{"title":"Keyboards \/ MIDI\/Keyboards","description":"\u003cp\u003eKeyboards \/ MIDI\/Keyboards\u003c\/p\u003e","products":[{"product_id":"oberheimob6desktopmodule","title":"Sequential Oberheim OB-6 6-voice Synthesizer Desktop Module","description":"\u003ch1 style=\"text-align: center;\"\u003e\u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003ch3\u003eClassic Oberheim Sound — Made Portable\u003c\/h3\u003e\n\u003cp\u003eThe OB-6 desktop module is just as powerful and easy to use as its counterpart, the OB-6 Keyboard. The module has all of the same controls as the keyboard version and provides the same immediacy and ease of use. As with the OB-6 Keyboard, all parameters are at your fingertips, with full-sized knobs and switches and a comfortable, intuitive layout.\u003c\/p\u003e\n\u003cp\u003eHow does it sound? Massive — just like the keyboard, because on the inside, it’s exactly the same. The same analog signal path with discrete VCOs and VCFs. The same high-quality digital effects. The same classic Oberheim sound that has been earning raves from musicians around the world.\u003c\/p\u003e\n\u003cp\u003eWe’ve also added a poly chain feature so that any two OB-6s can be paired for twelve-voice polyphony!\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eTwo Legends. One Instrument\u003c\/h3\u003e\n\u003cp\u003eBoth the OB-6 desktop module and OB-6 keyboard are a once-in-a-lifetime collaboration between the two most influential designers in poly synth history, Dave Smith and Tom Oberheim. The OB-6 takes the classic bold Tom Oberheim sound — with its true voltage-controlled oscillators, 2-pole filter, and amplifiers — and adds modern enhancements such as studio-quality effects, a polyphonic step sequencer, an arpeggiator, and more. No other modern analog poly synth can boast such a pedigree or such a massive, in-your-face sonic signature.\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eVintage SEM Tone\u003c\/h3\u003e\n\u003cp\u003eThe OB-6 sound engine is inspired by Tom’s original SEM, the core of his acclaimed 4-voice and 8- voice synthesizers. It features two discrete voltage-controlled oscillators (plus sub-oscillator) per voice with continuously variable waveshapes (sawtooth and variable-width pulse, plus a triangle wave on oscillator 2). The classic Oberheim-inspired 2-pole, state-variable, resonant filter provides low-pass, high-pass, band-pass, and notch functionality. Voltage-controlled amplifiers complete the all-analog signal path.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eOB-6 Desktop Specifications\u003c\/h3\u003e\n\u003ch5\u003e\u003cspan\u003eOSCILLATORS\u003c\/span\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eTwo discrete VCOs per voice\u003c\/li\u003e\n\u003cli\u003eContinuously variable wave shape (sawtooth and variable-width pulse, plus triangle on oscillator 2) per oscillator\u003c\/li\u003e\n\u003cli\u003ePulse width per oscillator\u003c\/li\u003e\n\u003cli\u003eHard sync: oscillator 1 syncs to oscillator 2\u003c\/li\u003e\n\u003cli\u003eSquare wave sub-octave generator (oscillator 1) per voice\u003c\/li\u003e\n\u003cli\u003eLow frequency mode (oscillator 2)\u003c\/li\u003e\n\u003cli\u003eKeyboard tracking on\/off (oscillator 2)\u003c\/li\u003e\n\u003cli\u003eOscillator detune amount for increased tuning instability, from subtle to extreme\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cspan\u003eMIXER\u003c\/span\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eOscillator 1 amount\u003c\/li\u003e\n\u003cli\u003eOscillator 1 sub-octave amount\u003c\/li\u003e\n\u003cli\u003eOscillator 2 amount\u003c\/li\u003e\n\u003cli\u003eWhite noise amount\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cspan\u003eSTATE-VARIABLE FILTER\u003c\/span\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eTwo-pole, resonant, filter per voice with low-pass, high-pass, band-pass, and notch functionality inspired by the original Oberheim SEM filter\u003c\/li\u003e\n\u003cli\u003eBi-polar filter envelope amount\u003c\/li\u003e\n\u003cli\u003eVelocity modulation of envelope amount\u003c\/li\u003e\n\u003cli\u003eKeyboard tracking: off, half, full\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cspan\u003eFILTER ENVELOPE\u003c\/span\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eFour-stage (ADSR) envelope generator\u003c\/li\u003e\n\u003cli\u003eVelocity modulation of envelope amount\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cspan\u003eAMPLIFIER ENVELOPE\u003c\/span\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eFour-stage (ADSR) envelope generator\u003c\/li\u003e\n\u003cli\u003eVelocity modulation of envelope amount\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cspan\u003eLOW FREQUENCY OSCILLATOR\u003c\/span\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eFive wave shapes: sine, sawtooth, reverse sawtooth, square, and random (sample and hold)\u003c\/li\u003e\n\u003cli\u003eClock sync (internal or external MIDI clock)\u003c\/li\u003e\n\u003cli\u003eInitial amount\u003c\/li\u003e\n\u003cli\u003eMod destinations: oscillator 1 frequency, oscillator 2 frequency, oscillator 1 and 2 pulse width, filter cutoff, filter mode, amp\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cspan\u003eX-MOD\u003c\/span\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eSources: filter envelope (bi-polar) and oscillator 2 (bi-polar)\u003c\/li\u003e\n\u003cli\u003eDestinations: oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, filter cutoff, filter mode, normal to bandpass filter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cspan\u003eAFTERTOUCH\u003c\/span\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eSource: channel (mono) aftertouch with bi-polar amount\u003c\/li\u003e\n\u003cli\u003eDestinations: oscillator 1 frequency, oscillator 2 frequency, LFO amount, amplifier envelope amount, filter envelope amount, filter mode\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cspan\u003eCLOCK\u003c\/span\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eMaster clock with tap tempo\u003c\/li\u003e\n\u003cli\u003eBPM control and display\u003c\/li\u003e\n\u003cli\u003eMIDI clock sync\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cspan\u003eARPEGGIATOR\u003c\/span\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eSelectable note value: 16th note, 8th note triplet, 8th note, dotted 8th note, quarter note\u003c\/li\u003e\n\u003cli\u003eOne, two, or three octave range\u003c\/li\u003e\n\u003cli\u003eUp, down, up\/down, random, and assign modes\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cspan\u003eSEQUENCER\u003c\/span\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003ePolyphonic step sequencer with up to 64 steps and rests\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cspan\u003eEFFECTS\u003c\/span\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eStereo analog distortion\u003c\/li\u003e\n\u003cli\u003eDual, 24-bit, 48 kHz digital effects, including: reverb (room, hall, plate, spring), delay (full bandwidth digital delay and emulated bucket brigade), chorus, flanger, phase shifters, and ring modulator\u003c\/li\u003e\n\u003cli\u003eDelay sync\u003c\/li\u003e\n\u003cli\u003eTrue bypass maintains fully analog signal path when digital effects are off\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cspan\u003ePERFORMANCE CONTROLS\u003c\/span\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eFull-sized, semi-weighted, 4-octave keyboard with velocity and aftertouch\u003c\/li\u003e\n\u003cli\u003eBacklit pitch and mod wheels\u003c\/li\u003e\n\u003cli\u003eSpring-loaded pitch wheel with selectable range per program (1 to 12 semitones up and down)\u003c\/li\u003e\n\u003cli\u003eTranspose controls for an 8-octave range\u003c\/li\u003e\n\u003cli\u003eHold switch latches held notes on\u003c\/li\u003e\n\u003cli\u003ePolyphonic portamento\u003c\/li\u003e\n\u003cli\u003eUnison (monophonic) mode with configurable voice count, from one to all six voices, chord memory, and key modes\u003c\/li\u003e\n\u003cli\u003eManual switch: when on, the front panel is live; what you see is what you hear\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cspan\u003ePATCH MEMORY\u003c\/span\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003e500 user and 500 factory programs in 10 banks of 100 programs each\u003c\/li\u003e\n\u003cli\u003eDirect program access, including single-button access to the current set of 10 programs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cspan\u003eIN\/OUT\u003c\/span\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eLeft\/mono and right audio outputs (2 x 1\/4” phone jack)\u003c\/li\u003e\n\u003cli\u003eHeadphone output (stereo, 1\/4” phone jack)\u003c\/li\u003e\n\u003cli\u003eMIDI in, out, and thru ports\u003c\/li\u003e\n\u003cli\u003eUSB for bidirectional MIDI communication\u003c\/li\u003e\n\u003cli\u003eFilter cutoff expression pedal input\u003c\/li\u003e\n\u003cli\u003eVolume expression pedal input\u003c\/li\u003e\n\u003cli\u003eSustain footswitch input\u003c\/li\u003e\n\u003cli\u003eSequencer start\/stop footswitch input\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cspan\u003ePOWER\u003c\/span\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eIEC AC power inlet for internal power supply\u003c\/li\u003e\n\u003cli\u003eOperates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz; 30 watts maximum power consumption\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cspan\u003ePHYSICAL SPECS\u003c\/span\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003e20.75” L x 7.8” W x 4.4″ H (52.0 cm x 19.8 cm x 11.2 cm)\u003c\/li\u003e\n\u003cli\u003e13.0 lbs (5.9 kg)\u003c\/li\u003e\n\u003cli\u003eWalnut end panels\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eDual Effects\u003c\/h3\u003e\n\u003cp\u003eThe dual effects section provides studio-quality reverbs, delays (standard and BBD), chorus, flangers, and faithful recreations of Tom’s original phase shifter and ring modulator. While the effects themselves are digital, with 24-bit, 48 kHz resolution, a true bypass maintains a full analog signal path.\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eX-Mod and Poly Step Sequencing\u003c\/h3\u003e\n\u003cp\u003eAlso present is X-Mod, which expands the tonal palette and makes it easy to create dramatic and unconventional sounds. Modulation sources are filter envelope and oscillator 2, both with bi-polar control. Destinations include oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, filter cutoff, and filter mode. The polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create sequences polyphonically, with rests, and sync to an external MIDI clock. The full-featured arpeggiator can be synced to external MIDI clock as well. Unison mode features configurable voice count (1-6 voices), chord memory, and key modes.\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eEasy to Program\u003c\/h3\u003e\n\u003cp\u003eThe knob-per-function front panel puts virtually all OB-6 functions at your fingertips. Included are 500 permanent factory programs and 500 rewritable user programs. Turning on the Manual button enables live panel mode, in which the sound of the OB-6 switches to its current front panel settings. In this state, what you see is what you hear.\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eEasy to Play\u003c\/h3\u003e\n\u003cp\u003eThis analog powerhouse is packed into a desktop module that’s small enough to fit in a backpack. It’s an ideal combination of portability and power for the project studio or the gigging musician.\u003c\/p\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003eRegistration Information\u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003eLicense\u003c\/p\u003e","brand":"Oberheim","offers":[{"title":"Default Title","offer_id":53052396142876,"sku":null,"price":2399.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/ob6-jrr-edit.jpg?v=1758870794"},{"product_id":"oberheimob6","title":"Sequential Oberheim OB-6 6-voice Synthesizer Keyboard","description":"\u003ch1 style=\"text-align: center;\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/DTbJpVlRI_o\" height=\"388\" width=\"690\"\u003e\u003c\/iframe\u003e\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003cdiv id=\"main\"\u003e\n\u003cdiv id=\"\"\u003e\n\u003cdiv role=\"main\" id=\"content\"\u003e\n\u003cdiv id=\"product-4728\"\u003e\n\u003ch1 style=\"text-align: center;\" itemprop=\"name\"\u003e\u003cimg width=\"600\" height=\"295\" src=\"https:\/\/www.davesmithinstruments.com\/wp-content\/uploads\/2016\/01\/OB-6-Poster-CROP-600px.jpg?494c0a\" alt=\"\"\u003e\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\" itemprop=\"name\"\u003eOB-6\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\" itemprop=\"description\"\u003e\n\u003cp\u003e6-Voice Polyphonic Analog Synthesizer\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv id=\"tab-about_tab\"\u003e\n\u003cdiv id=\"tab-about_tab-about\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eTwo Legends. One Instrument\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThe OB-6 is a once-in-a-lifetime collaboration between the two most influential designers in poly synth history, Dave Smith and Tom Oberheim. The OB-6 takes the classic bold Tom Oberheim sound — with its true voltage-controlled oscillators, 2-pole filter, and amplifiers — and adds modern enhancements such as studio-quality effects, a polyphonic step sequencer, an arpeggiator, and more. No other modern analog poly synth can boast such a pedigree or such a massive, in-your-face sonic signature.\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003e\u003cstrong\u003eVintage SEM Tone\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThe OB-6 sound engine is inspired by Tom’s original SEM, the core of his acclaimed 4-voice and 8- voice synthesizers. It features two discrete voltage-controlled oscillators (plus sub-oscillator) per voice with continuously variable waveshapes (sawtooth and variable-width pulse, plus a triangle wave on oscillator 2). The classic Oberheim-inspired 2-pole, state-variable, resonant filter provides low-pass, high-pass, band-pass, and notch functionality. Voltage-controlled amplifiers complete the all-analog signal path.\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003e\u003cstrong\u003eDual Effects\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThe dual effects section provides studio-quality reverbs, delays (standard and BBD), chorus, flangers, and faithful recreations of Tom’s original phase shifter and ring modulator. While the effects themselves are digital, with 24-bit, 48 kHz resolution, a true bypass maintains a full analog signal path.\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003e\u003cstrong\u003eX-Mod and Poly Step Sequencing\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eAlso present is X-Mod, which expands the tonal palette and makes it easy to create dramatic and unconventional sounds. Modulation sources are filter envelope and oscillator 2, both with bi-polar control. Destinations include oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, filter cutoff, and filter mode. The polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create sequences polyphonically, with rests, and sync to an external MIDI clock. The full-featured arpeggiator can be synced to external MIDI clock as well. Unison mode features configurable voice count (1-6 voices), chord memory, and key modes.\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003e\u003cstrong\u003eEasy to Program\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThe knob-per-function front panel puts virtually all OB-6 functions at your fingertips. Included are 500 permanent factory programs and 500 rewritable user programs. Turning on the Manual button enables live panel mode, in which the sound of the OB-6 switches to its current front panel settings. In this state, what you see is what you hear.\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003e\u003cstrong\u003eEasy to Play\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThis analog powerhouse is packed into a four-octave, semi-weighted keyboard with velocity and channel aftertouch, making it perfect for stage or studio.