{"title":"Native Instruments Kontakt","description":"","products":[{"product_id":"hideaway-studio-micro-5k","title":"Hideaway Studio Micro-5K Kontakt Instrument","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"Micro-5K GUI\" src=\"https:\/\/hideawaystudio.files.wordpress.com\/2020\/04\/micro-5k-gui.jpg?w=824\" data-attachment-id=\"2853\" data-permalink=\"https:\/\/hideawaystudio.net\/2020\/04\/08\/hideaway-studio-proudly-presents-micro-5k\/micro-5k-gui\/#main\" data-orig-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2020\/04\/micro-5k-gui.jpg\" data-orig-size=\"639,410\" data-comments-opened=\"1\" data-image-meta=\"{\" aperture data-image-title=\"Micro-5K GUI\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2020\/04\/micro-5k-gui.jpg?w=300\" data-large-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2020\/04\/micro-5k-gui.jpg?w=639\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch4 style=\"text-align: center;\"\u003eWelcome to the 1980s: A Major New Era in Affordable Digital Technologies….\u003c\/h4\u003e\n\u003cp style=\"text-align: center;\"\u003eMICRO-5K is in some ways a celebration of a new era in which two increasingly affordable technologies came together to form something quite special – namely computer controlled digital synthesis…\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe early 1980s were a time where most professional computers and electronic instruments were well out of the financial reach of the man on the street, or indeed of most educational institutions, and yet some very clever individuals managed to find a way to deliver sometimes surprisingly usable systems with affordable price tags…\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eIn the UK two companies famously went on to dominate the race to produce affordable home and educational computing systems namely Sinclair Research and Acorn Computers. The head to head battle to gain market dominance for home computer supremacy in the 1980s was dramatised in the 2009 film Micro Men (BBC Four) documenting the sometimes intense rivalry between Sir Clive Sinclair (played by Alexander Armstrong) and Chris Curry (Martin Freeman).\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe BBC Micro eventually won out as being the educational computer of choice in the UK with over 1.5 million sold into schools, colleges and university research labs. Both the Sinclair ZX Spectrum and the BBC Micro spawned what became a whole generation of home computer “bedroom coders” who went on to form the very foundation of the modern computer game industry. The UK’s contribution to what is now one of the biggest industries in the world cannot be underestimated.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eWhat also cannot be ignored is that one of the BBC Micro’s key designers was Sophie Wilson, the very same legendary genius who co-designed the ARM Processor (originally standing for Acorn RISC Machine), which went on from its humble yet ground breaking roots in the 1987 32-bit Acorn Archimedes desktop computer to eventually finding its way into almost every mobile phone on the planet!\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe BBC Micro was unusually well endowed with expansion ports and turned out to be the perfect host for a plethora of add-on peripherals. This included Hybrid Technology Ltd’s Music 500 system which was initially branded as an Acorn product but eventually became the Hybrid Music 5000 system following a major update to the software supporting the synth module.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eEnter MUSIC 5000…\u003c\/h1\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eIn a market largely dominated by analog synthesizers the MUSIC 5000 was in many ways not just affordable but actually rather ahead of its time. Originally designed by Chris Jordan it was somewhat close to being an inexpensive variant of Hal Alles’ proposed “Digital High Speed Oscillator System”. Detailed by Alles in 1979 in a paper called “An Inexpensive Digital Sound Synthesizer”, it originally formed the basis of the huge Bell Labs “Alles Machine”, the eye-wateringly expensive 1979 Crumar G.D.S. and the Digital Keyboards Synergy. All of these systems used a bank of wave-tables which were played back using the digital “phase-accumulation” method.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"Beeb Closeup\" height=\"244\" src=\"https:\/\/hideawaystudio.files.wordpress.com\/2020\/04\/beeb-closeup.jpg?w=423\u0026amp;h=244\" width=\"423\" data-attachment-id=\"2860\" data-permalink=\"https:\/\/hideawaystudio.net\/2020\/04\/08\/hideaway-studio-proudly-presents-micro-5k\/beeb-closeup\/#main\" data-orig-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2020\/04\/beeb-closeup.jpg\" data-orig-size=\"1287,743\" data-comments-opened=\"1\" data-image-meta=\"{\" aperture data-image-title=\"Beeb Closeup\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2020\/04\/beeb-closeup.jpg?w=300\" data-large-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2020\/04\/beeb-closeup.jpg?w=824\"\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eHaving accurate high-speed phase control over the wave-tables allowed mathematical operations to be applied between pairs of oscillators in hardware in real-time. In the case of the MUSIC 5000 this permitted amplitude, phase and ring-modulation and osc-sync, all in the digital domain. Up to 8 stereo channels with 24-bit frequency control accuracy clocked at 47KHz could be utilised in a single sound or a number of different sounds played concurrently (multi-timbral). This was pretty impressive for an affordable digital music synthesizer module which was first released in 1983. Even more impressive is that the whole thing was implemented in a handful of stock logic and RAM chips!\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eUnlike its more expensive 16-bit counterparts the MUSIC 5000 produced its output at 8-bit resolution but it used companding u-Law converters which sounded more like 12-bit audio thanks to their improved low signal level accuracy. Obviously by today’s standards the MUSIC 5000 is very much outdated and pretty primitive but, like so many early offerings, it has a unique character all of its own.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch4 style=\"text-align: center;\"\u003eAll Controlled by a Computer Language called AMPLE?\u003c\/h4\u003e\n\u003cp style=\"text-align: center;\"\u003eUnusually the MUSIC 5000 low-level control method was more akin to something found in a research lab ie. all of its synthesis and music production functions were programmed at the command line in a language called AMPLE. Although there were later front ends offering basic user interfaces to make things a little more friendly, the programming language still interfaced with the hardware itself.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eNo MIDI Input?\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eNope.. not originally – the user had to hand code his music compositions into the computer. Later a keyboard was produced… and very much later I designed a custom MIDI interface which was put to great use to produce this library!\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eEquipment Used\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eAll sample material captured from a 1986 Hybrid Technology Ltd MUSIC 5000 synth module controlled by a 1983 Acorn BBC Micro Model B running the AMPLE music programming language. Sample capture in 24-bit audio using an RME Fireface fed via a 1969 Fairchild model 662 germanium pre-amp and model 664 transformer-coupled passive-EQ. MIDI control offered by Hideaway Studio’s M5KMIDI a custom MUSIC 5000 MIDI interface for the BBC Micro.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eSystem Requirements\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eThis library requires the full version of Kontakt 4.2.4 or higher.