{"title":"Converters\/Clocks","description":"","products":[{"product_id":"lynx-cbl-ain85","title":"Lynx CBL-AIN85","description":"\u003cp\u003eAnalog input cable. Male 25 pin D-sub connector (white shield) to eight female XLR connectors; 5 meters (16.4 feet) long; TASCAM wiring standard.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eCBL-AIN85 - Aurora Converters Eight-channel XLR Analog Input Cable Lynx cables are custom made to Lynx specifications using professional quality shielded cable and gold-plated connectors.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003ezzz recording\u003c\/p\u003e","brand":"Lynx","offers":[{"title":"Default Title","offer_id":54332041593116,"sku":"cblain85","price":130.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/lynxcblain85.jpg?v=1784601847"},{"product_id":"lynx-lt-hd-open-box","title":"Lynx LT-HD Aurora Interface Adapter for Pro Tools - Open Box","description":"\u003cp\u003e\u003cstrong\u003eNew open box unit in excellent condition.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe LT-HD is an L-Slot interface for the Aurora 8 and Aurora 16 A\/D D\/A converters that provides digital input and output in a format that is recognizable by Digidesign® Pro Tools | HD® systems. LT-HD equipped Auroras may be connected to HD Core or Accel Core cards with standard Digidesign cabling and can operate seamlessly with all HD-compatible versions of Pro Tools software.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eOne Primary and one Expansion DigiLink port\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eUp to 32 channels of conversion per HD Core or Accel Core card possible with two Aurora 16’s\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eSupports full channel count at sample rates up to 192 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eOffers audio signal latency identical to that of the Digidesign 192 I\/O™ for accurate delay compensation within Pro Tools - no manual delay adjustments required\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eAllows I\/O functions for parameter control to be controlled and monitored within Pro Tools\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eInterfaces with HD system using standard DigiLink cables\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eAllows daisy-chaining of multiple Aurora converters and other DigiLink devices via Expansion port\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eLynx proprietary SynchroLock™ technology can be used to reduce jitter when Aurora is a clock slave or to provide stable, low jitter clock to downstream devices\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eEasily installed into Aurora\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eAurora remote control via MIDI and IrDA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eUS Suggested Retail Price $395\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eDesigned and manufactured in the USA by Lynx Studio Technology, Inc.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e","brand":"Lynx","offers":[{"title":"Default Title","offer_id":54332041625884,"sku":"lthdopenbox","price":335.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/lynxlthd_1.jpg?v=1784601847"},{"product_id":"lynx-lt-hd","title":"Lynx LT-HD2","description":"\u003cp\u003e\u003cb\u003e\u003cfont color=\"000080\"\u003eLT-HD\u003c\/font\u003e\u003c\/b\u003e\u003cfont color=\"000080\"\u003e L SLOT EXPANSION CARD FOR AURORA CONVERTERS\u003c\/font\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eThe LT-HD is an L-Slot interface for the Aurora 8 and Aurora 16 A\/D D\/A converters that provides digital input and output in a format that is recognizable by Digidesign® Pro Tools | HD® systems. LT-HD equipped Auroras may be connected to HD Core or Accel Core cards with standard Digidesign cabling and can operate seamlessly with all HD-compatible versions of Pro Tools software.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eKEY SPECIFICATIONS AND FEATURES\u003c\/p\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e    \u003cli\u003eOne Primary and one Expansion DigiLink port\u003c\/li\u003e\n\u003cbr\u003e    \u003cli\u003eUp to 32 channels of conversion per HD Core or Accel Core card possible with two Aurora 16’s\u003c\/li\u003e\n\u003cbr\u003e    \u003cli\u003eSupports full channel count at sample rates up to 192 kHz\u003c\/li\u003e\n\u003cbr\u003e    \u003cli\u003eOffers audio signal latency identical to that of the Digidesign 192 I\/O™ for accurate delay compensation within Pro Tools - no manual delay adjustments required\u003c\/li\u003e\n\u003cbr\u003e    \u003cli\u003eAllows I\/O functions for parameter control to be controlled and monitored within Pro Tools\u003c\/li\u003e\n\u003cbr\u003e    \u003cli\u003eInterfaces with HD system using standard DigiLink cables\u003c\/li\u003e\n\u003cbr\u003e    \u003cli\u003eAllows daisy-chaining of multiple Aurora converters and other DigiLink devices via Expansion port\u003c\/li\u003e\n\u003cbr\u003e    \u003cli\u003eLynx proprietary SynchroLock™ technology can be used to reduce jitter when Aurora is a clock slave or to provide stable, low jitter clock to downstream devices\u003c\/li\u003e\n\u003cbr\u003e    \u003cli\u003eEasily installed into Aurora\u003c\/li\u003e\n\u003cbr\u003e    \u003cli\u003eAurora remote control via MIDI and IrDA\u003c\/li\u003e\n\u003cbr\u003e    \u003cli\u003eUS Suggested Retail Price $395\u003c\/li\u003e\n\u003cbr\u003e    \u003cli\u003eDesigned and manufactured in the USA by Lynx Studio Technology, Inc.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e","brand":"Lynx","offers":[{"title":"Default Title","offer_id":54332059287836,"sku":"lthd","price":360.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/lynxlthd.jpg?v=1784602108"},{"product_id":"lynx-aes16e-src","title":"Lynx AES16e-SRC","description":"\u003ch4\u003eAffordable Sample Rate Conversion in a PCIe form factor!\u003c\/h4\u003e\u003cbr\u003e\u003cp\u003eLynx Studio Technology's AES16 192 kHz Multichannel AES\/EBU Interface integrates digital consoles, multi-channel A\/D and D\/A converters, and hard disk recorders with computer-based workstations. The AES16 offers unprecedented AES\/EBU channel capacity and routing flexibility in a single PCIe card format. With support for up to 16 channels of input and output at sample rates up to 192 kHz, the AES16 turns your computer into a powerful digital router or patchbay with extensive flexibility with minimal cabling. Most importantly, the AES16 supports the emerging single-wire 192 kHz standard and is compatible with existing dual-wire AES\/EBU devices. Up to four AES16's can be installed in a single computer.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch4\u003eLynx Studio Technology's AES16 At-a-Glance:\u003c\/h4\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eSynchroLock\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eExtremely Low Latencies\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eExpandability\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSample Rate Conversion\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eOn-Board Digital Mixer\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch4\u003eSynchroLock\u003c\/h4\u003e\u003cbr\u003e\u003cp\u003eOffering a solution for jitter problems in AES signals, the AES16 incorporates a new Lynx technology called SynchroLock that provides extreme jitter tolerance at all inputs. By coupling statistical analysis with low-noise clock generation techniques, SynchroLock is able to extract a very clean clock from AES signals affected by long cable lengths and other noise sources. The clock output of SynchroLock can also be used as a very accurate word clock source for other studio devices.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\u003ch4\u003eExtremely Low Latencies\u003c\/h4\u003e\u003cbr\u003e\u003cp\u003eGlitch-free recording and playback is assured due to the AES16's large on-board buffers and extremely efficient zero-wait state DMA engine. These features provide tolerance to system latencies and significantly reduce load on the host CPU. Data transfer hardware and software are highly optimized to provide extremely low latencies for ASIO and other real-time applications.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch4\u003eExpandability\u003c\/h4\u003e\u003cbr\u003e\u003cp\u003eThe AES16 includes an LStream expansion port for increasing its I\/O capabilities. Connecting a Lynx LS-ADAT adds multi-channel ADAT lightpipe I\/O and supports format conversion between AES\/EBU and ADAT.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch4\u003eSample Rate Conversion\u003c\/h4\u003e\u003cbr\u003e\u003cp\u003eThe AES16-SRC model offers eight channels of mastering quality sample rate conversion to accommodate studios running multiple samples rates or signals not locked to \"house sync\".\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch4\u003eOn-Board Digital Mixer\u003c\/h4\u003e\u003cbr\u003e\u003cp\u003eThe on-board digital mixer offers flexible patch-bay style routing and digital mixing. Zero Latency 32-channel\/32-bit digital mixer with 16 sub outputs. Multiple dither algorithms available per channel.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch4\u003eLynx Studio Technology's AES16 Features:\u003c\/h4\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eSixteen-channel AES\/EBU Digital I\/O\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e8 Channels of sample rate conversion\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e192 kHz\/24-bit Single-wire and Dual-wire Modes\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSynchroLock Jitter Attenuation\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eWord Clock and Multi-card Synchronization\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePowerful Mixing and Routing Engine\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLow-latency Drivers for Windows and Macintosh\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e24-bit AES\/EBU format\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eNon-audio support for Dolby Digital with Dolby Digital Recorder and Version 1 Driver\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e16 I\/O in single-wire mode; 8 I\/O in dual-wire mode\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eExpansion: LStream port provides 16 channels of ADAT I\/O\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eClock source: digital inputs, internal and external clocks\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eWord Clock and multi-card synchronization\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eZero Latency 32-channel \/ 32-bit digital mixer with 16 sub outputs\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eMultiple dither algorithms per channel\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eExtremely low-jitter, tunable sample clock with SynchroLock Zero-wait state, 16-channel, scatter-gather DMA engine\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eWindows 2000\/XP: MME, ASIO 2.0, WDM, DirectSound, Direct Kernel Streaming and GSIF\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eMacintosh OSX: CoreAudio\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Lynx","offers":[{"title":"Default Title","offer_id":54332059320604,"sku":"aes16esrc","price":899.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/lynxaes16e.jpg?v=1784602110"},{"product_id":"burl-audio-b80-mothership","title":"Burl Audio B80 Mothership HD","description":"\u003ctable border=\"0\" align=\"center\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd id=\"\" lang=\"\" dir=\"\" scope=\"\" rowspan=\"1\" colspan=\"1\" align=\"\" valign=\"top\"\u003e\n\u003cspan\u003eI\u003c\/span\u003entroducing the B80 MOTHERSHIP, the multi-channel version of Burl Audio’s critically acclaimed B2 Bomber ADC and DAC. Pushing the boundaries once again, the Burl Audio B80 Mothership AD\/DA converter has up to 80 channel capability. Using a card based system, and a heavy duty 4U chassis, the B80 Mothership employs 10 card slots with 2, 4 and 8 channel AD\/DA cards, all with the B2 quality signal path.Every ADC channel has a BX1 transformer and every DAC channel has the latest Burl Audio discrete op-amp, BOPA2, technology. For many who have already embraced the B2 Bomber, this is a dream come true. Recording an entire band and playing back through 24 channels Burl at a time, is a truly beautiful experience.\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWith a completely configurable AD\/DA, a converter for any situation can be realized. If you just mix, load up the B80 with 8 BDA8 cards for 64 channels of mind blowing fidelity. If you track live, 6 BAD4 cards will give you 24 B2 quality inputs, and 4 BDA8 cards gives you 32 channels of outputs. Rocking!\u003c\/p\u003e\n\u003cp\u003eDigital interconnect is also completely configurable, and controlled by a swappable motherboard. The first offering of the B80 digital motherboard, the BMB1, comes standard with two Digi-link connectors for direct hookup to Pro Tools. Burl Audio does away with the expansion port, making both primary ports. That means you can play 64 DAC channels straight out of Pro Tools with one unit! No more cascading units with multiple word clocks. All channels can run off of one internal master clock. Good bye word clock generator! Of course if you do need more channels, multiple units run flawlessly with tight clocking.\u003c\/p\u003e\n\u003cp\u003eThe technology that makes this possible is the Burl BackBone. The Burl BackBone is a high bandwidth backplane delivering incredible digital audio throughput. The Burl BackBone also delivers large amounts of power to the analog sections. Master clock travels directly to each converter eliminating the need for individual PLLs.\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e \u003c\/td\u003e\n\u003ctd id=\"\" lang=\"\" dir=\"\" scope=\"\" align=\"\" valign=\"top\"\u003eDigital add on cards to follow will be the BMADI and BAES. Because each card slot can handle a single MADI card, an entire MADI switch matrix can be realized in one unit. Other future digital cards will include word clock distribution and time code sync for film and video.The B80 Mothership is the result of over five years of tireless research and development. The no compromise, no BS design strategy is immediately apparent in the build quality.Configuring a B80 is literally a snap. All you do is slide the card down its card guide, snap it in the Burl BackBone, turn the hand screws, and you’re there. Configuration cards currently consist of the BMB1 with Digi-link, the BAD4, 4-channel ADC card, and the BDA8, 8 channel DAC card. Cards to follow are the BMADI card and the BAES card (available 2013).There are also plans for film and broadcast grade “Black Face” cards where channel density and price per channel are of greater concern.\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003ePowering a unit like the B80 Mothership takes some juice, so we designed the BP250 to drive the 80 channels of class-A analog circuitry. With a 250 watt continuous power capability, and +\/- 24 volt rails, a multi-channel AD\/DA converter is finally getting the power it deserves.\u003c\/p\u003e\n\u003cp\u003e\u003cimg class=\"size-full wp-image-1042 aligncenter\" src=\"http:\/\/www.burlaudio.com\/wp-content\/uploads\/B80_Mothership_backangle.png\" alt=\"\" width=\"350\" height=\"187\"\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd rowspan=\"1\" colspan=\"1\"\u003e \u003c\/td\u003e\n\u003ctd rowspan=\"1\" colspan=\"1\"\u003e \u003c\/td\u003e\n\u003ctd rowspan=\"1\" colspan=\"1\"\u003e \u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable border=\"0\" align=\"center\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd colspan=\"5\"\u003e\u003cimg class=\"aligncenter  wp-image-2383\" src=\"http:\/\/www.burlaudio.com\/wp-content\/uploads\/2010\/11\/B80-Mothership-back.png\" alt=\"\" width=\"960\" height=\"437\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e \u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable border=\"0\" align=\"center\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd id=\"\" lang=\"\" dir=\"\" scope=\"\" align=\"\" valign=\"\"\u003e \u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cimg class=\"size-full wp-image-1049 aligncenter\" src=\"http:\/\/www.burlaudio.com\/wp-content\/uploads\/B80_BP250_Powersupply2.png\" alt=\"\" width=\"900\" height=\"157\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Burl Audio","offers":[{"title":"Default Title","offer_id":54332060008732,"sku":"b80mothershiphd","price":1994.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/b80_front-120305-rev-b_1_1.png?v=1784602127"},{"product_id":"burl-audio-bda8-8-channel-dac-for-b80-mothership","title":"Burl Audio BDA8 8-Channel DAC for B80 Mothership","description":"\u003cp\u003e\u003cspan\u003eThe Burl Audio BDA8 is an 8 channel DAC card for the B80 Mothership. The BAD4 utilizes the same circuit path as the B2 Bomber ADC. \u003c\/span\u003e\u003cspan style=\"font-size: 12px;\"\u003e8 channels of extremely high-quality digital-to-analog conversion for your Burl Audio B80 MoDB-25rship system. \u003c\/span\u003e\u003cspan style=\"font-size: 12px;\"\u003eIncredible D-to-A conversion and a\u003c\/span\u003e\u003cspan style=\"font-size: 12px;\"\u003eudiophile-quality analog signal path\u003c\/span\u003e\u003c\/p\u003e","brand":"Burl Audio","offers":[{"title":"Default Title","offer_id":54332060041500,"sku":"bda8","price":1709.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/bda8-large.jpg?v=1784602127"},{"product_id":"burl-audio-bad4-4-channel-adc-for-b80-mothership","title":"Burl Audio BAD4 4-Channel ADC for B80 Mothership","description":"\u003cp\u003eThe BAD4 is a 4-input A\/D converter for the B80 Mothership. It uses the SAME signal path and components as the B2 Bomber A\/D. \u003cspan\u003eThere are XLR connectors on the back of the card.\u003c\/span\u003e\u003c\/p\u003e","brand":"Burl Audio","offers":[{"title":"Default Title","offer_id":54332060139804,"sku":"bad4","price":1424.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/burl-bad4-2.jpg?v=1784602129"},{"product_id":"lynx-lt-tb-thunderbolt-expansion","title":"Lynx LT-TB3 Thunderbolt Expansion for Aurora Converters","description":"\u003cdiv dir=\"ltr\" data-font-name=\"g_font_213_0\" data-canvas-width=\"286.20799999999997\"\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eLynx Studio Technology created the LT-TB3 Thunderbolt 3 LSlot interface for its Aurora(n) and Hilo converters. The LT-TB3 is a two-port Thunderbolt 3 expansion card that supports daisy-chaining Aurora(n) and Hilo converters for up to six total certified Thunderbolt devices plus a display on both Apple and Windows computers.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003ePlease note the Aurora classic (silver) does not support the LT-TB3.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.lynxstudio.com\/go\/wp-content\/uploads\/LT-TB3-1000x667.jpg\" data-src=\"https:\/\/cdn.lynxstudio.com\/go\/wp-content\/uploads\/LT-TB3-500x333.jpg\" data-src-retina=\"https:\/\/cdn.lynxstudio.com\/go\/wp-content\/uploads\/LT-TB3-1000x667.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eThe LT-TB3 LSlot card can be installed into any existing Hilo or Aurora(n) with an easy and free firmware update. In addition, Lynx is making Thunderbolt 3 equipped Aurora(n) and Hilo models available at the same time. These models are:\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003eHilo-TB3 in Black and Silver\u003c\/li\u003e\n\u003cli\u003eAurora(n) 32-TB3\u003c\/li\u003e\n\u003cli\u003eAurora(n) 24-TB3\u003c\/li\u003e\n\u003cli\u003eAurora(n) 16-TB3\u003c\/li\u003e\n\u003cli\u003eAurora(n) 8-TB3\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eFeatures\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003cbr\u003e• Available for Aurora(n) and Hilo\u003cbr\u003e• Supports connection of up to 6 other Thunderbolt devices total plus a display\u003cbr\u003e• Compatible with Thunderbolt 1 and Thunderbolt 2 devices (with customer supplied adapter)\u003cbr\u003e• Supports up to 40Gbps data speed\u003cbr\u003e• Integrates seamlessly with Aurora(n) and Hilo\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe LT-TB3 is the latest in a series of LSlot connectivity cards available for the acclaimed Aurora(n) and Hilo A\/D and D\/A converter interfaces. The LT-TB3 allows the Aurora(n) and Hilo to have direct connectivity to Thunderbolt 3TM equipped devices without the need of Thunderbolt adapters. Other LSlot modules available include Dante, USB and ProTools|HD versions. Lynx’s continual LSlot module development ensures the Aurora(n) and Hilo will continue to be compatible with the future high performance connectivity standards for both PC and Mac.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e“From its inception, the upgradeable LSlot feature was designed for both the Aurora and Hilo so that owners would not need to replace their entire interface each time a new or improved connection standard hits the market. It can be quite expensive and disconcerting for the customer. Regularly delivering new modules as well as firmware updates allows us to keep up with market demands for features and capabilities.” Stated Bob Bauman, Co-Owner and Chief Hardware Engineer. “We could simply release new interface models with added capabilities every six months, or continue to add value with our current platform. We believe our customers would rather just download a free firmware update or easily add a new module to get a slew of new features and capabilities than entirely replace their interfaces.”\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e“Thunderbolt 3 can support up to a 40Gbps bi-directional data rate and was primarily designed to handle the bandwidth demands of 4K video.” explained Lynx Co-Founder and Chief Software Engineer David Hoatson. “Even with Thunderbolt 1 there was plenty of extra bandwidth for the demands of multiple channels of audio even at the highest sample rates. With Thunderbolt 3 there’s even less strain on the data flow and much more bandwidth than we would ever need for multi-channel audio. And with the new Thunderbolt 3 computing devices our customers won’t need any Thunderbolt adapters.”\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Lynx","offers":[{"title":"Default Title","offer_id":54332073181468,"sku":"lttbthunderboltexpansion","price":900.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/lynxlttb3.jpg?v=1784602356"},{"product_id":"lynx-cbl-aes1604","title":"Lynx CBL-AES1604","description":"\u003cp\u003e26-pin high-density male D-sub to four female XLR’s (AES inputs), four male XLR’s (AES outputs), and two female BNC’s (word clock I\/O). Six-foot, 110-ohm shielded twisted pair cabling.\u003c\/p\u003e","brand":"Lynx","offers":[{"title":"Default Title","offer_id":54332075278620,"sku":"cblaes1604","price":130.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/lynxaes1604.jpg?v=1784602398"},{"product_id":"focusrite-isa-220-session-pack-ad-card","title":"Focusrite ISA 220 Session Pack AD Card","description":"\u003cp\u003eWith the addition of the Stereo A\/D card, the ISA 220 can be used as a high quality mono\/stereo tracking converter or at mix down as a stereo converter channel for final mastering.\u003c\/p\u003e\n\u003cp\u003eAt the heart of the Stereo A\/D card is a high quality 24-bit 96KHz Delta Sigma converter running at 128KHz over-sampling for maximum conversion performance. Focusrite proprietary designs are used for all internal clocking and phase lock loop circuits to guarantee the absolute minimum jitter possible, whether free running or locked to wordclock or ProTools Superclock. When recording to non-24 bit destinations 16 and 20 bit dithering can be selected to ensure the highest quality digital conversion for any format.\u003c\/p\u003e\n\u003cp\u003eThe ISAs have two separate channels available for conversion named the INT and EXT with both fed to the A\/D inputs, via the Spectral limiter and high resolution LED meter, giving a clean, protected, high quality path to digital.\u003c\/p\u003e\n\u003cp\u003eINT (Internal Signal)\u003c\/p\u003e\n\u003cp\u003eThe internal input to the A\/D is normally connected to the internal module channel signal passing through the EQ and Dynamics. However, this point can be broken by the rear INT A\/D Direct jack and allows a signal to be directly connected to the A\/D input (bypassing the internal processing).\u003c\/p\u003e\n\u003cp\u003eEXT (External Input)\u003cbr\u003e\u003cbr\u003eThe external input (XLR on the rear panel) gives the user access to the second channel of conversion on the A\/D card for Stereo recording or for combining signals in Sum mode.\u003c\/p\u003e\n\u003cp\u003eClock Select\u003cbr\u003e\u003cbr\u003eSelectable between 44.1kHz, 48kHz, 88.2kHz and 96kHz.\u003c\/p\u003e\n\u003cp\u003eBit Rate Select\u003cbr\u003e\u003cbr\u003eSelectable between 24, 20 and 16 bits.\u003c\/p\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":54332091007260,"sku":"isa220adcard","price":619.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/focusriteisa2channeladcard.jpg?v=1784602599"},{"product_id":"lynx-cbl-aout85","title":"Lynx CBL-AOUT85","description":"\u003cp\u003eAnalog output cable. Male 25 pin D-sub connector (black shield) to eight male XLR connectors; 5 meters (16.4 feet) long; TASCAM wiring standard.\u003c\/p\u003e\n\u003cp\u003eLynx cables are custom made to Lynx specifications using professional quality shielded cable and gold-plated connectors.\u003c\/p\u003e","brand":"Lynx","offers":[{"title":"Default Title","offer_id":54332121252124,"sku":"cblaout85","price":130.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/cblaout85.jpg?v=1784602956"},{"product_id":"focusrite-clarett-8pre","title":"Focusrite Clarett 8Pre Thunderbolt Interface","description":"\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cstrong\u003eDownload\u003c\/strong\u003e\u003c\/span\u003e the Softube Time and Tone Pack for free from their download area on focusrite.com; valid with all registered purchases of Focusrite Scarlett, Saffire, and Clarett \u003cspan style=\"font-family: Calibri, sans-serif;\"\u003eI\u003c\/span\u003enterfaces that were made on or after September 1st, 2015\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cstrong\u003eSoftube\u003c\/strong\u003e\u003c\/span\u003e Time and Tone Pack is a unique plug-in bundle (valued at $198), which includes three of Softube’s\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003eworld class plug-ins: a reverb, a delay and a distortion:\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003e\u003cb\u003eTSAR-1R: \u003c\/b\u003eAdd space, depth and width to your sound—TSAR-1R is a reverb plug-in with world class sound\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003eand extreme ease of use. With a single slider, you can take TSAR-1R from realistic and three-dimensional\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003erooms to dramatic and dreamlike halls. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003e\u003cb\u003eTube Delay:\u003c\/b\u003e A tasty echo effect that can go from clean to rude by overdriving its three modeled tube stages.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003eCreate anything from realistic room echoes to rockabilly style slapbacks—or take it all the way into dub\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003ereggae echo madness.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003e\u003cb\u003eSaturation Knob:\u003c\/b\u003e Add grit and warmth to any sound source with this modeled output distortion unit. Use\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003eit to fatten up bass lines, add some harmonics and shimmer to vocals, or simply destroy your drum loop.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003eSimply turn up the knob to add saturation, and use the three-position switch to alter the distortion character.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\u003csection id=\"overview\" class=\"section\" title=\"Overview\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"sub-row\"\u003e\n\u003cdiv class=\"col-3\"\u003e\n\u003ch1\u003eClarett Range\u003c\/h1\u003e\n\u003ch2\u003eMeet the Focusrite Clarett range; the best-sounding, fastest Thunderbolt interfaces.\u003c\/h2\u003e\n\u003cp\u003eCombining our passion for sound quality with the very latest in Thunderbolt technology, the Clarett range features brand new transformer-modeled preamps, crystal clear conversion, and interface latency so negligible that you can monitor and track within your software without any noticeable delay.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eQuite simply, they set a whole new standard for your recording studio.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"full-width png full-width png tuck-bottom\" data-media_nid=\"21193\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\n\u003cdiv class=\"cta_images_wrapper intrinsic_ratio_wrapper\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection id=\"tech-spec\" class=\"tuck-top no-overflow units section alt-color\" title=\"Tech Spec\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"sub-row\"\u003e\n\u003cdiv class=\"col-3\"\u003e\n\u003ch2\u003eFocusrite Clarett Range at a Glance\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eNew Clarett preamps model the classic ISA design\u003c\/li\u003e\n\u003cli\u003eMic Pre EIN = -128dB\u003c\/li\u003e\n\u003cli\u003eWorld class dynamic range: 116dB A\/D and 118dB D\/A\u003c\/li\u003e\n\u003cli\u003eLatest Thunderbolt technology ensures interface latency of under 1ms\u003c\/li\u003e\n\u003cli\u003e24-bit, 192 kHz sample rates\u003c\/li\u003e\n\u003cli\u003eFlagship Clarett 8Pre X designed for permanent professional studio install\u003c\/li\u003e\n\u003cli\u003eNew 64-bit AAX, AU and VST compatible Red 2 and Red 3 Plug-in Suite\u003c\/li\u003e\n\u003cli\u003eDetailed metering\u003c\/li\u003e\n\u003cli\u003eAll expandable over ADAT\u003c\/li\u003e\n\u003cli\u003eIncludes MIDI i\/o\u003c\/li\u003e\n\u003cli\u003eMac and PC Compatible (Thunderbolt port required)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection id=\"clarett-2pre\" class=\"blue units section\" title=\"Clarett 2Pre\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"sub-row\"\u003e\n\u003cdiv class=\"col-3\"\u003e\n\u003cdiv class=\"png png\" data-media_nid=\"21193\" data-shortcode=\"img-original\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection id=\"clarett-4pre\" class=\"blue units section alt-color\" title=\"Clarett 4Pre\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"sub-row\"\u003e\n\u003cdiv class=\"col-3\"\u003e\n\u003ch3\u003e\u003ca class=\"clarett-button\" href=\"http:\/\/us.focusrite.com\/clarett\/notify?4pre=true\" target=\"_blank\"\u003e\u003cimg style=\"color: #2f2f2f; font-size: 12px;\" alt=\"Clarett 8Pre\" src=\"\/\/d3se566zfvnmhf.cloudfront.net\/sites\/default\/files\/8Pre_Logo.png\" height=\"30\" width=\"211\"\u003e\u003c\/a\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection id=\"clarett-8pre\" class=\"blue units section\" title=\"Clarett 8Pre\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"sub-row\"\u003e\n\u003cdiv class=\"col-3\"\u003e\n\u003cul\u003e\n\u003cli\u003e18 in \/ 20 out\u003c\/li\u003e\n\u003cli\u003eIndependent word clock output on BNC\u003c\/li\u003e\n\u003cli\u003eDetailed hardware metering for inputs and main monitor outputs\u003c\/li\u003e\n\u003cli\u003eA wealth of connectivity in a 1U rack space\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection id=\"clarett-8prex\" class=\"blue units section alt-color\" title=\"Clarett 8PreX\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"sub-row\"\u003e\n\u003cdiv class=\"col-3\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection id=\"preamps\" class=\"section\" title=\"Preamps\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"sub-row\"\u003e\n\u003cdiv class=\"col-3\"\u003e\n\u003ch2\u003eModern Preamps with Classic Heritage\u003c\/h2\u003e\n\u003cp\u003eThe brand new Clarett preamps models the impedance and transformer resonance of our iconic Focusrite ISAs. This gives you the same exceptional clarity and signature sound at the touch of a button. In addition, new custom potentiometers deliver superior linear gain.\u003c\/p\u003e\n\u003cdiv class=\"full-width png full-width png tuck-bottom\" data-media_nid=\"21193\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\n\u003cdiv class=\"cta_images_wrapper intrinsic_ratio_wrapper\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection id=\"Conversion\" class=\"tuck-top section alt-color\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"sub-row\"\u003e\n\u003cdiv class=\"col-1\"\u003e\n\u003ch2\u003eConversion\u003c\/h2\u003e\n\u003cp\u003eEvery Clarett interface boasts the same unrivaled dynamic range and crystal clear conversion, to capture every nuance of your sound.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":54332129837340,"sku":"clarett8pre","price":799.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/clarett_range_landing_img2c_1.jpg?v=1784603122"},{"product_id":"focusrite-clarett-2pre","title":"Focusrite Clarett 2Pre Thunderbolt Interface","description":"\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cstrong\u003eDownload\u003c\/strong\u003e\u003c\/span\u003e the Softube Time and Tone Pack for free from their download area on focusrite.com; valid with all registered purchases of Focusrite Scarlett, Saffire, and Clarett \u003cspan style=\"font-family: Calibri, sans-serif;\"\u003eI\u003c\/span\u003enterfaces that were made on or after September 1st, 2015\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cstrong\u003eSoftube\u003c\/strong\u003e\u003c\/span\u003e Time and Tone Pack is a unique plug-in bundle (valued at $198), which includes three of Softube’s\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003eworld class plug-ins: a reverb, a delay and a distortion:\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003e\u003cb\u003eTSAR-1R: \u003c\/b\u003eAdd space, depth and width to your sound—TSAR-1R is a reverb plug-in with world class sound\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003eand extreme ease of use. With a single slider, you can take TSAR-1R from realistic and three-dimensional\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003erooms to dramatic and dreamlike halls. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003e\u003cb\u003eTube Delay:\u003c\/b\u003e A tasty echo effect that can go from clean to rude by overdriving its three modeled tube stages.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003eCreate anything from realistic room echoes to rockabilly style slapbacks—or take it all the way into dub\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003ereggae echo madness.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003e\u003cb\u003eSaturation Knob:\u003c\/b\u003e Add grit and warmth to any sound source with this modeled output distortion unit. Use\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003eit to fatten up bass lines, add some harmonics and shimmer to vocals, or simply destroy your drum loop.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003eSimply turn up the knob to add saturation, and use the three-position switch to alter the distortion character.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\u003csection id=\"overview\" class=\"section\" title=\"Overview\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"sub-row\"\u003e\n\u003cdiv class=\"col-3\"\u003e\n\u003ch1\u003eClarett Range\u003c\/h1\u003e\n\u003ch2\u003eMeet the Focusrite Clarett range; the best-sounding, fastest Thunderbolt interfaces.\u003c\/h2\u003e\n\u003cp\u003eCombining our passion for sound quality with the very latest in Thunderbolt technology, the Clarett range features brand new transformer-modeled preamps, crystal clear conversion, and interface latency so negligible that you can monitor and track within your software without any noticeable delay.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eQuite simply, they set a whole new standard for your recording studio.