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e \u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eOB-6 Specifications\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eOSCILLATORS\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTwo discrete VCOs per voice\u003c\/li\u003e\n\u003cli\u003eContinuously variable wave shape (sawtooth and variable-width pulse, plus triangle on oscillator 2) per oscillator\u003c\/li\u003e\n\u003cli\u003ePulse width per oscillator\u003c\/li\u003e\n\u003cli\u003eHard sync: oscillator 1 syncs to oscillator 2\u003c\/li\u003e\n\u003cli\u003eSquare wave sub-octave generator (oscillator 1) per voice\u003c\/li\u003e\n\u003cli\u003eLow frequency mode (oscillator 2)\u003c\/li\u003e\n\u003cli\u003eKeyboard tracking on\/off (oscillator 2)\u003c\/li\u003e\n\u003cli\u003eOscillator detune amount for increased tuning instability, from subtle to extreme\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eMIXER\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOscillator 1 amount\u003c\/li\u003e\n\u003cli\u003eOscillator 1 sub-octave amount\u003c\/li\u003e\n\u003cli\u003eOscillator 2 amount\u003c\/li\u003e\n\u003cli\u003eWhite noise amount\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eSTATE-VARIABLE FILTER\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTwo-pole, resonant, filter per voice with low-pass, high-pass, band-pass, and notch functionality inspired by the original Oberheim SEM filter\u003c\/li\u003e\n\u003cli\u003eBi-polar filter envelope amount\u003c\/li\u003e\n\u003cli\u003eVelocity modulation of envelope amount\u003c\/li\u003e\n\u003cli\u003eKeyboard tracking: off, half, full\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eFILTER ENVELOPE\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFour-stage (ADSR) envelope generator\u003c\/li\u003e\n\u003cli\u003eVelocity modulation of envelope amount\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eAMPLIFIER ENVELOPE\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFour-stage (ADSR) envelope generator\u003c\/li\u003e\n\u003cli\u003eVelocity modulation of envelope amount\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eLOW FREQUENCY OSCILLATOR\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFive wave shapes: sine, sawtooth, reverse sawtooth, square, and random (sample and hold)\u003c\/li\u003e\n\u003cli\u003eClock sync (internal or external MIDI clock)\u003c\/li\u003e\n\u003cli\u003eInitial amount\u003c\/li\u003e\n\u003cli\u003eMod destinations: oscillator 1 frequency, oscillator 2 frequency, oscillator 1 and 2 pulse width, filter cutoff, filter mode, amp\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eX-MOD\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSources: filter envelope (bi-polar) and oscillator 2 (bi-polar)\u003c\/li\u003e\n\u003cli\u003eDestinations: oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, filter cutoff, filter mode, normal to bandpass filter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eAFTERTOUCH\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSource: channel (mono) aftertouch with bi-polar amount\u003c\/li\u003e\n\u003cli\u003eDestinations: oscillator 1 frequency, oscillator 2 frequency, LFO amount, amplifier envelope amount, filter envelope amount, filter mode\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eCLOCK\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMaster clock with tap tempo\u003c\/li\u003e\n\u003cli\u003eBPM control and display\u003c\/li\u003e\n\u003cli\u003eMIDI clock sync\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eARPEGGIATOR\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSelectable note value: 16th note, 8th note triplet, 8th note, dotted 8th note, quarter note\u003c\/li\u003e\n\u003cli\u003eOne, two, or three octave range\u003c\/li\u003e\n\u003cli\u003eUp, down, up\/down, random, and assign modes\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eSEQUENCER\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePolyphonic step sequencer with up to 64 steps and rests\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eEFFECTS\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eStereo analog distortion\u003c\/li\u003e\n\u003cli\u003eDual, 24-bit, 48 kHz digital effects, including: reverb (room, hall, plate, spring), delay (full bandwidth digital delay and emulated bucket brigade), chorus, flanger, phase shifters, and ring modulator\u003c\/li\u003e\n\u003cli\u003eDelay sync\u003c\/li\u003e\n\u003cli\u003eTrue bypass maintains fully analog signal path when digital effects are off\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003ePERFORMANCE CONTROLS\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFull-sized, semi-weighted, 4-octave keyboard with velocity and aftertouch\u003c\/li\u003e\n\u003cli\u003eBacklit pitch and mod wheels\u003c\/li\u003e\n\u003cli\u003eSpring-loaded pitch wheel with selectable range per program (1 to 12 semitones up and down)\u003c\/li\u003e\n\u003cli\u003eTranspose controls for an 8-octave range\u003c\/li\u003e\n\u003cli\u003eHold switch latches held notes on\u003c\/li\u003e\n\u003cli\u003ePolyphonic portamento\u003c\/li\u003e\n\u003cli\u003eUnison (monophonic) mode with configurable voice count, from one to all six voices, chord memory, and key modes\u003c\/li\u003e\n\u003cli\u003eManual switch: when on, the front panel is live; what you see is what you hear\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003ePATCH MEMORY\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e500 user and 500 factory programs in 10 banks of 100 programs each\u003c\/li\u003e\n\u003cli\u003eDirect program access, including single-button access to the current set of 10 programs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eIN\/OUT\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLeft\/mono and right audio outputs (2 x 1\/4” phone jack)\u003c\/li\u003e\n\u003cli\u003eHeadphone output (stereo, 1\/4” phone jack)\u003c\/li\u003e\n\u003cli\u003eMIDI in, out, and thru ports\u003c\/li\u003e\n\u003cli\u003eUSB for bidirectional MIDI communication\u003c\/li\u003e\n\u003cli\u003eFilter cutoff expression pedal input\u003c\/li\u003e\n\u003cli\u003eVolume expression pedal input\u003c\/li\u003e\n\u003cli\u003eSustain footswitch input\u003c\/li\u003e\n\u003cli\u003eSequencer start\/stop footswitch input\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003ePOWER\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eIEC AC power inlet for internal power supply\u003c\/li\u003e\n\u003cli\u003eOperates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz; 30 watts maximum power consumption\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003ePHYSICAL SPECS\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e31.8” L x 12.7” W x 4.6″ H (80.7 cm x 32.3 cm x 11.7 cm)\u003c\/li\u003e\n\u003cli\u003e20 lbs (9.5 kg)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWalnut end panels\u003c\/p\u003e","brand":"Oberheim","offers":[{"title":"Default Title","offer_id":53052396667164,"sku":null,"price":3499.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/ob-6-top.jpg?v=1758870800"},{"product_id":"prophet6desktopmodule","title":"Sequential Prophet-6 Desktop Module","description":"\u003ch1 style=\"text-align: center;\"\u003e\u003ciframe width=\"690\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/2bBXcJOKxC8?feature=player_detailpage\" frameborder=\"0\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003e\u003cimg height=\"212\" src=\"https:\/\/www.jrrshop.com\/media\/catalog\/product\/p\/6\/p6-module-front-angle-small.jpg\" width=\"600\"\u003e\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eVintage Analog Sound\u003c\/h1\u003e\n\u003ch4 style=\"text-align: center;\"\u003eSmall Enough to Fit in a Backpack\u003c\/h4\u003e\n\u003cp style=\"text-align: center;\"\u003eThe Prophet-6 desktop module is every bit as powerful and easy to use as its counterpart, the Prophet-6 Keyboard. The module has all of the same controls as the keyboard version and provides the same immediacy and easy of use — with absolutely no menu diving. As with the Prophet-6 Keyboard, all parameters are at your fingertips, with full-sized knobs and switches and a comfortable, intuitive layout.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eHow does it sound? Awesome — just like the keyboard, because on the inside, it’s exactly the same. The same analog signal path with discrete VCOs and VCFs. The same high-quality digital effects. The same classic sound that has been earning raves from customers and reviewers alike.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eWe’ve also added a poly chain feature so that any two Prophet-6s can be paired for twelve-voice polyphony!\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eVintage with a Modern Twist\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eBoth the Prophet-6 desktop module and keyboard are Dave Smith’s tribute to the poly synth that started it all—the Sequential Prophet-5. But it’s not simply a reissue of a classic. Rather, as Dave puts it, “It’s the result of our effort to build the most awesome-sounding, modern analog poly synth possible.” The Prophet-6 takes the best qualities of the original Prophet-5—true voltage-controlled oscillators, filters, and amplifiers—and adds enhancements such as studio-quality effects, a polyphonic step sequencer, an arpeggiator, and more. The result is pure, unadulterated analog tone with the stability and reliability of a state-of-the-art modern synth.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eClassic Tone, Classic Vibe\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eCentral to the warm, punchy sound of the Prophet-6 are its two newly-designed, discrete voltage-controlled oscillators (plus sub-oscillator) per voice. Continuously variable waveshapes provide the tonal palette with triangle, sawtooth, and variable-width pulse waves. There are two discrete filters per voice—a four-pole, resonant, low-pass inspired by the original Prophet-5 filter, and a two-pole, resonant, high-pass filter. Voltage-controlled amplifiers complete the all-analog signal path.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eDual Effects\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eThe dual effects section provides studio-quality reverbs, delays (standard and BBD), chorus and phase shifter. While the effects themselves are digital, with 24-bit, 48 kHz resolution, a true bypass maintains a full analog signal path. There’s also an independent stereo distortion effect, which is 100% analog.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003ePoly Mod and Poly Step Sequencing\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eAlso present from its classic predecessor is a Poly Mod section, with enhancements. True to the original, modulation sources are filter envelope and oscillator 2 (both with bi-polar control). Destinations include oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, low-pass filter cutoff, and high-pass filter cutoff. Another welcome reprise is Unison mode, which features configurable voice count (1-6 voices) and key modes. The polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create sequences polyphonically, with rests, and sync to an external MIDI clock. The full-featured arpeggiator can be synced to external MIDI clock as well.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eEasy to Program\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eThe knob-per-function front panel offers instant access to virtually all Prophet-6 functions. Included are 500 permanent factory programs in 10 banks of 100 programs. In addition to these, you can create and save up to 500 user programs of your own. Toggling off the Preset button enables live panel mode, in which the sound of the Prophet-6 switches to the current settings of its knobs and switches. In this state, what you see is what you hear.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eEasy to Play\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eAll of this awe-inspiring sound is packed into a desktop module that’s small enough to fit in a backpack. It’s an ideal combination of portability and power for the project studio or the gigging musician.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eSpecifications\u003c\/h1\u003e\n\u003ch4 style=\"text-align: center;\"\u003eOSCILLATORS\u003c\/h4\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003eTwo newly designed, discrete VCOs per voice\u003c\/li\u003e\n\u003cli\u003eContinuously variable wave shape (triangle, sawtooth, pulse, square) per oscillator\u003c\/li\u003e\n\u003cli\u003ePulse width per oscillator\u003c\/li\u003e\n\u003cli\u003eHard sync: oscillator 1 syncs to oscillator 2\u003c\/li\u003e\n\u003cli\u003eTriangle sub-octave generator (oscillator 1) per voice\u003c\/li\u003e\n\u003cli\u003eLow frequency mode (oscillator 2)\u003c\/li\u003e\n\u003cli\u003eKeyboard tracking on\/off (oscillator 2)\u003c\/li\u003e\n\u003cli\u003eOscillator slop amount for increased tuning instability, from subtle to extreme\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 style=\"text-align: center;\"\u003e \u003c\/h4\u003e\n\u003ch4 style=\"text-align: center;\"\u003eMIXER\u003c\/h4\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003eOscillator 1 amount\u003c\/li\u003e\n\u003cli\u003eOscillator 1 sub-octave amount\u003c\/li\u003e\n\u003cli\u003eOscillator 2 amount\u003c\/li\u003e\n\u003cli\u003eWhite noise amount\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 style=\"text-align: center;\"\u003e \u003c\/h4\u003e\n\u003ch4 style=\"text-align: center;\"\u003eHIGH-PASS FILTER\u003c\/h4\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003eTwo-pole, resonant, high-pass filter per voice\u003c\/li\u003e\n\u003cli\u003eBi-polar filter envelope amount\u003c\/li\u003e\n\u003cli\u003eVelocity modulation of envelope amount\u003c\/li\u003e\n\u003cli\u003eKeyboard tracking: off, half, full\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 style=\"text-align: center;\"\u003e \u003c\/h4\u003e\n\u003ch4 style=\"text-align: center;\"\u003eLOW-PASS FILTER\u003c\/h4\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003eFour-pole, resonant, low-pass filter per voice, inspired by the original Prophet 5 filter\u003c\/li\u003e\n\u003cli\u003eFilter can be driven into self-oscillation with the Resonance control\u003c\/li\u003e\n\u003cli\u003eBi-polar filter envelope amount\u003c\/li\u003e\n\u003cli\u003eVelocity modulation of envelope amount\u003c\/li\u003e\n\u003cli\u003eKeyboard tracking: off, half, full\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 style=\"text-align: center;\"\u003e \u003c\/h4\u003e\n\u003ch4 style=\"text-align: center;\"\u003eFILTER ENVELOPE\u003c\/h4\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003eFour-stage (ADSR) envelope generator\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 style=\"text-align: center;\"\u003e \u003c\/h4\u003e\n\u003ch4 style=\"text-align: center;\"\u003eAMPLIFIER ENVELOPE\u003c\/h4\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003eFour-stage (ADSR) envelope generator\u003c\/li\u003e\n\u003cli\u003eVelocity modulation of envelope amount\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 style=\"text-align: center;\"\u003e \u003c\/h4\u003e\n\u003ch4 style=\"text-align: center;\"\u003eLOW FREQUENCY OSCILLATOR\u003c\/h4\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003eFive wave shapes: triangle, sawtooth, reverse sawtooth, square, and random (sample and hold)\u003c\/li\u003e\n\u003cli\u003eClock sync (internal or external MIDI clock)\u003c\/li\u003e\n\u003cli\u003eInitial amount\u003c\/li\u003e\n\u003cli\u003eMod destinations: oscillator 1 frequency, oscillator 2 frequency, oscillator 1 and 2 pulse width, low-pass filter cutoff, high-pass filter cutoff\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 style=\"text-align: center;\"\u003e \u003c\/h4\u003e\n\u003ch4 style=\"text-align: center;\"\u003ePOLY MOD\u003c\/h4\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003eSources: filter envelope (bi-polar) and oscillator 2 (bi-polar)\u003c\/li\u003e\n\u003cli\u003eDestinations: oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, low-pass filter cutoff, high-pass filter cutoff\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 style=\"text-align: center;\"\u003e \u003c\/h4\u003e\n\u003ch4 style=\"text-align: center;\"\u003eAFTERTOUCH\u003c\/h4\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003eSource: channel (mono) aftertouch with bi-polar amount\u003c\/li\u003e\n\u003cli\u003eDestinations: oscillator 1 frequency, oscillator 2 frequency, LFO amount, amplifier envelope amount, low-pass filter envelope amount, high-pass filter envelope amount\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 style=\"text-align: center;\"\u003e \u003c\/h4\u003e\n\u003ch4 style=\"text-align: center;\"\u003eCLOCK\u003c\/h4\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003eMaster clock with tap tempo\u003c\/li\u003e\n\u003cli\u003eBPM control and display\u003c\/li\u003e\n\u003cli\u003eMIDI clock sync\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 style=\"text-align: center;\"\u003e \u003c\/h4\u003e\n\u003ch4 style=\"text-align: center;\"\u003eARPEGGIATOR\u003c\/h4\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003eSelectable note value: 16th note, 8th note triplet, 8th note, dotted 8th note, quarter note\u003c\/li\u003e\n\u003cli\u003eOne, two, or three octave range\u003c\/li\u003e\n\u003cli\u003eUp, down, up\/down, random, and assign modes\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 style=\"text-align: center;\"\u003e \u003c\/h4\u003e\n\u003ch4 style=\"text-align: center;\"\u003eSEQUENCER\u003c\/h4\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003ePolyphonic step sequencer