\u003cbr\u003eApproximately 700MB of free hard disk space is required.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eDownload Contents\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003e595 24-bit Samples\u003cbr\u003e100 Example Instruments\u003cbr\u003e24 Example Layered-Multis\u003cbr\u003eUser Manual\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"300\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/792176317\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e","brand":"Hideaway Studio","offers":[{"title":"Default Title","offer_id":54332811804956,"sku":"micro5k","price":10.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/micro-5k-gui.jpg?v=1784615825"},{"product_id":"hideaway-studio-the-string-collection-ii","title":"Hideaway Studio The String Collection II Kontakt Instrument","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"The String Collection GUI\" src=\"https:\/\/hideawaystudio.files.wordpress.com\/2018\/12\/the-string-collection-gui.jpg?w=824\" data-attachment-id=\"2758\" data-permalink=\"https:\/\/hideawaystudio.net\/2018\/12\/07\/hideaway-studio-proudly-presents-the-string-collection-ii\/the-string-collection-gui-2\/#main\" data-orig-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2018\/12\/the-string-collection-gui.jpg\" data-orig-size=\"634,409\" data-comments-opened=\"1\" data-image-meta=\"{\" aperture data-image-title=\"The String Collection GUI\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2018\/12\/the-string-collection-gui.jpg?w=300\" data-large-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2018\/12\/the-string-collection-gui.jpg?w=634\"\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eAs with all of my Kontakt instruments, the ethos behind them is not so much an attempt to capture and recreate the past but an opportunity to present the original source material as textures, elements and building blocks in order to create something new. At the same time, hopefully some of the original beauty and character of these rare and vintage instruments and equipment will shine through.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eA long time in the making, I have been wanting to release for some time now a sequel to one of my most popular Kontakt instruments to date which has been a personal favourite of mine since the beginning. As I’m sure many are aware, I have always had a bit of a soft spot for evocative cinematic synth strings, and especially pseudo realistic string ensembles. It has been very exciting for me that some of these string ensembles and textures have found their way into a number of major music productions around the world.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eMy original String Collection was largely based on early string synths such as the ARP Omni and the Eminent 310U. I wanted to add several new offerings from several other families of synthesizer. The reasoning behind this was an attempt to broaden the sonic territory in what has proven to be a remarkably effective and easy to use layering engine. Some extra elements from my beloved 1938 Novachord #346 have been introduced including a very “warts \u0026amp; all” string timbre straight from the beast. Such elements may sound a little too antique to some in isolation but can form a remarkable secret element when layered with others in the layering engine. It is hard to believe this quarter ton 163 tube monster is 80 years old this year!\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e \u003c\/div\u003e\n\u003cp style=\"text-align: center;\"\u003eAround 30 instruments were captured and I’ve tried to draw upon a number of basic synthesis methods including divide down\/formant, classic subtractive, DCO, digital FM and additive as well as capturing some tube synth textures from three vintage synths. Synths included the DK Synergy and ultra rare Mulogix Slave-32, Rhodes Chroma, Octave Cat Voyetra-Eight, Farfisa Syntorchestra, ProphetVS, Elka Synthex, Oberheim OB-X and Matrix 1000, Korg PS-3100. Tube synths included the Hammond Novachord, a Jennings Univox J6 and a heavily modified Cordovox CG-1.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eI have also tried to introduce a number of unique processing methods to add tonal colour, character and movement to various sounds. This included a rather bizarre idea I had to play raw material through a speaker and record it using an old carbon granule GPO telephone mic. This imparted a wonderful crunchy antique character which when layered with the original source produced a rather beautiful effect. Other methods involved recording on and off of rather worn ¼” tape on a wonderful 1969 Revox G36 tube reel to reel. An original 1969 Dolby A-301 (the world’s first Dolby dynamic noise reduction system) and a DBX II 128 compander along with a gorgeous Binson tube Pre-Mixer were also used to good effect. A number of triple ensembles were used to process single string timbres from various synths into something much more akin to the original Solina strings. This included the often overlooked Korg SDD-3300 triple modulated delay and retasking the triple BBD chorus ensemble in the little Böhm Dynamic 12\/24 as well as the wonderful “Orbitone” generator in the Eminent 310U. Truly uniquely, I used the latter to process some of the string timbres from the Novachord to produce some very special ensembles!\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eA number of layers and blends were brought together to form the basic 36 instruments loaded into the layering engine to form String Collection II.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eEquipment Used\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eNovachord #346 is now 80 years old \u0026amp; has proven to be a truly unique sonic ingredient!\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eSources\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003e1938 Novachord #346, Eminent 310U, Minimoog T2798E, ORLA DSE-24,\u003cbr\u003eBöhm Dynamic 4×9, Oberheim OB-X, Jennings Univox J6 tube monosynth,\u003cbr\u003eStudio Electronics Omega 8,Sequential Prophet 600, Sequential Prophet VS,\u003cbr\u003eOctave Cat Voyetra Eight, Sequential Six-Trak, Rhodes Chroma, Korg PE-1000,\u003cbr\u003eKorg PS-3100, Waldorf microWave I, Yamaha TX802, Yamaha TX81Z,\u003cbr\u003eCustom Cordovox CG-1 tube polysynth, Oberheim Matrix 1000, DK Synergy II+,\u003cbr\u003eMulogix Slave 32, Evolution EVS-1, Roland D-110, Roland JX-8P, Roland JUNO-106,\u003cbr\u003eRoland VP-330, Roland alpha-Juno II, Elka Synthex, Farfisa Syntorchestra,\u003cbr\u003eCrumar Performer, Crumar Bit One…\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eProcessing\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003ePassive formant resonator circuit, GPO Carbon Microphone, Revox G36 tube half-track,\u003cbr\u003e1969 Dolby A-301, DBX II 128 Compander, Binson tube Pre-Mixer, Korg SSD-3300…\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eSystem Requirements\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eThis library requires the full version of Kontakt 4.2.4 or higher.\u003cbr\u003eApproximately 1.2GB of free hard disk space is required.