to-channel crosstalk\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003e\u003cspan\u003e\u003cspan\u003eWith 10 dB @ 1 kHz input to channel A, channel B output = 104 dbra. \u003c\/span\u003e\u003cspan\u003eWith 10 dB @ 10 kHz input to channel A, channel B output = 84 dbra\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv class=\"spec-header\"\u003e\n\u003ch4\u003e\u003cspan\u003eLine input\u003c\/span\u003e\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eGain range\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003e\u003cspan\u003e-20 DB to 60 dB in 10 dB steps and +20 dB adjustable gain\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eInput Impedance\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003e\u003cspan\u003e10 kO from 10 Hz to 200 kHz\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNoise\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eNoise Main.Ausgang with gain (0 dB) measured by 50 O source impedance and 22 Hz - 22 kHz bandpass filter\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003e-96 DBu\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGerauschspannungsabstand SNR\u003c\/td\u003e\n\u003ctd\u003eGemessen it 22 Hz - 22 kHz Bandpass-Filter\u003c\/td\u003e\n\u003ctd\u003e\n\u003cspan\u003e120 dB relative to the maximum headroom (24 dBu) \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e118 dB relative to 0 dBFS (+22 dBu)\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eTHD and noise\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eMeasured with 0 dB input signal and 22 Hz-22 kHz bandpass filter\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e0,0001 %\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eFrequency response\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eAt 0 dB gain\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003e-0.3 DB at 10 Hz and -3 dB at 200 kHz\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv class=\"spec-header\"\u003e\n\u003ch4\u003e\u003cspan\u003eInstrument input\u003c\/span\u003e\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eGain range\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003e\u003cspan\u003eAdjustable from 10 dB to 40 dB\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eInput Impedance\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003eHigh = grˆfler als 1 M\u003cbr\u003eLow =grafler als 300 k\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eMurmur\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eMeasured with 22 Hz-22 kHz bandpass filter\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\n\u003cspan\u003eMinimum Gain (+10 dB): -92 dBu \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMaximum Gain (+ 40dB): -62 dBu\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eTHD\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eAt minimum gain (+10)\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eFrequency response\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eAt minimum gain (+10 dB)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003e-10 DB input: 10 Hz - 100 kHz +\/- 0.6 dB\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e \u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eAt maximum gain (+40 dB)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003e-40 DB Input: -2.5 dB at 10 Hz and 100 kHz 0 dB\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv class=\"spec-header\"\u003e\n\u003ch4\u003e\u003cspan\u003eShow\u003c\/span\u003e\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eCoil-level display (MC)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003e\u003cspan\u003e\u003cspan\u003eFactory calibrated to 0 VU = +4 dBu at 1 kHz sine wave. \u003c\/span\u003e\u003cspan\u003eIn gedr¸cktem VU Cal switch on the back of the display can be changed ‰ ge, so 0 VU +10 dBu to +26 dBu match.\u003c\/span\u003e\u003cspan\u003eThe central point corresponds to +22 dBu.\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePeak-LED-Anzeige\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003e\u003cspan\u003e\u003cspan\u003eCalibrated in the position for 0 dBFS = +22 dBu. \u003c\/span\u003e\u003cspan\u003eThe cali- bration can be changed on the back ge ‰, so that 0 dBFS correspond dBu to +26 dBu equal to +10\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd colspan=\"3\"\u003e\u003cspan\u003e\u003cspan\u003eMC and Peak1 display can be tapped after the high-pass filter, either before the insert send or behind the insert return. \u003c\/span\u003e\u003cspan\u003ePeak2 is always picked up before the A \/ D converter channel 2, which is fed from the external input or the instrument input.\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eLED level\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003e\u003cspan\u003eAs follows when the peak calibration is on the back in a central position. \u003c\/span\u003e\u003cspan\u003e(When using the internal A \/ D converter).\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\n\u003cspan\u003e0 = +22 dBu \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e-2 = +20 dBu \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e-6 = +16 dBu \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e-12 = +10 dBu \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e-18 = +4 dBu \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e-42 = -20 dBu\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eFrequency response\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eAt minimum gain (+10 dB)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003e-10 DB input: 10 Hz - 100 kHz +\/- 0.6 dB\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e \u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eAt maximum gain (+40 dB)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003e-40 DB Input: -2.5 dB at 10 Hz and 0 dB at 100 kHz\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv class=\"spec-header\"\u003e\n\u003ch4\u003eHochpass-Filter\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eRoll-Off\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003e18 dB per octave (3-pole filter)\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eFrequency\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003e75 Hz fixed, at 3 dB down point\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv class=\"spec-header\"\u003e\n\u003ch4\u003e\u003cspan\u003eWeight and dimensions\u003c\/span\u003e\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eB x T x H\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003e220 mm (W) x 104 mm (H) x 254-290 mm (T - top to bottom)\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eWeight\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e3,9 kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":54332130361628,"sku":"isa1","price":499.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/isaone-xlarge.jpg?v=1784603139"},{"product_id":"avedis-audio-md7-microphone-preamplifier","title":"Avedis Audio MD7 Microphone Preamplifier","description":"\u003ch2 class=\"av-special-heading-tag\" itemprop=\"headline\"\u003eFEATURES\u003c\/h2\u003e\n\u003cdiv class=\"special-heading-border\"\u003e \u003c\/div\u003e\n\u003csection class=\"av_textblock_section\"\u003e\n\u003cdiv class=\"avia_textblock \" itemprop=\"text\"\u003e\n\u003cul\u003e\n\u003cli\u003eGain range from 0dB – 64dB in 4dB steps for recall-ability\u003c\/li\u003e\n\u003cli\u003eInput Trim control for fine control of gain\u003c\/li\u003e\n\u003cli\u003eUtilizes the discrete 1122 op-amp known for depth and resolution\u003c\/li\u003e\n\u003cli\u003eAll discrete design with class A buffer amplifier\u003c\/li\u003e\n\u003cli\u003eWide bandwidth, high headroom, low noise\u003c\/li\u003e\n\u003cli\u003eNO PAD, NO IC’s, and NO Surface Mount Components\u003c\/li\u003e\n\u003cli\u003eLine Input to interface with DAW’s\u003c\/li\u003e\n\u003cli\u003ePhase reverse, and filtered 48V phantom power\u003c\/li\u003e\n\u003cli\u003eHigh Pass Filter using a gentle slope for natural bass roll-off\u003c\/li\u003e\n\u003cli\u003e10 Meg-ohm high impedance DI input great for all instrument pickups\u003c\/li\u003e\n\u003cli\u003eSEND feature to run signal through stomp boxes for variety of effects\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eFrequency Response\u003c\/td\u003e\n\u003ctd\u003e\u0026lt;10Hz to -3dB at 75kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Impedance\u003c\/td\u003e\n\u003ctd\u003e≅1500 ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Impedance\u003c\/td\u003e\n\u003ctd\u003e\u0026lt;75 ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCommon Mode Rejection Ratio\u003c\/td\u003e\n\u003ctd\u003e\u0026gt;123dB min @ 60Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Output Level\u003c\/td\u003e\n\u003ctd\u003e+28.8 dBu @ 100KΩ, +27.4 dBu @ 600Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePower Requirements\u003c\/td\u003e\n\u003ctd\u003e±16 vdc @ 35mA per rail\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGain Voltage\u003c\/td\u003e\n\u003ctd\u003e0 to 22 Volts\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGain dB\u003c\/td\u003e\n\u003ctd\u003e0 to 64.7 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEquivalent Input Noise\u003c\/td\u003e\n\u003ctd\u003e−114 dBu; Unweighted 300kHz bandwidth\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e2.6 lbs \/ 1.18kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"Avedis Audio","offers":[{"title":"Default Title","offer_id":54332147368220,"sku":"md7microphonepreamp","price":850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/md7-2.jpg?v=1784603312"},{"product_id":"focusrite-a-d-card-for-penta-trak-master-voice-master","title":"Focusrite A-D Card for Penta\/Trak Master\/Voice Master","description":"The Penta, Trak Master and VoiceMaster Pro feature the same optional high quality A\/D converter. The converter is 24-bit and 128x oversampled, handling sample rates of up to 96 kHz, with S\/PDIF output and BNC word clock connector. Tracking a vocal direct into\u003cbr\u003eyour DAW or any other digital recording media has never been easier or more affordable. An ADC lock LED on the front panel shows when\u003cbr\u003eWord Clock sync has been established.","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":54332150350108,"sku":"AD Card for","price":229.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/focusritetmvoicemaster.jpg?v=1784603359"},{"product_id":"focusrite-trakmaster-pro","title":"Focusrite TrakMaster Pro","description":"\u003cfont color=\"#000080\"\u003eThe TrakMaster Pro features the same mic preamp circuit as Focusrite's revered Green series pre's, a fuller sounding preamp with more character but slightly more noise than the Class A preamp found in most of the other Platinum-series pre's. We'll take a wee bit of noise any day because this preamp sounds great. A JRR top pick!