with up to 64 steps and rests\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 style=\"text-align: center;\"\u003e \u003c\/h4\u003e\n\u003ch4 style=\"text-align: center;\"\u003eEFFECTS\u003c\/h4\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003eStereo analog distortion\u003c\/li\u003e\n\u003cli\u003eDual, 24-bit, 48 kHz digital effects, including: reverb (room, hall, plate, spring), delay (full bandwidth digital delay and emulated bucket brigade and tape delays), chorus, and phase shifter\u003c\/li\u003e\n\u003cli\u003eDelay sync\u003c\/li\u003e\n\u003cli\u003eTrue bypass maintains fully analog signal path when digital effects are off\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 style=\"text-align: center;\"\u003e \u003c\/h4\u003e\n\u003ch4 style=\"text-align: center;\"\u003ePERFORMANCE CONTROLS\u003c\/h4\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003ePolyphonic glide (portamento)\u003c\/li\u003e\n\u003cli\u003eHold switch latches held notes on\u003c\/li\u003e\n\u003cli\u003eUnison (monophonic) mode with configurable voice count, from one to all six voices, and key modes\u003c\/li\u003e\n\u003cli\u003ePreset switch: when off, the front panel is live; what you see is what you hear\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 style=\"text-align: center;\"\u003e \u003c\/h4\u003e\n\u003ch4 style=\"text-align: center;\"\u003ePATCH MEMORY\u003c\/h4\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e500 user and 500 factory programs in 10 banks of 100 programs each\u003c\/li\u003e\n\u003cli\u003eDirect program access, including Prophet 5-style single-button access to the current set of 10 programs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 style=\"text-align: center;\"\u003e \u003c\/h4\u003e\n\u003ch4 style=\"text-align: center;\"\u003eIN\/OUT\u003c\/h4\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003eLeft and right audio outputs (2 x 1\/4” phone jack)\u003c\/li\u003e\n\u003cli\u003eHeadphone output (stereo, 1\/4” phone jack)\u003c\/li\u003e\n\u003cli\u003eMIDI in, out, and thru ports\u003c\/li\u003e\n\u003cli\u003eUSB for bidirectional MIDI communication\u003c\/li\u003e\n\u003cli\u003eLow-pass filter cutoff expression pedal input\u003c\/li\u003e\n\u003cli\u003eVolume expression pedal input\u003c\/li\u003e\n\u003cli\u003eSustain footswitch input\u003c\/li\u003e\n\u003cli\u003eSequencer start\/stop footswitch input\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 style=\"text-align: center;\"\u003e \u003c\/h4\u003e\n\u003ch4 style=\"text-align: center;\"\u003ePOWER\u003c\/h4\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003eIEC AC power inlet for internal power supply\u003c\/li\u003e\n\u003cli\u003eOperates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz; 30 watts maximum power consumption\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 style=\"text-align: center;\"\u003e \u003c\/h4\u003e\n\u003ch4 style=\"text-align: center;\"\u003ePHYSICAL SPECS\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli style=\"text-align: center;\"\u003e21.25” L x 7.43” W x 4.4″ H (54.0 cm x 18.9 cm x 11.2 cm)\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e13.0 lbs (5.9 kg)\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003eWalnut end panels and trim\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003eRegistration Information\u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003eLicense\u003c\/p\u003e","brand":"Sequential","offers":[{"title":"Default Title","offer_id":53052398502172,"sku":null,"price":2299.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/p6-module-front-angle-small.jpg?v=1758870812"},{"product_id":"pro3","title":"Sequential Pro 3 Hybrid Analog Mono Synthesizer Keyboard","description":"\u003ch1 style=\"text-align: center;\"\u003e\u003ciframe width=\"690\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/ir_k6E17_Ps\"\u003e\u003c\/iframe\u003e\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003cdiv\u003e\n\u003ch1 style=\"text-align: center;\" data-duration=\"500\" data-autoplay=\"1\" data-speed=\"3000\"\u003e\u003cimg src=\"https:\/\/www.jrrshop.com\/media\/catalog\/product\/s\/e\/sequentialpro3.jpg\" width=\"690\"\u003e\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\" data-duration=\"500\" data-autoplay=\"1\" data-speed=\"3000\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\" data-duration=\"500\" data-autoplay=\"1\" data-speed=\"3000\"\u003ePro 3\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eMulti-Filter Mono\/Paraphonic Synth\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-config=\"{\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv id=\"tab-about_tab\"\u003e\n\u003cdiv id=\"tab-about_tab-about\"\u003e\n\u003cdiv\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch3 style=\"text-align: center;\"\u003eA Three-Generation Legacy\u003c\/h3\u003e\n\u003cp style=\"text-align: center;\"\u003eThe Sequential Pro 1 and Pro 2 mono synths achieved nearly legendary status in their time. So it was only natural that we build on their strengths with an even more worthy successor. Enter the Pro 3, Sequential’s 2-VCO + wavetable mono\/paraphonic synth — a new benchmark for raw sonic power and unrivalled versatility.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch3 style=\"text-align: center;\"\u003eThe Power of 3\u003c\/h3\u003e\n\u003cp style=\"text-align: center;\"\u003eThe Pro 3 boasts three oscillators, three vintage filters, three LFOs, four loopable envelopes, a massive 32-slot mod matrix, and a 16 x 16 x 4 sequencer. Throw in dual digital effects and four control voltage ins and outs, and you’ve got a hugely powerful instrument that’s as exciting to program as it is to play.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch3 style=\"text-align: center;\"\u003eA Next-Generation Classic\u003c\/h3\u003e\n\u003cp style=\"text-align: center;\"\u003eThe Pro 3 is a hybrid of solid, old-school analog synthesis paired with versatile digital technology. Its two voltage controlled oscillators provide warmth and presence while its third wavetable oscillator provides digital edge and grit. With 32 tables of 16 waves each and wave morphing, tonal possibilities are immense. Tuned feedback with grunge, and analog distortion deliver industrial-grade nastiness on demand.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch3 style=\"text-align: center;\"\u003eThree Filters Based on Vintage Designs\u003c\/h3\u003e\n\u003cp style=\"text-align: center;\"\u003eAt the heart of the Pro 3’s ballsy sound are its vintage-style filters. Filter 1 is a 4-pole low-pass design based on the Prophet-6 filter. Filter 2 is a classic transistor ladder filter with optional resonance compensation to preserve its low-end punch. Filter 3 is a classic 2-pole, state-variable design based on the OB-6 filter that can be continuously varied between low-pass, notch, and high-pass operation, with an optional band-pass mode. An additional Drive control provides still more punch when you really want to get down and dirty.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch3 style=\"text-align: center;\"\u003eExpressive Sequencing\u003c\/h3\u003e\n\u003cp style=\"text-align: center;\"\u003ePossibly the Pro 3’s most powerful performance tool is its sequencer. With 16 tracks, 16 steps, and 4 phrases, it features both real-time and step input, ratcheting, variable gate and sequence lengths, multiple playback modes, and paraphonic operation. It also syncs to MIDI clock and external audio input, and inputs\/outputs control voltages. In addition to notes, sequence tracks can control any parameter in the 171-destination modulation matrix.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch3 style=\"text-align: center;\"\u003ePlays Well with Modulars\u003c\/h3\u003e\n\u003cp style=\"text-align: center;\"\u003eThe Pro 3’s flexible architecture opens the door to not only processing external audio, but also to interfacing with modular synths through its 4 rear-panel control voltage inputs\/outputs and a dedicated gate output. Control voltages can be assigned and routed from within the modulation matrix and can run at audio rates for extreme modulation effects. Some of the many parameters that can be sent to the CV outputs include oscillators, LFOs, envelopes, and sequencer tracks, allowing the Pro 3 to become the central hub of a modular or multi-synth setup.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch3 style=\"text-align: center;\"\u003eEffects, Envelopes, LFOs, an Arpeggiator, and Extreme Modulation\u003c\/h3\u003e\n\u003cp style=\"text-align: center;\"\u003eThe Pro 3’s Effects section provides delays, reverbs, time-domain effects such as chorus\/phasing\/flanging and more. There are four loopable five-stage envelope generators, three syncable LFOs with slew and phase offset, a full-featured arpeggiator, and a 32-slot modulation matrix with dozens of modulation sources and over a hundred destinations.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch3 style=\"text-align: center;\"\u003eMonophonic and Paraphonic Operation\u003c\/h3\u003e\n\u003cp style=\"text-align: center;\"\u003eThe Pro 3 was designed to be a super-powerful monosynth, but it is also a versatile 3-voice paraphonic synth. This makes playing 3-note chords not only possible, but with creative use of effects and some per-oscillator modulation, very expressive.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003ePut all of this sonic power in a three-octave, semi-weighted keyboard with velocity and channel aftertouch, add backlit pitch and mod wheels and a location-sensitive touch slider, and you’ve got one of the most inspiring synths ever made.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Sequential","offers":[{"title":"Default Title","offer_id":53052400304412,"sku":null,"price":1999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/sequentialpro3.jpg?v=1758870823"},{"product_id":"prophet6","title":"Sequential Prophet-6 Keyboard","description":"\u003ch1 style=\"text-align: center;\"\u003e\n\u003ciframe width=\"690\" height=\"388\" src=\"\/\/www.youtube.com\/embed\/m65rAfsjllw\" frameborder=\"0\" allowfullscreen\u003e\u003c\/iframe\u003e\u003ciframe width=\"100%\" height=\"450\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/73947806\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e\n\u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003ch1\u003eProphet 6\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cp\u003e6-Voice Polyphonic Analog Synthesizer\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv id=\"tab-about_tab\"\u003e\n\u003cdiv id=\"tab-about_tab-about\"\u003e\n\u003cdiv\u003e\n\u003ch3\u003eVintage with a Modern Twist\u003c\/h3\u003e\n\u003cp\u003eThe Prophet-6 is Dave Smith’s tribute to the poly synth that started it all—the Sequential Prophet-5. But it’s not simply a reissue of a classic. Rather, as Dave puts it, “It’s the result of our effort to build the most awesome-sounding, modern analog poly synth possible.” The Prophet-6 takes the best qualities of the original Prophet-5—true voltage-controlled oscillators, filters, and amplifiers—and adds enhancements such as studio-quality effects, a polyphonic step sequencer, an arpeggiator, and more. The result is pure, unadulterated analog tone with the stability and reliability of a state-of-the-art modern synth.\u003c\/p\u003e\n\u003ch3\u003eClassic Tone, Classic Vibe\u003c\/h3\u003e\n\u003cp\u003eCentral to the warm, punchy sound of the Prophet-6 are its two newly-designed, discrete voltage-controlled oscillators (plus sub-oscillator) per voice. Continuously variable waveshapes provide the tonal palette with triangle, sawtooth, and variable-width pulse waves. There are two discrete filters per voice—a four-pole, resonant, low-pass inspired by the original Prophet-5 filter, and a two-pole, resonant, high-pass filter. Voltage-controlled amplifiers complete the all-analog signal path.\u003c\/p\u003e\n\u003ch3\u003eDual Effects\u003c\/h3\u003e\n\u003cp\u003eThe dual effects section provides studio-quality reverbs, delays (standard and BBD), chorus and phase shifter. While the effects themselves are digital, with 24-bit, 48 kHz resolution, a true bypass maintains a full analog signal path. There’s also an independent stereo distortion effect, which is 100% analog.\u003c\/p\u003e\n\u003ch3\u003ePoly Mod and Poly Step Sequencing\u003c\/h3\u003e\n\u003cp\u003eAlso present from its classic predecessor is a Poly Mod section, with enhancements. True to the original, modulation sources are filter envelope and oscillator 2 (both with bi-polar control). Destinations include oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, low-pass filter cutoff, and high-pass filter cutoff. Another welcome reprise is Unison mode, which features configurable voice count (1-6 voices) and key modes. The polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create sequences polyphonically, with rests, and sync to an external MIDI clock. The full-featured arpeggiator can be synced to external MIDI clock as well.\u003c\/p\u003e\n\u003ch3\u003eEasy to Program\u003c\/h3\u003e\n\u003cp\u003eThe knob-per-function front panel offers instant access to virtually all Prophet-6 functions. Included are 500 permanent factory programs in 10 banks of 100 programs. In addition to these, you can create and save up to 500 user programs of your own. Toggling off the Preset button enables live panel mode, in which the sound of the Prophet-6 switches to the current settings of its knobs and switches. In this state, what you see is what you hear.\u003c\/p\u003e\n\u003ch3\u003eEasy to Play\u003c\/h3\u003e\n\u003cp\u003eAll of this awe-inspiring sound is packed into a four octave, semi-weighted keyboard with velocity and channel aftertouch that’s an ideal combination portability and power for the project studio or the gigging musician.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eProphet-6 Specifications\u003c\/h3\u003e\n\u003ch5\u003eOSCILLATORS\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eTwo newly designed, discrete VCOs per voice\u003c\/li\u003e\n\u003cli\u003eContinuously variable wave shape (triangle, sawtooth, pulse) per oscillator\u003c\/li\u003e\n\u003cli\u003ePulse width per oscillator\u003c\/li\u003e\n\u003cli\u003eHard sync: oscillator 1 syncs to oscillator 2\u003c\/li\u003e\n\u003cli\u003eTriangle sub-octave generator (oscillator 1) per voice\u003c\/li\u003e\n\u003cli\u003eLow frequency mode (oscillator 2)\u003c\/li\u003e\n\u003cli\u003eKeyboard tracking on\/off (oscillator 2)\u003c\/li\u003e\n\u003cli\u003eOscillator slop amount for increased tuning instability, from subtle to extreme\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eMIXER\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eOscillator 1 amount\u003c\/li\u003e\n\u003cli\u003eOscillator 1 sub-octave amount\u003c\/li\u003e\n\u003cli\u003eOscillator 2 amount\u003c\/li\u003e\n\u003cli\u003eWhite noise amount\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eHIGH-PASS FILTER\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eTwo-pole, resonant, high-pass filter per voice\u003c\/li\u003e\n\u003cli\u003eBi-polar filter envelope amount\u003c\/li\u003e\n\u003cli\u003eVelocity modulation of envelope amount\u003c\/li\u003e\n\u003cli\u003eKeyboard tracking: off, half, full\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eLOW-PASS FILTER\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eFour-pole, resonant, low-pass filter per voice, inspired by the original Prophet 5 filter\u003c\/li\u003e\n\u003cli\u003eFilter can be driven into self-oscillation with the Resonance control\u003c\/li\u003e\n\u003cli\u003eBi-polar filter envelope amount\u003c\/li\u003e\n\u003cli\u003eVelocity modulation of envelope amount\u003c\/li\u003e\n\u003cli\u003eKeyboard tracking: off, half, full\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eFILTER ENVELOPE\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eFour-stage (ADSR) envelope generator\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eAMPLIFIER ENVELOPE\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eFour-stage (ADSR) envelope generator\u003c\/li\u003e\n\u003cli\u003eVelocity modulation of envelope amount\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eLOW FREQUENCY OSCILLATOR\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eFive wave shapes: triangle, sawtooth, reverse sawtooth, square, and random (sample and hold)\u003c\/li\u003e\n\u003cli\u003eClock sync (internal or external MIDI clock)\u003c\/li\u003e\n\u003cli\u003eInitial amount\u003c\/li\u003e\n\u003cli\u003eMod destinations: oscillator 1 frequency, oscillator 2 frequency, oscillator 1 and 2 pulse width, low-pass filter cutoff, high-pass filter cutoff\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003ePOLY MOD\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eSources: filter envelope (bi-polar) and oscillator 2 (bi-polar)\u003c\/li\u003e\n\u003cli\u003eDestinations: oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, low-pass filter