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"full-width png full-width png tuck-bottom\" data-media_nid=\"21193\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\n\u003cdiv class=\"cta_images_wrapper intrinsic_ratio_wrapper\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection id=\"tech-spec\" class=\"tuck-top no-overflow units section alt-color\" title=\"Tech Spec\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"sub-row\"\u003e\n\u003cdiv class=\"col-3\"\u003e\n\u003ch2\u003eFocusrite Clarett Range at a Glance\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eNew Clarett preamps model the classic ISA design\u003c\/li\u003e\n\u003cli\u003eMic Pre EIN = -128dB\u003c\/li\u003e\n\u003cli\u003eWorld class dynamic range: 116dB A\/D and 118dB D\/A\u003c\/li\u003e\n\u003cli\u003eLatest Thunderbolt technology ensures interface latency of under 1ms\u003c\/li\u003e\n\u003cli\u003e24-bit, 192 kHz sample rates\u003c\/li\u003e\n\u003cli\u003eFlagship Clarett 8Pre X designed for permanent professional studio install\u003c\/li\u003e\n\u003cli\u003eNew 64-bit AAX, AU and VST compatible Red 2 and Red 3 Plug-in Suite\u003c\/li\u003e\n\u003cli\u003eDetailed metering\u003c\/li\u003e\n\u003cli\u003eAll expandable over ADAT\u003c\/li\u003e\n\u003cli\u003eIncludes MIDI i\/o\u003c\/li\u003e\n\u003cli\u003eMac and PC Compatible (Thunderbolt port required)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection id=\"clarett-2pre\" class=\"blue units section\" title=\"Clarett 2Pre\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"sub-row\"\u003e\n\u003cdiv class=\"col-3\"\u003e\n\u003cdiv class=\"png png\" data-media_nid=\"21193\" data-shortcode=\"img-original\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"png png\" data-media_nid=\"21193\" data-shortcode=\"img-original\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\u003cimg alt=\"Clarett 2Pre\" src=\"\/\/d3se566zfvnmhf.cloudfront.net\/sites\/default\/files\/2Pre_Logo.png\" height=\"29\" width=\"211\"\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e10 in \/ 4 out\u003c\/li\u003e\n\u003cli\u003eSingle independent headphone output\u003c\/li\u003e\n\u003cli\u003eExpandable via ADAT input\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection id=\"clarett-8prex\" class=\"blue units section alt-color\" title=\"Clarett 8PreX\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"sub-row\"\u003e\n\u003cdiv class=\"col-3\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection id=\"preamps\" class=\"section\" title=\"Preamps\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"sub-row\"\u003e\n\u003cdiv class=\"col-3\"\u003e\n\u003ch2\u003eModern Preamps with Classic Heritage\u003c\/h2\u003e\n\u003cp\u003eThe brand new Clarett preamps models the impedance and transformer resonance of our iconic Focusrite ISAs. This gives you the same exceptional clarity and signature sound at the touch of a button. In addition, new custom potentiometers deliver superior linear gain.\u003c\/p\u003e\n\u003cdiv class=\"full-width png full-width png tuck-bottom\" data-media_nid=\"21193\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\n\u003cdiv class=\"cta_images_wrapper intrinsic_ratio_wrapper\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection id=\"Conversion\" class=\"tuck-top section alt-color\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"sub-row\"\u003e\n\u003cdiv class=\"col-1\"\u003e\n\u003ch2\u003eConversion\u003c\/h2\u003e\n\u003cp\u003eEvery Clarett interface boasts the same unrivaled dynamic range and crystal clear conversion, to capture every nuance of your sound.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":54332129870108,"sku":"clarett2pre","price":399.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/clarett_range_landing_img2a_1_2.jpg?v=1784603122"},{"product_id":"focusrite-clarett-4pre","title":"Focusrite Clarett 4Pre Thunderbolt Interface","description":"\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cstrong\u003eDownload\u003c\/strong\u003e\u003c\/span\u003e the Softube Time and Tone Pack for free from their download area on focusrite.com; valid with all registered purchases of Focusrite Scarlett, Saffire, and Clarett \u003cspan style=\"font-family: Calibri, sans-serif;\"\u003eI\u003c\/span\u003enterfaces that were made on or after September 1st, 2015\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cstrong\u003eSoftube\u003c\/strong\u003e\u003c\/span\u003e Time and Tone Pack is a unique plug-in bundle (valued at $198), which includes three of Softube’s\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003eworld class plug-ins: a reverb, a delay and a distortion:\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003e\u003cb\u003eTSAR-1R: \u003c\/b\u003eAdd space, depth and width to your sound—TSAR-1R is a reverb plug-in with world class sound\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003eand extreme ease of use. With a single slider, you can take TSAR-1R from realistic and three-dimensional\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003erooms to dramatic and dreamlike halls. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003e\u003cb\u003eTube Delay:\u003c\/b\u003e A tasty echo effect that can go from clean to rude by overdriving its three modeled tube stages.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003eCreate anything from realistic room echoes to rockabilly style slapbacks—or take it all the way into dub\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003ereggae echo madness.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003e\u003cb\u003eSaturation Knob:\u003c\/b\u003e Add grit and warmth to any sound source with this modeled output distortion unit. Use\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003eit to fatten up bass lines, add some harmonics and shimmer to vocals, or simply destroy your drum loop.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003eSimply turn up the knob to add saturation, and use the three-position switch to alter the distortion character.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\u003csection id=\"overview\" class=\"section\" title=\"Overview\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"sub-row\"\u003e\n\u003cdiv class=\"col-3\"\u003e\n\u003ch1\u003eClarett Range\u003c\/h1\u003e\n\u003ch2\u003eMeet the Focusrite Clarett range; the best-sounding, fastest Thunderbolt interfaces.\u003c\/h2\u003e\n\u003cp\u003eCombining our passion for sound quality with the very latest in Thunderbolt technology, the Clarett range features brand new transformer-modeled preamps, crystal clear conversion, and interface latency so negligible that you can monitor and track within your software without any noticeable delay.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eQuite simply, they set a whole new standard for your recording studio.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"full-width png full-width png tuck-bottom\" data-media_nid=\"21193\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\n\u003cdiv class=\"cta_images_wrapper intrinsic_ratio_wrapper\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection id=\"tech-spec\" class=\"tuck-top no-overflow units section alt-color\" title=\"Tech Spec\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"sub-row\"\u003e\n\u003cdiv class=\"col-3\"\u003e\n\u003ch2\u003eFocusrite Clarett Range at a Glance\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eNew Clarett preamps model the classic ISA design\u003c\/li\u003e\n\u003cli\u003eMic Pre EIN = -128dB\u003c\/li\u003e\n\u003cli\u003eWorld class dynamic range: 116dB A\/D and 118dB D\/A\u003c\/li\u003e\n\u003cli\u003eLatest Thunderbolt technology ensures interface latency of under 1ms\u003c\/li\u003e\n\u003cli\u003e24-bit, 192 kHz sample rates\u003c\/li\u003e\n\u003cli\u003eFlagship Clarett 8Pre X designed for permanent professional studio install\u003c\/li\u003e\n\u003cli\u003eNew 64-bit AAX, AU and VST compatible Red 2 and Red 3 Plug-in Suite\u003c\/li\u003e\n\u003cli\u003eDetailed metering\u003c\/li\u003e\n\u003cli\u003eAll expandable over ADAT\u003c\/li\u003e\n\u003cli\u003eIncludes MIDI i\/o\u003c\/li\u003e\n\u003cli\u003eMac and PC Compatible (Thunderbolt port required)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection id=\"clarett-2pre\" class=\"blue units section\" title=\"Clarett 2Pre\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"sub-row\"\u003e\n\u003cdiv class=\"col-3\"\u003e\n\u003cdiv class=\"png png\" data-media_nid=\"21193\" data-shortcode=\"img-original\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"full-width png full-width png\" data-media_nid=\"21193\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\n\u003cdiv class=\"cta_images_wrapper intrinsic_ratio_wrapper\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"cta_images_wrapper intrinsic_ratio_wrapper\"\u003e\u003ca class=\"clarett-button\" style=\"font-size: 1.17em;\" href=\"http:\/\/us.focusrite.com\/clarett\/notify?2pre=true\" target=\"_blank\"\u003e\u003cimg style=\"color: #2f2f2f; font-size: 12px;\" alt=\"Clarett 4Pre\" src=\"\/\/d3se566zfvnmhf.cloudfront.net\/sites\/default\/files\/4Pre_Logo.png\" height=\"29\" width=\"210\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection id=\"clarett-4pre\" class=\"blue units section alt-color\" title=\"Clarett 4Pre\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"sub-row\"\u003e\n\u003cdiv class=\"col-3\"\u003e\n\u003cul\u003e\n\u003cli\u003e18 in \/ 8 out\u003c\/li\u003e\n\u003cli\u003e4 Independent line outputs\u003c\/li\u003e\n\u003cli\u003e2 headphone outputs\u003c\/li\u003e\n\u003cli\u003eSPDIF i\/o\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection id=\"clarett-8prex\" class=\"blue units section alt-color\" title=\"Clarett 8PreX\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"sub-row\"\u003e\n\u003cdiv class=\"col-3\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection id=\"preamps\" class=\"section\" title=\"Preamps\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"sub-row\"\u003e\n\u003cdiv class=\"col-3\"\u003e\n\u003ch2\u003eModern Preamps with Classic Heritage\u003c\/h2\u003e\n\u003cp\u003eThe brand new Clarett preamps models the impedance and transformer resonance of our iconic Focusrite ISAs. This gives you the same exceptional clarity and signature sound at the touch of a button. In addition, new custom potentiometers deliver superior linear gain.\u003c\/p\u003e\n\u003cdiv class=\"full-width png full-width png tuck-bottom\" data-media_nid=\"21193\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\n\u003cdiv class=\"cta_images_wrapper intrinsic_ratio_wrapper\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection id=\"Conversion\" class=\"tuck-top section alt-color\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"sub-row\"\u003e\n\u003cdiv class=\"col-1\"\u003e\n\u003ch2\u003eConversion\u003c\/h2\u003e\n\u003cp\u003eEvery Clarett interface boasts the same unrivaled dynamic range and crystal clear conversion, to capture every nuance of your sound.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":54332129902876,"sku":"clarett4pre","price":599.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/clarett_range_landing_img2b_1_3.jpg?v=1784603122"},{"product_id":"focusrite-clarett-8pre-x","title":"Focusrite Clarett 8Pre X Thunderbolt Interface","description":"\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cstrong\u003eDownload\u003c\/strong\u003e\u003c\/span\u003e the Softube Time and Tone Pack for free from their download area on focusrite.com; valid with all registered purchases of Focusrite Scarlett, Saffire, and Clarett \u003cspan style=\"font-family: Calibri, sans-serif;\"\u003eI\u003c\/span\u003enterfaces that were made on or after September 1st, 2015\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cstrong\u003eSoftube\u003c\/strong\u003e\u003c\/span\u003e Time and Tone Pack is a unique plug-in bundle (valued at $198), which includes three of Softube’s\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003eworld class plug-ins: a reverb, a delay and a distortion:\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003e\u003cb\u003eTSAR-1R: \u003c\/b\u003eAdd space, depth and width to your sound—TSAR-1R is a reverb plug-in with world class sound\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003eand extreme ease of use. With a single slider, you can take TSAR-1R from realistic and three-dimensional\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003erooms to dramatic and dreamlike halls. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003e\u003cb\u003eTube Delay:\u003c\/b\u003e A tasty echo effect that can go from clean to rude by overdriving its three modeled tube stages.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003eCreate anything from realistic room echoes to rockabilly style slapbacks—or take it all the way into dub\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003ereggae echo madness.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003e\u003cb\u003eSaturation Knob:\u003c\/b\u003e Add grit and warmth to any sound source with this modeled output distortion unit. Use\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003eit to fatten up bass lines, add some harmonics and shimmer to vocals, or simply destroy your drum loop.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003eSimply turn up the knob to add saturation, and use the three-position switch to alter the distortion character.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003csection id=\"overview\" class=\"section\" title=\"Overview\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"sub-row\"\u003e\n\u003cdiv class=\"col-3\"\u003e\n\u003ch1\u003eClarett Range\u003c\/h1\u003e\n\u003ch2\u003eMeet the Focusrite Clarett range; the best-sounding, fastest Thunderbolt interfaces.\u003c\/h2\u003e\n\u003cp\u003eCombining our passion for sound quality with the very latest in Thunderbolt technology, the Clarett range features brand new transformer-modeled preamps, crystal clear conversion, and interface latency so negligible that you can monitor and track within your software without any noticeable delay.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eQuite simply, they set a whole new standard for your recording studio.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"full-width png full-width png tuck-bottom\" data-media_nid=\"21193\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\n\u003cdiv class=\"cta_images_wrapper intrinsic_ratio_wrapper\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection id=\"tech-spec\" class=\"tuck-top no-overflow units section alt-color\" title=\"Tech Spec\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"sub-row\"\u003e\n\u003cdiv class=\"col-3\"\u003e\n\u003ch2\u003eFocusrite Clarett Range at a Glance\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eNew Clarett preamps model the classic ISA design\u003c\/li\u003e\n\u003cli\u003eMic Pre EIN = -128dB\u003c\/li\u003e\n\u003cli\u003eWorld class dynamic range: 116dB A\/D and 118dB D\/A\u003c\/li\u003e\n\u003cli\u003eLatest Thunderbolt technology ensures interface latency of under 1ms\u003c\/li\u003e\n\u003cli\u003e24-bit, 192 kHz sample rates\u003c\/li\u003e\n\u003cli\u003eFlagship Clarett 8Pre X designed for permanent professional studio install\u003c\/li\u003e\n\u003cli\u003eNew 64-bit AAX, AU and VST compatible Red 2 and Red 3 Plug-in Suite\u003c\/li\u003e\n\u003cli\u003eDetailed metering\u003c\/li\u003e\n\u003cli\u003eAll expandable over ADAT\u003c\/li\u003e\n\u003cli\u003eIncludes MIDI i\/o\u003c\/li\u003e\n\u003cli\u003eMac and PC Compatible (Thunderbolt port required)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection id=\"clarett-2pre\" class=\"blue units section\" title=\"Clarett 2Pre\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"sub-row\"\u003e\n\u003cdiv class=\"col-3\"\u003e\n\u003cdiv class=\"png png\" data-media_nid=\"21193\" data-shortcode=\"img-original\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"png png\" data-media_nid=\"21193\" data-shortcode=\"img-original\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection id=\"clarett-8prex\" class=\"blue units section alt-color\" title=\"Clarett 8PreX\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"sub-row\"\u003e\n\u003cdiv class=\"col-3\"\u003e\n\u003cdiv class=\"png png\" data-media_nid=\"21193\" data-shortcode=\"img-original\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\u003cimg alt=\"Clarett 8PreX\" src=\"\/\/d3se566zfvnmhf.cloudfront.net\/sites\/default\/files\/8PreX_Logo.png\" height=\"30\" width=\"233\"\u003e\u003c\/div\u003e\n\u003cp\u003eThe flagship 26 in \/ 28 out interface has been designed with the permanent racked studio install in mind, featuring extended ADAT i\/o, and separate rear panel inputs for mic and line, as well as dedicated phantom power, phase reverse and high pass filters on every channel.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection id=\"preamps\" class=\"section\" title=\"Preamps\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"sub-row\"\u003e\n\u003cdiv class=\"col-3\"\u003e\n\u003ch2\u003eModern Preamps with Classic Heritage\u003c\/h2\u003e\n\u003cp\u003eThe brand new Clarett preamps models the impedance and transformer resonance of our iconic Focusrite ISAs. This gives you the same exceptional clarity and signature sound at the touch of a button. In addition, new custom potentiometers deliver superior linear gain.\u003c\/p\u003e\n\u003cdiv class=\"full-width png full-width png tuck-bottom\" data-media_nid=\"21193\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\n\u003cdiv class=\"cta_images_wrapper intrinsic_ratio_wrapper\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection id=\"Conversion\" class=\"tuck-top section alt-color\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"sub-row\"\u003e\n\u003cdiv class=\"col-1\"\u003e\n\u003ch2\u003eConversion\u003c\/h2\u003e\n\u003cp\u003eEvery Clarett interface boasts the same unrivaled dynamic range and crystal clear conversion, to capture every nuance of your sound.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":54332129935644,"sku":"clarett8prex","price":999.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/clarett_range_landing_img2d_1_4.jpg?v=1784603123"},{"product_id":"focusrite-isa-one","title":"Focusrite ISA One","description":"\u003cheader id=\"section-header\" class=\"section section-header\"\u003e\n\u003cdiv id=\"zone-user-wrapper\" class=\"zone-wrapper zone-user-wrapper clearfix\"\u003e\n\u003cdiv id=\"zone-user\" class=\"zone zone-user clearfix container-12\"\u003e\n\u003cdiv id=\"region-user-second\" class=\"grid-8 region region-user-second\"\u003e\n\u003cdiv class=\"region-inner region-user-second-inner\"\u003e\n\u003cdiv id=\"block-focusrite-search-global-search\" class=\"block block-focusrite-search block-global-search block-focusrite-search-global-search odd block-without-title\"\u003e\n\u003cdiv class=\"block-inner clearfix\"\u003e\n\u003cdiv class=\"content clearfix\"\u003e\u003cform id=\"search-api-search-form-global-search\" class=\"compact-form\" accept-charset=\"UTF-8\" method=\"post\"\u003e\n\u003cdiv class=\"form-item form-type-textfield form-item-keys-global-search\"\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-size: xx-large;\"\u003eISA One\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/form\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/header\u003e\n\u003csection id=\"section-content\" class=\"section section-content\"\u003e\n\u003cdiv id=\"zone-content-wrapper\" class=\"zone-wrapper zone-content-wrapper clearfix\"\u003e\n\u003cdiv id=\"zone-content\" class=\"zone zone-content clearfix container-12\"\u003e\n\u003cdiv id=\"region-content\" class=\"grid-9 region region-content\"\u003e\n\u003cdiv class=\"region-inner region-content-inner\"\u003e\n\u003cdiv id=\"block-system-main\" class=\"block block-system block-main block-system-main odd block-without-title\"\u003e\n\u003cdiv class=\"block-inner clearfix\"\u003e\n\u003cdiv class=\"content clearfix\"\u003e\n\u003carticle id=\"node-product-5334\" class=\"node node-product node-published node-not-promoted node-not-sticky author-martin odd clearfix\"\u003e\n\u003cdiv class=\"content clearfix\"\u003e\n\u003cdiv class=\"field field-name-body field-type-text-with-summary field-label-hidden clearfix\"\u003e\n\u003cdiv class=\"field-items\"\u003e\n\u003cdiv class=\"field-item even field-item-0\"\u003e\n\u003cdiv class=\"token_templating_container grid zebra-sections doc three-col-grid\"\u003e\n\u003csection id=\"overview\" class=\"section\" title=\"Overview\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"sub-row\"\u003e\n\u003cdiv class=\"col-3\"\u003e\n\u003ch2\u003eThe Focusrite Heritage Sound - in a versatile, transportable package\u003c\/h2\u003e\n\u003cp\u003eBack in the mid-1980s, Sir George Martin commissioned console design legend Rupert Neve to build a series of new, ‘no compromise’ console modules for AIR studios. They were an enormous hit and formed the basis of the Focusrite Studio Console, widely regarded as the best-sounding analogue recording console of all time. Today, the descendants of those modules are used in leading studios around the world, and their sought-after Focusrite Heritage Sound lies behind thousands of hit records. Today’s ISA Range from Focusrite puts the classic sound of Focusrite into your own studio or live performance.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"png full-width full-width\" data-media_nid=\"5334\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\n\u003cdiv class=\"cta_images_wrapper intrinsic_ratio_wrapper\"\u003eClassic Focusrite transformer-based mic preamplifier\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"section alt-color\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"sub-row\"\u003e\n\u003cdiv class=\"col-3\"\u003e\n\u003cp\u003eAt the heart of the ISA range is the microphone preamplifier with its Lundahl input transformer – essentially the same circuit, based on the original ISA110, that has been used for 30 years in successive Focusrite designs. The input transformer imparts a special character to the sound that can’t be truly emulated in any other way: inseparable from the microphone itself, the transformer input stage is ideal for use with classic microphones. But this mic pre has a twist the original didn’t have, which makes it far more versatile: four carefully-selected impedances allow you to match microphone to input in different ways. Bring out the character of a classic mic or emphasise a special feature, or go for a totally transparent, modern sound – it’s up to you.\u003c\/p\u003e\n\u003cdiv class=\"png full-width full-width second-image\" data-media_nid=\"5334\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\n\u003cdiv class=\"cta_images_wrapper intrinsic_ratio_wrapper\"\u003eIndependent direct input\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"section\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"sub-row\"\u003e\n\u003cdiv class=\"col-3\"\u003e\n\u003cp\u003eWhether you’re an artist, engineer or producer, you’ll appreciate the versatility of the ISA One, with its front-panel DI input. The DI includes low\/high impedance switching and an amplifier output, and its own feed to the optional A\/D converter and separate rear-panel XLR output\u003c\/p\u003e\n\u003cdiv class=\"png\" data-media_nid=\"5334\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\n\u003cdiv class=\"cta_images_wrapper intrinsic_ratio_wrapper\"\u003e\u003cimg class=\"cta_images_js_image cta_images\" alt=\"\" src=\"http:\/\/global.focusrite.com\/sites\/default\/files\/styles\/cta_scale_1280\/public\/Image-3.png\" data-image-id=\"2\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection id=\"multimedia\" class=\"section alt-color\" title=\"Multimedia\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"sub-row\"\u003e\n\u003cdiv class=\"col-3\"\u003e\n\u003ch2\u003eMultimedia\u003c\/h2\u003e\n\u003cdiv class=\"youtube_embed_wrapper\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection id=\"key-features\" class=\"section\" title=\"Key Features\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"sub-row\"\u003e\n\u003cdiv class=\"col-3\"\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"sub-row\"\u003e\n\u003cdiv class=\"col-1\"\u003e\n\u003cdiv data-media_nid=\"5334\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\n\u003cdiv class=\"cta_images_wrapper intrinsic_ratio_wrapper\"\u003e\u003cimg class=\"cta_images_js_image cta_images\" alt=\"\" src=\"http:\/\/global.focusrite.com\/sites\/default\/files\/styles\/cta_scale_320\/public\/KF1.jpg\" data-image-id=\"3\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003eISA series transformer-based preamplifier\u003c\/h3\u003e\n\u003cp\u003eEncased in a rugged and portable chassis, ISA One offers the classic Focusrite microphone preamplifier at its lowest cost to date.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-1\"\u003e\n\u003cdiv data-media_nid=\"5334\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\n\u003cdiv class=\"cta_images_wrapper intrinsic_ratio_wrapper\"\u003e\u003cimg class=\"cta_images_js_image cta_images\" alt=\"\" src=\"http:\/\/global.focusrite.com\/sites\/default\/files\/styles\/cta_scale_320\/public\/KF2.jpg\" data-image-id=\"4\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003eFlexible independent DI channel\u003c\/h3\u003e\n\u003cp\u003eISA One is ideal for both engineers and demanding performers alike, featuring independent gain control, an output for routing to an amp, an independent XLR output on the rear and routing to the optional A-D converter.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-1\"\u003e\n\u003cdiv data-media_nid=\"5334\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\n\u003cdiv class=\"cta_images_wrapper intrinsic_ratio_wrapper\"\u003e\u003cimg class=\"cta_images_js_image cta_images\" alt=\"\" src=\"http:\/\/global.focusrite.com\/sites\/default\/files\/styles\/cta_scale_320\/public\/KF3.jpg\" data-image-id=\"5\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003eSwitchable impedance\u003c\/h3\u003e\n\u003cp\u003eChoose one of four carefully selected input impedances, including the original ISA110 setting, to suit any microphone.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sub-row\"\u003e\n\u003cdiv class=\"col-1\"\u003e\n\u003cdiv data-media_nid=\"5334\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\n\u003cdiv class=\"cta_images_wrapper intrinsic_ratio_wrapper\"\u003e\u003cimg class=\"cta_images_js_image cta_images\" alt=\"\" src=\"http:\/\/global.focusrite.com\/sites\/default\/files\/styles\/cta_scale_320\/public\/KF4.jpg\" data-image-id=\"6\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003eHeadphone output with volume control\u003c\/h3\u003e\n\u003cp\u003eISA One can feed either a sum of the two input to the headphones output, or an external stereo cue mix (such as a stereo feed from an interface) via two TRS jack inputs on the rear of the unit.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-1\"\u003e\n\u003cdiv data-media_nid=\"5334\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\n\u003cdiv class=\"cta_images_wrapper intrinsic_ratio_wrapper\"\u003e\u003cimg class=\"cta_images_js_image cta_images\" alt=\"\" src=\"http:\/\/global.focusrite.com\/sites\/default\/files\/styles\/cta_scale_320\/public\/KF5.jpg\" data-image-id=\"7\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003eDedicated insert point\u003c\/h3\u003e\n\u003cp\u003eAllows you to place extra processing between the preamplifier or DI and the optional converter, such as an EQ or compressor.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-1\"\u003e\n\u003cdiv data-media_nid=\"5334\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\n\u003cdiv class=\"cta_images_wrapper intrinsic_ratio_wrapper\"\u003e\u003cimg class=\"cta_images_js_image cta_images\" alt=\"\" src=\"http:\/\/global.focusrite.com\/sites\/default\/files\/styles\/cta_scale_320\/public\/KF6.jpg\" data-image-id=\"8\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003eOptional stereo 192kHz A-D converter\u003c\/h3\u003e\n\u003cp\u003eYou can chose to upgrade your unit with an optional digital card that delivers the best A-D performance in its class (dynamic range of 118dB). Alternatively, the ISA One Digital comes with the A-D converter as standard.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sub-row\"\u003e\n\u003cdiv class=\"col-1\"\u003e\n\u003cdiv data-media_nid=\"5334\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\n\u003cdiv class=\"cta_images_wrapper intrinsic_ratio_wrapper\"\u003e\u003cimg class=\"cta_images_js_image cta_images\" alt=\"\" src=\"http:\/\/global.focusrite.com\/sites\/default\/files\/styles\/cta_scale_320\/public\/KF7.jpg\" data-image-id=\"9\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003e\u003cspan\u003eLundahl LL1538 Input Transformer\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eThe original mic transformer used in the original Red modules helps to provide the unique sound and performance of this groundbreaking design.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-1\"\u003e\n\u003cdiv data-media_nid=\"5334\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\n\u003cdiv class=\"cta_images_wrapper intrinsic_ratio_wrapper\"\u003e\u003cimg class=\"cta_images_js_image cta_images\" alt=\"\" src=\"http:\/\/global.focusrite.com\/sites\/default\/files\/styles\/cta_scale_320\/public\/KF8.jpg\" data-image-id=\"10\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003eBacklit VU meter with variable calibration\u003c\/h3\u003e\n\u003cp\u003eISA One has a moving coil VU meter with variable calibration to suit analogue and digital recording media, alongside two six-LED peak meters; inputs can be metered either pre- or post-insert.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection id=\"specifications\" class=\"section alt-color\" title=\"Specifications\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"sub-row\"\u003e\n\u003cdiv class=\"col-3\"\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cdiv data-media_nid=\"5334\" data-shortcode=\"code\" data-field_machine_name=\"field_tt_code\" data-block_machine_name=\"block\"\u003e\n\u003cdiv class=\"spec-table\"\u003e\n\u003cdiv class=\"spec-header\"\u003e\n\u003ch4\u003e\u003cspan\u003eAnalog inputs\u003c\/span\u003e\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eXLR mic input\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAn XLR line and a balanced TRS line input\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eXLR input with balanced TRS instruments\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eExternal sensor input with balanced jack\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eReturn with balanced TRS\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv class=\"spec-header\"\u003e\n\u003ch4\u003e\u003cspan\u003eAnalog outputs\u003c\/span\u003e\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eSend with balanced jack\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eBalanced XLR line output\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eXLR DI output\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eKlinke-OF-Through\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv class=\"spec-header\"\u003e\n\u003ch4\u003e\u003cspan\u003eAdditional analog inputs and outputs\u003c\/span\u003e\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eCue Mix input (left) with balanced jack\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCue Mix input (right) with balanced jack\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eHeadphone output with 6.3 mm jack symmetric\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec-table\"\u003e\n\u003cdiv class=\"spec-header\"\u003e\n\u003ch4\u003e\u003cspan\u003eMic input\u003c\/span\u003e\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eGain range\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003e\u003cspan\u003e0 dB to 60 dB in 10 dB steps and +20 dB adjustable gain\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eInput Impedance\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003e\u003cspan\u003eConnected impedances. \u003c\/span\u003e\u003cspan\u003eEquivalents of input impedance at 1 kHz\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003eLow = 600 Ohm\u003cbr\u003eISA110 = 1.400 Ohm\u003cbr\u003eMed = 2.400 Ohm\u003cbr\u003eHigh = 6.800 Ohm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eON (Equivalentes input noise)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003e\u003cspan\u003e-126 DB, measured at 60 dB gain with 150 Ohm impedance and 22 Hz \/ 22 kHz bandpass filter\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eMurmur\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eOutput noise with 0 dB gain and 22 Hz \/ 22 kHz bandpass filter\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003e-97 DBu\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGerauschspannungsabstand (SNR)\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003e\u003cspan\u003e106 dB, relative to the maximum headroom (9 dBu)\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTotal-Harmonic-Distortion + Rauschen\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eMeasured at average gain (30 dB) at 1 kHz -20 dBu input signal and 22 Hz \/ 22 kHz bandpass filter\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003e\u0026lt;0.0009%\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eFrequency response\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eAt minimum gain (0 dB)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003e-0.5 DB at 10 Hz and -3 dB at 125 kHz\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e \u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eAt maximum gain (60 dB)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003e-3 DB at 16 Hz and -3 dB at 118 kHz\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCMRR (Common Mode Rejection Ratio)\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003e\u003cspan\u003e98 dB (Channel 1, 1 kHz, maximum gain with +24 dBu input)\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eHowever, channel-to-channel crosstalk\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003e\u003cspan\u003e\u003cspan\u003eWith 10 dB @ 1 kHz input to channel A, channel B output = 104 dbra. \u003c\/span\u003e\u003cspan\u003eWith 10 dB @ 10 kHz input to channel A, channel B output = 84 dbra\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv class=\"spec-header\"\u003e\n\u003ch4\u003e\u003cspan\u003eLine input\u003c\/span\u003e\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eGain range\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003e\u003cspan\u003e-20 DB to 60 dB in 10 dB steps and +20 dB adjustable gain\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eInput Impedance\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003e\u003cspan\u003e10 kO from 10 Hz to 200 kHz\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNoise\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eNoise Main.Ausgang with gain (0 dB) measured by 50 O source impedance and 22 Hz - 22 kHz bandpass filter\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003e-96 DBu\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGerauschspannungsabstand SNR\u003c\/td\u003e\n\u003ctd\u003eGemessen it 22 Hz - 22 kHz Bandpass-Filter\u003c\/td\u003e\n\u003ctd\u003e\n\u003cspan\u003e120 dB relative to the maximum headroom (24 dBu) \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e118 dB relative to 0 dBFS (+22 dBu)\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eTHD and noise\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eMeasured with 0 dB input signal and 22 Hz-22 kHz bandpass filter\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e0,0001 %\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eFrequency response\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eAt 0 dB gain\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003e-0.3 DB at 10 Hz and -3 dB at 200 kHz\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv class=\"spec-header\"\u003e\n\u003ch4\u003e\u003cspan\u003eInstrument input\u003c\/span\u003e\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eGain range\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003e\u003cspan\u003eAdjustable from 10 dB to 40 dB\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eInput Impedance\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003eHigh = grˆfler als 1 M\u003cbr\u003eLow =grafler als 300 k\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eMurmur\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eMeasured with 22 Hz-22 kHz bandpass filter\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\n\u003cspan\u003eMinimum Gain (+10 dB): -92 dBu \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMaximum Gain (+ 40dB): -62 dBu\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eTHD\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eAt minimum gain (+10)\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eFrequency response\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eAt minimum gain (+10 dB)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003e-10 DB input: 10 Hz - 100 kHz +\/- 0.6 dB\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e \u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eAt maximum gain (+40 dB)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003e-40 DB Input: -2.5 dB at 10 Hz and 100 kHz 0 dB\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv class=\"spec-header\"\u003e\n\u003ch4\u003e\u003cspan\u003eShow\u003c\/span\u003e\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eCoil-level display (MC)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003e\u003cspan\u003e\u003cspan\u003eFactory calibrated to 0 VU = +4 dBu at 1 kHz sine wave. \u003c\/span\u003e\u003cspan\u003eIn gedr¸cktem VU Cal switch on the back of the display can be changed ‰ ge, so 0 VU +10 dBu to +26 dBu match.