\u003c\/font\u003e\u003cbr\u003e\u003cp\u003eTrakMaster Pro, a professional microphone preamplifier\/compressor, is the latest in Focusrite's Platinum Pro series and the company's most affordable recording channel strip to date. Providing performance specifications never before seen at this price point, TrakMaster Pro features a mic preamp derived from Focusrite's award-winning Green range, front panel DI, problem-solving mid-scoop EQ, intuitive optical compression, latency-free monitoring, and the Platinum Pro series ADC option.  \u003c\/p\u003e\u003cbr\u003e\u003cp\u003eThe preamp demonstrates the same wide bandwidth philosophy as past Focusrite preamps, ensuring low noise and distortion and delivering clarity without unwanted artifacts. The Low Impedance switch, a feature previously unavailable at this price point, brings yet further sound options to the recording process. Also featured are Phantom Power and a High Pass filter for controlling rumble, proximity effect and pop reduction.  \u003c\/p\u003e\u003cbr\u003e\u003cp\u003eThe mid-scoop EQ is a quick and effective problem-solver, with two different cut depths and an adjustable frequency control. Ranging from 120Hz to 2K, it's ideal for problem solving or for great miked-up speaker cabinets. Staying true to the Focusrite philosophy, the intuitive optical vintage compressor has been tuned by ear and features Focusrite's custom fast-acting optos operating in Class A mode, allowing for smoother, lower distortion performance than comparative off-the-shelf VCA circuits. With the addition of variable attack and the unique 'Squash' mode (ideal for punchy drum sounds), this compressor is equally capable of transparent compression or imposing a character of its own. Either way, it brings professional compression within reach of a new audience.  \u003c\/p\u003e\u003cbr\u003e\u003cp\u003eThe original TrakMaster's metering section has been massively augmented, and now features a unique 'porthole'-style peak level meter, alongside the trademark for the Platinum Pro series, latency-free monitoring. This section offers the capacity to monitor tracked signals within the mix directly at source, avoiding having to monitor via the DAW or digital desk. A headphone or monitor mix can be created for either the artist or the engineer, with immediate, tactile control over levels. Finally, TrakMaster Pro accepts the established Platinum Pro 24-bit, 96kHz stereo Analogue to Digital converter, providing a high quality direct digital route from the TrakMaster Pro to the DAW.  \u003c\/p\u003e\u003cbr\u003e\u003cp\u003eWhen asked what he believes the Platinum TrakMaster Pro means to the recording masses, Rob Jenkins, Focusrite's Director of Product Strategy, replied:\"We've always been clear on the philosophy behind the Platinum range and we're only too aware of what we need to deliver to stay ahead of the game in this market. Whilst TrakMaster Pro is the most affordable unit Focusrite has ever produced, it still breaks barriers. Carrying on where the TrakMaster left off, you've now got switchable impedance and latency-free monitoring - features that previously just weren't available at this price point. Quite simply, I believe TrakMaster Pro provides more bang for your buck than any other unit on the market.\"\u003c\/p\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":54332150448412,"sku":"trakmasterpr","price":339.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/focusritetrakmasterpro.jpg?v=1784603364"},{"product_id":"warm-audio-wa412","title":"Warm Audio WA412 4 Channel Mic Preamp","description":"\u003cp class=\"font_8\" style=\"text-align: center;\"\u003e\u003cspan\u003e\u003cspan\u003e\u003cimg alt=\"\" height=\"178\" src=\"https:\/\/static.wixstatic.com\/media\/dada90_d307e2a660cb4ea5b8109f991c21e8fc~mv2.jpg\/v1\/fill\/w_1907,h_492,al_c,q_90,usm_0.66_1.00_0.01\/dada90_d307e2a660cb4ea5b8109f991c21e8fc~mv2.jpg\" width=\"690\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\" style=\"text-align: center;\"\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\" style=\"text-align: center;\"\u003e\u003cspan\u003e\u003cspan\u003eThe \u003cstrong\u003eWA-412\u003c\/strong\u003e provides 4 channels of classic American console preamps in a sleek 1RU design. This style of preamp is often referred to as \"the sound of Rock n' Roll\" for its BIG punchy low end and smooth open top end. \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003eThe price\/performance ratio of the WA-412 is almost unfathomable to the experienced studio engineer who has possibly paid much more for preamps of this style during their career. Featuring fully discrete socketed 6-pin opamps and custom wound Altran USA input and output transformers, the WA-412 leaves nothing to be desired. If you are looking for multiple channels of world class tone in an affordable package, the WA-412 is the right choice for you.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"s6\" id=\"comp-itesh3p4\" style=\"text-align: center;\" data-reactid=\".0.$SITE_ROOT.$desktop_siteRoot.$PAGES_CONTAINER.1.1.$SITE_PAGES.$s35qc.1.$comp-itesczja.1.$comp-itesczjf\/=1$comp-itesczjf.1.$comp-itesh3p4\"\u003e\n\u003cp class=\"font_7\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"s6\" id=\"comp-itey0mhv\" style=\"text-align: center;\" data-reactid=\".0.$SITE_ROOT.$desktop_siteRoot.$PAGES_CONTAINER.1.1.$SITE_PAGES.$s35qc.1.$comp-itesczja.1.$comp-itesczjf\/=1$comp-itesczjf.1.$comp-itey0mhv\"\u003e\n\u003cp class=\"font_7\"\u003e\u003cstrong\u003eInspiration behind the WA-412.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"s6\" id=\"comp-itey0mhv1\" data-reactid=\".0.$SITE_ROOT.$desktop_siteRoot.$PAGES_CONTAINER.1.1.$SITE_PAGES.$s35qc.1.$comp-itesczja.1.$comp-itesczjf\/=1$comp-itesczjf.1.$comp-itey0mhv1\"\u003e\n\u003cp class=\"font_8\" style=\"text-align: center;\"\u003e\u003cspan\u003e\u003cspan\u003eWhen I first started holding regular studio sessions years ago I always desired to have more channels of \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003ehigh-end mic pre's. I could only afford to have one or two in my studio at a time, which was never enough to \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003erecord a full band or drummer. I knew very well that if signals were not recorded well \"on the way in\" they\u003c\/span\u003e wouldn't be salvageable later, but my budget constrained me, so many of the sources were recorded through poor-quality mic pre's.  If the WA-412 was available back then I likely \u003cspan\u003ewouldn't have had to settle for poor, low-quality tone. The WA-412 was designed \"for the people\" (if you will) and we believe it will become a serious work-horse in many professional and home studios. \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e- Bryce Young (founder)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\" style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp class=\"font_7\" style=\"text-align: center;\"\u003e\u003cstrong\u003eMore features.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"s6\" id=\"comp-itopzvp81\" data-reactid=\".0.$SITE_ROOT.$desktop_siteRoot.$PAGES_CONTAINER.1.1.$SITE_PAGES.$s35qc.1.$comp-itesczja.1.$comp-itesczjf\/=1$comp-itesczjf.1.$comp-itopzvp81\"\u003e\n\u003cp class=\"font_8\" style=\"text-align: center;\"\u003e\u003cspan\u003eThe WA-412 has all of the features one would expect from this style of preamp... and more. \u003c\/span\u003e\u003cspan\u003eOutput Trim has been added to every channel for precise control and creative gain structuring\u003c\/span\u003e\u003cspan\u003e. We also added a Tone switch (transformer input impedance) \u003c\/span\u003e\u003cspan\u003eto each channel, which allows you to choose the warm and punchy classic console tone, or \u003c\/span\u003e\u003cspan\u003ea more open \u0026amp; neutral sound.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\" style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp class=\"font_8\" style=\"text-align: center;\"\u003e\u003cspan\u003e\u003cimg alt=\"\" height=\"178\" src=\"https:\/\/static.wixstatic.com\/media\/dada90_da0a05776fba4232a93b46ba6c1e7c0d~mv2.jpg\/v1\/fill\/w_1907,h_492,al_c,q_90,usm_0.66_1.00_0.01\/dada90_da0a05776fba4232a93b46ba6c1e7c0d~mv2.jpg\" width=\"690\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\" style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp class=\"font_8\" style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp class=\"font_7\" style=\"text-align: center;\"\u003e\u003cstrong\u003eBetter components.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"s6\" id=\"comp-itopai3p\" style=\"text-align: center;\" data-reactid=\".0.$SITE_ROOT.$desktop_siteRoot.$PAGES_CONTAINER.1.1.$SITE_PAGES.$s35qc.1.$comp-itesczja.1.$comp-itesczjf\/=1$comp-itesczjf.1.$comp-itopai3p\"\u003e\n\u003cp class=\"font_8\" style=\"text-align: center;\"\u003e\u003cspan\u003e\u003cspan\u003eEach channel utilizes a fully discrete\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e socketed 6-pin opamp that can be swapped with other opamps. Discrete opamp circuitry is known for its high headroom and low distortion characteristics and has much to do with the coveted sound of these classic console preamps.  \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\" style=\"text-align: center;\"\u003e\u003cspan\u003e\u003cspan\u003eWe are proud to be using input and output \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003etransformers that are made in the USA by high-end transformer manufacturer, Altran. We \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eworked closely with Altran to create unique transformers that extend the low frequency \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eresponse of the design. The transformers also use a vintage winding\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e technique that produces a very distinct smooth \u0026amp; open character.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\" style=\"text-align: center;\"\u003e\u003cspan\u003e\u003cspan\u003eCarefully choosing the WA-412 components has resulted in an \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eamazing four channel ‘workhorse’ preamp\/DI that performs at the highest levels, while still adding a \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003etouch of vintage console magic to your signal.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\" style=\"text-align: center;\"\u003e\u003cspan\u003e\u003cspan\u003e\u003cimg alt=\"\" height=\"178\" src=\"https:\/\/static.wixstatic.com\/media\/dada90_39043c3c7da24d95a5f59a5bc93b9532~mv2.jpg\/v1\/fill\/w_1907,h_492,al_c,q_90,usm_0.66_1.00_0.01\/dada90_39043c3c7da24d95a5f59a5bc93b9532~mv2.jpg\" width=\"690\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch1 class=\"font_8\" style=\"text-align: center;\"\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/h1\u003e\n4 Channel Microphone Preamplifer + Instrument DI.\u003cbr\u003eFully discrete, transformer coupled, through-hole component topology.