cutoff, high-pass filter cutoff\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eAFTERTOUCH\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eSource: channel (mono) aftertouch with bi-polar amount\u003c\/li\u003e\n\u003cli\u003eDestinations: oscillator 1 frequency, oscillator 2 frequency, LFO amount, amplifier envelope amount, low-pass filter envelope amount, high-pass filter envelope amount\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eCLOCK\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eMaster clock with tap tempo\u003c\/li\u003e\n\u003cli\u003eBPM control and display\u003c\/li\u003e\n\u003cli\u003eMIDI clock sync\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eARPEGGIATOR\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eSelectable note value: 16th note, 8th note triplet, 8th note, dotted 8th note, quarter note\u003c\/li\u003e\n\u003cli\u003eOne, two, or three octave range\u003c\/li\u003e\n\u003cli\u003eUp, down, up\/down, random, and assign modes\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eSEQUENCER\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003ePolyphonic step sequencer with up to 64 steps and rests\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eEFFECTS\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eStereo analog distortion\u003c\/li\u003e\n\u003cli\u003eDual, 24-bit, 48 kHz digital effects, including: reverb (room, hall, plate, spring), delay (full bandwidth digital delay and emulated bucket brigade and tape delays), chorus, and phase shifter\u003c\/li\u003e\n\u003cli\u003eDelay sync\u003c\/li\u003e\n\u003cli\u003eTrue bypass maintains fully analog signal path when digital effects are off\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003ePERFORMANCE CONTROLS\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eFull-sized, semi-weighted, 4-octave keyboard with velocity and aftertouch\u003c\/li\u003e\n\u003cli\u003eBacklit pitch and mod wheels\u003c\/li\u003e\n\u003cli\u003eSpring-loaded pitch wheel with selectable range per program (1 to 12 semitones up and down)\u003c\/li\u003e\n\u003cli\u003eTranspose controls for an 8-octave range\u003c\/li\u003e\n\u003cli\u003eHold switch latches held notes on\u003c\/li\u003e\n\u003cli\u003ePolyphonic glide (portamento)\u003c\/li\u003e\n\u003cli\u003eUnison (monophonic) mode with configurable voice count, from one to all six voices, and key modes\u003c\/li\u003e\n\u003cli\u003ePreset switch: when off, the front panel is live; what you see is what you hear\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003ePATCH MEMORY\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003e500 user and 500 factory programs in 10 banks of 100 programs each\u003c\/li\u003e\n\u003cli\u003eDirect program access, including Prophet 5-style single-button access to the current set of 10 programs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eIN\/OUT\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eLeft\/mono and right audio outputs (2 x 1\/4” phone jack)\u003c\/li\u003e\n\u003cli\u003eHeadphone output (stereo, 1\/4” phone jack)\u003c\/li\u003e\n\u003cli\u003eMIDI in, out, and thru ports\u003c\/li\u003e\n\u003cli\u003eUSB for bidirectional MIDI communication\u003c\/li\u003e\n\u003cli\u003eLow-pass filter cutoff expression pedal input\u003c\/li\u003e\n\u003cli\u003eVolume expression pedal input\u003c\/li\u003e\n\u003cli\u003eSustain footswitch input\u003c\/li\u003e\n\u003cli\u003eSequencer start\/stop footswitch input\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003ePOWER\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eIEC AC power inlet for internal power supply\u003c\/li\u003e\n\u003cli\u003eOperates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz; 30 watts maximum power consumption\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003ePHYSICAL SPECS\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003e32” L x 12.7” W x 4.6″ H (81.3 cm x 32.3 cm x 11.7 cm)\u003c\/li\u003e\n\u003cli\u003e20.0 lbs (9.5 kg)\u003c\/li\u003e\n\u003cli\u003eWalnut end panels and trim\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003eRegistration Information\u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003eLicense\u003c\/p\u003e","brand":"Sequential","offers":[{"title":"Default Title","offer_id":53052400402716,"sku":null,"price":3499.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/sequentialprophet62_1.jpg?v=1758870824"},{"product_id":"prophetrev28voice","title":"Sequential Prophet REV2 8-Voice Analog Synthesizer Keyboard","description":"\u003ch1 style=\"text-align: center;\"\u003e\u003ciframe width=\"690\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/FRMyTPaz55w\" frameborder=\"0\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003ch3 style=\"text-align: center;\"\u003e\u003cimg alt=\"\" src=\"https:\/\/www.jrrshop.com\/media\/catalog\/product\/r\/e\/rev2-16-jrr-edit_1.jpg\" height=\"236\" width=\"690\"\u003e\u003c\/h3\u003e\n\u003ch3 style=\"text-align: center;\"\u003eA Modern Classic Reinvented\u003c\/h3\u003e\n\u003cp style=\"text-align: center;\"\u003eThe REV2 is Dave Smith’s reimagining of his Prophet ’08 poly synth — a modern classic that has appeared on countless recordings and stages since its debut in 2007. As Dave puts it, “The REV2 is the realization of our effort to enhance and improve everything we could about the original design — all at a more accessible price.”\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe REV2 retains all of the key features of the Prophet ’08 and expands on them. It has twice the polyphony, twice the mod matrix, waveshape modulation on all waveforms, digital effects per layer in stacked or split voice mode, a polyphonic step sequencer per layer, and more. The result is a true analog powerhouse.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eBest of all, you can download any of the many existing libraries of Prophet ’08 sounds and they will not only sound identical, but can be enhanced with the new features.\u003c\/p\u003e\n\u003ch3 style=\"text-align: center;\"\u003e \u003c\/h3\u003e\n\u003ch3 style=\"text-align: center;\"\u003eBold Sound\u003c\/h3\u003e\n\u003cp style=\"text-align: center;\"\u003eThe REV2 gets its bold, punchy sound from its 2\/4 pole, low-pass, resonant Curtis filters per voice. These are the same filters used not only in the Prophet ’08, but in many classic instruments of the 70’s and 80’s. A separate Audio Mod control adds additional harmonic complexity and movement.\u003c\/p\u003e\n\u003ch3 style=\"text-align: center;\"\u003e \u003c\/h3\u003e\n\u003ch3 style=\"text-align: center;\"\u003eWaveshape Modulation\u003c\/h3\u003e\n\u003cp style=\"text-align: center;\"\u003eA powerful new feature unique to the REV2 is waveshape modulation. You can now vary the “pulse width” of any of the four waveforms (sawtooth, saw+tri, triangle, square). Using the Shape Mod control, you can manually dial in a desired waveshape width or use an LFO or other mod source for continuously shifting timbre. Even single-oscillator sounds take on new depth and dimension. The tonal possibilities are vast.\u003c\/p\u003e\n\u003ch3 style=\"text-align: center;\"\u003e \u003c\/h3\u003e\n\u003ch3 style=\"text-align: center;\"\u003eEffects Per Layer\u003c\/h3\u003e\n\u003cp style=\"text-align: center;\"\u003eThe effects section provides reverb, delays (standard and BBD), chorus, phase shifter, ring modulation, and distortion. In stacked or split voice mode, you can apply a different effect to each layer. Effects parameters can be modulated through the Mod Matrix.\u003c\/p\u003e\n\u003ch3 style=\"text-align: center;\"\u003e \u003c\/h3\u003e\n\u003ch3 style=\"text-align: center;\"\u003eExtended Mod Matrix\u003c\/h3\u003e\n\u003cp style=\"text-align: center;\"\u003eAlso present from its predecessor is an easy-to-assign Mod Matrix, now twice as big, with 8 individual slots and many more sources\/destinations. It’s a veritable sound designer’s playground.\u003c\/p\u003e\n\u003ch3 style=\"text-align: center;\"\u003e \u003c\/h3\u003e\n\u003ch3 style=\"text-align: center;\"\u003ePoly Step Sequencing\u003c\/h3\u003e\n\u003cp style=\"text-align: center;\"\u003eThe polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create a different sequence for each layer when you are working in stacked or split voice mode, making it a powerful tool for composition or performance. The sequencer also functions as a modulation source in gated mode, allowing you to create up to 4 different 16-step sequences for complex modulation. Sequences allow ties and rests, and can sync to an external MIDI clock. The arpeggiator features note repeats, re-latching, and can be synced to external MIDI clock, as well.\u003c\/p\u003e\n\u003ch3 style=\"text-align: center;\"\u003e \u003c\/h3\u003e\n\u003ch3 style=\"text-align: center;\"\u003ePer-Knob Programmability\u003c\/h3\u003e\n\u003cp style=\"text-align: center;\"\u003eThe knob-per-function front panel offers instant access to REV2 functions. Included are 512 permanent factory programs and 512 rewritable user programs.Eminently Playable\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eAll of this polyphonic power is packed into a five-octave, premium-quality, semi-weighted keyboard with velocity and channel aftertouch. Other road-worthy features include an integrated power supply, USB support, and a crisp OLED display, making the REV2 an ideal instrument for gigging or recording, and an analog powerhouse like no other.\u003c\/p\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003eRegistration Information\u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003e\u003c\/p\u003e","brand":"Sequential","offers":[{"title":"Default Title","offer_id":53052401221916,"sku":null,"price":1999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/rev2-16-jrr-edit_1.jpg?v=1758870833"},{"product_id":"prophetrev216voice","title":"Sequential Prophet REV2 16-Voice Analog Synthesizer Keyboard","description":"\u003ch1 style=\"text-align: center;\"\u003e\u003ciframe width=\"690\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/FRMyTPaz55w\" frameborder=\"0\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003ch3 style=\"text-align: center;\"\u003e\u003cimg alt=\"\" src=\"https:\/\/www.jrrshop.com\/media\/catalog\/product\/r\/e\/rev2-16-jrr-edit_1.jpg\" height=\"236\" width=\"690\"\u003e\u003c\/h3\u003e\n\u003ch3 style=\"text-align: center;\"\u003eA Modern Classic Reinvented\u003c\/h3\u003e\n\u003cp style=\"text-align: center;\"\u003eThe REV2 is Dave Smith’s reimagining of his Prophet ’08 poly synth — a modern classic that has appeared on countless recordings and stages since its debut in 2007. As Dave puts it, “The REV2 is the realization of our effort to enhance and improve everything we could about the original design — all at a more accessible price.”\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe REV2 retains all of the key features of the Prophet ’08 and expands on them. It has twice the polyphony, twice the mod matrix, waveshape modulation on all waveforms, digital effects per layer in stacked or split voice mode, a polyphonic step sequencer per layer, and more. The result is a true analog powerhouse.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eBest of all, you can download any of the many existing libraries of Prophet ’08 sounds and they will not only sound identical, but can be enhanced with the new features.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003ch3 style=\"text-align: center;\"\u003e16-Voice Polyphony\u003c\/h3\u003e\n\u003cp style=\"text-align: center;\"\u003eWith 16 voices to play with, you have the freedom to allocate them as you wish. Play two-fisted chords, stack two 8-voice sounds for massive, complex textures, or split the keyboard into two completely separate 8-voice instruments.\u003c\/p\u003e\n\u003ch3 style=\"text-align: center;\"\u003e \u003c\/h3\u003e\n\u003ch3 style=\"text-align: center;\"\u003eBold Sound\u003c\/h3\u003e\n\u003cp style=\"text-align: center;\"\u003eThe REV2 gets its bold, punchy sound from its 2\/4 pole, low-pass, resonant Curtis filters per voice. These are the same filters used not only in the Prophet ’08, but in many classic instruments of the 70’s and 80’s. A separate Audio Mod control adds additional harmonic complexity and movement.\u003c\/p\u003e\n\u003ch3 style=\"text-align: center;\"\u003e \u003c\/h3\u003e\n\u003ch3 style=\"text-align: center;\"\u003eWaveshape Modulation\u003c\/h3\u003e\n\u003cp style=\"text-align: center;\"\u003eA powerful new feature unique to the REV2 is waveshape modulation. You can now vary the “pulse width” of any of the four waveforms (sawtooth, saw+tri, triangle, square). Using the Shape Mod control, you can manually dial in a desired waveshape width or use an LFO or other mod source for continuously shifting timbre. Even single-oscillator sounds take on new depth and dimension. The tonal possibilities are vast.\u003c\/p\u003e\n\u003ch3 style=\"text-align: center;\"\u003e \u003c\/h3\u003e\n\u003ch3 style=\"text-align: center;\"\u003eEffects Per Layer\u003c\/h3\u003e\n\u003cp style=\"text-align: center;\"\u003eThe effects section provides reverb, delays (standard and BBD), chorus, phase shifter, ring modulation, and distortion. In stacked or split voice mode, you can apply a different effect to each layer. Effects parameters can be modulated through the Mod Matrix.\u003c\/p\u003e\n\u003ch3 style=\"text-align: center;\"\u003e \u003c\/h3\u003e\n\u003ch3 style=\"text-align: center;\"\u003eExtended Mod Matrix\u003c\/h3\u003e\n\u003cp style=\"text-align: center;\"\u003eAlso present from its predecessor is an easy-to-assign Mod Matrix, now twice as big, with 8 individual slots and many more sources\/destinations. It’s a veritable sound designer’s playground.\u003c\/p\u003e\n\u003ch3 style=\"text-align: center;\"\u003e \u003c\/h3\u003e\n\u003ch3 style=\"text-align: center;\"\u003ePoly Step Sequencing\u003c\/h3\u003e\n\u003cp style=\"text-align: center;\"\u003eThe polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create a different sequence for each layer when you are working in stacked or split voice mode, making it a powerful tool for composition or performance. The sequencer also functions as a modulation source in gated mode, allowing you to create up to 4 different 16-step sequences for complex modulation. Sequences allow ties and rests, and can sync to an external MIDI clock. The arpeggiator features note repeats, re-latching, and can be synced to external MIDI clock, as well.\u003c\/p\u003e\n\u003ch3 style=\"text-align: center;\"\u003e \u003c\/h3\u003e\n\u003ch3 style=\"text-align: center;\"\u003ePer-Knob Programmability\u003c\/h3\u003e\n\u003cp style=\"text-align: center;\"\u003eThe knob-per-function front panel offers instant access to REV2 functions. Included are 512 permanent factory programs and 512 rewritable user programs.Eminently Playable\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eAll of this polyphonic power is packed into a five-octave, premium-quality, semi-weighted keyboard with velocity and channel aftertouch. Other road-worthy features include an integrated power supply, USB support, and a crisp OLED display, making the REV2 an ideal instrument for gigging or recording, and an analog powerhouse like no other.\u003c\/p\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003eRegistration Information\u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003e\u003c\/p\u003e","brand":"Sequential","offers":[{"title":"Default Title","offer_id":53052401320220,"sku":null,"price":2599.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/rev2-16-jrr-edit.jpg?v=1758870834"},{"product_id":"stvc","title":"Waldorf STVC String Synthesizer with a Vocoder","description":"\u003ch1 style=\"text-align: center;\"\u003e\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/387124766\u0026amp;color=ff5500\"\u003e\u003c\/iframe\u003e\u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003ch1 itemprop=\"name\" style=\"text-align: center;\"\u003e\n\u003cimg alt=\"\" src=\"https:\/\/www.jrrshop.com\/media\/catalog\/product\/w\/a\/waldorf-stvc-jrr-edit.jpg\" width=\"690\"\u003e \u003c\/h1\u003e\n\u003ch1 itemprop=\"name\" style=\"text-align: center;\"\u003eSTVC\u003c\/h1\u003e\n\u003cdiv itemprop=\"articleBody\"\u003e\n\u003ch3 style=\"text-align: center;\"\u003eString synthesizer with a vocoder.\u003c\/h3\u003e\n\u003cp style=\"text-align: center;\"\u003eThe string section starts with an oscillator bank using octave dividers, followed by a complex mixer, an equalizer and the ensemble effect, just like string machines from the 70's. A single registration knob sweeps through mixer and EQ settings for Violin, Viola, Cello, Brass, Organ, Choir and more for creating rich and creamy sonic textures.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe Solo section is a 16-voice synthesizer that complements the string sounds. A single Tone knob sweeps through many useful settings. Solo is the sidekick to the strings, but it is powerful enough to be the lead character every now and then.