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eDownload Contents\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003e786 24-bit Samples\u003cbr\u003e64 Example Instruments\u003cbr\u003eUser Manual\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"300\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/539133036\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e","brand":"Hideaway Studio","offers":[{"title":"Default Title","offer_id":54332811837724,"sku":"TheStringCollectionII","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/the-string-collection-gui.jpg?v=1784615826"},{"product_id":"hideaway-studio-polivox","title":"Hideaway Studio Polivox Kontakt Instrument","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"HS Polivoks Front Panel\" src=\"https:\/\/hideawaystudio.files.wordpress.com\/2017\/12\/hs-polivoks-front-panel1.jpg?w=824\" data-attachment-id=\"2705\" data-permalink=\"https:\/\/hideawaystudio.net\/2017\/12\/04\/hideaway-studio-proudly-presents-polivox\/hs-polivoks-front-panel\/#main\" data-orig-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2017\/12\/hs-polivoks-front-panel1.jpg\" data-orig-size=\"640,318\" data-comments-opened=\"1\" data-image-meta=\"{\" aperture data-image-title=\"HS Polivoks Front Panel\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2017\/12\/hs-polivoks-front-panel1.jpg?w=300\" data-large-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2017\/12\/hs-polivoks-front-panel1.jpg?w=640\"\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe Polivoks (Rus.: Поливокс) was designed by Vladimir Kuzmin with input on the aesthetics from his wife Olimpiada who was apparently inspired by Soviet military radios of the time. In production between 1982 and 1990 the Polivoks was manufactured at the Formanta Radio Factory in Kachkanar, Russian SFSR. With a retail price upon release of 920 rubles around 100,000 Polivoks were manufactured – peaking at a production rate of up to 1,000 units a month! Despite this, the Polivoks is not all that commonly seen an instrument outside of Russia.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eAlthough intending to appear and sound similar to the Minimoog it has been said that Vladimir never had access to the instrument or indeed any technical information. On examining the schematics, I’d have to agree and go so far as to say the Polivoks is a very different beast indeed on a technical footing. Some have said the instrument was a poor man’s Minimoog but I truly think this is disingenuous to say the least as it sports some interesting unique features such as looping envelopes, a particularly efficiently implemented duophonic note assigner, and a quite remarkable and unique filter design.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eIn fact, whilst producing the original patches for this library I have been particularly taken by the filter on this unique instrument which is like nothing I’ve ever heard before. Sporting both Low Pass and Band Pass modes it can be quite an untamed beast at times but with care also capable of producing some really quite beautiful timbres.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eIt may be full of bizarre old Russian transistors the size of small flying saucers, plastic that feels like it was made from recycled Christmas cracker toys and easily winning the most horrific key-action ever made contest.. I truly adore this wonderful old analog chameleon of an instrument!\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"Polivoks 02 FX\" height=\"374\" src=\"https:\/\/hideawaystudio.files.wordpress.com\/2017\/12\/polivoks-02-fx.jpg?w=499\u0026amp;h=374\" width=\"499\" data-attachment-id=\"2702\" data-permalink=\"https:\/\/hideawaystudio.net\/2017\/12\/04\/hideaway-studio-proudly-presents-polivox\/polivoks-02-fx\/#main\" data-orig-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2017\/12\/polivoks-02-fx.jpg\" data-orig-size=\"800,600\" data-comments-opened=\"1\" data-image-meta=\"{\" aperture data-image-title=\"Polivoks 02 FX\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2017\/12\/polivoks-02-fx.jpg?w=300\" data-large-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2017\/12\/polivoks-02-fx.jpg?w=800\"\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eAs always with all of my Kontakt Libraries the raw sample material has been captured faithfully and directly from the instrument (including in this case a few samples taken via a gorgeous 1968 Bruel \u0026amp; Kjaer type 2107 all- tube swept band pass lab filter). The Solo Synth Engine retains the sonic character of the instrument and yet help to present it in a new light permitting a wide range of tonal colours, textures and landscapes to be explored. With this in mind I have included many example patches in the library which I think will help to show the full potential of the Polivox library.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e…oh and look out for the secret button!!  :-]\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eSystem Requirements\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eThis library requires the full version of Kontakt 4.2.4 or higher.\u003cbr\u003eApproximately 685MB of free hard disk space is required.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eDownload Contents\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003e845 24-bit Samples\u003cbr\u003e64 Example Instruments\u003cbr\u003e66 Example Layered-Multis\u003cbr\u003eUser Manual\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"300\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/361499978\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e","brand":"Hideaway Studio","offers":[{"title":"Default Title","offer_id":54332811870492,"sku":"Polivox","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/hs-polivoks-front-panel1.jpg?v=1784615828"},{"product_id":"hideaway-studio-chromatix","title":"Hideaway Studio Chromatix Kontakt Instrument","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"Chromatix (logo) small\" height=\"306\" src=\"https:\/\/hideawaystudio.files.wordpress.com\/2015\/06\/chromatix-logo-small.jpg?w=496\u0026amp;h=306\" width=\"496\" data-attachment-id=\"2506\" data-permalink=\"https:\/\/hideawaystudio.net\/2015\/06\/30\/hideaway-studio-proudly-presents-chromatix\/chromatix-logo-small\/#main\" data-orig-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2015\/06\/chromatix-logo-small.jpg\" data-orig-size=\"1293,784\" data-comments-opened=\"1\" data-image-meta=\"{\" aperture data-image-title=\"Chromatix (logo) small\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2015\/06\/chromatix-logo-small.jpg?w=300\" data-large-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2015\/06\/chromatix-logo-small.jpg?w=824\"\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eChromatix is a celebration of yet another successful resurrection of an old classic saved from the grave…\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThis time it was a gorgeous 1983 Rhodes Chroma!\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eAfter a very deep clean inside and out followed by a visual inspection it was quickly realised the original rather large and somewhat grizzly linear PSU had burnt out and was showing signs of several past repairs. News got round that a new cooler running switched mode PSU retrofit had been made available and was duly installed. Having returned power to the beast it quickly transpired that at least two voice cards had serious issues and were failing the dreaded auto-tune. This rapidly became a can of worms when it became apparent that almost all of the considerable number of analog multiplexors within the beast were practically dying in front of my eyes due to age and after the shock of being pressed back into action for the first time in several years. Following removal and replacement of some 40 or so unsocketed ICs much of the instrument returned to life leaving a final stubborn voice card really determined not to play ball. On discovery of a number of leaky transistor arrays and tired charge pump oscillators the final voice card eventually succumb to my continued harassment only to have a third voice card fail during soak testing!\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eAfter two weeks of intense toil this 16 VCO beast returneth to life… and what a beast!