\u003cbr\u003eAll channels utilize custom wound, premium input and output transformers made by Altran USA.\u003cbr\u003eX520 discrete op-amp in every channel, socketed for convenience. Can be user-replaced with most 6 pin,discrete op-amps.\u003cbr\u003e65db gain.\u003cbr\u003eInputs - Microphone XLR \u0026amp; Active Instrument DI.\u003cbr\u003eOutputs - Transformer balanced XLR \u0026amp; TRS.\u003cbr\u003eTONE button – Input impedance switches from 600 ohms to 150 ohms (changes the tone of both\u003cbr\u003ethe mic and DI inputs).\u003cbr\u003e-20db pad - pads both mic and instrument DI inputs.\u003cbr\u003e+48 volt phantom power.\u003cbr\u003eLED metering.\u003cbr\u003eOutput trim knob for precise level control and tone sculpting possibilities.\u003cbr\u003eInternal power supply (grounded, 3 pin IEC cord).\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ciframe width=\"690\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/97SeqYSkbLM\" frameborder=\"0\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":54332168503580,"sku":"wa412","price":999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/dada90_d307e2a660cb4ea5b8109f991c21e8fc_mv2.jpg?v=1784603765"},{"product_id":"warm-audio-wa12","title":"Warm Audio WA12 MKII Discrete Mic Preamp","description":"\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cstrong\u003eRaising The Volume.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eA lot of preamps on the market do a good job of raising the volume of mics and instruments.  Unfortunately, many pres are doing only that, raising volume.  The “Super clean” designs of today often leave the signal exiting the preamp sounding much the same as it did entering it.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eIf you are looking for a preamp to improve and shape your signal you will most definitely love the WA12. The WA12 is designed to transform plain instruments and vocals into exciting tone.  If your mixes lack depth, struggle to sound alive, or are just missing that professional touch you’ve always wanted, there is a good chance you will love the WA12.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eDiscrete Microphone Preamp - Made Affordable.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eOur goal was to make a microphone preamplifier affordable for the first time, without compromising the quality and design parameters that make this type of microphone preamplifier so desirable.  \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cstrong\u003eSpecificaions\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eUtilizes premium grade input and output USA Cinemag transformers.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e71db of Gain.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTONE button – switches the input impedance from 600 ohms to 150 ohms.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eChanges the tone of both the mic and HI-Z inputs.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFully Discrete.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHigh voltage 1731 style operational amplifier.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e48 volt Phantom Power.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMic level balanced input: XLR or 1\/4″\/TRS.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eBalanced outputs: XLR and 1\/4″\/TRS.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e2 Meg Ohm True HI-Z input on front panel. Sends instrument signal through entire circuit including both Cinemag Transformers and the discrete operational amplifier. Great for guitars, bass, keyboards and other instruments that have a 1\/4″ output jack.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e20db pad.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eExternal power plug for low noise.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cstrong\u003ePremium Components in every Warm Audio product.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eWhen developing the WA12 our ears played a big part in the design process.  I encourage you to listen to the sound samples with your ears and see  what you think.  People all over the world are loving it, and we are confident you will too.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe WA12 uses custom designed CineMag input and output transformers made in the USA!  *CineMag transformers are used in high-end products like the Presonus ADL-700, A-Designs Pacifica, and Universal Audio LA-610.\u003c\/p\u003e\n\u003cp\u003e\u003cimg style=\"display: block; 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This high performance module extends the capabilities of the Aurora(n) product line by adding support for microphone, HI-Z or line level input signals and direct coupling to four additional channels of A\/D conversion per module.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003ch3 style=\"text-align: center;\"\u003eLM-PRE4 FEATURES:\u003c\/h3\u003e\n\u003cp style=\"text-align: center;\"\u003eFour-channel microphone\/line\/HI-Z input module for Aurora(n)\u003cbr\u003eOn-board Aurora(n) A\/D conversion directly coupled to preamp out\u003cbr\u003eFully-differential, current-feedback preamplifier architecture\u003cbr\u003eTransformerless, transparent design\u003cbr\u003eUp to 68.6 dB gain in 1 dB increments\u003cbr\u003eLow noise(-129 dBu EIN) microphone input\u003cbr\u003eNoise and distortion optimized at all gain settings\u003cbr\u003eIndependent 48 V phantom power, phase, high-pass filter, and pad for each channel\u003cbr\u003eDedicated line level signal path provides performance identical to AIO8E\u003cbr\u003eGold contact relays for distortion-free signal routing\u003cbr\u003eSeamless integration with Aurora(n)’s mixing and routing engine\u003c\/p\u003e","brand":"Lynx","offers":[{"title":"Default Title","offer_id":54332185051420,"sku":"lmpre4","price":770.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/lynx-lm-pre4_97538_1.jpg?v=1784604201"},{"product_id":"warm-audio-wa12-500-mkii","title":"Warm Audio WA12-500 MKII Discrete Mic Pre","description":"\u003csection id=\"comp-iu4l3tff\" data-responsive=\"true\"\u003e\n\u003cdiv id=\"comp-iu4l3tffinlineContent\"\u003e\n\u003cdiv id=\"comp-iu4l3tfi\" data-content-width=\"980\"\u003e\n\u003cdiv id=\"comp-iu4l3tfiinlineContent\"\u003e\n\u003cdiv id=\"comp-iu4l3th7\" data-packed=\"true\"\u003e\n\u003ch1 style=\"text-align: center;\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/wa12-500-mkii.jpg?v=1784605090\" width=\"400\"\u003e\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eRaising The Volume.\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"comp-iu4l3tfx\" style=\"text-align: center;\" data-packed=\"true\"\u003e\n\u003cp\u003eA lot of preamps on the market do a good job of raising the volume of mics and instruments. Unfortunately, many pres are doing only that, raising volume.  The “Super clean” designs of today often leave the signal exiting the preamp sounding much the same as it did entering it.\u003c\/p\u003e\n\u003cp\u003eIf you are looking for a preamp to improve and shape your signal you will most definitely love the WA12-500 MKII. The WA12-500 MKII is designed to transform plain instruments and vocals into exciting tone.  If your mixes lack depth, struggle to sound alive, or are just missing that professional touch you’ve always wanted, there is a good chance you will love the WA12-500 MKII.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"comp-iu4l3tfl\" style=\"text-align: center;\" data-height-diff=\"25\" data-width-diff=\"0\" data-presented-row=\"1\" data-state=\"notMobile desktopView hiddenChildren\"\u003e\n\u003cdiv id=\"comp-iu4l3tflitemsContainer\"\u003e\n\u003cdiv id=\"comp-iu4l3tfldataItem-ivstkrmj\" data-image-index=\"0\" data-displayer-width=\"2000\" data-displayer-height=\"516\" data-displayer-uri=\"dada90_4165dbcc5b40498997aeb18b53e469ba~mv2.jpg\" data-height-diff=\"0\" data-width-diff=\"0\" data-bottom-gap=\"0\" data-image-wrapper-right=\"0\" data-image-wrapper-left=\"0\" data-image-wrapper-top=\"0\" data-image-wrapper-bottom=\"0\" data-margin-to-container=\"0\" data-state=\"notShowPanel desktopView alignCenter unselected clipImage noTransition normal noLink\"\u003e\n\u003cdiv id=\"comp-iu4l3tfldataItem-ivstkrmjimageWrapper\"\u003e\n\u003cdiv id=\"comp-iu4l3tfldataItem-ivstkrmjzoom\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"comp-iu4l3tg9\" style=\"text-align: center;\" data-packed=\"true\"\u003e\n\u003ch3\u003ePacked With Performance.\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"comp-iu4l3thb\" style=\"text-align: center;\" data-packed=\"true\"\u003e\n\u003cp\u003eThe WA12-500 MKII is a completely discrete, high voltage, dual-transformer microphone preamplifier design with high gain (+71dB), high headroom, low noise, and an exciting sonic performance – great for all types of recording applications.  A high quality mic preamp is one of the most critical pieces needed to achieve the elusive ‘larger than life’ sound, and the WA12-500 MKII is more than capable of delivering.  \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe WA12-500 MKII is based around a discrete op-amp, the X731, which is our own reproduction of the vintage classic Melcor 1731, considered by some to be the warmer predecessor to the modern 2520-style op-amp.  The X731 can achieve vibrant, clean and lifelike tones; but can also be driven into mild saturation at much higher gain levels.  The effects can be subtle, but very pleasing to the ear.  The WA12-500 MKII can also accept any discrete op-amp on the market that conforms to the +\/-16v, 2520 pinout standard.  \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection id=\"comp-iu4l3thd\" data-responsive=\"true\"\u003e\n\u003cdiv id=\"comp-iu4l3thdinlineContent\"\u003e\n\u003cdiv id=\"comp-iu4l3thf\" data-content-width=\"980\"\u003e\n\u003cdiv id=\"comp-iu4l3thfinlineContent\"\u003e\n\u003cdiv id=\"comp-iu4l3thn\" data-packed=\"true\"\u003e\n\u003ch1 style=\"text-align: center;\"\u003eSpecifications\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"comp-iu4l3thj\" style=\"text-align: center;\" data-packed=\"true\"\u003eUtilizes premium grade input and output USA CineMag transformers.\u003cbr\u003e71db of Gain, fully discrete signal path.\u003cbr\u003eUtilizes a discrete 6-pin socketed 1731 style opamp.  Can be replaced with other 6-pin \"2520 foot-print\" opamps for varying tone\/flavor.\u003cbr\u003eTONE button – Switches the input impedance from 600 ohms to 150 ohms.  Changes the tone of both the mic and HI-Z inputs.\u003cbr\u003e2 Meg Ohm True HI-Z input on front panel. Sends instrument signal through entire circuit including both Cinemag Transformers and the discrete opamp. Great for guitars, bass, keyboards and other instruments that have a 1\/4″ output jack.\u003cbr\u003e48 volt Phantom Power.\u003cbr\u003eOutput attenuation control (after the CineMag output transformer) allows for driving the preamp and transformers into saturation.\u003cbr\u003eLED Meter gain indication.