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe Vocoder replaces the equalizer in the string section with the filter bank that models the vocal tract from the speech input. This can produce quite intelligible speech or singing using the fully polyphonic oscillator bank. Formants can be modified, which can result in a perceived change of gender. Adjustable jitter of the string oscillators renders the voice hoarse, creaky or a complete whisper. Solo can pass through the Vocoder or play in parallel.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe Freeze button lets you freeze a short speech fragment, which is then repeated by the Vocoder whenever a key is pressed. Change of playback speed, like faster, backwards or a complete stop are possible and fun, as well as formant change.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eA novel Tweak function allows for modification or modulation of details, like e.g. the solo cutoff frequency or the Chorus LFO rate. It is similar to a modulation matrix, but it also allows to alter implicit settings with a fixed value or an offset.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThree Effects operate simultaneously - Animate is in fact a modulation of the string or vocoder registration, while a Phaser ist a must for any decent string machine. A high quality Reverb with adjustable size can be mixed to the output.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eSTVC comes with a high quality gooseneck microphone that plugs right into the front panel where it belongs.\u003c\/p\u003e\n\u003c\/div\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003eRegistration Information\u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003e\u003c\/p\u003e","brand":"Waldorf","offers":[{"title":"Default Title","offer_id":53052403712284,"sku":null,"price":999.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/waldorf-stvc-jrr-edit.jpg?v=1758870863"},{"product_id":"blofeldkeyboardblack","title":"Waldorf Blofeld Wavetable and Virtual Analog Synthesizer Keyboard - Black","description":"\u003ch1 style=\"text-align: center;\"\u003e\u003ciframe width=\"690\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/nJOOB40RNdQ\" frameborder=\"0\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"\" src=\"https:\/\/www.jrrshop.com\/media\/catalog\/product\/w\/a\/waldorfblofeldkeyblack.jpg\" height=\"690\" width=\"690\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe Blofeld offers all the unique qualities that have made Waldorf a legend.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe engine inside the heavy duty, full metal chassis of the Blofeld delivers the same fat and rich sound that so many Waldorf users worldwide love when they play their Pulse, Q, Q+, Micro Q, Microwave, Microwave II\/XT, or even the flagship Wave.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eYes, you've heard it right. The Blofeld is not only capable of producing these warm, organic analog sounds known from the Q synthesizer line, it also sports a wavetable engine like its predecessors with \"Wave\" in their names.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThis unique synthesis system is based upon the revolutionary PPG Wave synthesizers of the early 80s. So when you listen to the Blofeld for the first time, you will instantly recognize those edgy, hard-hitting and bell-like timbres that have been an integral part of so many world hits from the PPG era on, and become increasingly popular once more.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eIn fact it is amazing to realize that nowadays this complex technology fits into such a slim and elegant device. And for a price no-one would have imagined a couple of years ago.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eOscillators\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eEach of the three oscillators offers authentic circuit-models of analog waveforms: Pulse with variable pulse-width, sawtooth, triangle and, as found in relatively few analog synthesizers these days, sine wave.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eFurthermore, oscillators 1 and 2 feature the two wavetables that were introduced by the Waldorf Q and appeared shortly thereafter in the Micro Q series.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eNot only that, the Blofeld includes all ROM Wavetables from the mighty flagship Waldorf Wave as well as Microwave II\/XT. Plus, lo and behold, the desperately requested \"Upper Wavetable\" from the good old PPG Wave! But, for the first time in the history of Waldorf and PPG, each of these two oscillators can have its own wavetable.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eWhat's more, you have control over the brilliance of these wavetables, which is especially important for waves with lots of harmonics in the bass end. You decide if you prefer pure and perfect harmonics or the same edgy timbre you know and love from the earlier Waldorf and PPG synthesizers.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eBrilliance also affects the sawtooth and pulse oscillator models. From warm and soft (for those typical L.A. string pads) to the hard shapes you need for punchy and biting bass sounds. But note, Brilliance is not a simple filter applied after the oscillators, the model itself is modified.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eEach of the three oscillators can be frequency-modulated by any of the other oscillators, the noise generator or one of the LFOs. With low FM amounts, you can add a little dirt to the oscillator sound, with higher amounts you get typical FM effects.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eOn top of all that, oscillator 2 can be hard-synced to oscillator 3.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eRing Modulation and Noise Generator\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eOscillators 1 and 2 can be ring-modulated to create bell-like or metallic sounds, eerie sound effects as well as pumping basses and leads.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe noise generator delivers white noise that can be filtered low or high pass, depending on the Noise Colour setting.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe three oscillators, the ring modulator and the noise generator can be freely mixed into filter 1 and filter 2. This allows fine control over the harmonic content of each of the tone generators.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eFilters\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe Blofeld has two multimode filters per voice that can be routed in series or in parallel. Each Filter has its own Pan parameter for easy creation of stereo sounds.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe selection of filter types includes low pass, band pass, high pass and notch (band reject), each with 12dB\/oct or 24dB\/oct slope. The filter models are based on several famous Waldorf filter algorithms found in all our products. They offer resonance up to self-oscillation as well as frequency modulation (filter FM).\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eFurthermore, the Blofeld features the same comb filter types (with positive and negative feedback) that we first introduced in the Waldorf Q. These can be used to thicken bass and pad sounds or to create percussive, string or flute sounds reminiscent of physical modelling.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eOverdrive, Saturation, Distortion, Shaping\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eYou name it. The Blofeld offers a freely controllable \"Drive\" behind each filter with more than a dozen curves. These include such standards as the drive from the Q and Micro Q, low\/medium\/hard saturation, tube saturation, two types of electric pickups, a rectifier, digital overflow as well as esoteric stuff such as \"binary distortion\", a sinusoidal waveshaper and even a distortion controlled by oscillator 1. And because the Blofeld has two filters that can be routed in series, you can control the timbre of the drive output of Filter 1 by dampening or emphasizing certain frequencies with filter 2.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe Blofeld has two effect slots with various types. In Multimode, the first effect slot is available per Part, while the second one is used for all 16 Parts (i.e. global) with controllable mix levels. Part 1 determines the settings of the second effect.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe first effect slot offers such modulation effects as chorus, flanger as well as a combined type called \"Triple FX\". The latter gives you several effects at once, but with a reduced parameter set.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe second effect slot offers all the same types as the first, but with the addition of delay, clocked delay and reverb.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eEnvelopes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eFour envelopes with different types and trigger modes affect any sound parameters you choose.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eEach envelope can be either polyphonic or single trigger. This is especially interesting with the monophonic voice allocation, as the filter envelope can be set to be triggered only by the first note(s) while the Amp Envelope is triggered anew (i.e. on each note). Think \"organ percussion register\", for instance.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe Envelope types include the standard ADSR as well as an enhanced ADSR-variant (with controllable attack level and two decay and sustain stages), two different loop envelopes and a \"one shot\" Envelope.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe Loop types can be used to act as additional LFOs, while the One Shot is perfectly suited for percussion sounds (which typically ignore the note release).\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eLFOs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eEach of the three LFOs offers sine, triangle, square and sawtooth waveforms, plus sample \u0026amp; hold and random.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eLFOs can be synchronized to MIDI clock, they can be polyphonic or monophonic, reset on key trigger to a freely definable phase, and the speed can be scaled by MIDI note (key follow). There are separate delay and fade in\/out parameters for e.g. delayed vibrato (positive Fade values) or a burst of vibrato at the start of each note (negative Fade values).\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eOne important feature of the Blofeld LFOs is that higher rates reach well into the audio frequency range, thus making them useful extra FM sources. There are two basic modes: either linear FM as seen in classic digital synths, or logarithmic FM, which is primarily the domain of analog modular systems.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eModulation Matrix\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eHere's where the real Waldorf power lies. Each and every instrument designed and built by Waldorf lets you connect dozens of modulation sources to all the important sound generation parameters.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eIndividual or multiple oscillator pitches, their pulsewidths and waveforms, their levels and filter-balances, FM modulation amounts, individual filter cutoff and resonance, filter FM amounts and stereo panning, or just the good old sound output level – everything can be controlled from internal modulation sources or from a variety of MIDI messages such as velocity, keytrack, continuous controllers (including wheels, breath and foot controllers) etc.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eYou can of course \"modulate the modulators\" i.e. control LFO speeds and individual envelope rates and levels. But in Blofeld you can even specify that these sources modulate themselves – recursive modulation! For instance, modulating an envelope rate by the same envelope (or another one) can alter the shape of the slope dramatically from the standard exponential curve to linear to inverse exponential.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eAnd how many slots do you get in the mod matrix? Two? Three? Four? No, we're talking big here. You get 16 freely definable slots plus all the pre-routed modulation destinations such as pitch, Osc 1, 2 and 3 frequency and PWM (pulse width modulation), filter 1 and 2 cutoff, panorama and amp level modulation. And let's not forget that the filter envelope is already routed to filter 1 and 2 cutoff, and the amp envelope is routed to the amp level. Makes a total of 33 simultaneous connections if we counted correctly.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eModifiers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eWhat if you want something really really crazy, like controlling a pitch vibrato done by LFO 3 with the modulation wheel. Although there are a few such composite modulation sources such as \"LFO1*MW\" (LFO 1 controlled by Modulation Wheel) and \"LFO2*Press\" (LFO 2 controlled by monophonic Aftertouch), there's nobody doing the \"LFO3*MW\" thing for you.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eBut, don't worry, that's where the Modifiers come into play. In seconds you can set up a new modifier, with the two sources set to LFO 3 and modulation wheel, and the \"operation\" set to \"*\" (multiply). You can use such custom-made modulation sources in any of the modulation slots described above.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eOkay, maybe you are more the regular musician who simply wants to perform a binary OR between two modulation sources? Okay, go for it! This operation is just one of several at your service.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eArpeggiator\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eOkay, Blofeld's arpeggiator could very well become the biggest chapter of this page but let's try to keep it short...\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eIt features variable clock divisions from 1\/64 triplets to more than 1000 bars, with variable swing\/shuffle, a range of up to 10 octaves. Up, down and alternate figures, selectable play order from low to high note, low to high velocity, as played or reversed, variable note length, different velocity modes. And Hold or One-Shot, if you like.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eBut more importantly, it has the most powerful Pattern Editor we have ever seen.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eYou can set each Step to either play the note it would do so anyway, to pause, to play the previous note again, play the first or the last note, play those together, play a chord consisting of all held notes or a randomly selected note.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThen you can adjust the Accent of each step (including silence), activate or deactivate Glide for each step, set the timing to play a step ahead or behind its nominal time, and finely adjust the note length between short staccato and full legato.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eNo wonder this arpeggiator had great reviews when it first appeared in the Waldorf Q. It will take you straight to arpeggiator-heaven, as has already happened to thousands of Waldorf customers. Dig it!\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eSound\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eNow, how does all that sound? You probably know that Waldorf synthesizers are well loved for their sound character, and the Blofeld is certainly no exception. But who are we to tell you? Better listen to the Waldorf Blofeld demos, visit your dealer or just believe us: it sounds great. Now go and get one!