\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"Chroma_Closeup\" height=\"373\" src=\"https:\/\/hideawaystudio.files.wordpress.com\/2015\/06\/chroma_closeup.jpg?w=495\u0026amp;h=373\" width=\"495\" data-attachment-id=\"2511\" data-permalink=\"https:\/\/hideawaystudio.net\/2015\/06\/30\/hideaway-studio-proudly-presents-chromatix\/chroma_closeup\/#main\" data-orig-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2015\/06\/chroma_closeup.jpg\" data-orig-size=\"2592,1936\" data-comments-opened=\"1\" data-image-meta=\"{\" aperture data-image-title=\"Chroma_Closeup\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2015\/06\/chroma_closeup.jpg?w=300\" data-large-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2015\/06\/chroma_closeup.jpg?w=824\"\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eHaving sifted through and loaded up over 1000 patches during soak testing over 5.5 Hours of raw audio was captured directly from the instrument.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eARP’s Last Gasp…\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eARP Instruments, the hugely influential name behind a string of famous instruments such as the ARP2500, ARP2600, Odyssey, Avatar, Omni, Quadra and Axxe, was in its prime during the 70s but by the early 80s the tables had turned for the worse and the company was losing money hand over fist thanks to a series of unfortunate business decisions, excessive cost of sales figures and overheads.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eWork had started on the Chroma in the autumn of 1979. After two years of intense development interspersed by the project being temporarily shelved on a number of occasions things were looking decidedly shaky at ARP on the financial front. This was no fault of the R\u0026amp;D team behind this technically challenging design but due to increasing resistance from management who had their own battles to fight.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003ePhilip Dodds was left to head a company dying before his eyes and several months of development were lost to company politics. The situation became dire and he was eventually left with little option but to close down the R\u0026amp;D department. Despite the ongoing stress of the situation he succeeded in selling on the IP rights to the Chroma design to CBS Musical Instruments and in the process was hired to oversee its production. If it wasn’t for this last gasp for survival the Chroma would surely never have existed.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe Chroma was an advanced digitally managed 16 VCO analog synthesizer released after the initial success of the Sequential Prophet-5. Both instruments offered patch memory with the Chroma sporting a bank of 50 user programmable patches. It was one of the first analog synths to offer multi-timbral operation, voice layering and keyboard splitting with velocity sensitivity. The voice architecture was unusually flexible whereby the firmware could route signals through two low pass filters, in parallel or series, or switch the VCA before or after the filters. Through a bespoke digital interface (Chroma pre-dated MIDI) it was even possible to edit voices in a program on the Apple II computer.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eCBS released the Chroma in 1981 with a list price of $5295 and proved to be pretty successful with estimates of around 1400 units eventually sold.\u003c\/p\u003e\n\u003ch4 style=\"text-align: center;\"\u003e \u003c\/h4\u003e\n\u003ch4 style=\"text-align: center;\"\u003e56 Unique Instruments Presented in The Layering Engine…\u003c\/h4\u003e\n\u003cp style=\"text-align: center;\"\u003eChromatix features a deceptively powerful layering engine which allows the user to create new sounds and textures with ease by selecting up to four out of a bank of 56 partial voices to be layered. Each layer has its own fine and course tuning, ADSR envelope, panning, velocity sensitivity, LFO and tone controls. This permits anything from huge pads to complex evolving sounds. Many of the demo instrument patches included are good pointers as to how some of these effects are achieved.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"Chromatix GUI_release_vs\" src=\"https:\/\/hideawaystudio.files.wordpress.com\/2015\/06\/chromatix-gui_release_vs.jpg?w=824\" data-attachment-id=\"2510\" data-permalink=\"https:\/\/hideawaystudio.net\/2015\/06\/30\/hideaway-studio-proudly-presents-chromatix\/chromatix-gui_release_vs\/#main\" data-orig-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2015\/06\/chromatix-gui_release_vs.jpg\" data-orig-size=\"636,410\" data-comments-opened=\"1\" data-image-meta=\"{\" aperture data-image-title=\"Chromatix GUI_release_vs\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2015\/06\/chromatix-gui_release_vs.jpg?w=300\" data-large-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2015\/06\/chromatix-gui_release_vs.jpg?w=636\"\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eAbove of each of the four voice panels there is an orange LCD display showing the selected voice. By clicking on each of the displays a pull down menu appears allowing one of 56 voice partials to be selected. With a potentially vast number of layered permutations at hand two different banks of 28 partials are available the first set assigned to channels 1 \u0026amp; 3 and the second bank of 28 partials assigned to channels 2 \u0026amp; 4.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"Chromatix GUI_Partial_Pulldown\" height=\"300\" src=\"https:\/\/hideawaystudio.files.wordpress.com\/2015\/06\/chromatix-gui_partial_pulldown.jpg?w=130\u0026amp;h=300\" width=\"130\" data-attachment-id=\"2526\" data-permalink=\"https:\/\/hideawaystudio.net\/2015\/06\/30\/hideaway-studio-proudly-presents-chromatix\/chromatix-gui_partial_pulldown\/#main\" data-orig-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2015\/06\/chromatix-gui_partial_pulldown.jpg\" data-orig-size=\"246,568\" data-comments-opened=\"1\" data-image-meta=\"{\" aperture data-image-title=\"Chromatix GUI_Partial_Pulldown\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2015\/06\/chromatix-gui_partial_pulldown.jpg?w=130\" data-large-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2015\/06\/chromatix-gui_partial_pulldown.jpg?w=246\"\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eNaturally the example instruments packed with the library can be used as is but where the fun starts is having a go dialing in your own sounds using the intuitive layering engine. All of your creations can be saved as .nki instruments simply by using the save as function by clicking on the files icon in the main Kontakt control pane.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe layering engine consists of four identical programming panels and an effects section. This release is the first to use a recently updated version of the layering engine which has recently been revised to include separate velocity sensitivity controls for each layer.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe TONE control is a deceptively powerful feature. In the fully downward position the signal is unaffected. As the control is moved upwards a continuously evolving complex EQ curve is applied. With some experimentation this feature can be used for embellishing formants within each voice partial and helping to sit each of the layers together in the mix.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eSystem Requirements\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eThis library requires the full version of Kontakt 4.2.4 or higher.\u003cbr\u003eApproximately 1.35GB of free hard disk space is required.