\u003cbr\u003e20db pad.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003cdiv id=\"comp-iu4l3tlk\" style=\"text-align: center;\"\u003e \u003c\/div\u003e\n\u003cdiv id=\"comp-iu4l3ti0\" style=\"text-align: center;\" data-packed=\"true\"\u003e\n\u003ch3\u003ePremium Components in every Warm Audio product.\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"comp-iu4l3ti7\" style=\"text-align: center;\" data-packed=\"true\"\u003e\n\u003cp\u003eWhen developing the WA12-500 MKII our ears played a big part in the design process.  Using CineMag USA transformers and an all discrete signal path ensured that the WA12-500 MKII would have the 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data-image-wrapper-bottom=\"0\" data-margin-to-container=\"0\" data-state=\"notShowPanel desktopView alignCenter unselected flexibleWidthFixed noTransition normal noLink\"\u003e\n\u003cdiv id=\"comp-ivstz3jp1dataItem-ivsukeqwimageWrapper\"\u003e\n\u003cdiv id=\"comp-ivstz3jp1dataItem-ivsukeqwimage\" data-style=\"position:relative;overflow:hidden\"\u003e\n\u003cimg id=\"comp-ivstz3jp1dataItem-ivsukeqwimageimage\" itemprop=\"contentUrl\" alt=\"\" src=\"https:\/\/static.wixstatic.com\/media\/dada90_6d26253a1e4d44fc969b82792bbf4156~mv2.png\/v1\/fill\/w_662,h_826,al_c\/dada90_6d26253a1e4d44fc969b82792bbf4156~mv2.png\" data-type=\"image\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv id=\"comp-ivstz3jp1showMore\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"comp-ivsu2p3f\" style=\"text-align: center;\" data-packed=\"true\"\u003e\n\u003cp\u003eIn this example, the WA12-500 MKII is being used as an electric guitar instrument DI.  The signal is then exiting the preamp and entering into the interface LINE level input.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"comp-ivsu2p3g\" style=\"text-align: center;\" data-packed=\"true\"\u003e\n\u003cp\u003eNote: It is important to use a line level input on your recording device as opposed to a microphone or instrument level input.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"comp-ivu90lgz\" style=\"text-align: center;\"\u003e \u003c\/div\u003e\n\u003csection id=\"comp-iu4l3tib\" data-responsive=\"true\"\u003e\n\u003cdiv id=\"comp-iu4l3tibbalata\" style=\"text-align: center;\" data-page-id=\"iil95\" data-enable-video=\"true\" data-bg-effect-name=\"\" data-media-type=\"\" data-media-video-type=\"\" data-render-fixed-position=\"true\" data-use-clip-path=\"\"\u003e \u003c\/div\u003e\n\u003cdiv id=\"comp-iu4l3tibinlineContent\"\u003e\n\u003cdiv id=\"comp-iu4l3tie\" data-content-width=\"980\"\u003e\n\u003cdiv id=\"comp-iu4l3tiebalata\" style=\"text-align: center;\" data-page-id=\"iil95\" data-enable-video=\"true\" data-bg-effect-name=\"\" data-media-type=\"Image\" data-media-video-type=\"\" data-render-fixed-position=\"true\" data-use-clip-path=\"\"\u003e\n\u003cdiv id=\"comp-iu4l3tiebalatabgcolor\"\u003e \u003c\/div\u003e\n\u003cdiv id=\"comp-iu4l3tiebalatamedia\" data-effect=\"none\" data-fitting=\"fill\" data-align=\"center\"\u003e\n\u003cdiv id=\"comp-iu4l3tiebalatamediacontent\" data-type=\"image\" data-style=\"\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"comp-iu4l3tieinlineContent\" style=\"text-align: center;\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":54332299116828,"sku":"wa12500mkii","price":419.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/wa12-500-mkii.jpg?v=1784605090"},{"product_id":"presonus-atom","title":"Presonus ATOM Production and Performance Pad Controller","description":"\u003ch1 style=\"text-align: center;\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/presonus-atom-jrr-edit.jpg?v=1784608834\" width=\"690\"\u003e\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eATOM: Production and Performance Pad Controller\u003c\/h1\u003e\n\u003ch3 style=\"text-align: center;\"\u003ePortable, Versatile Production Controller\u003c\/h3\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\" data-small-bgcolor=\"#000000\"\u003e\n\u003ch3\u003eFast, flexible, and feature-packed.\u003c\/h3\u003e\n\u003cp\u003eProduce beats, play virtual instruments, and trigger sound effects and loops with unsurpassed expressiveness and flexibility! Both a compact, dynamic performance controller and a tightly integrated production environment, PreSonus®’ ATOM pad controller and included Studio One® Artist production software let you create and perform with ease. The most versatile pad controller in its class, ATOM is compatible with most music software and lets you perform and produce with virtual instruments and trigger samples and loops in real-time, using 16 full-size, velocity- and pressure-sensitive RGB pads and 8 assignable pad banks.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch3\u003eProduce quickly and easily in a tightly integrated environment.\u003c\/h3\u003e\n\u003cp\u003eATOM connects to your computer via USB and is compatible with most music production and performance software but it is absolutely amazing when used with PreSonus Studio One. ATOM and Studio One integrate tightly so you can create quickly and easily. Enjoy blazingly fast, professional-style workflow with ATOM’s navigation, editing, and loop-point-creation features and transport controls.\u003c\/p\u003e\n\u003cp\u003eLearn more about ATOM’s tight integration with Studio One.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ch2\u003e \u003c\/h2\u003e\n\u003ch3\u003eYou’re in control.\u003c\/h3\u003e\n\u003cp\u003eATOM puts you in control of your music production software. Trigger loops and effects and play virtual instruments with 16 full-size, velocity- and pressure-sensitive RGB pads. Eight assignable pad banks let you, for example, assign your entire virtual drum rack to each pad within each bank. MIDI Keyboard mode, Note Repeat mode, and Full Velocity mode enable you to custom control your instruments. And with 4 programmable rotary encoders and 20 assignable buttons, you can navigate and set more parameters faster.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg alt=\"\" src=\"https:\/\/pae-web.presonusmusic.com\/uploads\/products\/media\/images\/atom-03.jpg\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eBring ATOM out to play for a stunning live show.\u003c\/h3\u003e\n\u003cp\u003eSure, ATOM is a great production pad controller but it’s an instrument controller too. Use the velocity- and pressure-sensitive pads to play your virtual instruments live, with incredible expressiveness. Set up pad banks for a full virtual drum set and perform beats that will energize any crowd. Even play multiple ATOMs at once to put on an exciting live show.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cimg alt=\"\" src=\"https:\/\/pae-web.presonusmusic.com\/uploads\/products\/media\/images\/atom-04.png\" width=\"690\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cimg alt=\"\" src=\"https:\/\/pae-web.presonusmusic.com\/uploads\/products\/media\/images\/atom-05.png\"\u003e​\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eEverything you need.\u003c\/h3\u003e\n\u003cp\u003eYou’ll love ATOM’s expressive pads and flexible controls. Its tight integration with Studio One will open up your production environment and speed up your workflow, and you get a wealth of virtual instruments, loops, and drum kits with Studio One to fuel your creativity. But we wanted to give you more, so we worked with MVP Loops to deliver a carefully curated loop and one-shot library custom-designed for ATOM. Still not enough? You can buy even more content from the PreSonus Shop. Check out ATOM and Studio One at your favorite PreSonus dealer today!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-small-bgcolor=\"#fefefe\"\u003e\n\u003ch2 style=\"text-align: center;\"\u003e \u003c\/h2\u003e\n\u003ch3 style=\"text-align: center;\"\u003eStudio One Artist makes recording a breeze.\u003c\/h3\u003e\n\u003cp style=\"text-align: center;\"\u003eNo other recording and production software is this easy to learn and use, yet is capable of creating studio-quality output. Studio One® Artist lets you work quickly and stay focused on your inspiration and offers unlimited tracks and plug-ins. Access powerful editing tools without wading through menus. Load and save audio clips, MIDI files, and effects by drag-and-drop. Studio One makes it easy! Best of all, ATOM and Studio One integrate tightly so you can enjoy a blazingly fast, professional-style workflow.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ch1\u003eFeatures\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch3 style=\"text-align: center;\"\u003eControls\u003c\/h3\u003e\n16 full-size velocity- and pressure-sensitive, RGB LED pads\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e \u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003ePressure switchable between MIDI aftertouch, channel pressure, and CC messages\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e \u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e8 assignable pad banks\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e \u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eSelectable pad velocity curves and pad pressure thresholds\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e \u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e20 assignable buttons\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e \u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e4 endless rotary encoders\u003cbr\u003e\n\u003ch3 style=\"text-align: center;\"\u003e \u003c\/h3\u003e\n\u003ch3 style=\"text-align: center;\"\u003eModes\u003c\/h3\u003e\nMIDI \"keyboard\" mode\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e \u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eNote Repeat mode\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e \u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eFull Velocity mode (only send velocity 127)\u003cbr\u003e\n\u003ch3 style=\"text-align: center;\"\u003e \u003c\/h3\u003e\n\u003ch3 style=\"text-align: center;\"\u003eConnections\u003c\/h3\u003e\nUSB 2.0\u003cbr\u003e\n\u003ch3 style=\"text-align: center;\"\u003e \u003c\/h3\u003e\n\u003ch3 style=\"text-align: center;\"\u003eIncluded Software\u003c\/h3\u003e\nStudio One® Artist production software for Mac® and Windows®\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e \u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eMVP Loops content custom-designed for ATOM\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e \u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eCompatible with most music production and performance software for Mac and Windows\u003cbr\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003eComputer system requirements:\u003c\/h1\u003e\n\u003cp\u003eBelow are the minimum computer-system requirements for ATOM with Studio One 4 or later:\u003c\/p\u003e\n\u003ch3\u003eMac\u003c\/h3\u003e\nMac® OS X 10.11 or higher (64-bit only)\u003cbr\u003eIntel® Core® 2 Duo processor (Intel Core i3 or better