\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eMain Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"text-align: center;\"\u003eUnbeatable price tag\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003esturdy Metal Enclosure\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003e7 endless stainless steel Dials\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eGraphic Display 128 x 64 pixels, b\/w, white background LED\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003emore than 1000 Sounds\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003e3 Oscillators per voice\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eFrequency Modulation between the Oscillators\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eAll Q Oscillator Models\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eAll Microwave II\/XT\/XTk Wavetables\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003e2 independent Multi Mode Filters per voice\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eFilter FM\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003e2 Drive stages per voice with selectable Drive Curves\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003e3 fast LFOs per voice\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003e4 fast Envelopes per voice\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003epowerful Arpeggiator\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003efreely programmable Arpeggiator Pattern with up to 16 Steps per Sound\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eGeneral Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"text-align: center;\"\u003eup to 25 Voices\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003e16 part multi timbral\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003emore than 1000 Sounds\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003esturdy Metal Enclosure\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003e7 endless stainless steel Dials\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003e5 Buttons\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eGraphic Display 128 x 64 pixels, b\/w, white background LED\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eMIDI LED\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eVolume Control\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003ePower Switch\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eStereo Output\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eHeadphone Output\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eMIDI In\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eUSB Connector for MIDI In \/ Out\u003cbr\u003e\u003cbr\u003euses standard USB MIDI Driver provided by host computer OS\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eWindows ME minimum, Windows XP or newer recommended\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eMac OS X 10.2 minimum, Mac OS X 10.3 or newer recommended\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eExternal Power Supply\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003ePer Voice\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"text-align: center;\"\u003e3 Oscillators\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong style=\"text-align: center;\"\u003eVirtual Analog Models:\u003c\/strong\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003ePulse with Pulse Width Modulation and adjustable Brilliance\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"text-align: center;\"\u003eSawtooth with adjustable Brilliance\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"text-align: center;\"\u003eTriangle\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"text-align: center;\"\u003eSine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eWavetables:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"text-align: center;\"\u003eQ Alt 1 and Alt 2 Wavetable with adjustable Brilliance\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"text-align: center;\"\u003eAll Wavetables from Microwave II\/XT\/XTk Series with adjustable Brilliance\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"text-align: center;\"\u003eSeparate Wavetable selectable for Oscillator 1 and 2\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"text-align: center;\"\u003eFrequency Modulation between the Oscillators\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eOscillator Synchronization\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eRing Modulator for Osc 1 \/ 2\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eNoise Generator with Noise Colour\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003e2 independent Multi Mode Filters\u003c\/span\u003e\u003cbr style=\"text-align: center;\"\u003e\u003cbr style=\"text-align: center;\"\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"text-align: center;\"\u003eFilter FM\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"text-align: center;\"\u003eResonance up to Self-Oscillation\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"text-align: center;\"\u003eLow Pass 24 dB \/ 12 dB\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eBand Pass 24 dB \/ 12 dB\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eHigh Pass 24 dB \/ 12 dB\u003cbr\u003e\u003cbr\u003eNotch 24 dB \/ 12 dB\u003cbr\u003e\u003cbr\u003eComb Filter with positive \/ negative Feedback\u003cbr\u003e\u003cbr\u003ePPG Low Pass Filter\u003cbr\u003e2 Drive stages per voice with adjustable Drive Gain and selectable Curves\u003cbr\u003e\u003cbr\u003eClip\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eHard\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eMedium\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eSoft\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eSine Shaper\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eetc.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eModulation Matrix with 16 Slots, freely programmable\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eModulation Speed far into Audio Range\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eModulation Sources include all internal Modulation Sources plus various MIDI messages\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eModulation Destinations for almost all continuous sound parameters\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003evarious pre-routed Modulation Destinations with selectable Sources\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003ePitch Modulation\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eOscillator 1 \/ 2 \/ 3 Frequency Modulation\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eOscillator 1 \/ 2 \/ 3 Pulse Width Modulation\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eFilter 1 \/ 2 Cutoff Modulation\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eFilter 1 \/ 2 Frequency Modulation\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003ePan 1 \/ 2 Modulation\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eAmp Modulation\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003e4 Modifiers for transforming Modulation Sources with various Algorithms\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003e3 fast LFOs\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003esyncable to MIDI Clock\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eNote Retrigger with adjustable Start Phase\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003emonophonic LFO\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eKeytrack\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003e4 fast Envelopes with selectable types\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eSingle Trigger \/ Retrigger per Envelope\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eADSR\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eADS1DS2R (2 Decay\/Sustain stages plus adjustable Attack Level)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eOne Shot\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eLoop S1S2 (Loop between Sustain 1 and 2)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eLoop All (Loop over all stages)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003ePoly, Mono, Dual or Unisono Mode with selectable Voice Count\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong style=\"text-align: center;\"\u003ePer Part:\u003c\/strong\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003epowerful Arpeggiator\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eHold and One Shot modes\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003esyncable to MIDI Clock\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eDirection Up, Down, Alternate\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eRange up to 10 Octaves\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003evarious methods to modify Note Sort Order\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003efreely programmable Arpeggiator Pattern with up to 16 Steps per Sound.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eprogrammable per Step:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eAccent\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eTiming\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eLength\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eGlide on\/off\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003ePause\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eChord\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003ePrevious note\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eRandom not from Note List\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003efirst and\/or last note from Note List\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003e1 Effect slot per part\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003e1 Effect slot globally for all parts\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eEffect types:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eChorus\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eFlanger\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003ePhaser\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eOverdrive\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eTriple FX (S\u0026amp;H, Ring Modulation, Chorus)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eDelay (only available on global Effect slot)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eClocked Delay (only available on global Effect slot)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"text-align: center;\"\u003eReverb (only available on global Effect slot)\u003c\/span\u003e\u003c\/p\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003eRegistration Information\u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003e\u003c\/p\u003e","brand":"Waldorf","offers":[{"title":"Default Title","offer_id":53052403843356,"sku":null,"price":1199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/waldorfblofeldkeyblack.jpg?v=1758870863"},{"product_id":"kb37","title":"Waldorf KB37 Eurorack Keyboard","description":"\u003ch1 style=\"text-align: center;\"\u003e\u003ciframe width=\"690\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/J5GlZuqZ5Xc\" frameborder=\"0\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003cp itemprop=\"name\" style=\"text-align: center;\"\u003e\u003cimg alt=\"\" src=\"https:\/\/www.jrrshop.com\/media\/catalog\/product\/1\/m\/1mallets-jrr_1_1.jpg\" height=\"418\" width=\"690\"\u003e \u003c\/p\u003e\n\u003cp itemprop=\"name\" style=\"text-align: center;\"\u003eMore and more synthesizer enthusiasts recognize the Eurorack as a huge playground for sound design. Collecting sound modules is like a “fun addiction” where the musician can precisely customize his setup as he goes along without spending a huge amount of money all at once. It’s a system that can grow over time into a massively versatile and totally flexible musical instrument.\u003c\/p\u003e\n\u003cdiv itemprop=\"articleBody\"\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eOur developers came up with a keyboard that is both intuitive for the beginner and versatile for the professional. And it’s just as solid and elegant as all our instruments that we build here at Waldorf in Germany.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003ekb37 is a compact and rugged performance instrument. It can house up to 100 HP of modules in its conveniently angled panel that sits right on top of the super high-quality Fatar TP9 keyboard. \u003cbr\u003e\u003cbr\u003eWith its high-resolution and temperature stable 16-bit CV interface, it provides extremely flexible control for your modules. MIDI channels are programmable, making the kb37 the perfect partner for both studio and stage.\u003cbr\u003e\u003cbr\u003eIt provides perfect connectivity to all your modules to serve both the player and the sound designer’s desires with an array of real-time control elements such as pitch and mod wheels. The professional, full-sized 37-note keybed transmits velocity and aftertouch.    \u003cbr\u003e\u003cbr\u003ekb37 is compact and easy to transport just like any synthesizer keyboard to add style and reliability to your performing rig.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003ch2 itemprop=\"name\" style=\"text-align: center;\"\u003eSpecifications\u003c\/h2\u003e\n\u003cdiv itemprop=\"articleBody\" style=\"text-align: center;\"\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cimg alt=\"Module Compilation KB37.680\" src=\"http:\/\/www.waldorf-music.info\/images\/kb37\/jpg\/Module_Compilation_KB37.680.jpg\"\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv itemprop=\"articleBody\" style=\"text-align: center;\"\u003e \u003c\/div\u003e\n\u003cdiv itemprop=\"articleBody\" style=\"text-align: center;\"\u003e\u003cstrong\u003eKeyboard \u0026amp; controllers\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv itemprop=\"articleBody\" style=\"text-align: center;\"\u003e\n\u003cbr\u003eFatar TP9 37-keys keyboard with aftertouch\u003cbr\u003ePitchbend wheel\u003cbr\u003eModulation wheel\u003cbr\u003eGlide\u003cbr\u003eSelectable note priority\u003cbr\u003eOctave up\/down switch\u003cbr\u003eGate retrigger\u003c\/div\u003e\n\u003cdiv itemprop=\"articleBody\" style=\"text-align: center;\"\u003e \u003c\/div\u003e\n\u003cdiv itemprop=\"articleBody\" style=\"text-align: center;\"\u003e \u003c\/div\u003e\n\u003cdiv itemprop=\"articleBody\" style=\"text-align: center;\"\u003e \u003c\/div\u003e\n\u003cdiv itemprop=\"articleBody\" style=\"text-align: center;\"\u003e\u003cstrong\u003eModule section\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv itemprop=\"articleBody\" style=\"text-align: center;\"\u003e\n\u003cbr\u003eWidth: 545mm?\/?107 HP\u003cbr\u003eEurorack compatible bus\u003cbr\u003eBus CV \u0026amp; Gate linkable to CV interface via jumpers\u003cbr\u003eBuilt-in regulated power-supply (+12V\/-12V, 1.5A)\u003c\/div\u003e\n\u003cdiv itemprop=\"articleBody\" style=\"text-align: center;\"\u003e \u003c\/div\u003e\n\u003cdiv itemprop=\"articleBody\" style=\"text-align: center;\"\u003e \u003c\/div\u003e\n\u003cdiv itemprop=\"articleBody\" style=\"text-align: center;\"\u003e \u003c\/div\u003e\n\u003cdiv itemprop=\"articleBody\" style=\"text-align: center;\"\u003e\u003cstrong\u003eCV interface\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv itemprop=\"articleBody\" style=\"text-align: center;\"\u003e \u003c\/div\u003e\n\u003cdiv itemprop=\"articleBody\" style=\"text-align: center;\"\u003e\n\u003cspan style=\"text-align: center;\"\u003e8 CV outputs\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003ePitch\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eVelocity\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eAftertouch\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003ePitchbend\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eModwheel\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003e3 user-assignable MIDI controllers\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003e3 Trigger outputs\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eGate\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-align: center;\"\u003eClock \u0026amp; Reset outputs for MIDI sync\u003c\/span\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003eRegistration Information\u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003e\u003c\/p\u003e","brand":"Waldorf","offers":[{"title":"Default Title","offer_id":53052403974428,"sku":null,"price":999.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/kb37_complete.jpg?v=1758870864"},{"product_id":"blofeldkeyboard","title":"Waldorf Blofeld Wavetable and Virtual Analog Synthesizer Keyboard - White","description":"\u003ch1 style=\"text-align: center;\"\u003e\u003ciframe width=\"690\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/nJOOB40RNdQ\" frameborder=\"0\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003cp\u003eThe Blofeld offers all the unique qualities that have made Waldorf a legend.\u003c\/p\u003e\n\u003cp\u003eThe engine inside the heavy duty, full metal chassis of the Blofeld delivers the same fat and rich sound that so many Waldorf users worldwide love when they play their Pulse, Q, Q+, Micro Q, Microwave, Microwave II\/XT, or even the flagship Wave.\u003c\/p\u003e\n\u003cp\u003eYes, you've heard it right. The Blofeld is not only capable of producing these warm, organic analog sounds known from the Q synthesizer line, it also sports a wavetable engine like its predecessors with \"Wave\" in their names.\u003c\/p\u003e\n\u003cp\u003eThis unique synthesis system is based upon the revolutionary PPG Wave synthesizers of the early 80s. So when you listen to the Blofeld for the first time, you will instantly recognize those edgy, hard-hitting and bell-like timbres that have been an integral part of so many world hits from the PPG era on, and become increasingly popular once more.\u003c\/p\u003e\n\u003cp\u003eIn fact it is amazing to realize that nowadays this complex technology fits into such a slim and elegant device. And for a price no-one would have imagined a couple of years ago.