\u003c\/span\u003e\u003cspan\u003eThe central point corresponds to +22 dBu.\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePeak-LED-Anzeige\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003e\u003cspan\u003e\u003cspan\u003eCalibrated in the position for 0 dBFS = +22 dBu. \u003c\/span\u003e\u003cspan\u003eThe cali- bration can be changed on the back ge ‰, so that 0 dBFS correspond dBu to +26 dBu equal to +10\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd colspan=\"3\"\u003e\u003cspan\u003e\u003cspan\u003eMC and Peak1 display can be tapped after the high-pass filter, either before the insert send or behind the insert return. \u003c\/span\u003e\u003cspan\u003ePeak2 is always picked up before the A \/ D converter channel 2, which is fed from the external input or the instrument input.\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eLED level\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003e\u003cspan\u003eAs follows when the peak calibration is on the back in a central position. \u003c\/span\u003e\u003cspan\u003e(When using the internal A \/ D converter).\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\n\u003cspan\u003e0 = +22 dBu \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e-2 = +20 dBu \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e-6 = +16 dBu \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e-12 = +10 dBu \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e-18 = +4 dBu \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e-42 = -20 dBu\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eFrequency response\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eAt minimum gain (+10 dB)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003e-10 DB input: 10 Hz - 100 kHz +\/- 0.6 dB\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e \u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eAt maximum gain (+40 dB)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003e-40 DB Input: -2.5 dB at 10 Hz and 0 dB at 100 kHz\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv class=\"spec-header\"\u003e\n\u003ch4\u003eHochpass-Filter\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eRoll-Off\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003e18 dB per octave (3-pole filter)\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eFrequency\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003e75 Hz fixed, at 3 dB down point\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv class=\"spec-header\"\u003e\n\u003ch4\u003e\u003cspan\u003eWeight and dimensions\u003c\/span\u003e\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eB x T x H\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003e220 mm (W) x 104 mm (H) x 254-290 mm (T - top to bottom)\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eWeight\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e3,9 kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":54332130361628,"sku":"isa1","price":499.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/isaone-xlarge.jpg?v=1784603139"},{"product_id":"focusrite-a-d-card-for-penta-trak-master-voice-master","title":"Focusrite A-D Card for Penta\/Trak Master\/Voice Master","description":"The Penta, Trak Master and VoiceMaster Pro feature the same optional high quality A\/D converter. The converter is 24-bit and 128x oversampled, handling sample rates of up to 96 kHz, with S\/PDIF output and BNC word clock connector. Tracking a vocal direct into\u003cbr\u003eyour DAW or any other digital recording media has never been easier or more affordable. An ADC lock LED on the front panel shows when\u003cbr\u003eWord Clock sync has been established.","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":54332150350108,"sku":"AD Card for","price":229.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/focusritetmvoicemaster.jpg?v=1784603359"},{"product_id":"focusrite-clarett-octopre","title":"Focusrite Clarett OctoPre","description":"\u003cdiv data-canvas-width=\"528.6409799185643\"\u003e\n\u003cp\u003eClarett OctoPre provides eight specially-designed Clarett mic pres and 24-bit, 192 kHz A-D and D-A conversion that can be used to extend the capabilities of a Clarett interface – or any other interface fitted with ADAT optical inputs and outputs. In addition to the mic pres there are eight channels of D-A conversion providing eight analogue outputs.\u003c\/p\u003e\n\u003cp\u003eThe eight mic pres feature automatic mic\/line switching inputs and two front-panel instrument inputs. Designed specifically for the Clarett range, they offer plenty of gain, yet low noise and distortion - and great sound quality. They also include a special “Air” feature that switches in an analogue model of the classic transformer-based Focusrite ISA mic pre,  switching the impedance of the preamp to that of the original ISA and enabling a ‘transformer resonance effect’, giving  microphone sources the air and clarity of an ISA transformer-based mic pre recording. In addition, the mic pres have plenty of headroom and are ideal for recording drums and other extreme level sources.\u003c\/p\u003e\n\u003cp\u003eThe front panel instrument inputs feature extra headroom to handle high-output pickups, while the rear panel includes universal XLR\/jack connectors for the remaining auto-switching mic\/line inputs. In addition, each input has its own switched insertion point for single-cable connection of compression, equalisation and other outboard analogue processing - with hard-wired relay bypass, so you can leave outboard gear or a patchbay connected ready to access at the press of a button. The inputs drive eight channels of precision 24-bit Focusrite A-D with 118dB dynamic range and standard sample rates up to 192kHz.\u003c\/p\u003e\n\u003cp\u003eIn addition to providing eight mic pres, the Clarett OctoPre offers D-A conversion (from the ADAT inputs, with 119dB dynamic range) of up to eight channels, making it perfect for mixing as well as tracking. The outputs appear on a 25-pin DSUB connector with standard wiring. The line outputs can optionally provide line level output feeds from the mic pres – useful for feeding a live console, for example, while recording the digital outputs. Aside from the insert point, the Clarett OctoPre is balanced end-to-end for maximum noise immunity.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cb\u003eClarett OctoPre Feature Checklist\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cul\u003e\n\u003cli\u003e8-channel I\/O mic\/line expansion with ADAT interfacing\u003c\/li\u003e\n\u003cli\u003eEight Clarett-style mic pres with 'Air' transformer emulation effect\u003c\/li\u003e\n\u003cli\u003eEight line outputs fed from D-A or mic pres\u003c\/li\u003e\n\u003cli\u003e24-bit A-D and D-A up to 192kHz sample rate - ideal for hi-res audio\u003c\/li\u003e\n\u003cli\u003eDual-port ADAT I\/O - eight channels at up to 96kHz, four channels at 176.4\/192kHz\u003c\/li\u003e\n\u003cli\u003eSwitched insert with true bypass on every channel\u003c\/li\u003e\n\u003cli\u003eMic Pres and front panel instrument inputs with extra headroom\u003c\/li\u003e\n\u003cli\u003eSix-segment LED metering and channel clip indicators\u003c\/li\u003e\n\u003cli\u003e48v Phantom Power to all inputs\u003c\/li\u003e\n\u003cli\u003eWord Clock I\/O and JetPLL jitter elimination\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cb\u003eClarett Octopre What’s In The Box\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cul\u003e\n\u003cli\u003eClarett Octopre\u003c\/li\u003e\n\u003cli\u003eGetting Started Guide\u003c\/li\u003e\n\u003cli\u003ePower Cable \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cb\u003eSingle Hardware Unit Weight\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cb\u003eDimensions\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e10.14 lbs (With accessories) \u003c\/p\u003e\n\u003cp\u003e 9.15 lbs (Without accessories) \u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e (1.75” x 18.98” x 11.26”) \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cb\u003eSingle Boxed Unit Weight\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cb\u003eDimensions\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e13.08 lbs \u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e(13.74” x 23.94” x 3.58”) \u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cb\u003eMultipack Box Weight (5 Pieces)\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cb\u003eDimensions\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e68.36 lbs \u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e (15.16” x 24.76” x 18.90”) \u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":54332167618844,"sku":"clarettoctopre","price":599.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/clarett-angle-jrr-edit.jpg?v=1784603736"},{"product_id":"focusrite-scarlett-octopre","title":"Focusrite Scarlett OctoPre Mic Preamp","description":"\u003csection\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv data-media_nid=\"31900\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cimg alt=\"\" src=\"https:\/\/d3se566zfvnmhf.cloudfront.net\/sites\/default\/files\/styles\/cta_scale_1920\/public\/Header_Image_2.jpg\" width=\"690\" data-image-id=\"1\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection id=\"overview\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ch2\u003e \u003c\/h2\u003e\n\u003ch2 style=\"text-align: center;\"\u003eThe Sound of Scarlett - and more of it\u003c\/h2\u003e\n\u003cp style=\"text-align: center;\"\u003eScarlett OctoPre gives you eight additional inputs. It's the ideal way to expand your Scarlett - or any other interface with an ADAT input.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" alt=\"\" src=\"https:\/\/d3se566zfvnmhf.cloudfront.net\/sites\/default\/files\/Header_Image_3-3jpg.jpg\" height=\"202\" width=\"690\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ch2\u003e \u003c\/h2\u003e\n\u003ch2 style=\"text-align: center;\"\u003eEight Scarlett 2nd Generation mic preamps\u003c\/h2\u003e\n\u003cp style=\"text-align: center;\"\u003eScarlett OctoPre features eight 2nd Generation Scarlett mic inputs - balanced line inputs too - all running through Focusrite precision 24-bit conversion at up to 192 kHz resolution with 109dB dynamic range.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection id=\"panels\"\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv data-zoom-image=\"https:\/\/d3se566zfvnmhf.cloudfront.net\/sites\/default\/files\/focusrite\/products\/scarlett-2nd-gen\/OctoPre-zoom.jpg\"\u003e\n\u003cdiv data-media_nid=\"31900\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\n\u003cdiv\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" alt=\"\" src=\"https:\/\/d3se566zfvnmhf.cloudfront.net\/sites\/default\/files\/styles\/cta_scale_1920\/public\/OctoPre-front-and-rear.jpg\" width=\"690\" data-image-id=\"2\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ch2\u003e \u003c\/h2\u003e\n\u003ch2 style=\"text-align: center;\"\u003eDual front-panel instrument inputs\u003c\/h2\u003e\n\u003cp style=\"text-align: center;\"\u003eTwo high-headroom instrument inputs will handle high output guitar pickups and are right there on the front panel for easy access.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv data-media_nid=\"31900\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" alt=\"\" src=\"https:\/\/d3se566zfvnmhf.cloudfront.net\/sites\/default\/files\/styles\/cta_scale_1920\/public\/OctoPre_Image_4-1.jpg\" width=\"690\" data-image-id=\"3\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ch2\u003e \u003c\/h2\u003e\n\u003ch2 style=\"text-align: center;\"\u003ePlenty of headroom.\u003cbr\u003ePads for the most extreme inputs\u003c\/h2\u003e\n\u003cp style=\"text-align: center;\"\u003eWith high-headroom inputs and a pad on every channel, Scarlett OctoPre is ideal for tracking drums as well guitars, keyboards, vocals - and more.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv data-media_nid=\"31900\" data-shortcode=\"img-original\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" alt=\"\" src=\"https:\/\/d3se566zfvnmhf.cloudfront.net\/sites\/default\/files\/OctoPre_Product_Page_Animation.gif\" height=\"205\" width=\"690\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 style=\"text-align: center;\"\u003eOutputs for live or stand-alone use\u003c\/h2\u003e\n\u003cp style=\"text-align: center;\"\u003eEight balanced line outputs, sourced directly from the inputs allow Scarlett OctoPre to be used in a live situation whilst capturing the recording via the digital ADAT output.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv data-media_nid=\"31900\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e \u003c\/div\u003e\n\u003cdiv data-media_nid=\"31900\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" alt=\"\" src=\"https:\/\/d3se566zfvnmhf.cloudfront.net\/sites\/default\/files\/styles\/cta_scale_1920\/public\/Header_Image_6-1.jpg\" width=\"690\" data-image-id=\"4\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 style=\"text-align: center;\"\u003eAbout ADAT\u003c\/h2\u003e\n\u003cp style=\"text-align: center;\"\u003eADAT is a simple and easy way of expanding your analogue inputs. ADAT uses inexpensive \"light-pipe\" optical cables to carry up to eight channels of audio. Just connect the ADAT output on the OctoPre to the ADAT input on your interface, set your sample rate and clock source and you're ready to go. ADAT input is available on many Focusrite and third-party interfaces.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv data-media_nid=\"31900\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\n\u003cdiv\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" alt=\"\" src=\"https:\/\/d3se566zfvnmhf.cloudfront.net\/sites\/default\/files\/styles\/cta_scale_1920\/public\/Header_Image_7.jpg\" width=\"690\" data-image-id=\"5\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ch2\u003eNeed D-A\/Outputs as well as Inputs?\u003cbr\u003eCompression?\u003c\/h2\u003e\n\u003cp\u003eIf you need more inputs as well as more outputs check out the Scarlett OctoPre Dynamic - everything you see here, plus eight channels of pristine D-A conversion and analogue compression on every input. It might be just what you're looking for.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\" data-media_nid=\"31900\" data-shortcode=\"img-original\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e \u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-media_nid=\"31900\" data-shortcode=\"img-original\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e \u003c\/div\u003e\n\u003cdiv data-media_nid=\"31900\" data-shortcode=\"img-original\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" alt=\"\" src=\"https:\/\/d3se566zfvnmhf.cloudfront.net\/sites\/default\/files\/Header_Image_8-2.jpg\" height=\"215\" width=\"690\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection id=\"user-guides\"\u003e\n\u003ch2\u003e \u003c\/h2\u003e\n\u003c\/section\u003e\n\u003csection id=\"techspec\" class=\"tech-spec scrollto section\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"sub-row\"\u003e\n\u003cdiv class=\"col-3\"\u003e\n\u003ch2\u003eTech Spec\u003c\/h2\u003e\n\u003cdiv data-media_nid=\"31900\" data-shortcode=\"spec\" data-field_machine_name=\"field_product_spec_table\" data-block_machine_name=\"block\"\u003e\n\u003cdiv class=\"spec-field\"\u003e\n\u003cdiv class=\"spec-table\"\u003e\n\u003cdiv\u003e\n\u003ch3\u003eSupported Sample Rates\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, 176.4 kHz, 192 kHz\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch3\u003eMicrophone Inputs\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr data-populated-cells=\"2\"\u003e\n\u003ctd\u003e\n\u003cp\u003eFrequency Response\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e20Hz - 20kHz +0.5\/-1.5dB\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-populated-cells=\"2\"\u003e\n\u003ctd\u003e\n\u003cp\u003eDynamic Range\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e109 dB (A-Weighted)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-populated-cells=\"2\"\u003e\n\u003ctd\u003e\n\u003cp\u003eTHD+N\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e\u0026lt;0.001%\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-populated-cells=\"2\"\u003e\n\u003ctd\u003e\n\u003cp\u003eNoise EIN\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e-127 dBu\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-populated-cells=\"2\"\u003e\n\u003ctd\u003e\n\u003cp\u003eMaximum input level (without pad)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e+8 dBu\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-populated-cells=\"2\"\u003e\n\u003ctd\u003e\n\u003cp\u003eMaximum input level (with pad)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e+16 dBu\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-populated-cells=\"2\"\u003e\n\u003ctd\u003e\n\u003cp\u003eGain Range\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e50 dB\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-populated-cells=\"2\"\u003e\n\u003ctd\u003e\n\u003cp\u003eInput Impedance\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e3 kΩ\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv\u003e\n\u003ch3\u003eLine Inputs\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr data-populated-cells=\"2\"\u003e\n\u003ctd\u003e\n\u003cp\u003eFrequency Response\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e20Hz - 20kHz +0.5\/-1.5dB\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-populated-cells=\"2\"\u003e\n\u003ctd\u003e\n\u003cp\u003eDynamic Range\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e109 dB (A-Weighted)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-populated-cells=\"2\"\u003e\n\u003ctd\u003e\n\u003cp\u003eTHD+N\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e\u0026lt;0.002%\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-populated-cells=\"2\"\u003e\n\u003ctd\u003e\n\u003cp\u003eMaximum input level\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e+22 dBu\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-populated-cells=\"2\"\u003e\n\u003ctd\u003e\n\u003cp\u003eGain Range\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e50 dB\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-populated-cells=\"2\"\u003e\n\u003ctd\u003e\n\u003cp\u003eInput Impedance\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e49 kΩ\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv\u003e\n\u003ch3\u003eInstrument Inputs\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr data-populated-cells=\"2\"\u003e\n\u003ctd\u003e\n\u003cp\u003eFrequency Response\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e20Hz - 20kHz +0.5\/-1.5dB\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-populated-cells=\"2\"\u003e\n\u003ctd\u003e\n\u003cp\u003eDynamic Range\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e108 dB (A-Weighted)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-populated-cells=\"2\"\u003e\n\u003ctd\u003e\n\u003cp\u003eTHD+N\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e\u0026lt;0.01%\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-populated-cells=\"2\"\u003e\n\u003ctd\u003e\n\u003cp\u003eMaximum input level\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e+13 dBu\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-populated-cells=\"2\"\u003e\n\u003ctd\u003e\n\u003cp\u003eGain Range\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e50 dB\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-populated-cells=\"2\"\u003e\n\u003ctd\u003e\n\u003cp\u003eInput Impedance\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e1 MΩ\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv\u003e\n\u003ch3\u003eLine Outputs\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003ctable class=\"table-group\"\u003e\n\u003ctbody\u003e\n\u003ctr data-populated-cells=\"2\"\u003e\n\u003ctd\u003e\n\u003cp\u003eMaximum Output Level (0 dBFS)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e+16dBu @ 0dBFS, or \u0026gt;21dBu where ADAT output is not used\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-populated-cells=\"2\"\u003e\n\u003ctd\u003e\n\u003cp\u003eTHD+N\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e\u0026lt;0.001%\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-populated-cells=\"2\"\u003e\n\u003ctd\u003e\n\u003cp\u003eOuput Impedance\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e136 Ω (Balanced)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003ciframe width=\"690\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/G02KlTmTcSg?si=sz8-n7TnGOP3lk03\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":54332170633500,"sku":"scarlettoctopre","price":439.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/scarlet-octopre-jrr-edit.jpg?v=1784603816"},{"product_id":"focusrite-scarlett-octopre-dynamic","title":"Focusrite Scarlett OctoPre Dynamic Mic Preamp","description":"\u003csection\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\" data-media_nid=\"31665\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv data-media_nid=\"31665\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\n\u003cdiv\u003e\u003cimg alt=\"\" src=\"https:\/\/d3se566zfvnmhf.cloudfront.net\/sites\/default\/files\/styles\/cta_scale_1920\/public\/Image_Header_2.jpg\" height=\"302\" width=\"690\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection id=\"overview\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ch2 style=\"text-align: center;\"\u003eEight Scarlett mic pres\u003c\/h2\u003e\n\u003cp style=\"text-align: center;\"\u003eBuilding on the features of the Scarlett OctoPre, Scarlett OctoPre Dynamic brings you the ultimate Scarlett expansion with eight Scarlett 2nd Generation mic preamps with analogue compression on every input channel providing a musical, soft-knee style of compression for more subtle control of dynamics. The \"More\" button then allows you to double the ratio for more aggressive compression effects.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" alt=\"\" src=\"https:\/\/d3se566zfvnmhf.cloudfront.net\/sites\/default\/files\/Header_Image_8-2.jpg\" height=\"215\" width=\"690\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003ch2\u003e \u003c\/h2\u003e\n\u003ch2 style=\"text-align: center;\"\u003eFocusrite precision A-D and D-A conversion\u003c\/h2\u003e\n\u003cp style=\"text-align: center;\"\u003eEight channels of Focusrite precision A-D will capture your performance with clarity, honesty and transparency and providing you have an ADAT output on your interface, eight channels of D-A get it back out again via the balanced line outputs. With dual ADAT optical inputs and outputs, it's ideal for expanding your studio's I\/O.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/section\u003e\n\u003csection id=\"panels\"\u003e\n\u003cdiv data-zoom-image=\"https:\/\/d3se566zfvnmhf.cloudfront.net\/sites\/default\/files\/focusrite\/products\/scarlett-2nd-gen\/OctoPre-Dynamic-zoom.jpg\"\u003e\n\u003cdiv data-media_nid=\"31665\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\n\u003cdiv\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" alt=\"\" src=\"https:\/\/d3se566zfvnmhf.cloudfront.net\/sites\/default\/files\/styles\/cta_scale_1920\/public\/OctoPre-Dynamic-front-and-rear.jpg\" width=\"690\" data-image-id=\"2\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv\u003e\n\u003ch2\u003e \u003c\/h2\u003e\n\u003ch2 style=\"text-align: center;\"\u003eDual high-headroom Hi-Z instrument inputs\u003c\/h2\u003e\n\u003cp style=\"text-align: center;\"\u003eTwo high-headroom instrument inputs will handle high output guitar pickups. Don't forget to engage a bit of compression, great for controlling the dynamics of electric basses and guitars.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv data-media_nid=\"31665\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\n\u003cdiv\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" alt=\"\" src=\"https:\/\/d3se566zfvnmhf.cloudfront.net\/sites\/default\/files\/styles\/cta_scale_1920\/public\/Guitar.jpg\" width=\"690\" data-image-id=\"3\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 style=\"text-align: center;\"\u003eIdeal for recording the whole band\u003c\/h2\u003e\n\u003cp style=\"text-align: center;\"\u003eScarlett OctoPre Dynamic is ideal for expanding any high quality, multi-channel recording system. With its high-headroom mic, line and dual instrument inputs, and analogue compression on every channel, it's ideal for tracking drums as well guitars, keyboards, vocals - and more.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv data-media_nid=\"31665\" data-shortcode=\"img-original\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" alt=\"\" src=\"https:\/\/d3se566zfvnmhf.cloudfront.net\/sites\/default\/files\/Image_Animation_8.gif\" height=\"205\" width=\"690\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ch2\u003e \u003c\/h2\u003e\n\u003ch2 style=\"text-align: center;\"\u003eExpand the number of outputs in your studio\u003c\/h2\u003e\n\u003cp style=\"text-align: center;\"\u003eScarlett OctoPre Dynamic's eight analogue outputs can be sourced either directly from the mic preamps for live use, or via the ADAT inputs to give you eight more analogue outputs channels from your DAW.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv data-media_nid=\"31665\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\n\u003cdiv\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" alt=\"\" src=\"https:\/\/d3se566zfvnmhf.cloudfront.net\/sites\/default\/files\/styles\/cta_scale_1920\/public\/Image_6-1.jpg\" width=\"690\" data-image-id=\"4\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 style=\"text-align: center;\"\u003eAbout ADAT\u003c\/h2\u003e\n\u003cp style=\"text-align: center;\"\u003eADAT is a simple and easy way of bringing extra channels of I\/O to your system via optical cable. One light-pipe can carry up to eight channels of audio. Just connect the ADAT output on the OctoPre to the ADAT input on your interface, set your sample rate and clock source and you're ready to go. ADAT I\/O is available on many Focusrite and third-party interfaces.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv data-media_nid=\"31664\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\n\u003cdiv\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" alt=\"\" src=\"https:\/\/d3se566zfvnmhf.cloudfront.net\/sites\/default\/files\/styles\/cta_scale_1920\/public\/Header_Image_7.jpg\" width=\"690\" data-image-id=\"5\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection id=\"user-guides\"\u003e\n\u003ch2\u003e \u003c\/h2\u003e\n\u003c\/section\u003e\n\u003csection id=\"techspec\" class=\"tech-spec scrollto section\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"sub-row\"\u003e\n\u003cdiv class=\"col-3\"\u003e\n\u003ch2\u003eTech Spec\u003c\/h2\u003e\n\u003cdiv data-media_nid=\"31665\" data-shortcode=\"spec\" data-field_machine_name=\"field_product_spec_table\" data-block_machine_name=\"block\"\u003e\n\u003cdiv class=\"spec-field\"\u003e\n\u003cdiv class=\"spec-table\"\u003e\n\u003cdiv\u003e\n\u003ch3\u003eSupported Sample Rates\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, 176.4 kHz, 192 kHz\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch3\u003eMicrophone Inputs\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr data-populated-cells=\"2\"\u003e\n\u003ctd\u003e\n\u003cp\u003eFrequency Response\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e20Hz - 20kHz +0.5\/-1.5dB\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-populated-cells=\"2\"\u003e\n\u003ctd\u003e\n\u003cp\u003eDynamic Range\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e107 dB (A-Weighted)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-populated-cells=\"2\"\u003e\n\u003ctd\u003e\n\u003cp\u003eTHD+N\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e\u0026lt;0.002%\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-populated-cells=\"2\"\u003e\n\u003ctd\u003e\n\u003cp\u003eNoise EIN\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e-127 dBu\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-populated-cells=\"2\"\u003e\n\u003ctd\u003e\n\u003cp\u003eMaximum input level\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e+13 dBu\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-populated-cells=\"2\"\u003e\n\u003ctd\u003e\n\u003cp\u003eGain Range\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e50 dB\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-populated-cells=\"2\"\u003e\n\u003ctd\u003e\n\u003cp\u003eInput Impedance\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e3 kΩ\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv\u003e\n\u003ch3\u003eLine Inputs\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr data-populated-cells=\"2\"\u003e\n\u003ctd\u003e\n\u003cp\u003eFrequency Response\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e20Hz - 20kHz +0.5\/-1.5dB\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-populated-cells=\"2\"\u003e\n\u003ctd\u003e\n\u003cp\u003eDynamic Range\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e107 dB (A-Weighted)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-populated-cells=\"2\"\u003e\n\u003ctd\u003e\n\u003cp\u003eTHD+N\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e\u0026lt;0.002%\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-populated-cells=\"2\"\u003e\n\u003ctd\u003e\n\u003cp\u003eMaximum input level\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e+21 dBu\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-populated-cells=\"2\"\u003e\n\u003ctd\u003e\n\u003cp\u003eGain Range\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e50 dB\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-populated-cells=\"2\"\u003e\n\u003ctd\u003e\n\u003cp\u003eInput Impedance\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e64 kΩ\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv\u003e\n\u003ch3\u003eInstrument Inputs\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr data-populated-cells=\"2\"\u003e\n\u003ctd\u003e\n\u003cp\u003eFrequency Response\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e20Hz - 20kHz +0.5\/-1.5dB\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-populated-cells=\"2\"\u003e\n\u003ctd\u003e\n\u003cp\u003eDynamic Range\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e107 dB (A-Weighted)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-populated-cells=\"2\"\u003e\n\u003ctd\u003e\n\u003cp\u003eTHD+N\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e\u0026lt;0.015%\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-populated-cells=\"2\"\u003e\n\u003ctd\u003e\n\u003cp\u003eMaximum input level\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e+13 dBu\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-populated-cells=\"2\"\u003e\n\u003ctd\u003e\n\u003cp\u003eGain Range\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e50 dB\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-populated-cells=\"2\"\u003e\n\u003ctd\u003e\n\u003cp\u003eInput Impedance\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e1 MΩ\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv\u003e\n\u003ch3\u003eLine \u0026amp; Monitor Outputs\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003ctable class=\"table-group\"\u003e\n\u003ctbody\u003e\n\u003ctr data-populated-cells=\"2\"\u003e\n\u003ctd\u003e\n\u003cp\u003eDynamic Range (Line Outputs)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e109 dB (A-Weighted)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-populated-cells=\"2\"\u003e\n\u003ctd\u003e\n\u003cp\u003eMaximum Output Level (0 dBFS)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e+16 dBu\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-populated-cells=\"2\"\u003e\n\u003ctd\u003e\n\u003cp\u003eTHD+N\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e\u0026lt;0.001%\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-populated-cells=\"2\"\u003e\n\u003ctd\u003e\n\u003cp\u003eOuput Impedance\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e136 Ω (Balanced)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003ciframe width=\"690\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/G02KlTmTcSg?si=sz8-n7TnGOP3lk03\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":54332170764572,"sku":"scarlettoctopredynamic","price":649.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/scarlett-octopre-dynamic-jrr-edit_1.jpg?v=1784603816"},{"product_id":"lynx-aurora-n-8-usb-converter-interface","title":"Lynx Aurora(n) 8 USB Converter Interface","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg height=\"150\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/lynx-aurora-n-1-jrr-edit.jpg?v=1784603869\" width=\"690\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eKey features\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e8, 16, 24, and 32 channel versions - each in a 1U format.\u003c\/p\u003e\n\u003cp\u003eOnboard 32-channel microSD recorder for direct recording and playback.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eUpgradable modules available now include a mic pre-amp module a digital connectivity module with optional ADAT IO and an 8 channel A\/D \u0026amp; D\/A module with more to come.\u003c\/p\u003e\n\u003cp\u003eTwo audiophile-grade headphone outs with independent volume controls.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e1-in 3-out word clock with Lynx’s second generation SynchroLock 2™ technology.\u003c\/p\u003e\n\u003cp\u003eFuture-proof LSlot design with swappable USB, Thunderbolt, ProTools®|HD and DANTE cards.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eFull Windows and OSX compatibility\u003c\/p\u003e\n\u003cp\u003eRoad-ready rack-mount reinforced chassis\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e24 Bit - 192 kHz mastering grade A\/D and D\/A conversion\u003c\/p\u003e\n\u003cp\u003eDesigned and built in Southern California, USA\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eLynx Announces Dolby Atmos Compatibility\u003c\/h1\u003e\n\u003cdiv class=\"wrap\"\u003e\n\u003cp\u003eLynx Studio Technology has announced compatibility between their acclaimed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e audio interface\/converter and Dolby Atmos, a revolutionary spatial audio technology for the most immersive sound experience. Atmos expands on existing surround sound systems by adding height channels, allowing sounds to be interpreted as three-dimensional objects with neither horizontal nor vertical limitation.\u003c\/p\u003e\n\u003cp\u003eLynx co-owner and Chief Hardware Engineer Bob Bauman states, “We’ve had many requests from audio engineers who want to combine the sonic transparency of the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the tremendous creative power offered by the Atmos mixing environment. Now they can.”\u003c\/p\u003e\n\u003cp\u003eCo-owner and Chief Software Engineer David Hoatson adds, “From the start, we designed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the flexibility to offer an extraordinary path for future upgrades. Lynx customers who have loyally supported the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e platform now get rewarded with the ability to work within the exciting new realm of immersive audio.”\u003c\/p\u003e\n\u003cp\u003eThe new Dolby Atmos compatibility for the Lynx Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e will be made available via a free firmware update that will be found on the Lynx web site for all registered Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e users. The update includes a slew of new features including support for speaker configurations up to 9.1.6, 530 total room correction filters, up to 16 filters per channel (including parametric, low-pass, high-pass, and shelving), channel level and delay compensation, and comprehensive bass management with LFE channel, all of which is implemented in hardware with 64-bit floating-point accuracy. The update will also allow for perfect integration between Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e and Sonarworks sound calibration software as well as Room EQ Wizard (REW) for room acoustic measurement, loudspeaker measurement and audio device measurement. This compatibility will allow for direct import of speaker calibration parameters into Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with no manual entry required. Dolby Atmos control will also be seamlessly integrated into Lynx’ own NControl software.