recommended)\u003cbr\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eWindows\u003c\/h3\u003e\nWindows® 7 (SP1 + platform update), Windows 8.1, or Windows 10 (64-bit only)\u003cbr\u003eIntel Core Duo or AMD® Athlon™ X2 processor (Intel Core 2 Duo or AMD Athlon X4 or better recommended)\u003cbr\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eMac and Windows Systems\u003c\/h3\u003e\n4 GB RAM (8 GB or more recommended)\u003cbr\u003eUSB 2.0 port\u003cbr\u003eInternet connection (needed for software installation and activation)\u003cbr\u003eMonitor with 1366 x 768 resolution (high-dpi monitor recommended)\u003cbr\u003e40 GB hard-drive space\u003cbr\u003eUniversal Control 2.9 or later (for firmware updates)\u003cbr\u003eStudio One 4.1+ required for native integration\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch2\u003e \u003c\/h2\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003ch3\u003eInput \u003c\/h3\u003e\n\u003cp\u003eConnection Type\u003c\/p\u003e\n\u003cp\u003eUSB 2.0 (bus-powered)\u003c\/p\u003e\n\u003cp\u003ePads, Buttons, and Knobs\u003c\/p\u003e\n\u003cp\u003e 16 full-size velocity- and pressure-sensitive, RGB LED pads \u003c\/p\u003e\n\u003cp\u003e20 assignable buttons \u003c\/p\u003e\n\u003cp\u003e4 endless rotary knobs\u003c\/p\u003e\n\u003cp\u003e 1 Setup button\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eDimensions \u003c\/h3\u003e\n\u003cp\u003eHeight\u003c\/p\u003e\n\u003cp\u003e0.82” (20.75 mm)\u003c\/p\u003e\n\u003cp\u003eDepth\u003c\/p\u003e\n\u003cp\u003e7.68” (195 mm)\u003c\/p\u003e\n\u003cp\u003eWidth\u003c\/p\u003e\n\u003cp\u003e7.95” (202 mm)\u003c\/p\u003e\n\u003cp\u003eWeight\u003c\/p\u003e\n\u003cp\u003e1 lb. (0.45 kg)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ciframe width=\"690\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/BVE7kSPzXhA\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Presonus","offers":[{"title":"Default Title","offer_id":54332531441948,"sku":"atomcontroller","price":199.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/presonus-atom-jrr-edit.jpg?v=1784608834"},{"product_id":"mam-mm-42","title":"MAM MM 42","description":"\u003cp\u003eThe MM 42 is the next step in the development of our highly accepted MLM 62. 4 low noise microphone preamps with phantom-power. Gain, Volume, Bass, High, Efx-knobs per channel, XLR and jack-inputs per channel. 19\", 1U\u003c\/p\u003e","brand":"MAM Music and More","offers":[{"title":"Default Title","offer_id":54332540977436,"sku":"MM 42","price":219.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/mammm42.jpg?v=1784609101"},{"product_id":"warm-audio-wa12-500-mkii-b-stock","title":"Warm Audio WA12-500 MKII 500-Series Mic Preamp - B-Stock","description":"\u003csection id=\"comp-iu4l3tff\" data-responsive=\"true\"\u003e\n\u003cdiv id=\"comp-iu4l3tffinlineContent\"\u003e\n\u003cdiv id=\"comp-iu4l3tfi\" data-content-width=\"980\"\u003e\n\u003cdiv id=\"comp-iu4l3tfiinlineContent\"\u003e\n\u003cdiv id=\"comp-iu4l3th7\" data-packed=\"true\"\u003e\n\u003ch1 style=\"text-align: center;\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/wa12-500-mkii.jpg?v=1784605090\" width=\"400\"\u003e\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eRaising The Volume.\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"comp-iu4l3tfx\" style=\"text-align: center;\" data-packed=\"true\"\u003e\n\u003cp\u003eA lot of preamps on the market do a good job of raising the volume of mics and instruments. Unfortunately, many pres are doing only that, raising volume.  The “Super clean” designs of today often leave the signal exiting the preamp sounding much the same as it did entering it.\u003c\/p\u003e\n\u003cp\u003eIf you are looking for a preamp to improve and shape your signal you will most definitely love the WA12-500 MKII. The WA12-500 MKII is designed to transform plain instruments and vocals into exciting tone.  If your mixes lack depth, struggle to sound alive, or are just missing that professional touch you’ve always wanted, there is a good chance you will love the WA12-500 MKII.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"comp-iu4l3tfl\" style=\"text-align: center;\" data-height-diff=\"25\" data-width-diff=\"0\" data-presented-row=\"1\" data-state=\"notMobile desktopView hiddenChildren\"\u003e\n\u003cdiv id=\"comp-iu4l3tflitemsContainer\"\u003e\n\u003cdiv id=\"comp-iu4l3tfldataItem-ivstkrmj\" data-image-index=\"0\" data-displayer-width=\"2000\" data-displayer-height=\"516\" data-displayer-uri=\"dada90_4165dbcc5b40498997aeb18b53e469ba~mv2.jpg\" data-height-diff=\"0\" data-width-diff=\"0\" data-bottom-gap=\"0\" data-image-wrapper-right=\"0\" data-image-wrapper-left=\"0\" data-image-wrapper-top=\"0\" data-image-wrapper-bottom=\"0\" data-margin-to-container=\"0\" data-state=\"notShowPanel desktopView alignCenter unselected clipImage noTransition normal noLink\"\u003e\n\u003cdiv id=\"comp-iu4l3tfldataItem-ivstkrmjimageWrapper\"\u003e\n\u003cdiv id=\"comp-iu4l3tfldataItem-ivstkrmjzoom\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"comp-iu4l3tg9\" style=\"text-align: center;\" data-packed=\"true\"\u003e\n\u003ch3\u003ePacked With Performance.\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"comp-iu4l3thb\" style=\"text-align: center;\" data-packed=\"true\"\u003e\n\u003cp\u003eThe WA12-500 MKII is a completely discrete, high voltage, dual-transformer microphone preamplifier design with high gain (+71dB), high headroom, low noise, and an exciting sonic performance – great for all types of recording applications.  A high quality mic preamp is one of the most critical pieces needed to achieve the elusive ‘larger than life’ sound, and the WA12-500 MKII is more than capable of delivering.  \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe WA12-500 MKII is based around a discrete op-amp, the X731, which is our own reproduction of the vintage classic Melcor 1731, considered by some to be the warmer predecessor to the modern 2520-style op-amp.  The X731 can achieve vibrant, clean and lifelike tones; but can also be driven into mild saturation at much higher gain levels.  The effects can be subtle, but very pleasing to the ear.  The WA12-500 MKII can also accept any discrete op-amp on the market that conforms to the +\/-16v, 2520 pinout standard.  \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection id=\"comp-iu4l3thd\" data-responsive=\"true\"\u003e\n\u003cdiv id=\"comp-iu4l3thdinlineContent\"\u003e\n\u003cdiv id=\"comp-iu4l3thf\" data-content-width=\"980\"\u003e\n\u003cdiv id=\"comp-iu4l3thfinlineContent\"\u003e\n\u003cdiv id=\"comp-iu4l3thn\" data-packed=\"true\"\u003e\n\u003ch1 style=\"text-align: center;\"\u003eSpecifications\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"comp-iu4l3thj\" style=\"text-align: center;\" data-packed=\"true\"\u003eUtilizes premium grade input and output USA CineMag transformers.\u003cbr\u003e71db of Gain, fully discrete signal path.\u003cbr\u003eUtilizes a discrete 6-pin socketed 1731 style opamp.  Can be replaced with other 6-pin \"2520 foot-print\" opamps for varying tone\/flavor.\u003cbr\u003eTONE button – Switches the input impedance from 600 ohms to 150 ohms.  Changes the tone of both the mic and HI-Z inputs.\u003cbr\u003e2 Meg Ohm True HI-Z input on front panel. Sends instrument signal through entire circuit including both Cinemag Transformers and the discrete opamp. Great for guitars, bass, keyboards and other instruments that have a 1\/4″ output jack.\u003cbr\u003e48 volt Phantom Power.\u003cbr\u003eOutput attenuation control (after the CineMag output transformer) allows for driving the preamp and transformers into saturation.\u003cbr\u003eLED Meter gain indication.\u003cbr\u003e20db pad.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003cdiv id=\"comp-iu4l3tlk\" style=\"text-align: center;\"\u003e \u003c\/div\u003e\n\u003cdiv id=\"comp-iu4l3ti0\" style=\"text-align: center;\" data-packed=\"true\"\u003e\n\u003ch3\u003ePremium Components in every Warm Audio product.\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"comp-iu4l3ti7\" style=\"text-align: center;\" data-packed=\"true\"\u003e\n\u003cp\u003eWhen developing the WA12-500 MKII our ears played a big part in the design process.  Using CineMag USA transformers and an all discrete signal path ensured that the WA12-500 MKII would have the building blocks to compete with the best preamps on the market.  We are very proud to offer such a robust\/professional design in a small and affordable package.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"comp-iu4l3ti3\" style=\"text-align: center;\" data-height-diff=\"25\" data-width-diff=\"0\" data-presented-row=\"1\" data-should-add-min-height=\"true\" data-state=\"notMobile desktopView fullView\"\u003e\n\u003cdiv id=\"comp-iu4l3ti3itemsContainer\"\u003e\n\u003cdiv id=\"comp-iu4l3ti3dataItem-iu4l3tpo\" data-image-index=\"0\" data-displayer-width=\"400\" data-displayer-height=\"288\" data-displayer-uri=\"dada90_3d54908484d543b2b198c24b7c83bea9~mv1.png\" data-height-diff=\"0\" data-width-diff=\"0\" data-bottom-gap=\"0\" data-image-wrapper-right=\"0\" data-image-wrapper-left=\"0\" data-image-wrapper-top=\"0\" data-image-wrapper-bottom=\"0\" data-margin-to-container=\"0\" data-state=\"notShowPanel desktopView alignCenter unselected flexibleWidthFixed noTransition normal 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unselected clipImage noTransition normal noLink\"\u003e\n\u003cdiv id=\"comp-iu4l3tftdataItem-ivu8oixtimageWrapper\"\u003e\n\u003cdiv\u003e\n\u003cdiv id=\"comp-iu4l3tftdataItem-ivu8oixtimage\" data-style=\"position:relative;overflow:hidden\"\u003e\u003cimg id=\"comp-iu4l3tftdataItem-ivu8oixtimageimage\" itemprop=\"contentUrl\" alt=\"\" src=\"https:\/\/static.wixstatic.com\/media\/dada90_f0a4184163df469db5b371a472fc6d77~mv2.jpg\/v1\/fill\/w_923,h_672,al_c,q_85\/dada90_f0a4184163df469db5b371a472fc6d77~mv2.webp\" data-type=\"image\"\u003e\u003c\/div\u003e\n\u003cdiv id=\"comp-iu4l3tftdataItem-ivu8oixtzoom\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"comp-ivstz3jo\" style=\"text-align: center;\" data-packed=\"true\"\u003e\n\u003ch1\u003eHook-up Diagrams\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"comp-ivstz3jp\" style=\"text-align: center;\" data-height-diff=\"25\" data-width-diff=\"0\" data-presented-row=\"1\" data-state=\"notMobile desktopView hiddenChildren\"\u003e\n\u003cdiv id=\"comp-ivstz3jpitemsContainer\"\u003e\n\u003cdiv id=\"comp-ivstz3jpdataItem-ivsuk205\" data-image-index=\"0\" data-displayer-width=\"654\" data-displayer-height=\"884\" data-displayer-uri=\"dada90_9f57b2a80f144592b42d7e07f3614303~mv2.png\" data-height-diff=\"0\" data-width-diff=\"0\" data-bottom-gap=\"0\" data-image-wrapper-right=\"0\" data-image-wrapper-left=\"0\" data-image-wrapper-top=\"0\" data-image-wrapper-bottom=\"0\" data-margin-to-container=\"0\" data-state=\"notShowPanel desktopView alignCenter unselected flexibleWidthFixed noTransition normal noLink\"\u003e\n\u003cdiv id=\"comp-ivstz3jpdataItem-ivsuk205imageWrapper\"\u003e\n\u003cdiv\u003e\n\u003cdiv