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOscillators\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEach of the three oscillators offers authentic circuit-models of analog waveforms: Pulse with variable pulse-width, sawtooth, triangle and, as found in relatively few analog synthesizers these days, sine wave.\u003c\/p\u003e\n\u003cp\u003eFurthermore, oscillators 1 and 2 feature the two wavetables that were introduced by the Waldorf Q and appeared shortly thereafter in the Micro Q series.\u003c\/p\u003e\n\u003cp\u003eNot only that, the Blofeld includes all ROM Wavetables from the mighty flagship Waldorf Wave as well as Microwave II\/XT. Plus, lo and behold, the desperately requested \"Upper Wavetable\" from the good old PPG Wave! But, for the first time in the history of Waldorf and PPG, each of these two oscillators can have its own wavetable.\u003c\/p\u003e\n\u003cp\u003eWhat's more, you have control over the brilliance of these wavetables, which is especially important for waves with lots of harmonics in the bass end. You decide if you prefer pure and perfect harmonics or the same edgy timbre you know and love from the earlier Waldorf and PPG synthesizers.\u003c\/p\u003e\n\u003cp\u003eBrilliance also affects the sawtooth and pulse oscillator models. From warm and soft (for those typical L.A. string pads) to the hard shapes you need for punchy and biting bass sounds. But note, Brilliance is not a simple filter applied after the oscillators, the model itself is modified.\u003c\/p\u003e\n\u003cp\u003eEach of the three oscillators can be frequency-modulated by any of the other oscillators, the noise generator or one of the LFOs. With low FM amounts, you can add a little dirt to the oscillator sound, with higher amounts you get typical FM effects.\u003c\/p\u003e\n\u003cp\u003eOn top of all that, oscillator 2 can be hard-synced to oscillator 3.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRing Modulation and Noise Generator\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOscillators 1 and 2 can be ring-modulated to create bell-like or metallic sounds, eerie sound effects as well as pumping basses and leads.\u003c\/p\u003e\n\u003cp\u003eThe noise generator delivers white noise that can be filtered low or high pass, depending on the Noise Colour setting.\u003c\/p\u003e\n\u003cp\u003eThe three oscillators, the ring modulator and the noise generator can be freely mixed into filter 1 and filter 2. This allows fine control over the harmonic content of each of the tone generators.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFilters\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Blofeld has two multimode filters per voice that can be routed in series or in parallel. Each Filter has its own Pan parameter for easy creation of stereo sounds.\u003c\/p\u003e\n\u003cp\u003eThe selection of filter types includes low pass, band pass, high pass and notch (band reject), each with 12dB\/oct or 24dB\/oct slope. The filter models are based on several famous Waldorf filter algorithms found in all our products. They offer resonance up to self-oscillation as well as frequency modulation (filter FM).\u003c\/p\u003e\n\u003cp\u003eFurthermore, the Blofeld features the same comb filter types (with positive and negative feedback) that we first introduced in the Waldorf Q. These can be used to thicken bass and pad sounds or to create percussive, string or flute sounds reminiscent of physical modelling.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOverdrive, Saturation, Distortion, Shaping\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eYou name it. The Blofeld offers a freely controllable \"Drive\" behind each filter with more than a dozen curves. These include such standards as the drive from the Q and Micro Q, low\/medium\/hard saturation, tube saturation, two types of electric pickups, a rectifier, digital overflow as well as esoteric stuff such as \"binary distortion\", a sinusoidal waveshaper and even a distortion controlled by oscillator 1. And because the Blofeld has two filters that can be routed in series, you can control the timbre of the drive output of Filter 1 by dampening or emphasizing certain frequencies with filter 2.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Blofeld has two effect slots with various types. In Multimode, the first effect slot is available per Part, while the second one is used for all 16 Parts (i.e. global) with controllable mix levels. Part 1 determines the settings of the second effect.\u003c\/p\u003e\n\u003cp\u003eThe first effect slot offers such modulation effects as chorus, flanger as well as a combined type called \"Triple FX\". The latter gives you several effects at once, but with a reduced parameter set.\u003c\/p\u003e\n\u003cp\u003eThe second effect slot offers all the same types as the first, but with the addition of delay, clocked delay and reverb.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEnvelopes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFour envelopes with different types and trigger modes affect any sound parameters you choose.\u003c\/p\u003e\n\u003cp\u003eEach envelope can be either polyphonic or single trigger. This is especially interesting with the monophonic voice allocation, as the filter envelope can be set to be triggered only by the first note(s) while the Amp Envelope is triggered anew (i.e. on each note). Think \"organ percussion register\", for instance.\u003c\/p\u003e\n\u003cp\u003eThe Envelope types include the standard ADSR as well as an enhanced ADSR-variant (with controllable attack level and two decay and sustain stages), two different loop envelopes and a \"one shot\" Envelope.\u003c\/p\u003e\n\u003cp\u003eThe Loop types can be used to act as additional LFOs, while the One Shot is perfectly suited for percussion sounds (which typically ignore the note release).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLFOs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEach of the three LFOs offers sine, triangle, square and sawtooth waveforms, plus sample \u0026amp; hold and random.\u003c\/p\u003e\n\u003cp\u003eLFOs can be synchronized to MIDI clock, they can be polyphonic or monophonic, reset on key trigger to a freely definable phase, and the speed can be scaled by MIDI note (key follow). There are separate delay and fade in\/out parameters for e.g. delayed vibrato (positive Fade values) or a burst of vibrato at the start of each note (negative Fade values).\u003c\/p\u003e\n\u003cp\u003eOne important feature of the Blofeld LFOs is that higher rates reach well into the audio frequency range, thus making them useful extra FM sources. There are two basic modes: either linear FM as seen in classic digital synths, or logarithmic FM, which is primarily the domain of analog modular systems.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eModulation Matrix\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHere's where the real Waldorf power lies. Each and every instrument designed and built by Waldorf lets you connect dozens of modulation sources to all the important sound generation parameters.\u003c\/p\u003e\n\u003cp\u003eIndividual or multiple oscillator pitches, their pulsewidths and waveforms, their levels and filter-balances, FM modulation amounts, individual filter cutoff and resonance, filter FM amounts and stereo panning, or just the good old sound output level – everything can be controlled from internal modulation sources or from a variety of MIDI messages such as velocity, keytrack, continuous controllers (including wheels, breath and foot controllers) etc.\u003c\/p\u003e\n\u003cp\u003eYou can of course \"modulate the modulators\" i.e. control LFO speeds and individual envelope rates and levels. But in Blofeld you can even specify that these sources modulate themselves – recursive modulation! For instance, modulating an envelope rate by the same envelope (or another one) can alter the shape of the slope dramatically from the standard exponential curve to linear to inverse exponential.\u003c\/p\u003e\n\u003cp\u003eAnd how many slots do you get in the mod matrix? Two? Three? Four? No, we're talking big here. You get 16 freely definable slots plus all the pre-routed modulation destinations such as pitch, Osc 1, 2 and 3 frequency and PWM (pulse width modulation), filter 1 and 2 cutoff, panorama and amp level modulation. And let's not forget that the filter envelope is already routed to filter 1 and 2 cutoff, and the amp envelope is routed to the amp level. Makes a total of 33 simultaneous connections if we counted correctly.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eModifiers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhat if you want something really really crazy, like controlling a pitch vibrato done by LFO 3 with the modulation wheel. Although there are a few such composite modulation sources such as \"LFO1*MW\" (LFO 1 controlled by Modulation Wheel) and \"LFO2*Press\" (LFO 2 controlled by monophonic Aftertouch), there's nobody doing the \"LFO3*MW\" thing for you.\u003c\/p\u003e\n\u003cp\u003eBut, don't worry, that's where the Modifiers come into play. In seconds you can set up a new modifier, with the two sources set to LFO 3 and modulation wheel, and the \"operation\" set to \"*\" (multiply). You can use such custom-made modulation sources in any of the modulation slots described above.\u003c\/p\u003e\n\u003cp\u003eOkay, maybe you are more the regular musician who simply wants to perform a binary OR between two modulation sources? Okay, go for it! This operation is just one of several at your service.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArpeggiator\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOkay, Blofeld's arpeggiator could very well become the biggest chapter of this page but let's try to keep it short...\u003c\/p\u003e\n\u003cp\u003eIt features variable clock divisions from 1\/64 triplets to more than 1000 bars, with variable swing\/shuffle, a range of up to 10 octaves. Up, down and alternate figures, selectable play order from low to high note, low to high velocity, as played or reversed, variable note length, different velocity modes. And Hold or One-Shot, if you like.\u003c\/p\u003e\n\u003cp\u003eBut more importantly, it has the most powerful Pattern Editor we have ever seen.\u003c\/p\u003e\n\u003cp\u003eYou can set each Step to either play the note it would do so anyway, to pause, to play the previous note again, play the first or the last note, play those together, play a chord consisting of all held notes or a randomly selected note.\u003c\/p\u003e\n\u003cp\u003eThen you can adjust the Accent of each step (including silence), activate or deactivate Glide for each step, set the timing to play a step ahead or behind its nominal time, and finely adjust the note length between short staccato and full legato.\u003c\/p\u003e\n\u003cp\u003eNo wonder this arpeggiator had great reviews when it first appeared in the Waldorf Q. It will take you straight to arpeggiator-heaven, as has already happened to thousands of Waldorf customers. Dig it!\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSound\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNow, how does all that sound? You probably know that Waldorf synthesizers are well loved for their sound character, and the Blofeld is certainly no exception. But who are we to tell you? Better listen to the Waldorf Blofeld demos, visit your dealer or just believe us: it sounds great. Now go and get one!\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMain Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eUnbeatable price tag\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003esturdy Metal Enclosure\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e7 endless stainless steel Dials\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eGraphic Display 128 x 64 pixels, b\/w, white background LED\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003emore than 1000 Sounds\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e3 Oscillators per voice\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eFrequency Modulation between the Oscillators\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eAll Q Oscillator Models\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eAll Microwave II\/XT\/XTk Wavetables\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e2 independent Multi Mode Filters per voice\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eFilter FM\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e2 Drive stages per voice with selectable Drive Curves\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e3 fast LFOs per voice\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e4 fast Envelopes per voice\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003epowerful Arpeggiator\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003efreely programmable Arpeggiator Pattern with up to 16 Steps per Sound\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGeneral Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eup to 25 Voices\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e16 part multi timbral\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003emore than 1000 Sounds\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003esturdy Metal Enclosure\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e7 endless stainless steel Dials\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e5 Buttons\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eGraphic Display 128 x 64 pixels, b\/w, white background LED\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eMIDI LED\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eVolume Control\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003ePower Switch\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eStereo Output\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eHeadphone Output\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eMIDI In\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eUSB Connector for MIDI In \/ Out\u003cbr\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003euses standard USB MIDI Driver provided by host computer OS\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eWindows ME minimum, Windows XP or newer recommended\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eMac OS X 10.2 minimum, Mac OS X 10.3 or newer recommended\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eExternal Power Supply\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePer Voice\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e3 Oscillators\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eVirtual Analog Models:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003ePulse with Pulse Width Modulation and adjustable Brilliance\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eSawtooth with adjustable Brilliance\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eTriangle\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eSine\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eWavetables:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eQ Alt 1 and Alt 2 Wavetable with adjustable Brilliance\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eAll Wavetables from Microwave II\/XT\/XTk Series with adjustable Brilliance\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eSeparate Wavetable selectable for Oscillator 1 and 2\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eFrequency Modulation between the Oscillators\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eOscillator Synchronization\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eRing Modulator for Osc 1 \/ 2\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eNoise Generator with Noise Colour\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e2 independent Multi Mode Filters\u003cbr\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eFilter FM\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eResonance up to Self-Oscillation\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eLow Pass 24 dB \/ 12 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eBand Pass 24 dB \/ 12 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eHigh Pass 24 dB \/ 12 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eNotch 24 dB \/ 12 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eComb Filter with positive \/ negative Feedback\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003ePPG Low Pass Filter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e2 Drive stages per voice with adjustable Drive Gain and selectable Curves\u003cbr\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eClip\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eHard\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eMedium\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eSoft\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eSine Shaper\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eetc.