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eTransparency Matters\u003c\/h1\u003e\n\u003cp\u003eSignal coloration is additive and can kill an otherwise pristine mix. That’s why a colored mix begins to collapse while the transparent mix has space, definition and a level of detail that is simply unattainable with converters that add color and distortion. Lynx’s hallmark sonic transparency is why Lynx converters are being used in the most mission-critical audio applications and in the world’s finest recording facilities. Lynx converters have been specified for their uncanny ability to convert signals without adding any artifacts or color. For audio engineers and producers demanding the most pristine recordings and mixes Lynx is the converter of choice at facilities like Dolby’s new mega complex of audio research, Skywalker Sound, NPR, and the Smithsonian Institute. Lynx converters pass the most stringent tests and shoot outs to become the sought after converters for these discerning professionals. Precision matters more than ever and there is no place for even the slightest coloration or degradation of the signal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eDiscrete Converter Array\u003c\/h1\u003e\n\u003cp\u003eSome manufacturers use multiple converters on a single chip. While that is one way to fit many converter channels in a single rack space while lowering costs, it comes at a steep cost in performance. At Lynx, the analog signal path for each channel has been designed as a self-contained and shielded circuit. Each channel pair has its own dedicated conversion device. This has many sonic advantages by significantly reducing crosstalk and distortion while increasing dynamic range and performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eHilo Converter Technology (HCT)\u003c\/h1\u003e\n\u003cp\u003eDesign and technology borrowed from the development of the Hilo is used to significantly improve specifications and transparency over previous models while attaining stunning Hilo-like performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eFuture-Proof Design:\u003c\/h1\u003e\n\u003ch4\u003eConfigurable I\/O\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAdd Channels – Start with eight, sixteen or twenty four channels and later add additional groups of eight channels for up to thirty two total.\u003c\/li\u003e\n\u003cli\u003eAdd Modules – Digital I\/O, Mic Pre Amp; More are being designed now for future release.\u003c\/li\u003e\n\u003cli\u003eAdd Connection Method – Thunderbolt, DANTE, ProTools|HD or USB via LSlot Cards\u003c\/li\u003e\n\u003cli\u003eAdd Functionality – Via firmware updates. Just as we have for Hilo and Aurora we will continue to improve the Aurora(n)’s functionality and build in new feature sets.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eSynchroLock 2™\u003c\/h1\u003e\n\u003cp\u003eAll new SynchroLock 2™ high-performance sample clock technology provides a whopping 300,000:1 reduction in jitter, 5 second lock time and absolute accuracy. Word clock I\/O provides one input and three outputs on BNC connectors.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eTechnical specifications\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eAnalog Specs\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine In (includes A\/D Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐113dB @1kHz, ‐1dBFS, 20kHz filter, +20dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 119dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon mode rejection: greater than 80dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐108dB @1kHz, ‐1dBFS, 20kHz filter, +20 dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eHeadphone Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐107dB @1kHz, ‐1dBFS, 20kHz filter, volume at max\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐120dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput level: 18.4dBu maximum\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput power: 68mW @ 600Ω, 135mW @ 300Ω, 383mW @ 60Ω, 212mW @ 32Ω, 100mW @ 16Ω\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-PRE4 Preamp Module\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eMicrophone Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -111dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEIN: -129dBu A-weighted, -60dBFS method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 116dB A‐weighted, ‐60dBFS signal method @ 21.68dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency Response: +0.01 \/ -0.08dB max. Deviation over 20-20kHz band, -1dBFS @ all gain settings\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -127dB max. Adjacent channel, -1dBFS, 1kHz @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min. -1dBFS, 60Hz and 1kHz @61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 28.7dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eInput impedance: 2.1k Ohm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain Settings: 5.6dB\/13.6dB to 68.6dB in 1dB steps\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePad attenuation: 13.6dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHigh-pass Filter: 80Hz, 12 dB \/ octave\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eLine Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -113dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 119dB A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010 dB max deviation over 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -138dB max. adjacent channel, -1dBFS 1kHz @ 41.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min, -1dBFS, 60Hz and 1 kHz @ 61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain settings: Fixed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-DIG Digital I\/O Module\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eOptional LM-DIG digital I\/O module\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003e16 input and 16 output channels of 24-bit AES\/EBU\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e44.1 kHz to 192 kHz sample rate support\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTwo 25-pin female D-subs, Yamaha digital I\/O pinout\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eSoftware\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eLynx NControl for Aurora(n) USB, Thunderbolt \u0026amp; Dante models\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eFor total control of all functions and routing from your computer\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNow includes Mic Pre and micro SD record and playback control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eOther\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAdditional modules\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eDigital I\/O\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMicrophone preamp\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMore in development\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Input Connections\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Output Connectors\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eDimensions\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eDepth - 10 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eWidth - 19 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp style=\"text-align: center;\"\u003eHeight - 1.7 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Lynx","offers":[{"title":"Default Title","offer_id":54332172370204,"sku":"auroran8usb","price":2899.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/lynx-aurora-n-1-jrr-edit.jpg?v=1784603869"},{"product_id":"lynx-aurora-n-8-hd-converter-interface","title":"Lynx Aurora(n) 8 HD2 Converter Interface","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg height=\"150\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/lynx-aurora-n-1-jrr-edit.jpg?v=1784603869\" width=\"690\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eKey features\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e8, 16, 24, and 32 channel versions - each in a 1U format.\u003c\/p\u003e\n\u003cp\u003eOnboard 32-channel microSD recorder for direct recording and playback.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eUpgradable modules available now include a mic pre-amp module a digital connectivity module with optional ADAT IO and an 8 channel A\/D \u0026amp; D\/A module with more to come.\u003c\/p\u003e\n\u003cp\u003eTwo audiophile-grade headphone outs with independent volume controls.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e1-in 3-out word clock with Lynx’s second generation SynchroLock 2™ technology.\u003c\/p\u003e\n\u003cp\u003eFuture-proof LSlot design with swappable USB, Thunderbolt, ProTools®|HD and DANTE cards.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eFull Windows and OSX compatibility\u003c\/p\u003e\n\u003cp\u003eRoad-ready rack-mount reinforced chassis\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e24 Bit - 192 kHz mastering grade A\/D and D\/A conversion\u003c\/p\u003e\n\u003cp\u003eDesigned and built in Southern California, USA\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eLynx Announces Dolby Atmos Compatibility\u003c\/h1\u003e\n\u003cdiv class=\"wrap\"\u003e\n\u003cp\u003eLynx Studio Technology has announced compatibility between their acclaimed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e audio interface\/converter and Dolby Atmos, a revolutionary spatial audio technology for the most immersive sound experience. Atmos expands on existing surround sound systems by adding height channels, allowing sounds to be interpreted as three-dimensional objects with neither horizontal nor vertical limitation.\u003c\/p\u003e\n\u003cp\u003eLynx co-owner and Chief Hardware Engineer Bob Bauman states, “We’ve had many requests from audio engineers who want to combine the sonic transparency of the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the tremendous creative power offered by the Atmos mixing environment. Now they can.”\u003c\/p\u003e\n\u003cp\u003eCo-owner and Chief Software Engineer David Hoatson adds, “From the start, we designed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the flexibility to offer an extraordinary path for future upgrades. Lynx customers who have loyally supported the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e platform now get rewarded with the ability to work within the exciting new realm of immersive audio.”\u003c\/p\u003e\n\u003cp\u003eThe new Dolby Atmos compatibility for the Lynx Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e will be made available via a free firmware update that will be found on the Lynx web site for all registered Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e users. The update includes a slew of new features including support for speaker configurations up to 9.1.6, 530 total room correction filters, up to 16 filters per channel (including parametric, low-pass, high-pass, and shelving), channel level and delay compensation, and comprehensive bass management with LFE channel, all of which is implemented in hardware with 64-bit floating-point accuracy. The update will also allow for perfect integration between Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e and Sonarworks sound calibration software as well as Room EQ Wizard (REW) for room acoustic measurement, loudspeaker measurement and audio device measurement. This compatibility will allow for direct import of speaker calibration parameters into Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with no manual entry required. Dolby Atmos control will also be seamlessly integrated into Lynx’ own NControl software.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eTransparency Matters\u003c\/h1\u003e\n\u003cp\u003eSignal coloration is additive and can kill an otherwise pristine mix. That’s why a colored mix begins to collapse while the transparent mix has space, definition and a level of detail that is simply unattainable with converters that add color and distortion. Lynx’s hallmark sonic transparency is why Lynx converters are being used in the most mission-critical audio applications and in the world’s finest recording facilities. Lynx converters have been specified for their uncanny ability to convert signals without adding any artifacts or color. For audio engineers and producers demanding the most pristine recordings and mixes Lynx is the converter of choice at facilities like Dolby’s new mega complex of audio research, Skywalker Sound, NPR, and the Smithsonian Institute. Lynx converters pass the most stringent tests and shoot outs to become the sought after converters for these discerning professionals. Precision matters more than ever and there is no place for even the slightest coloration or degradation of the signal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eDiscrete Converter Array\u003c\/h1\u003e\n\u003cp\u003eSome manufacturers use multiple converters on a single chip. While that is one way to fit many converter channels in a single rack space while lowering costs, it comes at a steep cost in performance. At Lynx, the analog signal path for each channel has been designed as a self-contained and shielded circuit. Each channel pair has its own dedicated conversion device. This has many sonic advantages by significantly reducing crosstalk and distortion while increasing dynamic range and performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eHilo Converter Technology (HCT)\u003c\/h1\u003e\n\u003cp\u003eDesign and technology borrowed from the development of the Hilo is used to significantly improve specifications and transparency over previous models while attaining stunning Hilo-like performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eFuture-Proof Design:\u003c\/h1\u003e\n\u003ch4\u003eConfigurable I\/O\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAdd Channels – Start with eight, sixteen or twenty four channels and later add additional groups of eight channels for up to thirty two total.\u003c\/li\u003e\n\u003cli\u003eAdd Modules – Digital I\/O, Mic Pre Amp; More are being designed now for future release.\u003c\/li\u003e\n\u003cli\u003eAdd Connection Method – Thunderbolt, DANTE, ProTools|HD or USB via LSlot Cards\u003c\/li\u003e\n\u003cli\u003eAdd Functionality – Via firmware updates. Just as we have for Hilo and Aurora we will continue to improve the Aurora(n)’s functionality and build in new feature sets.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eSynchroLock 2™\u003c\/h1\u003e\n\u003cp\u003eAll new SynchroLock 2™ high-performance sample clock technology provides a whopping 300,000:1 reduction in jitter, 5 second lock time and absolute accuracy. Word clock I\/O provides one input and three outputs on BNC connectors.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eTechnical specifications\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eAnalog Specs\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine In (includes A\/D Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐113dB @1kHz, ‐1dBFS, 20kHz filter, +20dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 119dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon mode rejection: greater than 80dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐108dB @1kHz, ‐1dBFS, 20kHz filter, +20 dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eHeadphone Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐107dB @1kHz, ‐1dBFS, 20kHz filter, volume at max\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐120dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput level: 18.4dBu maximum\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput power: 68mW @ 600Ω, 135mW @ 300Ω, 383mW @ 60Ω, 212mW @ 32Ω, 100mW @ 16Ω\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-PRE4 Preamp Module\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eMicrophone Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -111dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEIN: -129dBu A-weighted, -60dBFS method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 116dB A‐weighted, ‐60dBFS signal method @ 21.68dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency Response: +0.01 \/ -0.08dB max. Deviation over 20-20kHz band, -1dBFS @ all gain settings\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -127dB max. Adjacent channel, -1dBFS, 1kHz @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min. -1dBFS, 60Hz and 1kHz @61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 28.7dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eInput impedance: 2.1k Ohm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain Settings: 5.6dB\/13.6dB to 68.6dB in 1dB steps\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePad attenuation: 13.6dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHigh-pass Filter: 80Hz, 12 dB \/ octave\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eLine Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -113dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 119dB A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010 dB max deviation over 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -138dB max. adjacent channel, -1dBFS 1kHz @ 41.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min, -1dBFS, 60Hz and 1 kHz @ 61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain settings: Fixed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-DIG Digital I\/O Module\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eOptional LM-DIG digital I\/O module\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003e16 input and 16 output channels of 24-bit AES\/EBU\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e44.1 kHz to 192 kHz sample rate support\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTwo 25-pin female D-subs, Yamaha digital I\/O pinout\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eSoftware\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eLynx NControl for Aurora(n) USB, Thunderbolt \u0026amp; Dante models\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eFor total control of all functions and routing from your computer\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNow includes Mic Pre and micro SD record and playback control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eOther\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAdditional modules\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eDigital I\/O\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMicrophone preamp\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMore in development\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Input Connections\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Output Connectors\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eDimensions\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eDepth - 10 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eWidth - 19 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp style=\"text-align: center;\"\u003eHeight - 1.7 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Lynx","offers":[{"title":"Default Title","offer_id":54332172402972,"sku":"auroran8hd","price":3899.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/lynx-aurora-n-1-jrr-edit_1.jpg?v=1784603871"},{"product_id":"lynx-aurora-n-8-tb-converter-interface","title":"Lynx Aurora(n) 8 TB3 Converter Interface","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg height=\"150\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/lynx-aurora-n-1-jrr-edit.jpg?v=1784603869\" width=\"690\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eKey features\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e8, 16, 24, and 32 channel versions - each in a 1U format.\u003c\/p\u003e\n\u003cp\u003eOnboard 32-channel microSD recorder for direct recording and playback.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eUpgradable modules available now include a mic pre-amp module a digital connectivity module with optional ADAT IO and an 8 channel A\/D \u0026amp; D\/A module with more to come.\u003c\/p\u003e\n\u003cp\u003eTwo audiophile-grade headphone outs with independent volume controls.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e1-in 3-out word clock with Lynx’s second generation SynchroLock 2™ technology.\u003c\/p\u003e\n\u003cp\u003eFuture-proof LSlot design with swappable USB, Thunderbolt, ProTools®|HD and DANTE cards.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eFull Windows and OSX compatibility\u003c\/p\u003e\n\u003cp\u003eRoad-ready rack-mount reinforced chassis\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e24 Bit - 192 kHz mastering grade A\/D and D\/A conversion\u003c\/p\u003e\n\u003cp\u003eDesigned and built in Southern California, USA\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eLynx Announces Dolby Atmos Compatibility\u003c\/h1\u003e\n\u003cdiv class=\"wrap\"\u003e\n\u003cp\u003eLynx Studio Technology has announced compatibility between their acclaimed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e audio interface\/converter and Dolby Atmos, a revolutionary spatial audio technology for the most immersive sound experience. Atmos expands on existing surround sound systems by adding height channels, allowing sounds to be interpreted as three-dimensional objects with neither horizontal nor vertical limitation.\u003c\/p\u003e\n\u003cp\u003eLynx co-owner and Chief Hardware Engineer Bob Bauman states, “We’ve had many requests from audio engineers who want to combine the sonic transparency of the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the tremendous creative power offered by the Atmos mixing environment. Now they can.”\u003c\/p\u003e\n\u003cp\u003eCo-owner and Chief Software Engineer David Hoatson adds, “From the start, we designed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the flexibility to offer an extraordinary path for future upgrades. Lynx customers who have loyally supported the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e platform now get rewarded with the ability to work within the exciting new realm of immersive audio.”\u003c\/p\u003e\n\u003cp\u003eThe new Dolby Atmos compatibility for the Lynx Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e will be made available via a free firmware update that will be found on the Lynx web site for all registered Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e users. The update includes a slew of new features including support for speaker configurations up to 9.1.6, 530 total room correction filters, up to 16 filters per channel (including parametric, low-pass, high-pass, and shelving), channel level and delay compensation, and comprehensive bass management with LFE channel, all of which is implemented in hardware with 64-bit floating-point accuracy. The update will also allow for perfect integration between Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e and Sonarworks sound calibration software as well as Room EQ Wizard (REW) for room acoustic measurement, loudspeaker measurement and audio device measurement. This compatibility will allow for direct import of speaker calibration parameters into Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with no manual entry required. Dolby Atmos control will also be seamlessly integrated into Lynx’ own NControl software.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eTransparency Matters\u003c\/h1\u003e\n\u003cp\u003eSignal coloration is additive and can kill an otherwise pristine mix. That’s why a colored mix begins to collapse while the transparent mix has space, definition and a level of detail that is simply unattainable with converters that add color and distortion. Lynx’s hallmark sonic transparency is why Lynx converters are being used in the most mission-critical audio applications and in the world’s finest recording facilities. Lynx converters have been specified for their uncanny ability to convert signals without adding any artifacts or color. For audio engineers and producers demanding the most pristine recordings and mixes Lynx is the converter of choice at facilities like Dolby’s new mega complex of audio research, Skywalker Sound, NPR, and the Smithsonian Institute. Lynx converters pass the most stringent tests and shoot outs to become the sought after converters for these discerning professionals. Precision matters more than ever and there is no place for even the slightest coloration or degradation of the signal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eDiscrete Converter Array\u003c\/h1\u003e\n\u003cp\u003eSome manufacturers use multiple converters on a single chip. While that is one way to fit many converter channels in a single rack space while lowering costs, it comes at a steep cost in performance. At Lynx, the analog signal path for each channel has been designed as a self-contained and shielded circuit. Each channel pair has its own dedicated conversion device. This has many sonic advantages by significantly reducing crosstalk and distortion while increasing dynamic range and performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eHilo Converter Technology (HCT)\u003c\/h1\u003e\n\u003cp\u003eDesign and technology borrowed from the development of the Hilo is used to significantly improve specifications and transparency over previous models while attaining stunning Hilo-like performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eFuture-Proof Design:\u003c\/h1\u003e\n\u003ch4\u003eConfigurable I\/O\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAdd Channels – Start with eight, sixteen or twenty four channels and later add additional groups of eight channels for up to thirty two total.\u003c\/li\u003e\n\u003cli\u003eAdd Modules – Digital I\/O, Mic Pre Amp; More are being designed now for future release.\u003c\/li\u003e\n\u003cli\u003eAdd Connection Method – Thunderbolt, DANTE, ProTools|HD or USB via LSlot Cards\u003c\/li\u003e\n\u003cli\u003eAdd Functionality – Via firmware updates. Just as we have for Hilo and Aurora we will continue to improve the Aurora(n)’s functionality and build in new feature sets.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eSynchroLock 2™\u003c\/h1\u003e\n\u003cp\u003eAll new SynchroLock 2™ high-performance sample clock technology provides a whopping 300,000:1 reduction in jitter, 5 second lock time and absolute accuracy. Word clock I\/O provides one input and three outputs on BNC connectors.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eTechnical specifications\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eAnalog Specs\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine In (includes A\/D Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐113dB @1kHz, ‐1dBFS, 20kHz filter, +20dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 119dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon mode rejection: greater than 80dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐108dB @1kHz, ‐1dBFS, 20kHz filter, +20 dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eHeadphone Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐107dB @1kHz, ‐1dBFS, 20kHz filter, volume at max\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐120dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput level: 18.4dBu maximum\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput power: 68mW @ 600Ω, 135mW @ 300Ω, 383mW @ 60Ω, 212mW @ 32Ω, 100mW @ 16Ω\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-PRE4 Preamp Module\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eMicrophone Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -111dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEIN: -129dBu A-weighted, -60dBFS method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 116dB A‐weighted, ‐60dBFS signal method @ 21.68dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency Response: +0.01 \/ -0.08dB max. Deviation over 20-20kHz band, -1dBFS @ all gain settings\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -127dB max. Adjacent channel, -1dBFS, 1kHz @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min. -1dBFS, 60Hz and 1kHz @61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 28.7dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eInput impedance: 2.1k Ohm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain Settings: 5.6dB\/13.6dB to 68.6dB in 1dB steps\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePad attenuation: 13.6dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHigh-pass Filter: 80Hz, 12 dB \/ octave\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eLine Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -113dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 119dB A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010 dB max deviation over 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -138dB max. adjacent channel, -1dBFS 1kHz @ 41.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min, -1dBFS, 60Hz and 1 kHz @ 61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain settings: Fixed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-DIG Digital I\/O Module\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eOptional LM-DIG digital I\/O module\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003e16 input and 16 output channels of 24-bit AES\/EBU\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e44.1 kHz to 192 kHz sample rate support\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTwo 25-pin female D-subs, Yamaha digital I\/O pinout\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eSoftware\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eLynx NControl for Aurora(n) USB, Thunderbolt \u0026amp; Dante models\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eFor total control of all functions and routing from your computer\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNow includes Mic Pre and micro SD record and playback control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eOther\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAdditional modules\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eDigital I\/O\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMicrophone preamp\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMore in development\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Input Connections\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Output Connectors\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eDimensions\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eDepth - 10 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eWidth - 19 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp style=\"text-align: center;\"\u003eHeight - 1.7 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Lynx","offers":[{"title":"Default Title","offer_id":54332172435740,"sku":"auroran8tb","price":3439.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/lynx-aurora-n-1-jrr-edit_2.jpg?v=1784603873"},{"product_id":"lynx-aurora-n-8-dnt-converter-interface","title":"Lynx Aurora(n) 8 DNT Converter Interface","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg height=\"150\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/lynx-aurora-n-1-jrr-edit.jpg?v=1784603869\" width=\"690\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eKey features\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e8, 16, 24, and 32 channel versions - each in a 1U format.\u003c\/p\u003e\n\u003cp\u003eOnboard 32-channel microSD recorder for direct recording and playback.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eUpgradable modules available now include a mic pre-amp module a digital connectivity module with optional ADAT IO and an 8 channel A\/D \u0026amp; D\/A module with more to come.\u003c\/p\u003e\n\u003cp\u003eTwo audiophile-grade headphone outs with independent volume controls.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e1-in 3-out word clock with Lynx’s second generation SynchroLock 2™ technology.\u003c\/p\u003e\n\u003cp\u003eFuture-proof LSlot design with swappable USB, Thunderbolt, ProTools®|HD and DANTE cards.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eFull Windows and OSX compatibility\u003c\/p\u003e\n\u003cp\u003eRoad-ready rack-mount reinforced chassis\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e24 Bit - 192 kHz mastering grade A\/D and D\/A conversion\u003c\/p\u003e\n\u003cp\u003eDesigned and built in Southern California, USA\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eLynx Announces Dolby Atmos Compatibility\u003c\/h1\u003e\n\u003cdiv class=\"wrap\"\u003e\n\u003cp\u003eLynx Studio Technology has announced compatibility between their acclaimed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e audio interface\/converter and Dolby Atmos, a revolutionary spatial audio technology for the most immersive sound experience. Atmos expands on existing surround sound systems by adding height channels, allowing sounds to be interpreted as three-dimensional objects with neither horizontal nor vertical limitation.\u003c\/p\u003e\n\u003cp\u003eLynx co-owner and Chief Hardware Engineer Bob Bauman states, “We’ve had many requests from audio engineers who want to combine the sonic transparency of the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the tremendous creative power offered by the Atmos mixing environment. Now they can.”\u003c\/p\u003e\n\u003cp\u003eCo-owner and Chief Software Engineer David Hoatson adds, “From the start, we designed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the flexibility to offer an extraordinary path for future upgrades. Lynx customers who have loyally supported the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e platform now get rewarded with the ability to work within the exciting new realm of immersive audio.”\u003c\/p\u003e\n\u003cp\u003eThe new Dolby Atmos compatibility for the Lynx Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e will be made available via a free firmware update that will be found on the Lynx web site for all registered Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e users. The update includes a slew of new features including support for speaker configurations up to 9.1.6, 530 total room correction filters, up to 16 filters per channel (including parametric, low-pass, high-pass, and shelving), channel level and delay compensation, and comprehensive bass management with LFE channel, all of which is implemented in hardware with 64-bit floating-point accuracy. The update will also allow for perfect integration between Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e and Sonarworks sound calibration software as well as Room EQ Wizard (REW) for room acoustic measurement, loudspeaker measurement and audio device measurement. This compatibility will allow for direct import of speaker calibration parameters into Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with no manual entry required. Dolby Atmos control will also be seamlessly integrated into Lynx’ own NControl software.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eTransparency Matters\u003c\/h1\u003e\n\u003cp\u003eSignal coloration is additive and can kill an otherwise pristine mix. That’s why a colored mix begins to collapse while the transparent mix has space, definition and a level of detail that is simply unattainable with converters that add color and distortion. Lynx’s hallmark sonic transparency is why Lynx converters are being used in the most mission-critical audio applications and in the world’s finest recording facilities. Lynx converters have been specified for their uncanny ability to convert signals without adding any artifacts or color. For audio engineers and producers demanding the most pristine recordings and mixes Lynx is the converter of choice at facilities like Dolby’s new mega complex of audio research, Skywalker Sound, NPR, and the Smithsonian Institute. Lynx converters pass the most stringent tests and shoot outs to become the sought after converters for these discerning professionals. Precision matters more than ever and there is no place for even the slightest coloration or degradation of the signal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eDiscrete Converter Array\u003c\/h1\u003e\n\u003cp\u003eSome manufacturers use multiple converters on a single chip. While that is one way to fit many converter channels in a single rack space while lowering costs, it comes at a steep cost in performance. At Lynx, the analog signal path for each channel has been designed as a self-contained and shielded circuit. Each channel pair has its own dedicated conversion device. This has many sonic advantages by significantly reducing crosstalk and distortion while increasing dynamic range and performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eHilo Converter Technology (HCT)\u003c\/h1\u003e\n\u003cp\u003eDesign and technology borrowed from the development of the Hilo is used to significantly improve specifications and transparency over previous models while attaining stunning Hilo-like performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eFuture-Proof Design:\u003c\/h1\u003e\n\u003ch4\u003eConfigurable I\/O\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAdd Channels – Start with eight, sixteen or twenty four channels and later add additional groups of eight channels for up to thirty two total.