id=\"comp-ivstz3jpdataItem-ivsuk205image\" data-style=\"position:relative;overflow:hidden\"\u003e\u003cimg id=\"comp-ivstz3jpdataItem-ivsuk205imageimage\" itemprop=\"contentUrl\" alt=\"\" src=\"https:\/\/static.wixstatic.com\/media\/dada90_9f57b2a80f144592b42d7e07f3614303~mv2.png\/v1\/fill\/w_654,h_884,al_c\/dada90_9f57b2a80f144592b42d7e07f3614303~mv2.png\" data-type=\"image\"\u003e\u003c\/div\u003e\n\u003cdiv id=\"comp-ivstz3jpdataItem-ivsuk205zoom\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"comp-ivstz3jp1\" style=\"text-align: center;\" data-height-diff=\"25\" data-width-diff=\"0\" data-presented-row=\"1\" data-state=\"notMobile desktopView hiddenChildren\"\u003e\n\u003cdiv id=\"comp-ivstz3jp1itemsContainer\"\u003e\n\u003cdiv id=\"comp-ivstz3jp1dataItem-ivsukeqw\" data-image-index=\"0\" data-displayer-width=\"662\" data-displayer-height=\"826\" data-displayer-uri=\"dada90_6d26253a1e4d44fc969b82792bbf4156~mv2.png\" data-height-diff=\"0\" data-width-diff=\"0\" data-bottom-gap=\"0\" data-image-wrapper-right=\"0\" data-image-wrapper-left=\"0\" data-image-wrapper-top=\"0\" data-image-wrapper-bottom=\"0\" data-margin-to-container=\"0\" data-state=\"notShowPanel desktopView alignCenter unselected flexibleWidthFixed noTransition normal noLink\"\u003e\n\u003cdiv id=\"comp-ivstz3jp1dataItem-ivsukeqwimageWrapper\"\u003e\n\u003cdiv id=\"comp-ivstz3jp1dataItem-ivsukeqwimage\" data-style=\"position:relative;overflow:hidden\"\u003e\n\u003cimg id=\"comp-ivstz3jp1dataItem-ivsukeqwimageimage\" itemprop=\"contentUrl\" alt=\"\" src=\"https:\/\/static.wixstatic.com\/media\/dada90_6d26253a1e4d44fc969b82792bbf4156~mv2.png\/v1\/fill\/w_662,h_826,al_c\/dada90_6d26253a1e4d44fc969b82792bbf4156~mv2.png\" data-type=\"image\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv id=\"comp-ivstz3jp1showMore\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"comp-ivsu2p3f\" style=\"text-align: center;\" data-packed=\"true\"\u003e\n\u003cp\u003eIn this example, the WA12-500 MKII is being used as an electric guitar instrument DI.  The signal is then exiting the preamp and entering into the interface LINE level input.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"comp-ivsu2p3g\" style=\"text-align: center;\" data-packed=\"true\"\u003e\n\u003cp\u003eNote: It is important to use a line level input on your recording device as opposed to a microphone or instrument level input.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"comp-ivu90lgz\" style=\"text-align: center;\"\u003e \u003c\/div\u003e\n\u003csection id=\"comp-iu4l3tib\" data-responsive=\"true\"\u003e\n\u003cdiv id=\"comp-iu4l3tibbalata\" style=\"text-align: center;\" data-page-id=\"iil95\" data-enable-video=\"true\" data-bg-effect-name=\"\" data-media-type=\"\" data-media-video-type=\"\" data-render-fixed-position=\"true\" data-use-clip-path=\"\"\u003e \u003c\/div\u003e\n\u003cdiv id=\"comp-iu4l3tibinlineContent\"\u003e\n\u003cdiv id=\"comp-iu4l3tie\" data-content-width=\"980\"\u003e\n\u003cdiv id=\"comp-iu4l3tiebalata\" style=\"text-align: center;\" data-page-id=\"iil95\" data-enable-video=\"true\" data-bg-effect-name=\"\" data-media-type=\"Image\" data-media-video-type=\"\" data-render-fixed-position=\"true\" data-use-clip-path=\"\"\u003e\n\u003cdiv id=\"comp-iu4l3tiebalatabgcolor\"\u003e \u003c\/div\u003e\n\u003cdiv id=\"comp-iu4l3tiebalatamedia\" data-effect=\"none\" data-fitting=\"fill\" data-align=\"center\"\u003e\n\u003cdiv id=\"comp-iu4l3tiebalatamediacontent\" data-type=\"image\" data-style=\"\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"comp-iu4l3tieinlineContent\" style=\"text-align: center;\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":54332546580764,"sku":"wa12500bstock","price":349.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/wa12-500-mkii_1.jpg?v=1784609252"},{"product_id":"warm-audio-wa12-b-stock","title":"Warm Audio WA12 MKII Mic Preamp - B-Stock","description":"\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cstrong\u003eRaising The Volume.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eA lot of preamps on the market do a good job of raising the volume of mics and instruments.  Unfortunately, many pres are doing only that, raising volume.  The “Super clean” designs of today often leave the signal exiting the preamp sounding much the same as it did entering it.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eIf you are looking for a preamp to improve and shape your signal you will most definitely love the WA12. The WA12 is designed to transform plain instruments and vocals into exciting tone.  If your mixes lack depth, struggle to sound alive, or are just missing that professional touch you’ve always wanted, there is a good chance you will love the WA12.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003eDiscrete Microphone Preamp - Made Affordable.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eOur goal was to make a microphone preamplifier affordable for the first time, without compromising the quality and design parameters that make this type of microphone preamplifier so desirable.  \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cstrong\u003eSpecificaions\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eUtilizes premium grade input and output USA Cinemag transformers.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e71db of Gain.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTONE button – switches the input impedance from 600 ohms to 150 ohms.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eChanges the tone of both the mic and HI-Z inputs.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFully Discrete.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHigh voltage 1731 style operational amplifier.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e48 volt Phantom Power.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMic level balanced input: XLR or 1\/4″\/TRS.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eBalanced outputs: XLR and 1\/4″\/TRS.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e2 Meg Ohm True HI-Z input on front panel. Sends instrument signal through entire circuit including both Cinemag Transformers and the discrete operational amplifier. Great for guitars, bass, keyboards and other instruments that have a 1\/4″ output jack.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e20db pad.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eExternal power plug for low noise.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cstrong\u003ePremium Components in every Warm Audio product.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eWhen developing the WA12 our ears played a big part in the design process.  I encourage you to listen to the sound samples with your ears and see  what you think.  People all over the world are loving it, and we are confident you will too.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe WA12 uses custom designed CineMag input and output transformers made in the USA!  *CineMag transformers are used in high-end products like the Presonus ADL-700, A-Designs Pacifica, and Universal Audio LA-610.\u003c\/p\u003e\n\u003cp\u003e\u003cimg style=\"display: block; 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w\/out EQ), that each pay careful homage to British audio history.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eWhen we at Warm Audio decided to release the WA73-EQ it was imperative that it met vintage expectation in both design and performance.  The tone and sweet character that vintage '73-style mic preamps impart is so unique and familiar, that we had only the pure desire to release sonically accurate reproductions. After years of R\u0026amp;D, careful reverse-engineering, and countless hours of auditioning, the WA73-EQ has been born!\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe WA73-EQ is a “Desert Island” boutique preamp, but it can also be classified as a studio and live work-horse.  Classic '73-style preamps are known for being versatile tools that work with all kinds of microphones from Condenser, to Dynamic, to Ribbon.  The WA73-EQ equally shines on all types of microphones and sources including; vocals, acoustic\/electric guitars, bass, drums, percussion, orchestras, keyboards, and even as a tone shaping tool to run partial or complete mixes through.  With 80dB of gain and a fully discrete Carnhill Transformer balanced signal path, there’s no recording, mixing or engineering task that the WA73-EQ can’t handle.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cdiv id=\"comp-jbi621tp\" style=\"text-align: center;\" title=\"\" data-exact-height=\"252\" data-content-padding-horizontal=\"0\" data-content-padding-vertical=\"0\"\u003e\n\u003cdiv id=\"comp-jbi621tplink\"\u003e\n\u003cdiv id=\"comp-jbi621tpimg\" data-style=\"\"\u003e\u003cimg alt=\"\" id=\"comp-jbi621tpimgimage\" src=\"https:\/\/static.wixstatic.com\/media\/dada90_e26ca6a8b5924810a959a406cbf825f7~mv2.png\/v1\/fill\/w_772,h_504,al_c,usm_0.66_1.00_0.01\/dada90_e26ca6a8b5924810a959a406cbf825f7~mv2.png\" width=\"690\" data-type=\"image\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"comp-jbi621w9\" style=\"text-align: center;\" data-height-diff=\"25\" data-width-diff=\"0\" data-presented-row=\"1\" data-state=\"notMobile desktopView hiddenChildren\"\u003e\n\u003cdiv id=\"comp-jbi621w9itemsContainer\"\u003e\n\u003cdiv id=\"comp-jbi621w9dataItem-jbi6uwyd\" data-image-index=\"0\" data-displayer-width=\"2000\" data-displayer-height=\"672\" data-displayer-uri=\"dada90_9ee3a6ee05cb4ebd917f00c95428824f~mv2.jpg\" data-height-diff=\"0\" data-width-diff=\"0\" data-bottom-gap=\"0\" data-image-wrapper-right=\"0\" data-image-wrapper-left=\"0\" data-image-wrapper-top=\"0\" data-image-wrapper-bottom=\"0\" data-margin-to-container=\"0\" data-state=\"notShowPanel desktopView alignCenter unselected clipImage noTransition normal noLink\"\u003e\n\u003cdiv id=\"comp-jbi621w9dataItem-jbi6uwydimageWrapper\"\u003e\n\u003cdiv\u003e\n\u003cdiv id=\"comp-jbi621w9dataItem-jbi6uwydimage\" data-style=\"position:relative;overflow:hidden\"\u003e\u003cimg alt=\"\" id=\"comp-jbi621w9dataItem-jbi6uwydimageimage\" src=\"https:\/\/static.wixstatic.com\/media\/dada90_9ee3a6ee05cb4ebd917f00c95428824f~mv2.jpg\/v1\/fill\/w_1318,h_672,al_c,q_85\/dada90_9ee3a6ee05cb4ebd917f00c95428824f~mv2.webp\" width=\"690\" data-type=\"image\"\u003e\u003c\/div\u003e\n\u003cdiv id=\"comp-jbi621w9dataItem-jbi6uwydzoom\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"comp-jbi6222w\" style=\"text-align: center;\" data-packed=\"false\" data-min-height=\"413\"\u003e\n\u003ch3\u003eUK Custom Carnhill Transformers\u003c\/h3\u003e\n\u003cp\u003eEnthusiasts unequivocally get excited about the components used in classic '73-style British preamps.  The signal transformers are a common topic of conversation.  Vintage units used various versions of transformers throughout the years, but the most coveted were the earliest versions.  