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eModulation Matrix with 16 Slots, freely programmable\u003cbr\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eModulation Speed far into Audio Range\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eModulation Sources include all internal Modulation Sources plus various MIDI messages\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eModulation Destinations for almost all continuous sound parameters\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003evarious pre-routed Modulation Destinations with selectable Sources\u003cbr\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003ePitch Modulation\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eOscillator 1 \/ 2 \/ 3 Frequency Modulation\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eOscillator 1 \/ 2 \/ 3 Pulse Width Modulation\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eFilter 1 \/ 2 Cutoff Modulation\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eFilter 1 \/ 2 Frequency Modulation\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003ePan 1 \/ 2 Modulation\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eAmp Modulation\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e4 Modifiers for transforming Modulation Sources with various Algorithms\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e3 fast LFOs\u003cbr\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003esyncable to MIDI Clock\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eNote Retrigger with adjustable Start Phase\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003emonophonic LFO\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eKeytrack\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e4 fast Envelopes with selectable types\u003cbr\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eSingle Trigger \/ Retrigger per Envelope\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eADSR\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eADS1DS2R (2 Decay\/Sustain stages plus adjustable Attack Level)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eOne Shot\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eLoop S1S2 (Loop between Sustain 1 and 2)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eLoop All (Loop over all stages)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003ePoly, Mono, Dual or Unisono Mode with selectable Voice Count\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePer Part:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003epowerful Arpeggiator\u003cbr\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eHold and One Shot modes\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003esyncable to MIDI Clock\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eDirection Up, Down, Alternate\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eRange up to 10 Octaves\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003evarious methods to modify Note Sort Order\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003efreely programmable Arpeggiator Pattern with up to 16 Steps per Sound.\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003eprogrammable per Step:\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eAccent\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eTiming\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eLength\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eGlide on\/off\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003ePause\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eChord\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003ePrevious note\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eRandom not from Note List\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003efirst and\/or last note from Note List\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e1 Effect slot per part\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e1 Effect slot globally for all parts\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003eEffect types:\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eChorus\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eFlanger\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003ePhaser\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eOverdrive\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eTriple FX (S\u0026amp;H, Ring Modulation, Chorus)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eDelay (only available on global Effect slot)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eClocked Delay (only available on global Effect slot)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eReverb (only available on global Effect slot)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003eRegistration Information\u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003e\u003c\/p\u003e","brand":"Waldorf","offers":[{"title":"Default Title","offer_id":53052404236572,"sku":null,"price":1199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/waldorfblofeld_1.jpg?v=1758870867"},{"product_id":"quantumsynth","title":"Waldorf Quantum MK2 Digital \u0026 Analog Hybrid Synthesizer","description":"\u003ch1 style=\"text-align: center;\"\u003e\u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"\" src=\"https:\/\/www.jrrshop.com\/media\/catalog\/product\/w\/a\/waldorfquantum_1.jpg\" height=\"222\" width=\"690\"\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eWaldorf is proud to announce a new chapter in their tradition of designing high-end ground breaking synthesizers. Starting with Waldorf’s famous wavetable technology developed decades ago, it was always a challenge to give our instruments a powerful flexible beating heart. Our digital oscillators coupled to the enormous power and efficient simplicity of our analog filters started the digital revolution back in the 80’s.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eQuantum combines the raw power of a classic digital \u0026amp; analog hybrid synthesizer, with futuristic sounds that are only possible with today’s software synthesizers.\u003c\/p\u003e\n\u003ch4 style=\"text-align: center;\"\u003e \u003c\/h4\u003e\n\u003ch4 style=\"text-align: center;\"\u003eIts 3 Oscillators offer four synthesis algorithms each:\u003c\/h4\u003e\n\u003cp style=\"text-align: center;\"\u003eWaldorf-style Wavetables with the latest additions from Nave, including speech synthesis and wavetable generation from audio\u003cbr\u003eClassic Synthesizer Waveforms with multiple waves for an ultra fat sounds right out of the oscillators\u003cbr\u003eGranular Sampler with multi sampling plus traditional sampling mode\u003cbr\u003eResonator for virtual sound sculpting\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"Quantum Display\" src=\"https:\/\/waldorfmusic.com\/cache\/8\/985d3f1af312eb01ac9f3e65e65762a0.jpg\" height=\"460\" width=\"690\"\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cbr\u003eThe flexibility emanating from Quantum’s powerful oscillators and their interaction with one another is simply breath-taking. Never before has it ever been possible to create such a wide sonic bandwidth with one synthesizer. Stretching from classic analog, with precise sample playback, through to harsh or animated digital sounds, escalating all the way up to sound and sequence clusters, that can only be achieved with a modular synthesizer system.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eQuantum’s beautiful ergonomic and intuitive user panel supports an artist’s workflow with a previously unknown elegance. The carefully crafted array of aluminium knobs and encoders surround an ultra hi-resolution multi touch display. Waldorf engineers spent many long hours perfecting the interaction between the display and the physical control elements. The stunning display is a highly flexible extension of the tactile experience, and is light-years ahead of any synthesizer currently on the market today.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"Quantum back\" src=\"https:\/\/waldorfmusic.com\/cache\/a\/0a95985d2e8512923738857af07bffce.jpg\" height=\"292\" width=\"690\"\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eTo help understand functional correlations between one knob and another, each control knob is individually illuminated by a multi colour LED. This makes it instantly obvious when viewing complex settings and modulation settings, where related parameters can be adjusted quickly and efficiently. With the help once again of the gorgeous central display, precise settings can be handled with ease, much the same as the experience when using your cutting edge computer tablet.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eWhen the Waldorf engineers decided to develop Quantum, little did they realise it would take several years of painstaking work. There were areas of Quantum that our years of experience with sound generation were bought to the fore. But Quantum is so powerful it took our team into uncharted territory, involving both sound and the way it was felt the musician would interact with it.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eQuantum was designed and developed by our dedicated team in Germany. All essential components have been designed, manufactured and assembled here in Germany. This has allowed us to manufacture Quantum with an unparalleled build quality. We would also like to take this opportunity to thank a world class array of sound designers that have contributed to a multi-facetted factory sound set.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003ch1 itemprop=\"name\" style=\"text-align: center;\"\u003eSpecifications\u003c\/h1\u003e\n\u003cdiv itemprop=\"articleBody\" style=\"text-align: center;\"\u003eDigital-Analog Polyphonic Synthesizer\u003cbr\u003e61 Keys high-quality Fatar TP8S keyboard, channel aftertouch\u003cbr\u003e8 voices\u003cbr\u003eDual timbral: split or layered mode with separate stereo audio outputs\u003cbr\u003e3 stereo digital oscillators each capable of four synthesis algorithms\u003cbr\u003eWavetable: Waldorf style with latest additions from Nave including speech synthesis, wavetable generation from audio and new features\u003cbr\u003eWaveform: Waveform with up to 8 simultaneous waves per Oscillator in detuned or chordal mode with hard-sync, warp \u0026amp; PWM as well as tunable noise\u003cbr\u003eParticle: Sampler in traditional and granular mode using multi-samples or live input\u003cbr\u003eResonator: Exciter using multi-sampling plus filter bank sound model.\u003cbr\u003eTwo analogue lowpass filters per voice each in 24 or 12 dB configuration using innovative link modes\u003cbr\u003eDigital former: Additional digital algorithms per voice like comb filter, high-pass, band-pass \u0026amp; notch filters (Nave, Largo or PPG models), bit-crusher, drive and more\u003cbr\u003eFlexible routing system for order of analog filters \u0026amp; digital former and individual oscillator routings\u003cbr\u003e6 LFOs in poly and global mode with extensive parameter set\u003cbr\u003e6 loopable envelopes\u003cbr\u003eKomplex: multistage LFO\/envelope modulator\u003cbr\u003eExtensive modulation matrix with 40 slots and easy via-controller assignments\u003cbr\u003eIntuitive modulation assignment via panel elements and control LEDs\u003cbr\u003eMaster effect rack of 5 slots for each timbre choosing from FX like phaser, flanger, chorus, reverb, drive, eq and more.\u003cbr\u003eCompressor for main output\u003cbr\u003eStep sequencer with step recording, parameter automation and scale-based pitch quantization\u003cbr\u003eMicrotonal pitch configurations capable of importing Skala scl files\u003cbr\u003eCapable of polyphonic aftertouch via external MIDI inputs\u003cbr\u003eChord and latch buttons\u003cbr\u003eUnisono mode\u003cbr\u003eModule-based preset system for effects, oscillators, step-sequenzer and Komplex modulator\u003cbr\u003eSingle-function potentiometer and encoder controls for intuitive editing\u003cbr\u003eVisualisation and deeper sound editing via context-sensitive high-resolution capacitive multi-touch display\u003cbr\u003eSpectrum Analyzer and Oscilloscope at various processing stages\u003cbr\u003eUp to 10,000 sound patch capacity organized by banks, attributes, author and patch number.\u003cbr\u003eFavourites lists for quick recall of sound patches like for set-lists etc.\u003cbr\u003ePre-loaded with wide variety of patches by acclaimed sound designers like Howard Scarr\u003cbr\u003eMIDI output of local keyboard, wheels and assignable panel elements\u003cbr\u003eAutomation of sound parameters from MIDI inputs via MIDI CC learn function\u003cbr\u003eRecording of samples from audio inputs or self-recording of audio outputs\u003cbr\u003e4 GB*) internal Flash memory for presets, samples and wavetables\u003cbr\u003ePre-loaded with more then 1 GB sample data\u003cbr\u003eExport \u0026amp; import of presets, sample \u0026amp; wavetable via SD card\u003cbr\u003eImport of Nave presets\u003cbr\u003eMod wheel can be assigned to any parameter which can be modulated in the matrix or via quick assign\u003cbr\u003ePitch wheel can be assigned to each oscillator individually\u003cbr\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003ch4 style=\"text-align: center;\"\u003eSampling capabilities\u003c\/h4\u003e\n\u003cp style=\"text-align: center;\"\u003eEach of the 3 Oscillators of a single timbre can be used in one of three modes using samples:\u003c\/p\u003e\nStereo Multi-Sampler with looping\u003cbr\u003eGranular Sampler with extensive parameter set\u003cbr\u003eResonator model using sampler as exciter\u003cbr\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eSamples are organized using key and velocity maps, selections rules like round robin, random etc., and individual pitch, gain and pan settings.\u003cbr\u003eSamples are stored in internal Flash memory of about 4GB capacity pre-filled with over 1GB specially made for Quantum factory samples.\u003cbr\u003eNew samples can be recorded from external stereo audio inputs, or from self-recording Quantums own engine.\u003cbr\u003eSamples can also be imported an stored to internal Flash via SD card using WAV and AIFF file format (44.1kHz sample rate).\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe Quantum allows for a huge range of sample-based sound design capabilities from classical synths sounds to uncharted territories.\u003cbr\u003eIt’s worth noting that the sample use in the Quantum is always within a synthesizer's sonic context, and it is not meant to work as a “bread and butter” sample keyboard to play back like traditional sampling instruments nor third party libraries.\u003c\/p\u003e\n\u003ch4 style=\"text-align: center;\"\u003e \u003c\/h4\u003e\n\u003ch4 style=\"text-align: center;\"\u003eHuge range of arpeggiator parameters:\u003c\/h4\u003e\n7 Algorithms to choose from like up, down, random etc.\u003cbr\u003eOctave range\u003cbr\u003e7 Sort Orders\u003cbr\u003e3 Velocity Modes\u003cbr\u003eGate length\u003cbr\u003eSwing\u003cbr\u003eBPM\u003cbr\u003eBeat Division\u003cbr\u003eRhythmic patterns \u003cbr\u003eReset Modes\u003cbr\u003eKeyboard Latch chordal and non-chordal\u003cbr\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eIf that’s not enough, individual patterns can be created in the step-sequencer including transpositions and scale quantisations.\u003c\/p\u003e\n\u003ch4 style=\"text-align: center;\"\u003e\n\u003cbr\u003eConnections:\u003c\/h4\u003e\n\u003cimg alt=\"Quantum connect\" src=\"https:\/\/waldorfmusic.com\/cache\/9\/b9e018c21877617044cfff3713e1bf4e.jpg\" height=\"217\" width=\"500\"\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e2x stereo audio out for main and aux timbres\u003cbr\u003eStereo audio input for sample recording and real-time processing\u003cbr\u003eHigh-Quality 24bit A\/D and D\/A converters\u003cbr\u003eHeadphone out with separate level adjustment\u003cbr\u003eSustain pedal input\u003cbr\u003eControl pedal connector also capable of CV input (0-5V sensitivity)\u003cbr\u003eUSB host type A connector for interfacing MIDI controller\u003cbr\u003eUSB device type B connector for interfacing computer or other class-compliant MIDI USB hosts like iOS devices **)\u003cbr\u003eSD Card for sample\/preset exchange and software updates\u003cbr\u003eDIN MIDI In, Out \u0026amp; Thru\u003cbr\u003eIntegrated power supply unit\u003cbr\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cbr\u003e*) Raw physical data size for complete system including pre-loaded data and system software. Net usable size for audio samples is about 4GB including pre-loaded samples.\u003cbr\u003e**) separate Apple \"Lightning to USB Camera Adapter\" adapter needed\u003c\/p\u003e\n\u003c\/div\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003eRegistration Information\u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003eLicense\u003c\/p\u003e","brand":"Waldorf","offers":[{"title":"Default Title","offer_id":53052404498716,"sku":null,"price":4799.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/waldorfquantum_1.jpg?v=1758870869"}],"url":"https:\/\/jrrshop-3235.myshopify.com\/collections\/keyboards-midi-keyboards.oembed","provider":"jrrshop","version":"1.0","type":"link"}