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eDownload Contents\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003e1030 24-bit Samples\u003cbr\u003e56 Partials\/Voices presented in 4 Channel Layering Engine\u003cbr\u003e75 Example Instruments\u003cbr\u003eUser Manual\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"300\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/212624885\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e","brand":"Hideaway Studio","offers":[{"title":"Default Title","offer_id":54332811903260,"sku":"Chromatix","price":12.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/chromatix-gui_release_vs.jpg?v=1784615829"},{"product_id":"hideaway-studio-synergenesis","title":"Hideaway Studio Synergenesis Kontakt Instrument","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"Synergenesis Logo\" height=\"90\" src=\"https:\/\/hideawaystudio.files.wordpress.com\/2014\/09\/synergenesis-logo.jpg?w=824\u0026amp;h=107\" width=\"690\" data-attachment-id=\"1969\" data-permalink=\"https:\/\/hideawaystudio.net\/2014\/09\/26\/hideaway-studio-proudly-presents-synergenesis\/synergenesis-logo\/#main\" data-orig-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2014\/09\/synergenesis-logo.jpg\" data-orig-size=\"1381,180\" data-comments-opened=\"1\" data-image-meta=\"{\" aperture data-image-title=\"Synergenesis Logo\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2014\/09\/synergenesis-logo.jpg?w=300\" data-large-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2014\/09\/synergenesis-logo.jpg?w=824\"\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eGroundbreaking Pure Digital Synthesis Technology from the 1970s… in 16-bit Audio!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe 1970s were to be a magical time when a string of groundbreaking technology was conceived and developed at Bell Labs (BTL), Murray Hill, New Jersey. Many of the developments at Bell Labs have been pivotal and have subsequently played an extremely important part in shaping modern life. This includes the famous UNIX operating system (the grandfather of Linux and all its derivatives), the C Programming Language, fundamental parts of the technology that form the internet, digital telephony, satellite communications and audio\/video compression techniques to name but a few.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eDuring this time a very talented research scientist called Hal Alles was working on means to implement echo-cancellation in digital telephone systems. This led to the development of an advanced high speed digital oscillator system. On experimenting with the concept it became apparent that it might have some merit as the basis of an advanced music synthesizer using real time digital control techniques. Incredibly, Hal was permitted to setup a side project with funding to explore this notion and after very much toil and expense the Bell Labs Synthesizer or Alles Machine was born. This 300lb behemoth was nicknamed The Blue Monster or Alice for short.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eAt the heart of the Alles Machine was Hal’s high speed digital oscillator technology implementing 64 digital oscillators. The instrument was hosted by a DEC PDP-11 minicomputer (the same range of computers UNIX was developed on at Bell) and literally programmed in C to perform whatever task the operator wished to undertake. Needless to say without any form of dedicated controls, synth engine or patch programming interface very few musicians indeed were able to realise the true potential of Alles Machine!\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eTwo musicians that were gifted with the necessary combination of skills to handle The Blue Monster were Laurie Spiegel and Roger Powell. Very sadly almost no recorded material has survived but the few recordings that have reveal a machine capable of generating huge evolving digital soundscapes – this is particularly apparent in Laurie’s Improvisation on a Concerto Generator from 1977.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eTowards the late 1970s a number of synthesizer manufacturers became aware of the instrument including the MTI division of Crumar who saw the new technology as a means to leap ahead of the pack. A talented development team was assembled and it was agreed that Bell’s Hal Alles and Max Mathews were to offer technical advice on the best means of essentially commercialising the Alles Machine whilst making it much more accessible to every day musicians. The first instrument to be developed was the GDS (General Development System). Although the instrument was hardly inexpensive (it cost around $30,000 in 1979) an ambitious cost down exercise was undertaken to reduce the 1400 or so integrated circuits to only a few hundred. Amazingly, the design team was able to meet the stringent material cost target and the GDS was born.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eOnly 10 or so GDS systems were ever built but it became the sound development tool for its derivatives, the Synergy, Synergy II+ and Mulogix Slave 32. The GDS had a small number of influential owners who were able to work wonders with the new technology. This included Wendy Carlos and Klaus Schulze who released a number of albums and film scores in the very early 1980s heavily drawing on the GDS as a source of digital textures, pseudo realistic timbres and percussion.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eEnter The DK Synergy…\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"Synergy 01 lr\" height=\"518\" src=\"https:\/\/hideawaystudio.files.wordpress.com\/2014\/09\/synergy-01-lr.jpg?w=824\u0026amp;h=618\" width=\"690\" data-attachment-id=\"1972\" data-permalink=\"https:\/\/hideawaystudio.net\/2014\/09\/26\/hideaway-studio-proudly-presents-synergenesis\/synergy-01-lr\/#main\" data-orig-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2014\/09\/synergy-01-lr.jpg\" data-orig-size=\"2304,1728\" data-comments-opened=\"1\" data-image-meta=\"{\" aperture data-image-title=\"Synergy 01 lr\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2014\/09\/synergy-01-lr.jpg?w=300\" data-large-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2014\/09\/synergy-01-lr.jpg?w=824\"\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eFollowing the GDS was the Synergy (DK-1) which relied on the identical 32 high speed oscillator subsystem but coupled to a dedicated Z80 controller thus enabling the instrument to operate stand alone relying on voice cards plugged into the front panel to permit the user to select between or layer up to 4 combinations of 32 patches. A few years later a clever upgrade was offered to basically return the programming ability of the GDS to the Synergy through the use of an external host computer manipulating a special memory area known as VRAM. This variant was known as the Synergy II+ but was not sold in great numbers thanks in part to the release of the considerably more affordable DX7.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eMore Than Additive…\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eAll variants were more than simply large banks of digital sine wave generators as found in more traditional additive synthesizers. They were unusual in that the oscillators could produce both sine and distorted triangular waveforms which could be combined in a very flexible manner ranging from straight additive synthesis, phase modulation or combinations of both. This meant that far more harmonically complex sounds could be generated without having to resort to a massive array of sine oscillators. Not only was the oscillator topology complex but the modulation abilities were truly groundbreaking. Each oscillator had its own envelope and a whole raft of real time modulation could be applied to each control parameter including the notion of switching between low and high velocity parameter sets.