\u003c\/li\u003e\n\u003cli\u003eAdd Modules – Digital I\/O, Mic Pre Amp; More are being designed now for future release.\u003c\/li\u003e\n\u003cli\u003eAdd Connection Method – Thunderbolt, DANTE, ProTools|HD or USB via LSlot Cards\u003c\/li\u003e\n\u003cli\u003eAdd Functionality – Via firmware updates. Just as we have for Hilo and Aurora we will continue to improve the Aurora(n)’s functionality and build in new feature sets.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eSynchroLock 2™\u003c\/h1\u003e\n\u003cp\u003eAll new SynchroLock 2™ high-performance sample clock technology provides a whopping 300,000:1 reduction in jitter, 5 second lock time and absolute accuracy. Word clock I\/O provides one input and three outputs on BNC connectors.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eTechnical specifications\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eAnalog Specs\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine In (includes A\/D Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐113dB @1kHz, ‐1dBFS, 20kHz filter, +20dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 119dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon mode rejection: greater than 80dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐108dB @1kHz, ‐1dBFS, 20kHz filter, +20 dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eHeadphone Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐107dB @1kHz, ‐1dBFS, 20kHz filter, volume at max\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐120dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput level: 18.4dBu maximum\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput power: 68mW @ 600Ω, 135mW @ 300Ω, 383mW @ 60Ω, 212mW @ 32Ω, 100mW @ 16Ω\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-PRE4 Preamp Module\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eMicrophone Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -111dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEIN: -129dBu A-weighted, -60dBFS method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 116dB A‐weighted, ‐60dBFS signal method @ 21.68dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency Response: +0.01 \/ -0.08dB max. Deviation over 20-20kHz band, -1dBFS @ all gain settings\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -127dB max. Adjacent channel, -1dBFS, 1kHz @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min. -1dBFS, 60Hz and 1kHz @61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 28.7dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eInput impedance: 2.1k Ohm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain Settings: 5.6dB\/13.6dB to 68.6dB in 1dB steps\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePad attenuation: 13.6dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHigh-pass Filter: 80Hz, 12 dB \/ octave\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eLine Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -113dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 119dB A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010 dB max deviation over 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -138dB max. adjacent channel, -1dBFS 1kHz @ 41.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min, -1dBFS, 60Hz and 1 kHz @ 61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain settings: Fixed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-DIG Digital I\/O Module\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eOptional LM-DIG digital I\/O module\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003e16 input and 16 output channels of 24-bit AES\/EBU\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e44.1 kHz to 192 kHz sample rate support\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTwo 25-pin female D-subs, Yamaha digital I\/O pinout\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eSoftware\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eLynx NControl for Aurora(n) USB, Thunderbolt \u0026amp; Dante models\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eFor total control of all functions and routing from your computer\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNow includes Mic Pre and micro SD record and playback control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eOther\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAdditional modules\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eDigital I\/O\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMicrophone preamp\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMore in development\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Input Connections\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Output Connectors\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eDimensions\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eDepth - 10 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eWidth - 19 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp style=\"text-align: center;\"\u003eHeight - 1.7 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Lynx","offers":[{"title":"Default Title","offer_id":54332172468508,"sku":"auroran8dnt","price":3539.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/lynx-aurora-n-1-jrr-edit_3.jpg?v=1784603874"},{"product_id":"lynx-aurora-n-16-usb-converter-interface","title":"Lynx Aurora(n) 16 USB Converter Interface","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg height=\"150\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/lynx-aurora-n-1-jrr-edit.jpg?v=1784603869\" width=\"690\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eKey features\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e8, 16, 24, and 32 channel versions - each in a 1U format.\u003c\/p\u003e\n\u003cp\u003eOnboard 32-channel microSD recorder for direct recording and playback.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eUpgradable modules available now include a mic pre-amp module a digital connectivity module with optional ADAT IO and an 8 channel A\/D \u0026amp; D\/A module with more to come.\u003c\/p\u003e\n\u003cp\u003eTwo audiophile-grade headphone outs with independent volume controls.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e1-in 3-out word clock with Lynx’s second generation SynchroLock 2™ technology.\u003c\/p\u003e\n\u003cp\u003eFuture-proof LSlot design with swappable USB, Thunderbolt, ProTools®|HD and DANTE cards.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eFull Windows and OSX compatibility\u003c\/p\u003e\n\u003cp\u003eRoad-ready rack-mount reinforced chassis\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e24 Bit - 192 kHz mastering grade A\/D and D\/A conversion\u003c\/p\u003e\n\u003cp\u003eDesigned and built in Southern California, USA\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eLynx Announces Dolby Atmos Compatibility\u003c\/h1\u003e\n\u003cdiv class=\"wrap\"\u003e\n\u003cp\u003eLynx Studio Technology has announced compatibility between their acclaimed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e audio interface\/converter and Dolby Atmos, a revolutionary spatial audio technology for the most immersive sound experience. Atmos expands on existing surround sound systems by adding height channels, allowing sounds to be interpreted as three-dimensional objects with neither horizontal nor vertical limitation.\u003c\/p\u003e\n\u003cp\u003eLynx co-owner and Chief Hardware Engineer Bob Bauman states, “We’ve had many requests from audio engineers who want to combine the sonic transparency of the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the tremendous creative power offered by the Atmos mixing environment. Now they can.”\u003c\/p\u003e\n\u003cp\u003eCo-owner and Chief Software Engineer David Hoatson adds, “From the start, we designed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the flexibility to offer an extraordinary path for future upgrades. Lynx customers who have loyally supported the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e platform now get rewarded with the ability to work within the exciting new realm of immersive audio.”\u003c\/p\u003e\n\u003cp\u003eThe new Dolby Atmos compatibility for the Lynx Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e will be made available via a free firmware update that will be found on the Lynx web site for all registered Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e users. The update includes a slew of new features including support for speaker configurations up to 9.1.6, 530 total room correction filters, up to 16 filters per channel (including parametric, low-pass, high-pass, and shelving), channel level and delay compensation, and comprehensive bass management with LFE channel, all of which is implemented in hardware with 64-bit floating-point accuracy. The update will also allow for perfect integration between Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e and Sonarworks sound calibration software as well as Room EQ Wizard (REW) for room acoustic measurement, loudspeaker measurement and audio device measurement. This compatibility will allow for direct import of speaker calibration parameters into Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with no manual entry required. Dolby Atmos control will also be seamlessly integrated into Lynx’ own NControl software.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eTransparency Matters\u003c\/h1\u003e\n\u003cp\u003eSignal coloration is additive and can kill an otherwise pristine mix. That’s why a colored mix begins to collapse while the transparent mix has space, definition and a level of detail that is simply unattainable with converters that add color and distortion. Lynx’s hallmark sonic transparency is why Lynx converters are being used in the most mission-critical audio applications and in the world’s finest recording facilities. Lynx converters have been specified for their uncanny ability to convert signals without adding any artifacts or color. For audio engineers and producers demanding the most pristine recordings and mixes Lynx is the converter of choice at facilities like Dolby’s new mega complex of audio research, Skywalker Sound, NPR, and the Smithsonian Institute. Lynx converters pass the most stringent tests and shoot outs to become the sought after converters for these discerning professionals. Precision matters more than ever and there is no place for even the slightest coloration or degradation of the signal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eDiscrete Converter Array\u003c\/h1\u003e\n\u003cp\u003eSome manufacturers use multiple converters on a single chip. While that is one way to fit many converter channels in a single rack space while lowering costs, it comes at a steep cost in performance. At Lynx, the analog signal path for each channel has been designed as a self-contained and shielded circuit. Each channel pair has its own dedicated conversion device. This has many sonic advantages by significantly reducing crosstalk and distortion while increasing dynamic range and performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eHilo Converter Technology (HCT)\u003c\/h1\u003e\n\u003cp\u003eDesign and technology borrowed from the development of the Hilo is used to significantly improve specifications and transparency over previous models while attaining stunning Hilo-like performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eFuture-Proof Design:\u003c\/h1\u003e\n\u003ch4\u003eConfigurable I\/O\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAdd Channels – Start with eight, sixteen or twenty four channels and later add additional groups of eight channels for up to thirty two total.\u003c\/li\u003e\n\u003cli\u003eAdd Modules – Digital I\/O, Mic Pre Amp; More are being designed now for future release.\u003c\/li\u003e\n\u003cli\u003eAdd Connection Method – Thunderbolt, DANTE, ProTools|HD or USB via LSlot Cards\u003c\/li\u003e\n\u003cli\u003eAdd Functionality – Via firmware updates. Just as we have for Hilo and Aurora we will continue to improve the Aurora(n)’s functionality and build in new feature sets.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eSynchroLock 2™\u003c\/h1\u003e\n\u003cp\u003eAll new SynchroLock 2™ high-performance sample clock technology provides a whopping 300,000:1 reduction in jitter, 5 second lock time and absolute accuracy. Word clock I\/O provides one input and three outputs on BNC connectors.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eTechnical specifications\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eAnalog Specs\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine In (includes A\/D Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐113dB @1kHz, ‐1dBFS, 20kHz filter, +20dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 119dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon mode rejection: greater than 80dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐108dB @1kHz, ‐1dBFS, 20kHz filter, +20 dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eHeadphone Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐107dB @1kHz, ‐1dBFS, 20kHz filter, volume at max\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐120dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput level: 18.4dBu maximum\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput power: 68mW @ 600Ω, 135mW @ 300Ω, 383mW @ 60Ω, 212mW @ 32Ω, 100mW @ 16Ω\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-PRE4 Preamp Module\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eMicrophone Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -111dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEIN: -129dBu A-weighted, -60dBFS method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 116dB A‐weighted, ‐60dBFS signal method @ 21.68dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency Response: +0.01 \/ -0.08dB max. Deviation over 20-20kHz band, -1dBFS @ all gain settings\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -127dB max. Adjacent channel, -1dBFS, 1kHz @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min. -1dBFS, 60Hz and 1kHz @61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 28.7dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eInput impedance: 2.1k Ohm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain Settings: 5.6dB\/13.6dB to 68.6dB in 1dB steps\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePad attenuation: 13.6dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHigh-pass Filter: 80Hz, 12 dB \/ octave\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eLine Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -113dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 119dB A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010 dB max deviation over 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -138dB max. adjacent channel, -1dBFS 1kHz @ 41.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min, -1dBFS, 60Hz and 1 kHz @ 61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain settings: Fixed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-DIG Digital I\/O Module\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eOptional LM-DIG digital I\/O module\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003e16 input and 16 output channels of 24-bit AES\/EBU\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e44.1 kHz to 192 kHz sample rate support\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTwo 25-pin female D-subs, Yamaha digital I\/O pinout\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eSoftware\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eLynx NControl for Aurora(n) USB, Thunderbolt \u0026amp; Dante models\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eFor total control of all functions and routing from your computer\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNow includes Mic Pre and micro SD record and playback control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eOther\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAdditional modules\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eDigital I\/O\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMicrophone preamp\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMore in development\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Input Connections\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Output Connectors\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eDimensions\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eDepth - 10 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eWidth - 19 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp style=\"text-align: center;\"\u003eHeight - 1.7 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Lynx","offers":[{"title":"Default Title","offer_id":54332172501276,"sku":"auroran16usb","price":3899.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/lynx-aurora-n-1-jrr-edit_4.jpg?v=1784603874"},{"product_id":"lynx-aurora-n-16-hd-converter-interface","title":"Lynx Aurora(n) 16 HD2 Converter Interface","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg height=\"150\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/lynx-aurora-n-1-jrr-edit.jpg?v=1784603869\" width=\"690\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eKey features\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e8, 16, 24, and 32 channel versions - each in a 1U format.\u003c\/p\u003e\n\u003cp\u003eOnboard 32-channel microSD recorder for direct recording and playback.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eUpgradable modules available now include a mic pre-amp module a digital connectivity module with optional ADAT IO and an 8 channel A\/D \u0026amp; D\/A module with more to come.\u003c\/p\u003e\n\u003cp\u003eTwo audiophile-grade headphone outs with independent volume controls.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e1-in 3-out word clock with Lynx’s second generation SynchroLock 2™ technology.\u003c\/p\u003e\n\u003cp\u003eFuture-proof LSlot design with swappable USB, Thunderbolt, ProTools®|HD and DANTE cards.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eFull Windows and OSX compatibility\u003c\/p\u003e\n\u003cp\u003eRoad-ready rack-mount reinforced chassis\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e24 Bit - 192 kHz mastering grade A\/D and D\/A conversion\u003c\/p\u003e\n\u003cp\u003eDesigned and built in Southern California, USA\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eLynx Announces Dolby Atmos Compatibility\u003c\/h1\u003e\n\u003cdiv class=\"wrap\"\u003e\n\u003cp\u003eLynx Studio Technology has announced compatibility between their acclaimed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e audio interface\/converter and Dolby Atmos, a revolutionary spatial audio technology for the most immersive sound experience. Atmos expands on existing surround sound systems by adding height channels, allowing sounds to be interpreted as three-dimensional objects with neither horizontal nor vertical limitation.\u003c\/p\u003e\n\u003cp\u003eLynx co-owner and Chief Hardware Engineer Bob Bauman states, “We’ve had many requests from audio engineers who want to combine the sonic transparency of the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the tremendous creative power offered by the Atmos mixing environment. Now they can.”\u003c\/p\u003e\n\u003cp\u003eCo-owner and Chief Software Engineer David Hoatson adds, “From the start, we designed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the flexibility to offer an extraordinary path for future upgrades. Lynx customers who have loyally supported the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e platform now get rewarded with the ability to work within the exciting new realm of immersive audio.”\u003c\/p\u003e\n\u003cp\u003eThe new Dolby Atmos compatibility for the Lynx Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e will be made available via a free firmware update that will be found on the Lynx web site for all registered Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e users. The update includes a slew of new features including support for speaker configurations up to 9.1.6, 530 total room correction filters, up to 16 filters per channel (including parametric, low-pass, high-pass, and shelving), channel level and delay compensation, and comprehensive bass management with LFE channel, all of which is implemented in hardware with 64-bit floating-point accuracy. The update will also allow for perfect integration between Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e and Sonarworks sound calibration software as well as Room EQ Wizard (REW) for room acoustic measurement, loudspeaker measurement and audio device measurement. This compatibility will allow for direct import of speaker calibration parameters into Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with no manual entry required. Dolby Atmos control will also be seamlessly integrated into Lynx’ own NControl software.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eTransparency Matters\u003c\/h1\u003e\n\u003cp\u003eSignal coloration is additive and can kill an otherwise pristine mix. That’s why a colored mix begins to collapse while the transparent mix has space, definition and a level of detail that is simply unattainable with converters that add color and distortion. Lynx’s hallmark sonic transparency is why Lynx converters are being used in the most mission-critical audio applications and in the world’s finest recording facilities. Lynx converters have been specified for their uncanny ability to convert signals without adding any artifacts or color. For audio engineers and producers demanding the most pristine recordings and mixes Lynx is the converter of choice at facilities like Dolby’s new mega complex of audio research, Skywalker Sound, NPR, and the Smithsonian Institute. Lynx converters pass the most stringent tests and shoot outs to become the sought after converters for these discerning professionals. Precision matters more than ever and there is no place for even the slightest coloration or degradation of the signal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eDiscrete Converter Array\u003c\/h1\u003e\n\u003cp\u003eSome manufacturers use multiple converters on a single chip. While that is one way to fit many converter channels in a single rack space while lowering costs, it comes at a steep cost in performance. At Lynx, the analog signal path for each channel has been designed as a self-contained and shielded circuit. Each channel pair has its own dedicated conversion device. This has many sonic advantages by significantly reducing crosstalk and distortion while increasing dynamic range and performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eHilo Converter Technology (HCT)\u003c\/h1\u003e\n\u003cp\u003eDesign and technology borrowed from the development of the Hilo is used to significantly improve specifications and transparency over previous models while attaining stunning Hilo-like performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eFuture-Proof Design:\u003c\/h1\u003e\n\u003ch4\u003eConfigurable I\/O\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAdd Channels – Start with eight, sixteen or twenty four channels and later add additional groups of eight channels for up to thirty two total.\u003c\/li\u003e\n\u003cli\u003eAdd Modules – Digital I\/O, Mic Pre Amp; More are being designed now for future release.\u003c\/li\u003e\n\u003cli\u003eAdd Connection Method – Thunderbolt, DANTE, ProTools|HD or USB via LSlot Cards\u003c\/li\u003e\n\u003cli\u003eAdd Functionality – Via firmware updates. Just as we have for Hilo and Aurora we will continue to improve the Aurora(n)’s functionality and build in new feature sets.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eSynchroLock 2™\u003c\/h1\u003e\n\u003cp\u003eAll new SynchroLock 2™ high-performance sample clock technology provides a whopping 300,000:1 reduction in jitter, 5 second lock time and absolute accuracy. Word clock I\/O provides one input and three outputs on BNC connectors.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eTechnical specifications\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eAnalog Specs\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine In (includes A\/D Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐113dB @1kHz, ‐1dBFS, 20kHz filter, +20dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 119dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon mode rejection: greater than 80dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐108dB @1kHz, ‐1dBFS, 20kHz filter, +20 dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eHeadphone Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐107dB @1kHz, ‐1dBFS, 20kHz filter, volume at max\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐120dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput level: 18.4dBu maximum\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput power: 68mW @ 600Ω, 135mW @ 300Ω, 383mW @ 60Ω, 212mW @ 32Ω, 100mW @ 16Ω\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-PRE4 Preamp Module\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eMicrophone Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -111dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEIN: -129dBu A-weighted, -60dBFS method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 116dB A‐weighted, ‐60dBFS signal method @ 21.68dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency Response: +0.01 \/ -0.08dB max. Deviation over 20-20kHz band, -1dBFS @ all gain settings\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -127dB max. Adjacent channel, -1dBFS, 1kHz @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min. -1dBFS, 60Hz and 1kHz @61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 28.7dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eInput impedance: 2.1k Ohm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain Settings: 5.6dB\/13.6dB to 68.6dB in 1dB steps\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePad attenuation: 13.6dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHigh-pass Filter: 80Hz, 12 dB \/ octave\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eLine Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -113dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 119dB A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010 dB max deviation over 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -138dB max. adjacent channel, -1dBFS 1kHz @ 41.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min, -1dBFS, 60Hz and 1 kHz @ 61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain settings: Fixed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-DIG Digital I\/O Module\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eOptional LM-DIG digital I\/O module\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003e16 input and 16 output channels of 24-bit AES\/EBU\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e44.1 kHz to 192 kHz sample rate support\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTwo 25-pin female D-subs, Yamaha digital I\/O pinout\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eSoftware\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eLynx NControl for Aurora(n) USB, Thunderbolt \u0026amp; Dante models\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eFor total control of all functions and routing from your computer\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNow includes Mic Pre and micro SD record and playback control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eOther\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAdditional modules\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eDigital I\/O\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMicrophone preamp\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMore in development\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Input Connections\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Output Connectors\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eDimensions\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eDepth - 10 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eWidth - 19 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp style=\"text-align: center;\"\u003eHeight - 1.7 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Lynx","offers":[{"title":"Default Title","offer_id":54332172534044,"sku":"auroran16hd","price":3899.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/lynx-aurora-n-1-jrr-edit_5.jpg?v=1784603876"},{"product_id":"lynx-aurora-n-16-tb-converter-interface","title":"Lynx Aurora(n) 16 TB3 Converter Interface","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg height=\"150\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/lynx-aurora-n-1-jrr-edit.jpg?v=1784603869\" width=\"690\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eKey features\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e8, 16, 24, and 32 channel versions - each in a 1U format.\u003c\/p\u003e\n\u003cp\u003eOnboard 32-channel microSD recorder for direct recording and playback.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eUpgradable modules available now include a mic pre-amp module a digital connectivity module with optional ADAT IO and an 8 channel A\/D \u0026amp; D\/A module with more to come.\u003c\/p\u003e\n\u003cp\u003eTwo audiophile-grade headphone outs with independent volume controls.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e1-in 3-out word clock with Lynx’s second generation SynchroLock 2™ technology.\u003c\/p\u003e\n\u003cp\u003eFuture-proof LSlot design with swappable USB, Thunderbolt, ProTools®|HD and DANTE cards.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eFull Windows and OSX compatibility\u003c\/p\u003e\n\u003cp\u003eRoad-ready rack-mount reinforced chassis\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e24 Bit - 192 kHz mastering grade A\/D and D\/A conversion\u003c\/p\u003e\n\u003cp\u003eDesigned and built in Southern California, USA\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eLynx Announces Dolby Atmos Compatibility\u003c\/h1\u003e\n\u003cdiv class=\"wrap\"\u003e\n\u003cp\u003eLynx Studio Technology has announced compatibility between their acclaimed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e audio interface\/converter and Dolby Atmos, a revolutionary spatial audio technology for the most immersive sound experience. Atmos expands on existing surround sound systems by adding height channels, allowing sounds to be interpreted as three-dimensional objects with neither horizontal nor vertical limitation.\u003c\/p\u003e\n\u003cp\u003eLynx co-owner and Chief Hardware Engineer Bob Bauman states, “We’ve had many requests from audio engineers who want to combine the sonic transparency of the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the tremendous creative power offered by the Atmos mixing environment. Now they can.”\u003c\/p\u003e\n\u003cp\u003eCo-owner and Chief Software Engineer David Hoatson adds, “From the start, we designed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the flexibility to offer an extraordinary path for future upgrades. Lynx customers who have loyally supported the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e platform now get rewarded with the ability to work within the exciting new realm of immersive audio.”\u003c\/p\u003e\n\u003cp\u003eThe new Dolby Atmos compatibility for the Lynx Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e will be made available via a free firmware update that will be found on the Lynx web site for all registered Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e users. The update includes a slew of new features including support for speaker configurations up to 9.1.6, 530 total room correction filters, up to 16 filters per channel (including parametric, low-pass, high-pass, and shelving), channel level and delay compensation, and comprehensive bass management with LFE channel, all of which is implemented in hardware with 64-bit floating-point accuracy. The update will also allow for perfect integration between Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e and Sonarworks sound calibration software as well as Room EQ Wizard (REW) for room acoustic measurement, loudspeaker measurement and audio device measurement. This compatibility will allow for direct import of speaker calibration parameters into Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with no manual entry required. Dolby Atmos control will also be seamlessly integrated into Lynx’ own NControl software.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eTransparency Matters\u003c\/h1\u003e\n\u003cp\u003eSignal coloration is additive and can kill an otherwise pristine mix. That’s why a colored mix begins to collapse while the transparent mix has space, definition and a level of detail that is simply unattainable with converters that add color and distortion. Lynx’s hallmark sonic transparency is why Lynx converters are being used in the most mission-critical audio applications and in the world’s finest recording facilities. Lynx converters have been specified for their uncanny ability to convert signals without adding any artifacts or color. For audio engineers and producers demanding the most pristine recordings and mixes Lynx is the converter of choice at facilities like Dolby’s new mega complex of audio research, Skywalker Sound, NPR, and the Smithsonian Institute. Lynx converters pass the most stringent tests and shoot outs to become the sought after converters for these discerning professionals. Precision matters more than ever and there is no place for even the slightest coloration or degradation of the signal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eDiscrete Converter Array\u003c\/h1\u003e\n\u003cp\u003eSome manufacturers use multiple converters on a single chip. While that is one way to fit many converter channels in a single rack space while lowering costs, it comes at a steep cost in performance. At Lynx, the analog signal path for each channel has been designed as a self-contained and shielded circuit. Each channel pair has its own dedicated conversion device. This has many sonic advantages by significantly reducing crosstalk and distortion while increasing dynamic range and performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eHilo Converter Technology (HCT)\u003c\/h1\u003e\n\u003cp\u003eDesign and technology borrowed from the development of the Hilo is used to significantly improve specifications and transparency over previous models while attaining stunning Hilo-like performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eFuture-Proof Design:\u003c\/h1\u003e\n\u003ch4\u003eConfigurable I\/O\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAdd Channels – Start with eight, sixteen or twenty four channels and later add additional groups of eight channels for up to thirty two total.\u003c\/li\u003e\n\u003cli\u003eAdd Modules – Digital I\/O, Mic Pre Amp; More are being designed now for future release.\u003c\/li\u003e\n\u003cli\u003eAdd Connection Method – Thunderbolt, DANTE, ProTools|HD or USB via LSlot Cards\u003c\/li\u003e\n\u003cli\u003eAdd Functionality – Via firmware updates. Just as we have for Hilo and Aurora we will continue to improve the Aurora(n)’s functionality and build in new feature sets.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eSynchroLock 2™\u003c\/h1\u003e\n\u003cp\u003eAll new SynchroLock 2™ high-performance sample clock technology provides a whopping 300,000:1 reduction in jitter, 5 second lock time and absolute accuracy. Word clock I\/O provides one input and three outputs on BNC connectors.