These are regarded as the most desirable choice due to their fluid and forgiving nature.  They saturate sweetly when pushed, and have been known to make engineers cry when they hear how beautiful their mixes sound through them! Warm Audio worked closely with Carnhill Transformers of Cambridgeshire, UK, to design faithful reproductions of these most coveted, early version transformers.  We at Warm Audio have not yet heard a modern day '73-style preamp sound as sweet and musical as does our WA73-EQ with these beautiful custom Transformers.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"comp-jbi62237\" style=\"text-align: center;\" data-packed=\"true\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eHand Wired \u0026amp; Hand Assembled\u003c\/h3\u003e\n\u003cp\u003eClassic '73-style preamps were often hand-wired and so is the WA73-EQ!  Guru’s claim that a portion of the sought after classic British tone can be attributed to the hand-wired nature of the build. The WA73-EQ is hand-wired and hand assembled, including the pcb components that are all populated by hand.\u003cimg alt=\"\" id=\"comp-jbi621u0dataItem-jbi6wgqaimageimage\" src=\"https:\/\/static.wixstatic.com\/media\/dada90_3bd6f87e657e4af09fc65b349a2b52a6~mv2.jpg\/v1\/fill\/w_1973,h_672,al_c,q_85\/dada90_3bd6f87e657e4af09fc65b349a2b52a6~mv2.webp\" width=\"690\" data-type=\"image\"\u003e \u003c\/p\u003e\n\u003ch1\u003eSpecifications\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"comp-jbi621uminlineContent\"\u003e\n\u003cdiv id=\"comp-jbi621uv\" data-content-width=\"980\"\u003e\n\u003cdiv id=\"comp-jbi621uvinlineContent\"\u003e\n\u003cdiv id=\"comp-jbi621v7\" style=\"text-align: center;\" data-packed=\"true\"\u003eSingle Channel, Class A, '73-style British Microphone Preamp with EQ\u003cbr\u003eUK made Carnhill Transformers\u003cbr\u003eUK made - Blore Edwards EQ dual-concentric switch potentiometers\u003cbr\u003eHand Wired, hand assembled\u003cbr\u003e80dB of gain - resistor stepped gain switch\u003cbr\u003eFully discrete\u003cbr\u003eTONE button - Changes input transformer impedance for varying tone\u003cbr\u003ePolarity switch\u003cbr\u003e48v phantom power\u003cbr\u003eInductor based 3 band EQ\u003cbr\u003eLow Band Boost\/Cut - 35, 60, 110, 220 Hz\u003cbr\u003eMid Band Boost\/Cut - 360, 700, 1600, 3200, 4800, 7200 Hz\u003cbr\u003eHigh Band Boost\/Cut - 10, 12, 16 kHz\u003cbr\u003eAdditional high band frequency EQ points added (compared to vintage 1073)\u003cbr\u003e4 position inductor based hipass filter - 50, 80, 160, 300 Hz\u003cbr\u003eXLR mic inputs (front \u0026amp; back)\u003cbr\u003eLine level TRS input\u003cbr\u003eTS Send\/Receive insert jacks\u003cbr\u003eXLR \u0026amp; TRS line level outputs\u003cbr\u003eDirect In, instrument input\u003cbr\u003eOutput control\u003cbr\u003eLed level indication\u003cbr\u003eFreq response 20Hz - 20kHz +\/-.5 dB\u003cbr\u003e19\" rackable\u003cbr\u003eInternal IEC 115v\/230v power inlet\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ciframe width=\"690\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/wBS9gsKMvpI\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":54332550971676,"sku":"wa73eqbstock","price":639.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/wa73-eq_2.jpg?v=1784609358"},{"product_id":"focusrite-platinum-voice-master-pro","title":"Focusrite Platinum Voice Master Pro","description":"With every project, you need to capture that perfect vocal and make the sound your own. VoiceMaster Pro represents a new generation of voice recording equipment. \u003cbr\u003e\u003cbr\u003e\u003cp\u003eMany of the elements from the award-winning VoiceMaster have been innovated upon. In addition, the unit features a whole host of new processors designed to ensure you have all you require to make the most of the artist you're recording. \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe award-winning Class A preamp captures every nuance from any source, whilst latency-free monitoring ensures direct and delay-free mix control. Tools such as the voice-optimised EQ, Vintage Harmonics and Tube Sound allow you to get creative with a touch of class, putting your own stamp on every recording. \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eAll of this, combined with the optional 24 bit, 96 kHz digital output board means that VoiceMaster Pro is the perfect interface between your microphone and your DAW or other recording media, placing the ultimate tracking solution firmly within your grasp.\u003c\/p\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":54332558082332,"sku":"Voice Master","price":649.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/focusritevoicemasterpro.jpg?v=1784609575"},{"product_id":"focusrite-isa-428-ad-card","title":"Focusrite ISA 428 AD Card","description":"\u003cp\u003eAES, (both single and dual wire specs.) SPDIF, ADAT™ formats, sample rates selectable between 44.1, 48, 88.2, 96, 176.4 and 192kHz, (ADAT is max 96kHz of course, via 2 ports,) 16, 20, and 24 bit with adaptive dithering, internal or external word clock, and 256X clock, S\/N Ratio better than 120dBfs ‘A-weighted'. Connections are via 2 x 9-pin D-type connectors and standard lightpipes, word clock is via BNC in and out.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003cb\u003eMain Features:\u003c\/b\u003e\u003c\/p\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e    \u003cli\u003eAES\/EBU and S\/PDIF outputs via dual 9 pin D-type connectors\u003c\/li\u003e\n\u003cbr\u003e    \u003cli\u003eADAT optical output\u003c\/li\u003e\n\u003cbr\u003e    \u003cli\u003eBit depths 16, 20 or 24 bit\u003c\/li\u003e\n\u003cbr\u003e    \u003cli\u003eFrequency options 44.1, 48, 88.2, 96, 176.4 and 192kHz\u003c\/li\u003e\n\u003cbr\u003e    \u003cli\u003eClock options Standard or 256x\u003c\/li\u003e\n\u003cbr\u003e    \u003cli\u003eMeter: 0dBfs = +22dBu\u003c\/li\u003e\n\u003cbr\u003e    \u003cli\u003eSNR - 120dB A-weighted\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":54332558115100,"sku":"isa428adcard","price":669.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/focusriteisa428adcard.jpg?v=1784609576"},{"product_id":"mam-mlm-62","title":"MAM MLM 62","description":"\u003cp\u003eThis 19\", 1 unit rack-mixer, the MLM 62, enables you to mix 2 microphones with 2 stereo keyboards.  Both symmetrical microphone channels have a top quality 2 channel EQ(treble\/bass) plus a separate effect channel. Both stereo line-inputs are of the same type as the line-mixer SLE 82 inputs and therefore extremely low noise.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eMLM 62 is especially useful for solo acts and PA\/club\/restaurant situations, where there is little space to mix your equipment. If your music comes from a cd player or a tape deck and you need to make an occasional announcement, the MLM 62 is just the thing.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003ezzz recording\u003c\/p\u003e","brand":"MAM Music and More","offers":[{"title":"Default Title","offer_id":54332558246172,"sku":"MLM 62","price":182.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/mammlm62.jpg?v=1784609581"},{"product_id":"focusrite-twintrak-pro-dual-channel-strip","title":"Focusrite TwinTrak Pro Dual Channel Strip","description":"\u003cp\u003eDesigned principally as an affordable, high-specification dual mono\/stereo tracking device, TT Pro (as it's affectionately known) also boasts comprehensive latency-free monitoring, unmatched digital connectivity, and all within a sturdy 2U 19\" rack-mount chassis. \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eEach channel features Focusrite's award-winning Platinum pre amp, embellished with the option of instant 'air' and variable input impedance for improved microphone performance and extended creativity. A mid-scoop EQ follows, and provides variable frequency and depth of cut for vocal problem solving and miked-up cabinet ambience\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eIn pride of place is TT Pro's powerful dual mono\/stereo optical compressor. This optical compressor features Focusrite's custom fast-acting optos, alongside side-chain inputs and the ability to operate as a true 'twinned' stereo pair. These circuit design innovations are complemented by a comprehensive set of focussed controls.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eTT Pro is the first Platinum to feature a D\/A converter as standard, alongside its optional analogue to digital converter. The D\/A converter enables the user to feed mono or stereo digital signals into TT Pro. These signals can be fed either into the stereo latency-free monitoring section, or via line inputs (post- the pre amp stage) for further processing. The signal can then return to the digital audio workstation via Focusrite's established stereo A\/D converter option. \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eTogether, these facilities make TT Pro the perfect analogue interface for any digital audio workstation, and equally the world's first 'hardware plug-in'.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cfont color=\"000080\"\u003eFeatures include:\u003c\/font\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cli\u003e2 award-winning Class A discrete transistor-based pre amps \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eDual mono\/stereo optical compressor, featuring custom fast-acting optos \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLatency free monitoring with total control over balance, effects, mix and monitor levels \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e24 bit\/192 kHz D\/A fitted as standard, for processing digital signals or feeding digital signals into the monitoring path \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eAn optional 24 bit\/96kHz A\/D. Both the A\/D and the D\/A feature wordclock (BNC) \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eInductor-induced \"Air\" opens up high frequencies like an expensive transformer-balanced pre amp \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eVariable impedance for improved microphone performance and extended creativity \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eMid scoop EQ for correcting problematic mid frequencies \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eDirect inputs on the front fascia for both instruments (Jack) and microphones (XLR) \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePost pre amp inserts and compressor side-chain inserts, for enhanced processing flexibility \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e2 ocean blue peak-reading meters, innately beautiful and ideal for catching fast transients \u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cp\u003eWith TwinTrak Pro, Focusrite's fanatical approach to quality design has given birth to twins.\u003c\/p\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":54332558278940,"sku":"twintrakpro","price":669.