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eRisen from Near Obscurity – Reviving Synergy #01205\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eTime has not been kind to the Synergy with many examples having perished years ago. Needless to say that very few have experienced a working Synergy let alone a full II+ system first hand in recent times.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eQuite by chance earlier in the year I stumbled across a now very rare 1983 Synergy II+ in a rather burnt out state with a very interesting past. After a few days of intense research I was able return this poor beast to working order and I set about the soon to be arduous task of finding a suitable Kaypro II computer to be coupled to it to run the infamous synHCS host control application. The task of tracking down a working Kaypro was tricky enough in the UK but the task of running an OS, finding working application software, making a suitable serial cable to connect the two machines, configuring the link and locating the factory patches in the correct format proved to be a major headache.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eInto the 21st Century…\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eAs has been such an effective retrofit on other vintage instruments such as the Emulator II, with the invaluable help of its inventor, Jean-François DEL NERO, I successfully managed to install a superb HxC floppy disk emulation system in place of one of the 5.25” disk drives and embarked on the ludicrously tedious task of manually converting the disk images of the entire GDS\/Synergy Factory Sound Library to virtual disks. This permitted me to audition several hundred patches in awe of this groundbreaking digital wonder…\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eSampling the Beast\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"Synergenesis GUI\" class=\"alignleft size-full wp-image-1973\" src=\"https:\/\/hideawaystudio.files.wordpress.com\/2014\/09\/synergenesis-gui.jpg?w=824\" data-attachment-id=\"1973\" data-permalink=\"https:\/\/hideawaystudio.net\/2014\/09\/26\/hideaway-studio-proudly-presents-synergenesis\/synergenesis-gui\/#main\" data-orig-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2014\/09\/synergenesis-gui.jpg\" data-orig-size=\"636,163\" data-comments-opened=\"1\" data-image-meta=\"{\" aperture data-image-title=\"Synergenesis GUI\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2014\/09\/synergenesis-gui.jpg?w=300\" data-large-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2014\/09\/synergenesis-gui.jpg?w=636\"\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eI decided to capture a broad selection some of the more impressive sounds. This turned out to be a bigger task that I had envisaged and after many tens of hours of run time the beast died in front of my eyes and after several hours of mild panic I determined that the very elderly and rather grizzly switch mode power supply had failed. To my great relief the beast was returned to operation the following day having retrofitted a modern high efficiency equivalent in its place (which was half the size of the original!).  During my time sampling the Synergy a curious feeling crept over me that I have very rarely experienced whilst sat in front of a vintage instrument – that of sheer wonder that a team of engineers had the vision and bravery to develop an instrument so very ahead of its time and so different from those of the day. In fact, despite the number of wonderful vintage synths I get work on these days, the last time I felt this way was when I was returning the infamous 1938 Novachord #346 to life.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003cem\u003eIn short, I hope you enjoy playing the sampled instruments as much as I’ve enjoyed making this library…\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eSynergy Percussion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe GDS\/Synergy II+ is surprisingly capable of synthesizing all manner of percussive sounds including many of a similar but not identical nature to their analog counterparts from drum machines of yesteryear.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eAs well as the main body of instruments Synergenesis features over 220 percussive samples capturing a significant proportion of the drum patches featured in the original factory instrument library which dates back to the early 1980s. They have been presented as two main drum kits and as a series of sets primarily intended to permit the user to preview them and experiment with filtering and dynamics on select sounds. Multiple instruments can then be used in this manner over a number of midi channels if required. More technically minded users can remap the drum sets as they wish in Kontakt.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eWAV Samples\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe drum sounds in this library are also presented in .wav format.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eAs well as the original 24-bit samples the percussion is also presented in 16 and 8-bit formats (all at 44.1KHz sample rate) in their respective folders for use on a wide range of software based sample players and applications as well as a number of hardware samplers such as the MPC series.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eSystem Requirements\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eThis library requires the full version of Kontakt 4.2.4 or higher.\u003cbr\u003eApproximately \u003cspan\u003e1GB\u003c\/span\u003e of free hard disk space is required.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eDownload Contents\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003e952 24-bit Samples*\u003cbr\u003e298 Drum Samples in 8, 16 \u0026amp; 24-bit .wav format\u003cbr\u003e61 Example Instruments*\u003cbr\u003e48 Example Layered Multis*\u003cbr\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e*includes a multi-sample from the recently restored 1979 Crumar GDS (see news section)\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"300\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/169425312\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e","brand":"Hideaway Studio","offers":[{"title":"Default Title","offer_id":54332812067100,"sku":"Synergenesis","price":12.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/synergenesis-gui.jpg?v=1784615830"},{"product_id":"hideaway-studio-6-trax","title":"Hideaway Studio 6-Trax Kontakt Instrument","description":"\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cimg alt=\"6-Trax Multi GUI\" class=\"alignleft wp-image-1914 size-full\" src=\"https:\/\/hideawaystudio.files.wordpress.com\/2014\/04\/6-trax-multi-gui.jpg?w=824\" data-attachment-id=\"1914\" data-permalink=\"https:\/\/hideawaystudio.net\/2014\/04\/30\/hideaway-studio-proudly-presents-6-trax\/6-trax-multi-gui\/#main\" data-orig-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2014\/04\/6-trax-multi-gui.jpg\" data-orig-size=\"633,323\" data-comments-opened=\"1\" data-image-meta=\"{\" aperture data-image-title=\"6-Trax Multi GUI\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2014\/04\/6-trax-multi-gui.jpg?w=300\" data-large-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2014\/04\/6-trax-multi-gui.jpg?w=633\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003ePresenting: 6-Trax…\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003eThe Little Synth That Could…\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eIn 1984 Dave Smith and his team at Sequential Circuits released the \u003cstrong\u003eSix-trak\u003c\/strong\u003e which was one of the first instruments not only to feature the then new MIDI control system but was an early multitimbral offering. This was quite a technically advanced feature to be seen on what was a relatively affordable synthesizer in those days. Although we all know Dave Smith as a master of analog synthesizer design, whilst working on his designs, I am often left thinking that in fact he really should be better praised for his programming skills! Fitting a whole multi-timbral synth control system with patch recall, an arpeggiator, a sequencer, a stack facility and an extremely full midi CC implementation into a humble Z80 microcontroller running at 4MHz with its code residing on one tiny 16Kbyte EPROM is really quite an accomplishment!