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eTechnical specifications\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eAnalog Specs\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine In (includes A\/D Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐113dB @1kHz, ‐1dBFS, 20kHz filter, +20dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 119dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon mode rejection: greater than 80dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐108dB @1kHz, ‐1dBFS, 20kHz filter, +20 dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eHeadphone Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐107dB @1kHz, ‐1dBFS, 20kHz filter, volume at max\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐120dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput level: 18.4dBu maximum\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput power: 68mW @ 600Ω, 135mW @ 300Ω, 383mW @ 60Ω, 212mW @ 32Ω, 100mW @ 16Ω\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-PRE4 Preamp Module\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eMicrophone Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -111dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEIN: -129dBu A-weighted, -60dBFS method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 116dB A‐weighted, ‐60dBFS signal method @ 21.68dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency Response: +0.01 \/ -0.08dB max. Deviation over 20-20kHz band, -1dBFS @ all gain settings\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -127dB max. Adjacent channel, -1dBFS, 1kHz @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min. -1dBFS, 60Hz and 1kHz @61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 28.7dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eInput impedance: 2.1k Ohm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain Settings: 5.6dB\/13.6dB to 68.6dB in 1dB steps\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePad attenuation: 13.6dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHigh-pass Filter: 80Hz, 12 dB \/ octave\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eLine Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -113dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 119dB A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010 dB max deviation over 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -138dB max. adjacent channel, -1dBFS 1kHz @ 41.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min, -1dBFS, 60Hz and 1 kHz @ 61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain settings: Fixed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-DIG Digital I\/O Module\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eOptional LM-DIG digital I\/O module\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003e16 input and 16 output channels of 24-bit AES\/EBU\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e44.1 kHz to 192 kHz sample rate support\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTwo 25-pin female D-subs, Yamaha digital I\/O pinout\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eSoftware\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eLynx NControl for Aurora(n) USB, Thunderbolt \u0026amp; Dante models\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eFor total control of all functions and routing from your computer\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNow includes Mic Pre and micro SD record and playback control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eOther\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAdditional modules\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eDigital I\/O\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMicrophone preamp\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMore in development\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Input Connections\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Output Connectors\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eDimensions\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eDepth - 10 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eWidth - 19 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp style=\"text-align: center;\"\u003eHeight - 1.7 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Lynx","offers":[{"title":"Default Title","offer_id":54332172566812,"sku":"auroran16tb","price":4439.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/lynx-aurora-n-1-jrr-edit_6.jpg?v=1784603879"},{"product_id":"lynx-aurora-n-16-dnt-converter-interface","title":"Lynx Aurora(n) 16 DNT Converter Interface","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg height=\"150\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/lynx-aurora-n-1-jrr-edit.jpg?v=1784603869\" width=\"690\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eKey features\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e8, 16, 24, and 32 channel versions - each in a 1U format.\u003c\/p\u003e\n\u003cp\u003eOnboard 32-channel microSD recorder for direct recording and playback.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eUpgradable modules available now include a mic pre-amp module a digital connectivity module with optional ADAT IO and an 8 channel A\/D \u0026amp; D\/A module with more to come.\u003c\/p\u003e\n\u003cp\u003eTwo audiophile-grade headphone outs with independent volume controls.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e1-in 3-out word clock with Lynx’s second generation SynchroLock 2™ technology.\u003c\/p\u003e\n\u003cp\u003eFuture-proof LSlot design with swappable USB, Thunderbolt, ProTools®|HD and DANTE cards.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eFull Windows and OSX compatibility\u003c\/p\u003e\n\u003cp\u003eRoad-ready rack-mount reinforced chassis\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e24 Bit - 192 kHz mastering grade A\/D and D\/A conversion\u003c\/p\u003e\n\u003cp\u003eDesigned and built in Southern California, USA\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eLynx Announces Dolby Atmos Compatibility\u003c\/h1\u003e\n\u003cdiv class=\"wrap\"\u003e\n\u003cp\u003eLynx Studio Technology has announced compatibility between their acclaimed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e audio interface\/converter and Dolby Atmos, a revolutionary spatial audio technology for the most immersive sound experience. Atmos expands on existing surround sound systems by adding height channels, allowing sounds to be interpreted as three-dimensional objects with neither horizontal nor vertical limitation.\u003c\/p\u003e\n\u003cp\u003eLynx co-owner and Chief Hardware Engineer Bob Bauman states, “We’ve had many requests from audio engineers who want to combine the sonic transparency of the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the tremendous creative power offered by the Atmos mixing environment. Now they can.”\u003c\/p\u003e\n\u003cp\u003eCo-owner and Chief Software Engineer David Hoatson adds, “From the start, we designed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the flexibility to offer an extraordinary path for future upgrades. Lynx customers who have loyally supported the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e platform now get rewarded with the ability to work within the exciting new realm of immersive audio.”\u003c\/p\u003e\n\u003cp\u003eThe new Dolby Atmos compatibility for the Lynx Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e will be made available via a free firmware update that will be found on the Lynx web site for all registered Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e users. The update includes a slew of new features including support for speaker configurations up to 9.1.6, 530 total room correction filters, up to 16 filters per channel (including parametric, low-pass, high-pass, and shelving), channel level and delay compensation, and comprehensive bass management with LFE channel, all of which is implemented in hardware with 64-bit floating-point accuracy. The update will also allow for perfect integration between Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e and Sonarworks sound calibration software as well as Room EQ Wizard (REW) for room acoustic measurement, loudspeaker measurement and audio device measurement. This compatibility will allow for direct import of speaker calibration parameters into Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with no manual entry required. Dolby Atmos control will also be seamlessly integrated into Lynx’ own NControl software.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eTransparency Matters\u003c\/h1\u003e\n\u003cp\u003eSignal coloration is additive and can kill an otherwise pristine mix. That’s why a colored mix begins to collapse while the transparent mix has space, definition and a level of detail that is simply unattainable with converters that add color and distortion. Lynx’s hallmark sonic transparency is why Lynx converters are being used in the most mission-critical audio applications and in the world’s finest recording facilities. Lynx converters have been specified for their uncanny ability to convert signals without adding any artifacts or color. For audio engineers and producers demanding the most pristine recordings and mixes Lynx is the converter of choice at facilities like Dolby’s new mega complex of audio research, Skywalker Sound, NPR, and the Smithsonian Institute. Lynx converters pass the most stringent tests and shoot outs to become the sought after converters for these discerning professionals. Precision matters more than ever and there is no place for even the slightest coloration or degradation of the signal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eDiscrete Converter Array\u003c\/h1\u003e\n\u003cp\u003eSome manufacturers use multiple converters on a single chip. While that is one way to fit many converter channels in a single rack space while lowering costs, it comes at a steep cost in performance. At Lynx, the analog signal path for each channel has been designed as a self-contained and shielded circuit. Each channel pair has its own dedicated conversion device. This has many sonic advantages by significantly reducing crosstalk and distortion while increasing dynamic range and performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eHilo Converter Technology (HCT)\u003c\/h1\u003e\n\u003cp\u003eDesign and technology borrowed from the development of the Hilo is used to significantly improve specifications and transparency over previous models while attaining stunning Hilo-like performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eFuture-Proof Design:\u003c\/h1\u003e\n\u003ch4\u003eConfigurable I\/O\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAdd Channels – Start with eight, sixteen or twenty four channels and later add additional groups of eight channels for up to thirty two total.\u003c\/li\u003e\n\u003cli\u003eAdd Modules – Digital I\/O, Mic Pre Amp; More are being designed now for future release.\u003c\/li\u003e\n\u003cli\u003eAdd Connection Method – Thunderbolt, DANTE, ProTools|HD or USB via LSlot Cards\u003c\/li\u003e\n\u003cli\u003eAdd Functionality – Via firmware updates. Just as we have for Hilo and Aurora we will continue to improve the Aurora(n)’s functionality and build in new feature sets.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eSynchroLock 2™\u003c\/h1\u003e\n\u003cp\u003eAll new SynchroLock 2™ high-performance sample clock technology provides a whopping 300,000:1 reduction in jitter, 5 second lock time and absolute accuracy. Word clock I\/O provides one input and three outputs on BNC connectors.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eTechnical specifications\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eAnalog Specs\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine In (includes A\/D Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐113dB @1kHz, ‐1dBFS, 20kHz filter, +20dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 119dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon mode rejection: greater than 80dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐108dB @1kHz, ‐1dBFS, 20kHz filter, +20 dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eHeadphone Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐107dB @1kHz, ‐1dBFS, 20kHz filter, volume at max\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐120dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput level: 18.4dBu maximum\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput power: 68mW @ 600Ω, 135mW @ 300Ω, 383mW @ 60Ω, 212mW @ 32Ω, 100mW @ 16Ω\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-PRE4 Preamp Module\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eMicrophone Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -111dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEIN: -129dBu A-weighted, -60dBFS method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 116dB A‐weighted, ‐60dBFS signal method @ 21.68dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency Response: +0.01 \/ -0.08dB max. Deviation over 20-20kHz band, -1dBFS @ all gain settings\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -127dB max. Adjacent channel, -1dBFS, 1kHz @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min. -1dBFS, 60Hz and 1kHz @61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 28.7dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eInput impedance: 2.1k Ohm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain Settings: 5.6dB\/13.6dB to 68.6dB in 1dB steps\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePad attenuation: 13.6dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHigh-pass Filter: 80Hz, 12 dB \/ octave\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eLine Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -113dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 119dB A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010 dB max deviation over 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -138dB max. adjacent channel, -1dBFS 1kHz @ 41.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min, -1dBFS, 60Hz and 1 kHz @ 61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain settings: Fixed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-DIG Digital I\/O Module\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eOptional LM-DIG digital I\/O module\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003e16 input and 16 output channels of 24-bit AES\/EBU\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e44.1 kHz to 192 kHz sample rate support\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTwo 25-pin female D-subs, Yamaha digital I\/O pinout\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eSoftware\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eLynx NControl for Aurora(n) USB, Thunderbolt \u0026amp; Dante models\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eFor total control of all functions and routing from your computer\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNow includes Mic Pre and micro SD record and playback control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eOther\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAdditional modules\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eDigital I\/O\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMicrophone preamp\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMore in development\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Input Connections\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Output Connectors\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eDimensions\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eDepth - 10 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eWidth - 19 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp style=\"text-align: center;\"\u003eHeight - 1.7 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Lynx","offers":[{"title":"Default Title","offer_id":54332172861724,"sku":"auroran16dnt","price":4539.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/lynx-aurora-n-1-jrr-edit_7.jpg?v=1784603880"},{"product_id":"lynx-aurora-n-24-hd-converter-interface","title":"Lynx Aurora(n) 24 HD2 Converter Interface","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg height=\"150\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/lynx-aurora-n-1-jrr-edit.jpg?v=1784603869\" width=\"690\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eKey features\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e8, 16, 24, and 32 channel versions - each in a 1U format.\u003c\/p\u003e\n\u003cp\u003eOnboard 32-channel microSD recorder for direct recording and playback.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eUpgradable modules available now include a mic pre-amp module a digital connectivity module with optional ADAT IO and an 8 channel A\/D \u0026amp; D\/A module with more to come.\u003c\/p\u003e\n\u003cp\u003eTwo audiophile-grade headphone outs with independent volume controls.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e1-in 3-out word clock with Lynx’s second generation SynchroLock 2™ technology.\u003c\/p\u003e\n\u003cp\u003eFuture-proof LSlot design with swappable USB, Thunderbolt, ProTools®|HD and DANTE cards.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eFull Windows and OSX compatibility\u003c\/p\u003e\n\u003cp\u003eRoad-ready rack-mount reinforced chassis\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e24 Bit - 192 kHz mastering grade A\/D and D\/A conversion\u003c\/p\u003e\n\u003cp\u003eDesigned and built in Southern California, USA\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eLynx Announces Dolby Atmos Compatibility\u003c\/h1\u003e\n\u003cdiv class=\"wrap\"\u003e\n\u003cp\u003eLynx Studio Technology has announced compatibility between their acclaimed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e audio interface\/converter and Dolby Atmos, a revolutionary spatial audio technology for the most immersive sound experience. Atmos expands on existing surround sound systems by adding height channels, allowing sounds to be interpreted as three-dimensional objects with neither horizontal nor vertical limitation.\u003c\/p\u003e\n\u003cp\u003eLynx co-owner and Chief Hardware Engineer Bob Bauman states, “We’ve had many requests from audio engineers who want to combine the sonic transparency of the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the tremendous creative power offered by the Atmos mixing environment. Now they can.”\u003c\/p\u003e\n\u003cp\u003eCo-owner and Chief Software Engineer David Hoatson adds, “From the start, we designed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the flexibility to offer an extraordinary path for future upgrades. Lynx customers who have loyally supported the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e platform now get rewarded with the ability to work within the exciting new realm of immersive audio.”\u003c\/p\u003e\n\u003cp\u003eThe new Dolby Atmos compatibility for the Lynx Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e will be made available via a free firmware update that will be found on the Lynx web site for all registered Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e users. The update includes a slew of new features including support for speaker configurations up to 9.1.6, 530 total room correction filters, up to 16 filters per channel (including parametric, low-pass, high-pass, and shelving), channel level and delay compensation, and comprehensive bass management with LFE channel, all of which is implemented in hardware with 64-bit floating-point accuracy. The update will also allow for perfect integration between Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e and Sonarworks sound calibration software as well as Room EQ Wizard (REW) for room acoustic measurement, loudspeaker measurement and audio device measurement. This compatibility will allow for direct import of speaker calibration parameters into Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with no manual entry required. Dolby Atmos control will also be seamlessly integrated into Lynx’ own NControl software.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eTransparency Matters\u003c\/h1\u003e\n\u003cp\u003eSignal coloration is additive and can kill an otherwise pristine mix. That’s why a colored mix begins to collapse while the transparent mix has space, definition and a level of detail that is simply unattainable with converters that add color and distortion. Lynx’s hallmark sonic transparency is why Lynx converters are being used in the most mission-critical audio applications and in the world’s finest recording facilities. Lynx converters have been specified for their uncanny ability to convert signals without adding any artifacts or color. For audio engineers and producers demanding the most pristine recordings and mixes Lynx is the converter of choice at facilities like Dolby’s new mega complex of audio research, Skywalker Sound, NPR, and the Smithsonian Institute. Lynx converters pass the most stringent tests and shoot outs to become the sought after converters for these discerning professionals. Precision matters more than ever and there is no place for even the slightest coloration or degradation of the signal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eDiscrete Converter Array\u003c\/h1\u003e\n\u003cp\u003eSome manufacturers use multiple converters on a single chip. While that is one way to fit many converter channels in a single rack space while lowering costs, it comes at a steep cost in performance. At Lynx, the analog signal path for each channel has been designed as a self-contained and shielded circuit. Each channel pair has its own dedicated conversion device. This has many sonic advantages by significantly reducing crosstalk and distortion while increasing dynamic range and performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eHilo Converter Technology (HCT)\u003c\/h1\u003e\n\u003cp\u003eDesign and technology borrowed from the development of the Hilo is used to significantly improve specifications and transparency over previous models while attaining stunning Hilo-like performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eFuture-Proof Design:\u003c\/h1\u003e\n\u003ch4\u003eConfigurable I\/O\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAdd Channels – Start with eight, sixteen or twenty four channels and later add additional groups of eight channels for up to thirty two total.\u003c\/li\u003e\n\u003cli\u003eAdd Modules – Digital I\/O, Mic Pre Amp; More are being designed now for future release.\u003c\/li\u003e\n\u003cli\u003eAdd Connection Method – Thunderbolt, DANTE, ProTools|HD or USB via LSlot Cards\u003c\/li\u003e\n\u003cli\u003eAdd Functionality – Via firmware updates. Just as we have for Hilo and Aurora we will continue to improve the Aurora(n)’s functionality and build in new feature sets.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eSynchroLock 2™\u003c\/h1\u003e\n\u003cp\u003eAll new SynchroLock 2™ high-performance sample clock technology provides a whopping 300,000:1 reduction in jitter, 5 second lock time and absolute accuracy. Word clock I\/O provides one input and three outputs on BNC connectors.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eTechnical specifications\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eAnalog Specs\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine In (includes A\/D Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐113dB @1kHz, ‐1dBFS, 20kHz filter, +20dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 119dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon mode rejection: greater than 80dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐108dB @1kHz, ‐1dBFS, 20kHz filter, +20 dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eHeadphone Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐107dB @1kHz, ‐1dBFS, 20kHz filter, volume at max\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐120dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput level: 18.4dBu maximum\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput power: 68mW @ 600Ω, 135mW @ 300Ω, 383mW @ 60Ω, 212mW @ 32Ω, 100mW @ 16Ω\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-PRE4 Preamp Module\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eMicrophone Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -111dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEIN: -129dBu A-weighted, -60dBFS method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 116dB A‐weighted, ‐60dBFS signal method @ 21.68dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency Response: +0.01 \/ -0.08dB max. Deviation over 20-20kHz band, -1dBFS @ all gain settings\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -127dB max. Adjacent channel, -1dBFS, 1kHz @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min. -1dBFS, 60Hz and 1kHz @61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 28.7dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eInput impedance: 2.1k Ohm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain Settings: 5.6dB\/13.6dB to 68.6dB in 1dB steps\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePad attenuation: 13.6dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHigh-pass Filter: 80Hz, 12 dB \/ octave\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eLine Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -113dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 119dB A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010 dB max deviation over 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -138dB max. adjacent channel, -1dBFS 1kHz @ 41.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min, -1dBFS, 60Hz and 1 kHz @ 61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain settings: Fixed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-DIG Digital I\/O Module\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eOptional LM-DIG digital I\/O module\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003e16 input and 16 output channels of 24-bit AES\/EBU\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e44.1 kHz to 192 kHz sample rate support\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTwo 25-pin female D-subs, Yamaha digital I\/O pinout\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eSoftware\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eLynx NControl for Aurora(n) USB, Thunderbolt \u0026amp; Dante models\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eFor total control of all functions and routing from your computer\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNow includes Mic Pre and micro SD record and playback control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eOther\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAdditional modules\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eDigital I\/O\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMicrophone preamp\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMore in development\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Input Connections\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Output Connectors\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eDimensions\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eDepth - 10 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eWidth - 19 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp style=\"text-align: center;\"\u003eHeight - 1.7 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Lynx","offers":[{"title":"Default Title","offer_id":54332172894492,"sku":"auroran24hd","price":4899.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/lynx-aurora-n-1-jrr-edit_8.jpg?v=1784603880"},{"product_id":"lynx-aurora-n-24-tb-converter-interface","title":"Lynx Aurora(n) 24 TB3 Converter Interface","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg height=\"150\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/lynx-aurora-n-1-jrr-edit.jpg?v=1784603869\" width=\"690\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eKey features\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e8, 16, 24, and 32 channel versions - each in a 1U format.\u003c\/p\u003e\n\u003cp\u003eOnboard 32-channel microSD recorder for direct recording and playback.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eUpgradable modules available now include a mic pre-amp module a digital connectivity module with optional ADAT IO and an 8 channel A\/D \u0026amp; D\/A module with more to come.\u003c\/p\u003e\n\u003cp\u003eTwo audiophile-grade headphone outs with independent volume controls.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e1-in 3-out word clock with Lynx’s second generation SynchroLock 2™ technology.\u003c\/p\u003e\n\u003cp\u003eFuture-proof LSlot design with swappable USB, Thunderbolt, ProTools®|HD and DANTE cards.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eFull Windows and OSX compatibility\u003c\/p\u003e\n\u003cp\u003eRoad-ready rack-mount reinforced chassis\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e24 Bit - 192 kHz mastering grade A\/D and D\/A conversion\u003c\/p\u003e\n\u003cp\u003eDesigned and built in Southern California, USA\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eLynx Announces Dolby Atmos Compatibility\u003c\/h1\u003e\n\u003cdiv class=\"wrap\"\u003e\n\u003cp\u003eLynx Studio Technology has announced compatibility between their acclaimed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e audio interface\/converter and Dolby Atmos, a revolutionary spatial audio technology for the most immersive sound experience. Atmos expands on existing surround sound systems by adding height channels, allowing sounds to be interpreted as three-dimensional objects with neither horizontal nor vertical limitation.\u003c\/p\u003e\n\u003cp\u003eLynx co-owner and Chief Hardware Engineer Bob Bauman states, “We’ve had many requests from audio engineers who want to combine the sonic transparency of the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the tremendous creative power offered by the Atmos mixing environment. Now they can.”\u003c\/p\u003e\n\u003cp\u003eCo-owner and Chief Software Engineer David Hoatson adds, “From the start, we designed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the flexibility to offer an extraordinary path for future upgrades. Lynx customers who have loyally supported the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e platform now get rewarded with the ability to work within the exciting new realm of immersive audio.”\u003c\/p\u003e\n\u003cp\u003eThe new Dolby Atmos compatibility for the Lynx Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e will be made available via a free firmware update that will be found on the Lynx web site for all registered Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e users. The update includes a slew of new features including support for speaker configurations up to 9.1.6, 530 total room correction filters, up to 16 filters per channel (including parametric, low-pass, high-pass, and shelving), channel level and delay compensation, and comprehensive bass management with LFE channel, all of which is implemented in hardware with 64-bit floating-point accuracy. The update will also allow for perfect integration between Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e and Sonarworks sound calibration software as well as Room EQ Wizard (REW) for room acoustic measurement, loudspeaker measurement and audio device measurement. This compatibility will allow for direct import of speaker calibration parameters into Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with no manual entry required. Dolby Atmos control will also be seamlessly integrated into Lynx’ own NControl software.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eTransparency Matters\u003c\/h1\u003e\n\u003cp\u003eSignal coloration is additive and can kill an otherwise pristine mix. That’s why a colored mix begins to collapse while the transparent mix has space, definition and a level of detail that is simply unattainable with converters that add color and distortion. Lynx’s hallmark sonic transparency is why Lynx converters are being used in the most mission-critical audio applications and in the world’s finest recording facilities. Lynx converters have been specified for their uncanny ability to convert signals without adding any artifacts or color. For audio engineers and producers demanding the most pristine recordings and mixes Lynx is the converter of choice at facilities like Dolby’s new mega complex of audio research, Skywalker Sound, NPR, and the Smithsonian Institute. Lynx converters pass the most stringent tests and shoot outs to become the sought after converters for these discerning professionals. Precision matters more than ever and there is no place for even the slightest coloration or degradation of the signal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eDiscrete Converter Array\u003c\/h1\u003e\n\u003cp\u003eSome manufacturers use multiple converters on a single chip. While that is one way to fit many converter channels in a single rack space while lowering costs, it comes at a steep cost in performance. At Lynx, the analog signal path for each channel has been designed as a self-contained and shielded circuit. Each channel pair has its own dedicated conversion device. This has many sonic advantages by significantly reducing crosstalk and distortion while increasing dynamic range and performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eHilo Converter Technology (HCT)\u003c\/h1\u003e\n\u003cp\u003eDesign and technology borrowed from the development of the Hilo is used to significantly improve specifications and transparency over previous models while attaining stunning Hilo-like performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eFuture-Proof Design:\u003c\/h1\u003e\n\u003ch4\u003eConfigurable I\/O\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAdd Channels – Start with eight, sixteen or twenty four channels and later add additional groups of eight channels for up to thirty two total.\u003c\/li\u003e\n\u003cli\u003eAdd Modules – Digital I\/O, Mic Pre Amp; More are being designed now for future release.\u003c\/li\u003e\n\u003cli\u003eAdd Connection Method – Thunderbolt, DANTE, ProTools|HD or USB via LSlot Cards\u003c\/li\u003e\n\u003cli\u003eAdd Functionality – Via firmware updates. Just as we have for Hilo and Aurora we will continue to improve the Aurora(n)’s functionality and build in new feature sets.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eSynchroLock 2™\u003c\/h1\u003e\n\u003cp\u003eAll new SynchroLock 2™ high-performance sample clock technology provides a whopping 300,000:1 reduction in jitter, 5 second lock time and absolute accuracy. Word clock I\/O provides one input and three outputs on BNC connectors.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eTechnical specifications\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eAnalog Specs\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine In (includes A\/D Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐113dB @1kHz, ‐1dBFS, 20kHz filter, +20dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 119dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon mode rejection: greater than 80dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐108dB @1kHz, ‐1dBFS, 20kHz filter, +20 dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eHeadphone Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐107dB @1kHz, ‐1dBFS, 20kHz filter, volume at max\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐120dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput level: 18.4dBu maximum\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput power: 68mW @ 600Ω, 135mW @ 300Ω, 383mW @ 60Ω, 212mW @ 32Ω, 100mW @ 16Ω\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-PRE4 Preamp Module\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eMicrophone Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -111dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEIN: -129dBu A-weighted, -60dBFS method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 116dB A‐weighted, ‐60dBFS signal method @ 21.68dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency Response: +0.01 \/ -0.08dB max. Deviation over 20-20kHz band, -1dBFS @ all gain settings\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -127dB max. Adjacent channel, -1dBFS, 1kHz @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min. -1dBFS, 60Hz and 1kHz @61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 28.7dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eInput impedance: 2.1k Ohm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain Settings: 5.6dB\/13.6dB to 68.6dB in 1dB steps\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePad attenuation: 13.6dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHigh-pass Filter: 80Hz, 12 dB \/ octave\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eLine Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -113dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 119dB A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010 dB max deviation over 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -138dB max. adjacent channel, -1dBFS 1kHz @ 41.