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/focusritetwintrakpro.jpg?v=1784609581"},{"product_id":"focusrite-voice-master-pro-pack","title":"Focusrite Voice-Master Pro Pack","description":"\u003cp\u003eThe Voice Master Pro Pack features the Focusrite VoiceMaster Pro and the Blue Bluebird Mic Kit.\u003c\/p\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":54332575416604,"sku":"VoiceMaster","price":749.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/focusritevoicematerpro.jpg?v=1784610066"},{"product_id":"focusrite-liquid-channel","title":"Focusrite Liquid Channel","description":"\u003cp\u003eThe Liquid Channel transports classic front-end processing into the digital age, removing the need for endless patching and adding fluidity and reliability to the studio environment. Quite simply, The Liquid Channel is every mic-pre and compressor combination in history, inside a single 192kHz 2U device.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eThis is achieved through a unique two-part process. Firstly, the use of dynamic convolution techniques is applied, utilising lightening fast SHARC chips applying unique level-dependant impulse responses to every sample of audio. However, whilst this is more than sufficient to identically re-synthesise a compressor’s sonic behaviour, in order to replicate precisely every subtle nuance, the pre-amplifier must physically match the way in which the classic unit interacts with a given microphone. The Liquid Channel’s solution to this problem lies in its vast analogue front-end. A pre-amp with the ability to change its impedance and vary its signal path to either transformer or electronic, perfectly replicating the interaction characteristics of the original, whilst remaining entirely transparent within the signal path.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eThe Liquid Channel can therefore replicate precisely the sound of any classic mic-pre and compressor. With entirely digital front panel controls, all parameters can be saved in one of ninety-nine User Memories, meaning that entire session set-ups can all be recalled at the touch of a button. A brand new digital EQ is also available, providing a comprehensive and truly ‘liquid’ channel strip.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eA USB connection on the rear panel links to a software application enabling the archiving of both replicas and surplus User Memories, as well as providing remote operation of the unit itself. The Liquid Channel comes complete with forty classic mic-pre’s and forty classic compressors but is infinitely expandable, since the USB port also facilitates downloads of further replicas from a dedicated website; www.ffliquid.com.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eFinally, to account for variances in amounts of second order harmonic distortion (usually perceived as warmth) from one pre-amp to the next, a dial is included to permit control over this value. This essential feature ensures hardcore vintage enthusiasts are satisfied, bringing total control over every sonic attribute.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eEssentially, The Liquid Channel provides an unlimited supply of vintage sonic performance for the price of one unit, with all the added benefits of digital processing and control.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003cb\u003eMain Features:\u003c\/b\u003e\u003c\/p\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e    \u003cli\u003e\n\u003cb\u003e40 mic pres and 40 compressors : \u003c\/b\u003e       The Liquid Channel comes loaded with forty classic mic-pre and forty classic compressor emulations, with an expanding library online.\u003c\/li\u003e\n\u003cbr\u003e    \u003cli\u003e\n\u003cb\u003eBest of both worlds : \u003c\/b\u003e       The Liquid Channel fuses cutting-edge analogue design with lightning fast SHARC DSP to deliver the finest pre-amp emulations possible.\u003c\/li\u003e\n\u003cbr\u003e    \u003cli\u003e\n\u003cb\u003eDigital Head, Analogue Heart : \u003c\/b\u003e       The Liquid Channel uses an analogue pre-amp front-end to match the input impedance and signal path of the device being emulated before applying dynamic convolution for amplification characteristics.\u003c\/li\u003e\n\u003cbr\u003e    \u003cli\u003e\n\u003cb\u003eGlobal Recall : \u003c\/b\u003e       100 Programme Memories allow you to save every parameter, whilst the file format provides easy transfer of these settings to other Liquid Channel users.\u003c\/li\u003e\n\u003cbr\u003e    \u003cli\u003e\n\u003cb\u003eRemote Control : \u003c\/b\u003e       Free software application LiquidControl™ allows comprehensive remote operation and archiving facility of emulations and programme memories.\u003c\/li\u003e\n\u003cbr\u003e    \u003cli\u003e\n\u003cb\u003e192kHz ADC\/DAC as standard : \u003c\/b\u003e       The Liquid Channel features the finest conversion paths possible, ensuring the audio is unaffected whilst dynamic convolution is applied in the digital domain.\u003c\/li\u003e\n\u003cbr\u003e    \u003cli\u003e\n\u003cb\u003eNot all vintage units are born equal : \u003c\/b\u003e       So the 'Harmonics' dial lets you account for variance in vintage originals, or use levels of 2nd, 3rd and 5th Harmonic distortion creatively.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":54332576170268,"sku":"liquidchannel","price":1999.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/focusriteliquidchannel.jpg?v=1784610088"},{"product_id":"focusrite-liquid-4pre-professional-modeling-preamp","title":"Focusrite Liquid 4Pre Professional Modeling Preamp","description":"\u003cp\u003e\u003cb\u003eMain Features:\u003c\/b\u003e\u003c\/p\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e    \u003cli\u003e\n\u003cb\u003e4 Liquid Pre-amps - 40 classic emulations\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e    Focusrite's proven Liquid technology delivers unmatched sonic pre-amp variety and quality\u003c\/li\u003e\n\u003cbr\u003e    \u003cli\u003e\n\u003cb\u003eRemote control software via ethernet\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e    Liquid 4CONTROL enables comprehensive standalone pre-amp control of multiple units, direct from your DAW\u003c\/li\u003e\n\u003cbr\u003e    \u003cli\u003e\n\u003cb\u003ePro Tools Remote control plug-in\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e    A TDM\/RTAS Liquid 4CONTROL plug-in provides remote control as an integrated part of your Pro Tools session\u003c\/li\u003e\n\u003cbr\u003e    \u003cli\u003e\n\u003cb\u003eFull recall of every parameter\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e    99 Unit setup memories provide instant back-up of all settings, including pre-amp selection and gain.\u003c\/li\u003e\n\u003cbr\u003e    \u003cli\u003e\n\u003cb\u003eAdjustable harmonic distortion\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e    Accounts for variance in vintage originals whislt providing additional variance over the sound of every pre-amp emulation.\u003c\/li\u003e\n\u003cbr\u003e    \u003cli\u003e\n\u003cb\u003eOptional Eight channel EtherSound output card\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e    Effective connectivity for large studios, post production installs and live sound engineers using EtherSound.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cp\u003eFocusrite’s new LIQUID4PRE™ four-channel microphone pre-amplifier utilizes The Liquid Channel™’s proven Liquid™ technology, marrying a hugely flexible analogue front end with cutting-edge dynamic convolution DSP to deliver the sounds of 40 vintage and classic microphone pre-amplifiers across all four channels. Augmented by fully digital controls and remote software control over Ethernet, LIQUID4PRE provides the ultimate fluid multi-channel front-end. 99 Unit Setup Memories provide full recall of every parameter across all four channels, delivering instant multiple user presets and a comprehensive backup of session settings. These memories can be managed either via the hardware, or via LIQUID4PRE’s dedicated control software, LIQUID4CONTROL™. This intuitive software application places comprehensive pre-amp control inside the DAW. Communication between LIQUID4PRE and the DAW flows via Ethernet, with LIQUID4CONTROL providing comprehensive management of multiple LIQUID4PREs. A similar Pro Tools TDM\/RTAS plug-in allows integrated remote control via Pro Tools hardware and software, including Icon systems, providing all the benefits of a Pro Tools TDM\/RTAS plug-in, such as comprehensive automation and session integration.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eThe unique ‘Harmonics’ and ‘Session Saver’ features from The Liquid Channel are also provided across all four LIQUID4PRE channels. The adjustable harmonic distortion circuit accounts for variance in the vintage originals, but can also be used creatively to vary the sound of each pre-amp. Session saver is a unique automatic gain control circuit that intelligently reduces the input level to help avoid critical overs. Each channel also features a classic Focusrite high-pass filter, phantom power and phase reverse, available directly from the front fascia independently for every channel. These controls sit alongside the four large information display screens which, as well as providing in-depth information of settings, also display huge digital VU meters, providing accurate, responsive and easy-to-read metering. A further feature essential for the LIVE sound arena is ‘Operator Lock’, which guarantees secure use in public arenas by locking the front panel controls to help avoid any unwanted alteration of pre-amps settings, including gain.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eAES and ADAT™ optical digital inputs and outputs are provided as standard to integrate with a variety of digital i\/o setups. However, an optional EtherSound eight-channel card is also available, providing effective connectivity for large studios, post production installs and live sound engineers using EtherSound. Multiple unit set-ups are easily configured for remote control via LIQUID4CONTROL utilising an Ethernet hub. With a third ‘Slave’ ADAT input, audio from two LIQUID4PREs can be routed directly to a single optional EtherSound card, or at 48kHz, all eight channels can be routed to a single ADAT light-pipe output.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eFinally, the Focusrite site is soon to feature its own dedicated online emulations library, ‘Liquid Assets’, which will continue to be updated with additional vintage emulations, available to the worldwide liquid community as free downloads.\u003c\/p\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":54332580888860,"sku":"liquid4pre","price":3699.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/focusriteliquid4pre.jpg?v=1784610230"}],"url":"https:\/\/jrrshop-3235.myshopify.com\/collections\/recording-preamps-solid-state-mic-preamps.oembed?page=2","provider":"jrrshop","version":"1.0","type":"link"}