\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eAlthough very much overshadowed by the infamous Prophet 5, the Six-trak offers 6 real VCOs and analog filters courtesy of Curtis (CEM3394) which much to my delight self-oscillate in such a controlled manner that they can easily double up as second oscillators with a bit of careful programming.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eAs is so often with my ever growing collection of vintage synths at Hideaway, Six-trak number 1551 came in dead and was singing sweetly again after a few days of attention on the slab armed with the oscilloscope and soldering iron.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eHaving rescued this little beasty from the grave I was confronted with an empty patch memory so I set about programming up 100 new patches which resulted in a mammoth sampling session rendering over 4Gbytes of material that was auditioned in Kontakt. Having cherry picked some 70 or so of my favorites I set about looping some 870 or so samples and programming up 100 new instruments in Kontakt.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"SixTrak_Repaired\" class=\"alignright wp-image-1922 size-medium\" height=\"224\" src=\"https:\/\/hideawaystudio.files.wordpress.com\/2014\/04\/sixtrak_repaired.jpg?w=300\u0026amp;h=224\" width=\"300\" data-attachment-id=\"1922\" data-permalink=\"https:\/\/hideawaystudio.net\/2014\/04\/30\/hideaway-studio-proudly-presents-6-trax\/sixtrak_repaired\/#main\" data-orig-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2014\/04\/sixtrak_repaired.jpg\" data-orig-size=\"2592,1936\" data-comments-opened=\"1\" data-image-meta=\"{\" aperture data-image-title=\"SixTrak_Repaired\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2014\/04\/sixtrak_repaired.jpg?w=300\" data-large-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2014\/04\/sixtrak_repaired.jpg?w=824\"\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eI have to say I was quite surprised by what I managed to get out of what on paper is quite a humble 1-OSC per voice polysynth. I think there are a few reasons for this – firstly I found the Six-trak to have quite a dark nature to its sound and the filters are great with the whole self oscillation thing launching it into sometimes complete instability but on other occasions rendering bells and percussive sounds aplenty. The way the VCAs are also setup permits the filter to be somewhat overdriven which adds another dimension to its sound.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe decision was made to capture almost all of the material directly from the Six-Trak as the instrument has quite a warm nature right out of the box. A small handful of the patches were post processed by feeding the audio through the wonderful triple chorus stage of the 1972 Eminent 310U to impart an extremely rich texture.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eIt is worth noting, as with all of my sampled vintage synth collection, that although the raw captured material is totally authentic many of the instruments in the library explore many new avenues. That said, I think many would be quite surprised what I managed to conjure out of this little wonder.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eIt has indeed been a fair while since my last release.   Behind the scenes I have been extremely busy overhauling and restoring a whole raft of vintage synths including two rare and very special old beasts.  These and others will form the basis of several planned major releases over the next few months…\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eSystem Requirements\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eThis library requires the full version of Kontakt 4.2.4 or higher.\u003cbr\u003eApproximately \u003cspan\u003e650MB\u003c\/span\u003e of free hard disk space is required.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eDownload Contents\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan\u003e871 24-bit Samples\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e69 Example Instruments\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e31 Example Layered Multis\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"300\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/147260729\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e","brand":"Hideaway Studio","offers":[{"title":"Default Title","offer_id":54332812099868,"sku":"6Trax","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/6-trax-multi-gui.jpg?v=1784615830"},{"product_id":"hideaway-studio-aliasonix","title":"Hideaway Studio Aliasonix Kontakt Instrument","description":"\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cimg alt=\"Aliasonix Promo Pic 04\" class=\"alignleft  wp-image-1855\" height=\"425\" src=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/12\/aliasonix-promo-pic-04.jpg?w=577\u0026amp;h=425\" width=\"577\" data-attachment-id=\"1855\" data-permalink=\"https:\/\/hideawaystudio.net\/2013\/12\/14\/hideaway-studio-presents-aliasonix\/aliasonix-promo-pic-04\/#main\" data-orig-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/12\/aliasonix-promo-pic-04.jpg\" data-orig-size=\"2027,1495\" data-comments-opened=\"1\" data-image-meta=\"{\" aperture data-image-title=\"Aliasonix Promo Pic 04\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/12\/aliasonix-promo-pic-04.jpg?w=300\" data-large-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/12\/aliasonix-promo-pic-04.jpg?w=824\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eAn Early Soft Synth… Running on a 30 Year Old Home Computer!?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eMost should realise by now that I have a fascination for rediscovering old technologies and combining the best of them in a constant attempt to create something new and unusual. Some of you will also know that I’m a big fan of the retro computing scene and especially the demo music scene that grew up around it during the mid ‘80s and into the ‘90s. Almost all of the time my technological foraging involves trawling up some physical lump of hardware but on recently rekindling my love of ProTracker on the Amiga I got curious one day and wondered if perhaps someone had attempted to not just play back samples as in Karsten Obarski’s pioneering Ultimate Soundtracker (that came close to bringing Fairlight Series II functionality to the unwashed masses on two floppy disks in 1987!) but rather to synthesize them from scratch…\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eWhat I was expecting to find was some sort of crude utility that took some basic settings and then went off and slowly processed a few waveforms to load into a sampler. To my amazement what I actually found was a relatively unknown program called \u003cem\u003eAegis Sonix\u003c\/em\u003e released circa 1989 that managed to implement a full 4 voice subtractive soft synthesizer with a digitally modeled low pass filter and realtime dynamics control running purely in software.. on a 30 year old Amiga 500!! This predates even Dave Smith’s first soft synth for the PC by several years and surely must be one of the earliest ever examples of a purely software based real time subtractive synthesizer running on a home computer. It even has some pretty nifty features such as hand drawn oscillator waveforms and LFOs and a cool feature to add 2nd and 3rd order harmonics to any waveform.