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min, -1dBFS, 60Hz and 1 kHz @ 61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain settings: Fixed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-DIG Digital I\/O Module\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eOptional LM-DIG digital I\/O module\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003e16 input and 16 output channels of 24-bit AES\/EBU\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e44.1 kHz to 192 kHz sample rate support\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTwo 25-pin female D-subs, Yamaha digital I\/O pinout\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eSoftware\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eLynx NControl for Aurora(n) USB, Thunderbolt \u0026amp; Dante models\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eFor total control of all functions and routing from your computer\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNow includes Mic Pre and micro SD record and playback control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eOther\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAdditional modules\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eDigital I\/O\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMicrophone preamp\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMore in development\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Input Connections\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Output Connectors\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eDimensions\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eDepth - 10 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eWidth - 19 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp style=\"text-align: center;\"\u003eHeight - 1.7 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Lynx","offers":[{"title":"Default Title","offer_id":54332172927260,"sku":"auroran24tb","price":5439.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/lynx-aurora-n-1-jrr-edit_9.jpg?v=1784603881"},{"product_id":"lynx-aurora-n-24-dnt-converter-interface","title":"Lynx Aurora(n) 24 DNT Converter Interface","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg height=\"150\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/lynx-aurora-n-1-jrr-edit.jpg?v=1784603869\" width=\"690\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eKey features\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e8, 16, 24, and 32 channel versions - each in a 1U format.\u003c\/p\u003e\n\u003cp\u003eOnboard 32-channel microSD recorder for direct recording and playback.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eUpgradable modules available now include a mic pre-amp module a digital connectivity module with optional ADAT IO and an 8 channel A\/D \u0026amp; D\/A module with more to come.\u003c\/p\u003e\n\u003cp\u003eTwo audiophile-grade headphone outs with independent volume controls.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e1-in 3-out word clock with Lynx’s second generation SynchroLock 2™ technology.\u003c\/p\u003e\n\u003cp\u003eFuture-proof LSlot design with swappable USB, Thunderbolt, ProTools®|HD and DANTE cards.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eFull Windows and OSX compatibility\u003c\/p\u003e\n\u003cp\u003eRoad-ready rack-mount reinforced chassis\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e24 Bit - 192 kHz mastering grade A\/D and D\/A conversion\u003c\/p\u003e\n\u003cp\u003eDesigned and built in Southern California, USA\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eLynx Announces Dolby Atmos Compatibility\u003c\/h1\u003e\n\u003cdiv class=\"wrap\"\u003e\n\u003cp\u003eLynx Studio Technology has announced compatibility between their acclaimed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e audio interface\/converter and Dolby Atmos, a revolutionary spatial audio technology for the most immersive sound experience. Atmos expands on existing surround sound systems by adding height channels, allowing sounds to be interpreted as three-dimensional objects with neither horizontal nor vertical limitation.\u003c\/p\u003e\n\u003cp\u003eLynx co-owner and Chief Hardware Engineer Bob Bauman states, “We’ve had many requests from audio engineers who want to combine the sonic transparency of the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the tremendous creative power offered by the Atmos mixing environment. Now they can.”\u003c\/p\u003e\n\u003cp\u003eCo-owner and Chief Software Engineer David Hoatson adds, “From the start, we designed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the flexibility to offer an extraordinary path for future upgrades. Lynx customers who have loyally supported the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e platform now get rewarded with the ability to work within the exciting new realm of immersive audio.”\u003c\/p\u003e\n\u003cp\u003eThe new Dolby Atmos compatibility for the Lynx Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e will be made available via a free firmware update that will be found on the Lynx web site for all registered Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e users. The update includes a slew of new features including support for speaker configurations up to 9.1.6, 530 total room correction filters, up to 16 filters per channel (including parametric, low-pass, high-pass, and shelving), channel level and delay compensation, and comprehensive bass management with LFE channel, all of which is implemented in hardware with 64-bit floating-point accuracy. The update will also allow for perfect integration between Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e and Sonarworks sound calibration software as well as Room EQ Wizard (REW) for room acoustic measurement, loudspeaker measurement and audio device measurement. This compatibility will allow for direct import of speaker calibration parameters into Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with no manual entry required. Dolby Atmos control will also be seamlessly integrated into Lynx’ own NControl software.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eTransparency Matters\u003c\/h1\u003e\n\u003cp\u003eSignal coloration is additive and can kill an otherwise pristine mix. That’s why a colored mix begins to collapse while the transparent mix has space, definition and a level of detail that is simply unattainable with converters that add color and distortion. Lynx’s hallmark sonic transparency is why Lynx converters are being used in the most mission-critical audio applications and in the world’s finest recording facilities. Lynx converters have been specified for their uncanny ability to convert signals without adding any artifacts or color. For audio engineers and producers demanding the most pristine recordings and mixes Lynx is the converter of choice at facilities like Dolby’s new mega complex of audio research, Skywalker Sound, NPR, and the Smithsonian Institute. Lynx converters pass the most stringent tests and shoot outs to become the sought after converters for these discerning professionals. Precision matters more than ever and there is no place for even the slightest coloration or degradation of the signal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eDiscrete Converter Array\u003c\/h1\u003e\n\u003cp\u003eSome manufacturers use multiple converters on a single chip. While that is one way to fit many converter channels in a single rack space while lowering costs, it comes at a steep cost in performance. At Lynx, the analog signal path for each channel has been designed as a self-contained and shielded circuit. Each channel pair has its own dedicated conversion device. This has many sonic advantages by significantly reducing crosstalk and distortion while increasing dynamic range and performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eHilo Converter Technology (HCT)\u003c\/h1\u003e\n\u003cp\u003eDesign and technology borrowed from the development of the Hilo is used to significantly improve specifications and transparency over previous models while attaining stunning Hilo-like performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eFuture-Proof Design:\u003c\/h1\u003e\n\u003ch4\u003eConfigurable I\/O\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAdd Channels – Start with eight, sixteen or twenty four channels and later add additional groups of eight channels for up to thirty two total.\u003c\/li\u003e\n\u003cli\u003eAdd Modules – Digital I\/O, Mic Pre Amp; More are being designed now for future release.\u003c\/li\u003e\n\u003cli\u003eAdd Connection Method – Thunderbolt, DANTE, ProTools|HD or USB via LSlot Cards\u003c\/li\u003e\n\u003cli\u003eAdd Functionality – Via firmware updates. Just as we have for Hilo and Aurora we will continue to improve the Aurora(n)’s functionality and build in new feature sets.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eSynchroLock 2™\u003c\/h1\u003e\n\u003cp\u003eAll new SynchroLock 2™ high-performance sample clock technology provides a whopping 300,000:1 reduction in jitter, 5 second lock time and absolute accuracy. Word clock I\/O provides one input and three outputs on BNC connectors.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eTechnical specifications\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eAnalog Specs\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine In (includes A\/D Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐113dB @1kHz, ‐1dBFS, 20kHz filter, +20dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 119dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon mode rejection: greater than 80dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐108dB @1kHz, ‐1dBFS, 20kHz filter, +20 dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eHeadphone Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐107dB @1kHz, ‐1dBFS, 20kHz filter, volume at max\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐120dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput level: 18.4dBu maximum\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput power: 68mW @ 600Ω, 135mW @ 300Ω, 383mW @ 60Ω, 212mW @ 32Ω, 100mW @ 16Ω\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-PRE4 Preamp Module\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eMicrophone Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -111dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEIN: -129dBu A-weighted, -60dBFS method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 116dB A‐weighted, ‐60dBFS signal method @ 21.68dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency Response: +0.01 \/ -0.08dB max. Deviation over 20-20kHz band, -1dBFS @ all gain settings\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -127dB max. Adjacent channel, -1dBFS, 1kHz @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min. -1dBFS, 60Hz and 1kHz @61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 28.7dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eInput impedance: 2.1k Ohm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain Settings: 5.6dB\/13.6dB to 68.6dB in 1dB steps\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePad attenuation: 13.6dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHigh-pass Filter: 80Hz, 12 dB \/ octave\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eLine Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -113dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 119dB A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010 dB max deviation over 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -138dB max. adjacent channel, -1dBFS 1kHz @ 41.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min, -1dBFS, 60Hz and 1 kHz @ 61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain settings: Fixed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-DIG Digital I\/O Module\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eOptional LM-DIG digital I\/O module\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003e16 input and 16 output channels of 24-bit AES\/EBU\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e44.1 kHz to 192 kHz sample rate support\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTwo 25-pin female D-subs, Yamaha digital I\/O pinout\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eSoftware\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eLynx NControl for Aurora(n) USB, Thunderbolt \u0026amp; Dante models\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eFor total control of all functions and routing from your computer\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNow includes Mic Pre and micro SD record and playback control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eOther\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAdditional modules\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eDigital I\/O\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMicrophone preamp\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMore in development\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Input Connections\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Output Connectors\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eDimensions\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eDepth - 10 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eWidth - 19 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp style=\"text-align: center;\"\u003eHeight - 1.7 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Lynx","offers":[{"title":"Default Title","offer_id":54332172992796,"sku":"auroran24dnt","price":5539.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/lynx-aurora-n-1-jrr-edit_10.jpg?v=1784603884"},{"product_id":"lynx-aurora-n-32-hd-converter-interface","title":"Lynx Aurora(n) 32 HD2 Converter Interface","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg height=\"150\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/lynx-aurora-n-1-jrr-edit.jpg?v=1784603869\" width=\"690\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eKey features\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e8, 16, 24, and 32 channel versions - each in a 1U format.\u003c\/p\u003e\n\u003cp\u003eOnboard 32-channel microSD recorder for direct recording and playback.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eUpgradable modules available now include a mic pre-amp module a digital connectivity module with optional ADAT IO and an 8 channel A\/D \u0026amp; D\/A module with more to come.\u003c\/p\u003e\n\u003cp\u003eTwo audiophile-grade headphone outs with independent volume controls.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e1-in 3-out word clock with Lynx’s second generation SynchroLock 2™ technology.\u003c\/p\u003e\n\u003cp\u003eFuture-proof LSlot design with swappable USB, Thunderbolt, ProTools®|HD and DANTE cards.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eFull Windows and OSX compatibility\u003c\/p\u003e\n\u003cp\u003eRoad-ready rack-mount reinforced chassis\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e24 Bit - 192 kHz mastering grade A\/D and D\/A conversion\u003c\/p\u003e\n\u003cp\u003eDesigned and built in Southern California, USA\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eLynx Announces Dolby Atmos Compatibility\u003c\/h1\u003e\n\u003cdiv class=\"wrap\"\u003e\n\u003cp\u003eLynx Studio Technology has announced compatibility between their acclaimed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e audio interface\/converter and Dolby Atmos, a revolutionary spatial audio technology for the most immersive sound experience. Atmos expands on existing surround sound systems by adding height channels, allowing sounds to be interpreted as three-dimensional objects with neither horizontal nor vertical limitation.\u003c\/p\u003e\n\u003cp\u003eLynx co-owner and Chief Hardware Engineer Bob Bauman states, “We’ve had many requests from audio engineers who want to combine the sonic transparency of the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the tremendous creative power offered by the Atmos mixing environment. Now they can.”\u003c\/p\u003e\n\u003cp\u003eCo-owner and Chief Software Engineer David Hoatson adds, “From the start, we designed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the flexibility to offer an extraordinary path for future upgrades. Lynx customers who have loyally supported the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e platform now get rewarded with the ability to work within the exciting new realm of immersive audio.”\u003c\/p\u003e\n\u003cp\u003eThe new Dolby Atmos compatibility for the Lynx Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e will be made available via a free firmware update that will be found on the Lynx web site for all registered Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e users. The update includes a slew of new features including support for speaker configurations up to 9.1.6, 530 total room correction filters, up to 16 filters per channel (including parametric, low-pass, high-pass, and shelving), channel level and delay compensation, and comprehensive bass management with LFE channel, all of which is implemented in hardware with 64-bit floating-point accuracy. The update will also allow for perfect integration between Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e and Sonarworks sound calibration software as well as Room EQ Wizard (REW) for room acoustic measurement, loudspeaker measurement and audio device measurement. This compatibility will allow for direct import of speaker calibration parameters into Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with no manual entry required. Dolby Atmos control will also be seamlessly integrated into Lynx’ own NControl software.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eTransparency Matters\u003c\/h1\u003e\n\u003cp\u003eSignal coloration is additive and can kill an otherwise pristine mix. That’s why a colored mix begins to collapse while the transparent mix has space, definition and a level of detail that is simply unattainable with converters that add color and distortion. Lynx’s hallmark sonic transparency is why Lynx converters are being used in the most mission-critical audio applications and in the world’s finest recording facilities. Lynx converters have been specified for their uncanny ability to convert signals without adding any artifacts or color. For audio engineers and producers demanding the most pristine recordings and mixes Lynx is the converter of choice at facilities like Dolby’s new mega complex of audio research, Skywalker Sound, NPR, and the Smithsonian Institute. Lynx converters pass the most stringent tests and shoot outs to become the sought after converters for these discerning professionals. Precision matters more than ever and there is no place for even the slightest coloration or degradation of the signal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eDiscrete Converter Array\u003c\/h1\u003e\n\u003cp\u003eSome manufacturers use multiple converters on a single chip. While that is one way to fit many converter channels in a single rack space while lowering costs, it comes at a steep cost in performance. At Lynx, the analog signal path for each channel has been designed as a self-contained and shielded circuit. Each channel pair has its own dedicated conversion device. This has many sonic advantages by significantly reducing crosstalk and distortion while increasing dynamic range and performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eHilo Converter Technology (HCT)\u003c\/h1\u003e\n\u003cp\u003eDesign and technology borrowed from the development of the Hilo is used to significantly improve specifications and transparency over previous models while attaining stunning Hilo-like performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eFuture-Proof Design:\u003c\/h1\u003e\n\u003ch4\u003eConfigurable I\/O\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAdd Channels – Start with eight, sixteen or twenty four channels and later add additional groups of eight channels for up to thirty two total.\u003c\/li\u003e\n\u003cli\u003eAdd Modules – Digital I\/O, Mic Pre Amp; More are being designed now for future release.\u003c\/li\u003e\n\u003cli\u003eAdd Connection Method – Thunderbolt, DANTE, ProTools|HD or USB via LSlot Cards\u003c\/li\u003e\n\u003cli\u003eAdd Functionality – Via firmware updates. Just as we have for Hilo and Aurora we will continue to improve the Aurora(n)’s functionality and build in new feature sets.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eSynchroLock 2™\u003c\/h1\u003e\n\u003cp\u003eAll new SynchroLock 2™ high-performance sample clock technology provides a whopping 300,000:1 reduction in jitter, 5 second lock time and absolute accuracy. Word clock I\/O provides one input and three outputs on BNC connectors.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eTechnical specifications\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eAnalog Specs\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine In (includes A\/D Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐113dB @1kHz, ‐1dBFS, 20kHz filter, +20dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 119dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon mode rejection: greater than 80dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐108dB @1kHz, ‐1dBFS, 20kHz filter, +20 dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eHeadphone Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐107dB @1kHz, ‐1dBFS, 20kHz filter, volume at max\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐120dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput level: 18.4dBu maximum\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput power: 68mW @ 600Ω, 135mW @ 300Ω, 383mW @ 60Ω, 212mW @ 32Ω, 100mW @ 16Ω\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-PRE4 Preamp Module\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eMicrophone Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -111dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEIN: -129dBu A-weighted, -60dBFS method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 116dB A‐weighted, ‐60dBFS signal method @ 21.68dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency Response: +0.01 \/ -0.08dB max. Deviation over 20-20kHz band, -1dBFS @ all gain settings\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -127dB max. Adjacent channel, -1dBFS, 1kHz @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min. -1dBFS, 60Hz and 1kHz @61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 28.7dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eInput impedance: 2.1k Ohm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain Settings: 5.6dB\/13.6dB to 68.6dB in 1dB steps\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePad attenuation: 13.6dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHigh-pass Filter: 80Hz, 12 dB \/ octave\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eLine Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -113dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 119dB A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010 dB max deviation over 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -138dB max. adjacent channel, -1dBFS 1kHz @ 41.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min, -1dBFS, 60Hz and 1 kHz @ 61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain settings: Fixed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-DIG Digital I\/O Module\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eOptional LM-DIG digital I\/O module\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003e16 input and 16 output channels of 24-bit AES\/EBU\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e44.1 kHz to 192 kHz sample rate support\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTwo 25-pin female D-subs, Yamaha digital I\/O pinout\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eSoftware\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eLynx NControl for Aurora(n) USB, Thunderbolt \u0026amp; Dante models\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eFor total control of all functions and routing from your computer\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNow includes Mic Pre and micro SD record and playback control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eOther\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAdditional modules\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eDigital I\/O\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMicrophone preamp\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMore in development\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Input Connections\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Output Connectors\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eDimensions\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eDepth - 10 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eWidth - 19 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp style=\"text-align: center;\"\u003eHeight - 1.7 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Lynx","offers":[{"title":"Default Title","offer_id":54332173025564,"sku":"auroran32hd","price":5899.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/lynx-aurora-n-1-jrr-edit_11.jpg?v=1784603885"},{"product_id":"lynx-aurora-n-32-tb-converter-interface","title":"Lynx Aurora(n) 32 TB3 Converter Interface","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg height=\"150\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/lynx-aurora-n-1-jrr-edit.jpg?v=1784603869\" width=\"690\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eKey features\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e8, 16, 24, and 32 channel versions - each in a 1U format.\u003c\/p\u003e\n\u003cp\u003eOnboard 32-channel microSD recorder for direct recording and playback.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eUpgradable modules available now include a mic pre-amp module a digital connectivity module with optional ADAT IO and an 8 channel A\/D \u0026amp; D\/A module with more to come.\u003c\/p\u003e\n\u003cp\u003eTwo audiophile-grade headphone outs with independent volume controls.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e1-in 3-out word clock with Lynx’s second generation SynchroLock 2™ technology.\u003c\/p\u003e\n\u003cp\u003eFuture-proof LSlot design with swappable USB, Thunderbolt, ProTools®|HD and DANTE cards.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eFull Windows and OSX compatibility\u003c\/p\u003e\n\u003cp\u003eRoad-ready rack-mount reinforced chassis\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e24 Bit - 192 kHz mastering grade A\/D and D\/A conversion\u003c\/p\u003e\n\u003cp\u003eDesigned and built in Southern California, USA\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eLynx Announces Dolby Atmos Compatibility\u003c\/h1\u003e\n\u003cdiv class=\"wrap\"\u003e\n\u003cp\u003eLynx Studio Technology has announced compatibility between their acclaimed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e audio interface\/converter and Dolby Atmos, a revolutionary spatial audio technology for the most immersive sound experience. Atmos expands on existing surround sound systems by adding height channels, allowing sounds to be interpreted as three-dimensional objects with neither horizontal nor vertical limitation.\u003c\/p\u003e\n\u003cp\u003eLynx co-owner and Chief Hardware Engineer Bob Bauman states, “We’ve had many requests from audio engineers who want to combine the sonic transparency of the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the tremendous creative power offered by the Atmos mixing environment. Now they can.”\u003c\/p\u003e\n\u003cp\u003eCo-owner and Chief Software Engineer David Hoatson adds, “From the start, we designed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the flexibility to offer an extraordinary path for future upgrades. Lynx customers who have loyally supported the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e platform now get rewarded with the ability to work within the exciting new realm of immersive audio.”\u003c\/p\u003e\n\u003cp\u003eThe new Dolby Atmos compatibility for the Lynx Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e will be made available via a free firmware update that will be found on the Lynx web site for all registered Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e users. The update includes a slew of new features including support for speaker configurations up to 9.1.6, 530 total room correction filters, up to 16 filters per channel (including parametric, low-pass, high-pass, and shelving), channel level and delay compensation, and comprehensive bass management with LFE channel, all of which is implemented in hardware with 64-bit floating-point accuracy. The update will also allow for perfect integration between Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e and Sonarworks sound calibration software as well as Room EQ Wizard (REW) for room acoustic measurement, loudspeaker measurement and audio device measurement. This compatibility will allow for direct import of speaker calibration parameters into Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with no manual entry required. Dolby Atmos control will also be seamlessly integrated into Lynx’ own NControl software.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eTransparency Matters\u003c\/h1\u003e\n\u003cp\u003eSignal coloration is additive and can kill an otherwise pristine mix. That’s why a colored mix begins to collapse while the transparent mix has space, definition and a level of detail that is simply unattainable with converters that add color and distortion. Lynx’s hallmark sonic transparency is why Lynx converters are being used in the most mission-critical audio applications and in the world’s finest recording facilities. Lynx converters have been specified for their uncanny ability to convert signals without adding any artifacts or color. For audio engineers and producers demanding the most pristine recordings and mixes Lynx is the converter of choice at facilities like Dolby’s new mega complex of audio research, Skywalker Sound, NPR, and the Smithsonian Institute. Lynx converters pass the most stringent tests and shoot outs to become the sought after converters for these discerning professionals. Precision matters more than ever and there is no place for even the slightest coloration or degradation of the signal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eDiscrete Converter Array\u003c\/h1\u003e\n\u003cp\u003eSome manufacturers use multiple converters on a single chip. While that is one way to fit many converter channels in a single rack space while lowering costs, it comes at a steep cost in performance. At Lynx, the analog signal path for each channel has been designed as a self-contained and shielded circuit. Each channel pair has its own dedicated conversion device. This has many sonic advantages by significantly reducing crosstalk and distortion while increasing dynamic range and performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eHilo Converter Technology (HCT)\u003c\/h1\u003e\n\u003cp\u003eDesign and technology borrowed from the development of the Hilo is used to significantly improve specifications and transparency over previous models while attaining stunning Hilo-like performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eFuture-Proof Design:\u003c\/h1\u003e\n\u003ch4\u003eConfigurable I\/O\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAdd Channels – Start with eight, sixteen or twenty four channels and later add additional groups of eight channels for up to thirty two total.\u003c\/li\u003e\n\u003cli\u003eAdd Modules – Digital I\/O, Mic Pre Amp; More are being designed now for future release.\u003c\/li\u003e\n\u003cli\u003eAdd Connection Method – Thunderbolt, DANTE, ProTools|HD or USB via LSlot Cards\u003c\/li\u003e\n\u003cli\u003eAdd Functionality – Via firmware updates. Just as we have for Hilo and Aurora we will continue to improve the Aurora(n)’s functionality and build in new feature sets.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eSynchroLock 2™\u003c\/h1\u003e\n\u003cp\u003eAll new SynchroLock 2™ high-performance sample clock technology provides a whopping 300,000:1 reduction in jitter, 5 second lock time and absolute accuracy. Word clock I\/O provides one input and three outputs on BNC connectors.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eTechnical specifications\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eAnalog Specs\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine In (includes A\/D Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐113dB @1kHz, ‐1dBFS, 20kHz filter, +20dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 119dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon mode rejection: greater than 80dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐108dB @1kHz, ‐1dBFS, 20kHz filter, +20 dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eHeadphone Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐107dB @1kHz, ‐1dBFS, 20kHz filter, volume at max\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐120dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput level: 18.4dBu maximum\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput power: 68mW @ 600Ω, 135mW @ 300Ω, 383mW @ 60Ω, 212mW @ 32Ω, 100mW @ 16Ω\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-PRE4 Preamp Module\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eMicrophone Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -111dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEIN: -129dBu A-weighted, -60dBFS method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 116dB A‐weighted, ‐60dBFS signal method @ 21.68dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency Response: +0.01 \/ -0.08dB max. Deviation over 20-20kHz band, -1dBFS @ all gain settings\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -127dB max. Adjacent channel, -1dBFS, 1kHz @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min. -1dBFS, 60Hz and 1kHz @61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 28.7dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eInput impedance: 2.1k Ohm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain Settings: 5.6dB\/13.6dB to 68.6dB in 1dB steps\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePad attenuation: 13.6dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHigh-pass Filter: 80Hz, 12 dB \/ octave\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eLine Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -113dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 119dB A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010 dB max deviation over 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -138dB max. adjacent channel, -1dBFS 1kHz @ 41.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min, -1dBFS, 60Hz and 1 kHz @ 61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain settings: Fixed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-DIG Digital I\/O Module\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eOptional LM-DIG digital I\/O module\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003e16 input and 16 output channels of 24-bit AES\/EBU\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e44.1 kHz to 192 kHz sample rate support\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTwo 25-pin female D-subs, Yamaha digital I\/O pinout\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eSoftware\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eLynx NControl for Aurora(n) USB, Thunderbolt \u0026amp; Dante models\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eFor total control of all functions and routing from your computer\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNow includes Mic Pre and micro SD record and playback control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eOther\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAdditional modules\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eDigital I\/O\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMicrophone preamp\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMore in development\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Input Connections\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Output Connectors\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eDimensions\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eDepth - 10 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eWidth - 19 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp style=\"text-align: center;\"\u003eHeight - 1.7 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Lynx","offers":[{"title":"Default Title","offer_id":54332173058332,"sku":"auroran32tb","price":6439.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/lynx-aurora-n-1-jrr-edit_12.jpg?v=1784603885"},{"product_id":"lynx-aurora-n-32-dnt-converter-interface","title":"Lynx Aurora(n) 32 DNT Converter Interface","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg height=\"150\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/lynx-aurora-n-1-jrr-edit.jpg?v=1784603869\" width=\"690\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eKey features\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e8, 16, 24, and 32 channel versions - each in a 1U format.\u003c\/p\u003e\n\u003cp\u003eOnboard 32-channel microSD recorder for direct recording and playback.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eUpgradable modules available now include a mic pre-amp module a digital connectivity module with optional ADAT IO and an 8 channel A\/D \u0026amp; D\/A module with more to come.\u003c\/p\u003e\n\u003cp\u003eTwo audiophile-grade headphone outs with independent volume controls.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e1-in 3-out word clock with Lynx’s second generation SynchroLock 2™ technology.\u003c\/p\u003e\n\u003cp\u003eFuture-proof LSlot design with swappable USB, Thunderbolt, ProTools®|HD and DANTE cards.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eFull Windows and OSX compatibility\u003c\/p\u003e\n\u003cp\u003eRoad-ready rack-mount reinforced chassis\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e24 Bit - 192 kHz mastering grade A\/D and D\/A conversion\u003c\/p\u003e\n\u003cp\u003eDesigned and built in Southern California, USA\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eLynx Announces Dolby Atmos Compatibility\u003c\/h1\u003e\n\u003cdiv class=\"wrap\"\u003e\n\u003cp\u003eLynx Studio Technology has announced compatibility between their acclaimed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e audio interface\/converter and Dolby Atmos, a revolutionary spatial audio technology for the most immersive sound experience. Atmos expands on existing surround sound systems by adding height channels, allowing sounds to be interpreted as three-dimensional objects with neither horizontal nor vertical limitation.\u003c\/p\u003e\n\u003cp\u003eLynx co-owner and Chief Hardware Engineer Bob Bauman states, “We’ve had many requests from audio engineers who want to combine the sonic transparency of the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the tremendous creative power offered by the Atmos mixing environment. Now they can.”\u003c\/p\u003e\n\u003cp\u003eCo-owner and Chief Software Engineer David Hoatson adds, “From the start, we designed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the flexibility to offer an extraordinary path for future upgrades. Lynx customers who have loyally supported the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e platform now get rewarded with the ability to work within the exciting new realm of immersive audio.”\u003c\/p\u003e\n\u003cp\u003eThe new Dolby Atmos compatibility for the Lynx Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e will be made available via a free firmware update that will be found on the Lynx web site for all registered Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e users. The update includes a slew of new features including support for speaker configurations up to 9.1.6, 530 total room correction filters, up to 16 filters per channel (including parametric, low-pass, high-pass, and shelving), channel level and delay compensation, and comprehensive bass management with LFE channel, all of which is implemented in hardware with 64-bit floating-point accuracy. The update will also allow for perfect integration between Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e and Sonarworks sound calibration software as well as Room EQ Wizard (REW) for room acoustic measurement, loudspeaker measurement and audio device measurement. This compatibility will allow for direct import of speaker calibration parameters into Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with no manual entry required. Dolby Atmos control will also be seamlessly integrated into Lynx’ own NControl software.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eTransparency Matters\u003c\/h1\u003e\n\u003cp\u003eSignal coloration is additive and can kill an otherwise pristine mix. That’s why a colored mix begins to collapse while the transparent mix has space, definition and a level of detail that is simply unattainable with converters that add color and distortion. Lynx’s hallmark sonic transparency is why Lynx converters are being used in the most mission-critical audio applications and in the world’s finest recording facilities. Lynx converters have been specified for their uncanny ability to convert signals without adding any artifacts or color. For audio engineers and producers demanding the most pristine recordings and mixes Lynx is the converter of choice at facilities like Dolby’s new mega complex of audio research, Skywalker Sound, NPR, and the Smithsonian Institute. Lynx converters pass the most stringent tests and shoot outs to become the sought after converters for these discerning professionals. Precision matters more than ever and there is no place for even the slightest coloration or degradation of the signal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eDiscrete Converter Array\u003c\/h1\u003e\n\u003cp\u003eSome manufacturers use multiple converters on a single chip. While that is one way to fit many converter channels in a single rack space while lowering costs, it comes at a steep cost in performance. At Lynx, the analog signal path for each channel has been designed as a self-contained and shielded circuit. Each channel pair has its own dedicated conversion device. This has many sonic advantages by significantly reducing crosstalk and distortion while increasing dynamic range and performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eHilo Converter Technology (HCT)\u003c\/h1\u003e\n\u003cp\u003eDesign and technology borrowed from the development of the Hilo is used to significantly improve specifications and transparency over previous models while attaining stunning Hilo-like performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eFuture-Proof Design:\u003c\/h1\u003e\n\u003ch4\u003eConfigurable I\/O\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAdd Channels – Start with eight, sixteen or twenty four channels and later add additional groups of eight channels for up to thirty two total.\u003c\/li\u003e\n\u003cli\u003eAdd Modules – Digital I\/O, Mic Pre Amp; More are being designed now for future release.\u003c\/li\u003e\n\u003cli\u003eAdd Connection Method – Thunderbolt, DANTE, ProTools|HD or USB via LSlot Cards\u003c\/li\u003e\n\u003cli\u003eAdd Functionality – Via firmware updates. Just as we have for Hilo and Aurora we will continue to improve the Aurora(n)’s functionality and build in new feature sets.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eSynchroLock 2™\u003c\/h1\u003e\n\u003cp\u003eAll new SynchroLock 2™ high-performance sample clock technology provides a whopping 300,000:1 reduction in jitter, 5 second lock time and absolute accuracy. Word clock I\/O provides one input and three outputs on BNC connectors.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eTechnical specifications\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eAnalog Specs\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine In (includes A\/D Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐113dB @1kHz, ‐1dBFS, 20kHz filter, +20dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 119dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon mode rejection: greater than 80dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐108dB @1kHz, ‐1dBFS, 20kHz filter, +20 dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eHeadphone Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐107dB @1kHz, ‐1dBFS, 20kHz filter, volume at max\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐120dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput level: 18.4dBu maximum\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput power: 68mW @ 600Ω, 135mW @ 300Ω, 383mW @ 60Ω, 212mW @ 32Ω, 100mW @ 16Ω\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-PRE4 Preamp Module\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eMicrophone Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -111dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEIN: -129dBu A-weighted, -60dBFS method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 116dB A‐weighted, ‐60dBFS signal method @ 21.68dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency Response: +0.01 \/ -0.08dB max. Deviation over 20-20kHz band, -1dBFS @ all gain settings\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -127dB max. Adjacent channel, -1dBFS, 1kHz @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min. -1dBFS, 60Hz and 1kHz @61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 28.7dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eInput impedance: 2.1k Ohm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain Settings: 5.6dB\/13.6dB to 68.6dB in 1dB steps\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePad attenuation: 13.6dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHigh-pass Filter: 80Hz, 12 dB \/ octave\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eLine Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -113dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 119dB A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010 dB max deviation over 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -138dB max. adjacent channel, -1dBFS 1kHz @ 41.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min, -1dBFS, 60Hz and 1 kHz @ 61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain settings: Fixed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-DIG Digital I\/O Module\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eOptional LM-DIG digital I\/O module\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003e16 input and 16 output channels of 24-bit AES\/EBU\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e44.1 kHz to 192 kHz sample rate support\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTwo 25-pin female D-subs, Yamaha digital I\/O pinout\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eSoftware\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eLynx NControl for Aurora(n) USB, Thunderbolt \u0026amp; Dante models\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eFor total control of all functions and routing from your computer\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNow includes Mic Pre and micro SD record and playback control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eOther\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAdditional modules\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eDigital I\/O\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMicrophone preamp\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMore in development\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Input Connections\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Output Connectors\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eDimensions\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eDepth - 10 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eWidth - 19 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp style=\"text-align: center;\"\u003eHeight - 1.7 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Lynx","offers":[{"title":"Default Title","offer_id":54332173091100,"sku":"auroran32dnt","price":6539.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/lynx-aurora-n-1-jrr-edit_13.jpg?v=1784603887"},{"product_id":"presonus-sw5e-mixer-accessory-5-port-avb-switch-with-poe","title":"Presonus SW5E Mixer Accessory 5-Port AVB Switch with PoE","description":"\u003cp\u003ePresonus SW5E Mixer Accessory 5-Port AVB Switch with PoE\u003c\/p\u003e","brand":"Presonus","offers":[{"title":"Default Title","offer_id":54332531835164,"sku":"sw5e","price":399.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/presonus_sw5e_mixer_accessory_5-port_800px.jpg?v=1784608845"},{"product_id":"lynxhilorack","title":"Lynx Hilo Rack V2","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg height=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/lynxhilorackv2.jpg?v=1784696778\" width=\"690\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eTwo-Space Rack Shelf for Lynx Hilo Converter\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eThe Hilo Rack is the ideal solution for rack-mounting your Hilo converter from Lynx Studio Technology. Heavier than most rack shelves, the Hilo Rack is made of 16 gauge steel with a black powder coat finish and vented front panel.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eDesigned to hold your Hilo converter, the Hilo rack is predrilled with 4 holes perfectly positioned to securely mount your Hilo converter. The Hilo is mounted using the same screw holes as the feet on the Hilo. The rack is shipped with simple instructions for the five minute installation. The rack with a mounted Hilo installed takes up exactly two spaces on a standard 19” rack.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThis version 2 Hilo rack was custom designed in the US. The side cooling front panel are sized to offer maximum cooling via Hilo’s side vents. The 16 gauge steel is strong enough to securely hold the wide range of cables coming off the back of Hilo.\u003c\/p\u003e","brand":"Lynx","offers":[{"title":"Default Title","offer_id":54332535963932,"sku":"hilorack","price":140.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/lynxhilorackv2_1.jpg?v=1784608963"},{"product_id":"lynx-cbl-aes1605","title":"Lynx CBL-AES1605","description":"\u003cp\u003e26-pin high-density male D-sub to 25-pin male D-sub. Supports 4 channels of input and output. Compatible with devices with standard Yamaha digital I\/O pinout from Yamaha, Apogee, Mackie, and others. Twelve- foot, 110-ohm shielded twisted pair cabling.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003cspan style=\"color: rgb(255, 255, 255); \"\u003e#recording\u003c\/span\u003e\u003c\/p\u003e","brand":"Lynx","offers":[{"title":"Default Title","offer_id":54332555165980,"sku":"cblaes1605","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/lynxaes1605.jpg?v=1784609497"},{"product_id":"focusrite-isa-428-ad-card","title":"Focusrite ISA 428 AD Card","description":"\u003cp\u003eAES, (both single and dual wire specs.) SPDIF, ADAT™ formats, sample rates selectable between 44.1, 48, 88.2, 96, 176.4 and 192kHz, (ADAT is max 96kHz of course, via 2 ports,) 16, 20, and 24 bit with adaptive dithering, internal or external word clock, and 256X clock, S\/N Ratio better than 120dBfs ‘A-weighted'. Connections are via 2 x 9-pin D-type connectors and standard lightpipes, word clock is via BNC in and out.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003cb\u003eMain Features:\u003c\/b\u003e\u003c\/p\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e    \u003cli\u003eAES\/EBU and S\/PDIF outputs via dual 9 pin D-type connectors\u003c\/li\u003e\n\u003cbr\u003e    \u003cli\u003eADAT optical output\u003c\/li\u003e\n\u003cbr\u003e    \u003cli\u003eBit depths 16, 20 or 24 bit\u003c\/li\u003e\n\u003cbr\u003e    \u003cli\u003eFrequency options 44.1, 48, 88.2, 96, 176.4 and 192kHz\u003c\/li\u003e\n\u003cbr\u003e    \u003cli\u003eClock options Standard or 256x\u003c\/li\u003e\n\u003cbr\u003e    \u003cli\u003eMeter: 0dBfs = +22dBu\u003c\/li\u003e\n\u003cbr\u003e    \u003cli\u003eSNR - 120dB A-weighted\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":54332558115100,"sku":"isa428adcard","price":669.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/focusriteisa428adcard.jpg?v=1784609576"},{"product_id":"focusrite-twintrak-pro-dual-channel-strip","title":"Focusrite TwinTrak Pro Dual Channel Strip","description":"\u003cp\u003eDesigned principally as an affordable, high-specification dual mono\/stereo tracking device, TT Pro (as it's affectionately known) also boasts comprehensive latency-free monitoring, unmatched digital connectivity, and all within a sturdy 2U 19\" rack-mount chassis. \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eEach channel features Focusrite's award-winning Platinum pre amp, embellished with the option of instant 'air' and variable input impedance for improved microphone performance and extended creativity. A mid-scoop EQ follows, and provides variable frequency and depth of cut for vocal problem solving and miked-up cabinet ambience\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eIn pride of place is TT Pro's powerful dual mono\/stereo optical compressor. This optical compressor features Focusrite's custom fast-acting optos, alongside side-chain inputs and the ability to operate as a true 'twinned' stereo pair. These circuit design innovations are complemented by a comprehensive set of focussed controls.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eTT Pro is the first Platinum to feature a D\/A converter as standard, alongside its optional analogue to digital converter. The D\/A converter enables the user to feed mono or stereo digital signals into TT Pro. These signals can be fed either into the stereo latency-free monitoring section, or via line inputs (post- the pre amp stage) for further processing. The signal can then return to the digital audio workstation via Focusrite's established stereo A\/D converter option. \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eTogether, these facilities make TT Pro the perfect analogue interface for any digital audio workstation, and equally the world's first 'hardware plug-in'.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cfont color=\"000080\"\u003eFeatures include:\u003c\/font\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cli\u003e2 award-winning Class A discrete transistor-based pre amps \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eDual mono\/stereo optical compressor, featuring custom fast-acting optos \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLatency free monitoring with total control over balance, effects, mix and monitor levels \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e24 bit\/192 kHz D\/A fitted as standard, for processing digital signals or feeding digital signals into the monitoring path \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eAn optional 24 bit\/96kHz A\/D. Both the A\/D and the D\/A feature wordclock (BNC) \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eInductor-induced \"Air\" opens up high frequencies like an expensive transformer-balanced pre amp \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eVariable impedance for improved microphone performance and extended creativity \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eMid scoop EQ for correcting problematic mid frequencies \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eDirect inputs on the front fascia for both instruments (Jack) and microphones (XLR) \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePost pre amp inserts and compressor side-chain inserts, for enhanced processing flexibility \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e2 ocean blue peak-reading meters, innately beautiful and ideal for catching fast transients \u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cp\u003eWith TwinTrak Pro, Focusrite's fanatical approach to quality design has given birth to twins.\u003c\/p\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":54332558278940,"sku":"twintrakpro","price":669.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/focusritetwintrakpro.jpg?v=1784609581"},{"product_id":"acoustica-spin-it-again-converter","title":"Acoustica Spin It Again Converter","description":"\u003cp style=\"text-align: center;\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta http-equiv=\"X-UA-Compatible\" content=\"IE=edge\"\u003e\u003cmeta name=\"viewport\" content=\"width=device-width, initial-scale=1\"\u003e\u003clink href=\"\/images\/Acoustica.ico\" rel=\"shortcut icon\" type=\"image\/x-icon\"\u003e \u003clink href=\"\/includes\/bootstrap\/css\/bootstrap.css\" rel=\"stylesheet\"\u003e \u003clink href=\"\/css\/site.min.css?v=3\" rel=\"stylesheet\"\u003e \u003clink href=\"\/\/fonts.googleapis.com\/css?family=Open+Sans:400italic,600italic,400,600,700\" rel=\"stylesheet\" type=\"text\/css\"\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/spin-it-again-box.png?v=1784612760\" height=\"430\" width=\"370\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eSpin It Again\u003c\/strong\u003e is the easiest way to \u003cstrong\u003econvert Your LPs and Cassettes to CD and MP3\u003c\/strong\u003e. Remember all those 'oldies but goodies'? They just don't make those classic vinyl LPs and cassette tapes on CD. Well, dust off your old 33's, 45's \u0026amp; 78's, because Acoustica's Spin It Again™ can easily \u003cstrong\u003erecord any vinyl LP to CD or cassette to MP3\u003c\/strong\u003e. Not only will our software make the whole recording and track dividing process child's play, but it will also dramatically clean your recordings by getting rid of click and pop record noise, or by removing hiss and hum off old cassettes. You can also record your LP collection and cassettes to your iPod or portable MP3 player! So let your music come to life and Spin-It-Again™! If you have a Windows computer with a soundcard you're ready to use our software!\u003c\/p\u003e\n\u003cdiv class=\"bg-grey product-pad\" style=\"text-align: left;\"\u003e\n\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-md-6 col-sm-6 col-xs-12\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container\" style=\"text-align: left;\"\u003e\n\u003cdiv class=\"row row-buffer\"\u003e\n\u003ch2 style=\"text-align: center;\"\u003eFeatures\u003c\/h2\u003e\n\u003chr\u003e\n\u003cdiv class=\"col-md-6 col-sm-12\" style=\"text-align: center;\"\u003eSupport for monitoring on USB sound devices!\u003cbr\u003eType in track\/album information during recording!\u003cbr\u003eAutomatically look up track information online for less typing!\u003cbr\u003eBetter track detection based on typed or looked up information!\u003cbr\u003eRecord two times longer! Up to 13.52 hours at CD quality!\u003cbr\u003eNew easy speed\/rate adjustor for recording 78s at 45 rpm.\u003cbr\u003eAbility to change volume of each track!\u003cbr\u003eVista \/ Windows 7 \/ Windows 8 support!\u003cbr\u003eDedicated interface to easily record your old cassettes and records. Easily transfer vinyl LP to CD or cassette to CD.\u003cbr\u003eVisual and audio wizards guide you through the recording level adjustment, hardware hookup, recording and editing process.\u003c\/div\u003e\n\u003cdiv class=\"col-md-6 col-sm-12\" style=\"text-align: center;\"\u003eAutomatic track detection and silence removal algorithm splits your albums into tracks ready for your iPod, MP3 or CD player.\u003cbr\u003eAutomatically removes old record clicks, pops and tape hiss.\u003cbr\u003eCreate audio CDs and\/or convert recordings to MP3, OGG, WMA, and hi-fi WAV files.\u003cbr\u003eRecord in hi-fi sampling rates and bit depths and render out to hi-fi DVD audio ready files, if desired and supported. (48khz -\u0026gt; 192 khz, 24 bit audio)\u003cbr\u003eSplit up previously recorded MP3s, WAVs, WMAs or OGGs into multiple tracks or burn to CD.\u003cbr\u003eWill burn tracks longer than one CD's worth. 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Wilinsky \",\n        url: \"\/mixcraft\/testimonials.htm\",\n        amazon: '\/images\/amazon-stars.png'\n    }, {\n        quote: \"Comes with a lot extras including completed projects and thousands of loops and sound effects.\",\n        cite: \"Ken Hudson \",\n        url: \"\/mixcraft\/testimonials.htm\",\n        amazon: null\n    }\n    ];\n\n    images.sort(function () { return 0.5 - Math.random(); });\n\n    $.each(images, function (index, image) {\n\n        var review;\n        if(image.amazon != null)\n        {\n            review = ' Amazon.com Review \u003cimg src=\"'+ image.amazon + '\" class=\"img-responsive\" width=\"96\" height=\"17\" alt=\"Five Star Amazon Review\" style=\"display:inline; margin-left:1%; margin-bottom:1%\"\/\u003e';\n        }\n        else{\n            review = '';\n        }\n\n        var element = $('\u003cdiv class=\"item\"\u003e' + '\u003cblockquote\u003e' + image.quote + '\u003ccite\u003e' + image.cite + review + '\u003c\/blockquote\u003e' + '\u003c\/div\u003e');\n\n        if (index === 0) {\n            element.addClass(\"active\");\n        }\n\n        element.appendTo(\"div.mixcraft-testimonials\");\n    });\n\n    $('.carousel').carousel({\n        interval: 5000,\n        pause: 'hover'\n\n    })\n\n    });\n\/\/ ]]\u003e\u003c\/script\u003e\n\u003c\/p\u003e\n\u003cdiv class=\"ui-dialog ui-widget ui-widget-content ui-corner-all ui-front YouTubeDialog\" role=\"dialog\" style=\"display: none; text-align: left;\"\u003e\n\u003cdiv class=\"ui-dialog-titlebar ui-widget-header ui-corner-all ui-helper-clearfix\"\u003e\n\u003cspan id=\"ui-id-2\" class=\"ui-dialog-title\"\u003e \u003c\/span\u003e\u003cbutton class=\"ui-button ui-widget ui-state-default ui-corner-all ui-button-icon-only ui-dialog-titlebar-close\" role=\"button\" title=\"Close\" type=\"button\"\u003e\u003cspan class=\"ui-button-text\"\u003eClose\u003c\/span\u003e\u003c\/button\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"ui-id-1\" class=\"ui-dialog-content ui-widget-content\" style=\"padding: 0px;\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n.subnav-title{\n        text-transform: uppercase;\n        font-weight:bold;\n        font-size:12px;\n    }\n    ul.footer-subnav{\n        list-style-type: none;\n        padding-left: 0;\n        margin-bottom: 5%;\n    }\n    .footer-subnav li a{\n        color: #000;\n        font-weight:bold;\n        font-size: 11px;\n    }\n--\u003e\u003c\/style\u003e","brand":"Acoustica","offers":[{"title":"Default Title","offer_id":54332674015516,"sku":"spinitagain","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/spin-it-again-box.png?v=1784612760"},{"product_id":"acoustica-cd-dvd-label-maker","title":"Acoustica CD\/DVD Label Maker","description":"\u003cp style=\"text-align: center;\"\u003e\u003cspan\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/untitled-2_edited-1.png?v=1784612764\" height=\"438\" width=\"690\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan\u003eUsing \u003c\/span\u003e\u003cspan\u003eCD\/DVD Label Maker\u003c\/span\u003e\u003cspan\u003e you can create your own \u003c\/span\u003e\u003cspan\u003eCD\/DVD\u003c\/span\u003e\u003cspan\u003e, CD jewel cases, and print direct to CD with the ultimate in ease and flexibility! If you're sick of guessing which songs are on which CD, get the CD label software that automatically puts your track list on your CD\/DVD label! Chock full of custom art for holidays and special occasions like Christmas, Valentines, birthdays, vacations, weddings and more! Automatically imports your track information from Acoustica MP3 CD Burner, iTunes, WinAmp, Easy CD Creator or any other popular playlist or previously burnt CD. Print on standard paper, stock sticker labels, CD jewel case templates or print directly on a CD or DVD.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cdiv class=\"row row-buffer\" style=\"text-align: center;\"\u003e\n\u003cdiv class=\"col-md-6 col-sm-12\"\u003e\n\u003ch2\u003eStep 1: Design your CD, jewel case, or DVD cover\u003c\/h2\u003e\n\u003cp\u003eSelect from hundreds of provided designs and backgrounds or use your own.\u003c\/p\u003e\n\u003cimg alt=\"CD\/DVD Label Maker Step 1\" src=\"http:\/\/www.acoustica.com\/images-new\/products\/cd-label-maker\/label-maker-screenshot-new.jpg\"\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-md-6 col-sm-12\"\u003e\n\u003ch2\u003eStep 2: Print out your labels\u003c\/h2\u003e\n\u003cp\u003eSupports hundreds of brands and models of label stickers for CDs, DVDs, and mini-CDs.\u003c\/p\u003e\n\u003cimg alt=\"CD\/DVD Label Maker Step 2\" src=\"http:\/\/www.acoustica.com\/images-new\/products\/cd-label-maker\/printing-labels.jpg\"\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"row\" style=\"text-align: center;\"\u003e\n\u003cdiv class=\"col-md-6 col-sm-12\"\u003e\n\u003ch2\u003eStep 3: Or if you have a supported printer or LightScribe drive, print labels direct to CD\u003c\/h2\u003e\n\u003cp\u003ePrint directly on CDs and DVDs using a variety of supported printers from Epson, HP, Canon, and more, or inscribe labels directly using your LightScribe drive.\u003c\/p\u003e\n\u003cimg alt=\"CD\/DVD Label Maker Step 3\" src=\"http:\/\/www.acoustica.com\/images-new\/products\/cd-label-maker\/direct-to-CD.jpg\"\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-md-6 col-sm-12\"\u003e\n\u003ch2\u003eStep 4: Print out CD jewel case or DVD cover\u003c\/h2\u003e\n\u003cp\u003eSupports CD jewel cases, DVD cases, and blu-ray cases; print on pre-perforated commercial papers or use plain paper.\u003c\/p\u003e\n\u003cimg alt=\"CD\/DVD Label Maker Step 4\" src=\"http:\/\/www.acoustica.com\/images-new\/products\/cd-label-maker\/box-art.jpg\"\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-md-6 col-sm-12\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"col-md-6 col-sm-12\"\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003e\u003cspan style=\"font-size: large;\"\u003e\u003cstrong\u003ePrinting\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\nPrint directly on CD surfaces using more than 100 supported printer models from Epson, HP, Canon, and more\u003cbr\u003eUse LightScribe to etch labels directly onto your CD or DVD surface using your drive's laser (requires LightScribe drive and disc)\u003cbr\u003ePrint multiple LightScribe discs simultaneously - limited only by the number of LightScribe drives you've got attached to your computer\u003cbr\u003eDesign and print jewel cases, DVD cases, and blu-ray cases\u003cbr\u003eHundreds of brands and models of paper labels and insert papers supported\u003cbr\u003ePrinter alignment wizard allows automatic compensation for out-of-alignment printers; alignment can also be adjusted for individual paper types\u003cbr\u003eSupport for designing and printing all the miscellaneous spines \u0026amp; labels that get added to the corners of disc label papers\u003cbr\u003eOptionally print borders or fold lines for inserts\u003cbr\u003eOptionally fade the edges when printing on printable discs so that if your printer lacks perfect alignment, white edges around the disc look more natural\u003cbr\u003eAutomatic extra bleeding on paper labels and inserts to help compensate for wonky printer alignments\u003cbr\u003eReal-time preview of all LightScribe disc colors; no need to launch a print-preview dialog to see how your LightScribe disc will look when you print it\u003cbr\u003eChange your target paper type, disc template, etc. at any time - no need to lock in an output target when you create your project; you can design your CD label for, say, Neato paper, then decide to print it instead on Memorex paper, a printable disc, etc.\u003cbr\u003e\n\u003ch2\u003eTracks\/Data Management\u003c\/h2\u003e\nImport music playlists from iTunes, Windows Media Player, and many others\u003cbr\u003eAutomatically read song information directly off CDs via CD-Text, the FreeDB \u0026amp; MusicBrainz album databases, or (for data or MP3 discs) by reading files off the disc\u003cbr\u003eSupports audio, data, and video playlist types\u003cbr\u003eTracks auto-formatter enables one-click arrangement of tracks into a variety of useful layouts, including spirals, multi-column formats, and more\u003cbr\u003eOne click to show or hide individual tracks fields (artist, title, etc.) or to hide or show tracks altogether\u003cbr\u003eTracks fields have individually editable formatting (you can have song titles in bold, artist names in italic, etc.)\u003cbr\u003e\n\u003ch2\u003eImages \u0026amp; Artwork\u003c\/h2\u003e\nImport your own images in JPEG, PNG, BMP, TIF, GIF, PCX, and WMF formats, plus a variety of RAW formats\u003cbr\u003eExport your label designs as JPEG, PNG, or BMP image files for use with other software or printing services\u003cbr\u003eHundreds of complete label designs and more than a thousand background images created exclusively for Acoustica CD\/DVD Label Maker users\u003cbr\u003eVariety of image effects, including drop shadows, opacity, grayscale, brightness control\u003cbr\u003eDesigns, backgrounds, and user image browse\/search results appear in a non-modal pane - you don't have to reopen a dialog each time you want to see how a different background or design looks (though the tools pane can be hidden if you need more space)\u003cbr\u003ePNG image alpha channel transparency supported\u003cbr\u003eTop-left-pixel-skip-color image transparency supported\u003cbr\u003ePreserve-aspect-ratio option allows imported images to be resized either freely or preserving the image's original aspect ratio\u003cbr\u003eImage-search feature finds images by name or file type anywhere on your computer\u003cbr\u003eVariety of formats available when importing your own images as label backgrounds: stretch, overlap, underlap, and tiled (with variety of tiling options)\u003cbr\u003eImage Search\/Browse Pane right-click menus allow you to set any image as your label's background, or even your desktop wallpaper, with a single click\u003cbr\u003e\n\u003ch2\u003eText\u003c\/h2\u003e\nCircular and spiral text\u003cbr\u003eFull control of text typefaces, font sizes, and effects (bold, italics, underline, strikeout, color, opacity, drop shadow); multiple typefaces, etc. can be used within a single text object\u003cbr\u003eAdditional text formatting options including margins, paragraph spacing, justification, text angle (in 90-degree increments)\u003cbr\u003eText word-wrapping feature lets you choose how you want text to wrap around a CD label's central hole (wrap around the left side, the right side, both sides, etc.)\u003cbr\u003eText Properties dialog lets you see your changes instantly - no need to close the dialog to see what effect your changes have made\u003cbr\u003eUnicode aware - supports Asian fonts\u003cbr\u003eDisplay text with opaque or transparent background, in speech or text bubbles\u003cbr\u003e\n\u003ch2\u003eMore\u003c\/h2\u003e\nUse the \"I need to make a label but I'm in a big hurry\" wizard to create complete label sets in just a few steps using dozens of provided label themes (users can also save their own themes, which will subsequently appear in the wizard)\u003cbr\u003eClick and drag text, images, and shapes to adjust their sizes and positions; size and position can also be locked to prevent accidental changes\u003cbr\u003eOpacity control for all objects - text, images, and shapes\u003cbr\u003eA variety of basic colored shape objects can be added to labels to create designs, patterns, or frames; users have control over color, size \u0026amp; position, opacity, drop shadow, regular\/outline mode, aspect ratio mode\u003cbr\u003eLayer feature: add, delete, hide, show, rearrange, and set opacity for all layers, and move objects (text, images, and shapes) between layers; blend-with-background-color feature allows you to add color casts to the background layer by adjusting its opacity\u003cbr\u003eSupport for 80-millimeter mini\/pocket discs and jewel case inserts\u003cbr\u003eUse the \"Save As (Special)\" menu option to save label designs as design templates that will subsequently appear in the Designs pane, allowing you to select them again with a single click\u003cbr\u003eAny design can be set as the default design for a particular label type (i.e., CD, jewel case front, etc.), so labels in new projects will have that design applied to them as soon as they're created\u003cbr\u003eDesign your label on a screen that accurately models the label \u0026amp; hole size of your chosen paper type, disc-printing printer, etc. - no need to bring up a print-preview dialog to see what your design's actually going to look like once you print it\u003cbr\u003eAll the standard stuff you'd expect in a Windows app - save and restore projects, cut\/copy\/paste, hundreds of levels of undo\/redo, drag and drop images from Windows Explorer\u003cbr\u003e\n\u003ch5\u003e \u003c\/h5\u003e\n\u003ch5\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cstrong\u003eSystem Requirements:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h5\u003e\nPentiumII-400\u003cbr\u003eWin95\/98\/NT\/2K\/ME\/XP\/Vista\/Windows 7\/Windows 8\/Windows 10\u003cbr\u003e64 MB Ram\u003cbr\u003ePrinter\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Acoustica","offers":[{"title":"Default Title","offer_id":54332674081052,"sku":"cddvdlabelmaker","price":21.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/untitled-2_edited-1.png?v=1784612764"}],"url":"https:\/\/jrrshop-3235.myshopify.com\/collections\/recording-converters-clocks.oembed?page=3","provider":"jrrshop","version":"1.0","type":"link"}