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eSo what does it sound like? Having finally tracked down a working copy of this relatively rare software my expectations were not that high but to my surprise what transpired was so primitive in nature that it imparted significant character in its gloriously aliased 8-bit audio. The filters really worked but in an odd way, the dynamics control and phaser effects full of steppy artefacts and most excitingly of all – it sampled beautifully rendering two octaves of MC68000 generated goodness.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eI ended up programming up some 40 or so patches and set about capturing 630 samples in 24-bits directly from the line outputs of a recently acquired Amiga A1200.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eIt must be noted that Aliasonix is entirely based on waveforms captured from a low sample rate 8-bit source and therefore noise, glitches, stepping and aliasing are very much part of the intended charm and character of this library.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eBut what about combining technologies old and new?.. Feeding the raw aliased nature of the original 8-bit waveforms into smooth filters in a modern synth engine results in something more similar in nature to early digital\/analog hybrid instruments such as the PPG Wave, µWave I and Mirage.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan\u003e\u003cstrong\u003eIntroducing a Powerful New Synth Engine\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cimg alt=\"Aliasonix GUI\" class=\"alignleft size-full wp-image-1864\" src=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/12\/aliasonix-gui.jpg?w=824\" data-attachment-id=\"1864\" data-permalink=\"https:\/\/hideawaystudio.net\/2013\/12\/14\/hideaway-studio-presents-aliasonix\/aliasonix-gui\/#main\" data-orig-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/12\/aliasonix-gui.jpg\" data-orig-size=\"636,162\" data-comments-opened=\"1\" data-image-meta=\"{\" aperture data-image-title=\"Aliasonix GUI\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/12\/aliasonix-gui.jpg?w=300\" data-large-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/12\/aliasonix-gui.jpg?w=636\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eAliasonix\u003c\/strong\u003e is the first release from Hideaway Studio to feature a powerful new synth engine developed by Stephen Howell at Hollow Sun and his scripting guru, Mario Krušelj. Dubbed “Solo” the new engine is particularly well suited to serving lead and solo instruments with powerful real time modulation in a highly intuitive user interface.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eDownload Contents\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003e630 24-bit Samples, 70 Instruments with edit and save ability, 31 Layered Multis, New feature rich synth engine, Audio demo \u0026amp; Manual.\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"300\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/124851339\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e","brand":"Hideaway Studio","offers":[{"title":"Default Title","offer_id":54332812132636,"sku":"Aliasonix","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/aliasonix-gui.jpg?v=1784615833"},{"product_id":"hideaway-studio-the-orbitone-collection-i-and-ii","title":"Hideaway Studio The Orbitone Collection I and II Kontakt Instrument","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"Orbitone II GUI\" class=\"alignleft  wp-image-1665\" height=\"405\" src=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/10\/orbitone-ii-gui.jpg?w=632\u0026amp;h=405\" width=\"632\" data-attachment-id=\"1665\" data-permalink=\"https:\/\/hideawaystudio.net\/2013\/10\/06\/hideaway-studio-presents-the-orbitone-collection-ii\/orbitone-ii-gui\/#main\" data-orig-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/10\/orbitone-ii-gui.jpg\" data-orig-size=\"632,405\" data-comments-opened=\"1\" data-image-meta=\"{\" aperture data-image-title=\"Orbitone II GUI\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/10\/orbitone-ii-gui.jpg?w=300\" data-large-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/10\/orbitone-ii-gui.jpg?w=632\"\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eOrbitone Collection II\u003c\/strong\u003e was conceived very much as an extension to the original release of complex warm electronic textures made with unusual combinations of vintage technologies…\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003eFeaturing The Worlds Oldest String Synth That Never Was!…\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe 1972 \u003cem\u003eEminent 310 Unique\u003c\/em\u003e was a very unusual mix of combo organ and string synthesizer in its own right but what was particularly special about it was the triple parallel analog chorus processor with 6 free running clock modulating LFOs better known as the Orbitone. It is this complex multi-path analog effect that makes the famous strings on the 310U so very special and slightly simplified technology was later used to good effect in the \u003cem\u003eSolina\u003c\/em\u003e and \u003cem\u003eARP Omni\u003c\/em\u003e string synthesizers. It was originally developed to effectively make one rank of sawtooths become three with a high degree of movement without resorting to the very significant expense and complexity of three full divide down chains with independent master oscillators.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eBeing a self confessed boffin it suddenly occurred to me one day that I had a fantastically rare opportunity on my hands to attempt to feed 1938 \u003cem\u003eNovachord 346\u003c\/em\u003e  through the \u003cem\u003eOrbitone\u003c\/em\u003e stages on the Eminent. After consulting the 310U’s sea of schematics for some time I determined a potentially suitable point to inject an external audio signal. To my delight this resulted in quite simply some of the most organic synth strings I’ve ever heard..\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eAll those lumps bumps and imperfections are thrown into a rich soup of analog processing and the result is truly delicious!\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eNow armed with this monstrous analog effects processor I got curious and fed a number of other sources through it including one instrument that is known to be a little weedy in isolation namely the little \u003cem\u003eCS-01 monosynth\u003c\/em\u003e. As well as the Novachord I sampled offerings from new patches I dialled up via the 310U Orbitone stages from the \u003cem\u003eJuno-106\u003c\/em\u003e, \u003cem\u003eCS-01\u003c\/em\u003e, \u003cem\u003eCrumar Bit One\u003c\/em\u003e and \u003cem\u003eOmega 8\u003c\/em\u003e. In addition to this some new sampled material was taken from the instruments via an analog chorus unit including a series of brass and guitar timbres.   Some of the guitar sounds were also created by passing \u003cem\u003eMinimoog 7751\u003c\/em\u003e and the Bit One through a 1960’s \u003cem\u003eEcho-Reverb\u003c\/em\u003e featuring a tube buffered electrostatic \u003cem\u003eTel-ray “Oil Can”\u003c\/em\u003e delay unit. A further resonator choir was made by feeding the Juno-106 through the rehoused \u003cem\u003ePolymoog Formant Resonator\u003c\/em\u003e. In addition, a combination of organ stops were sampled directly from the Eminent and a further harpsichord patch was dialled into\u003cem\u003e Polymoog 203A 3211\u003c\/em\u003e courtesy of Will Gregory of the electronic music duo Goldfrapp.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"NC346 into Orbitone\" class=\"alignleft  wp-image-1664\" height=\"363\" src=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/10\/nc346-into-orbitone.jpg?w=577\u0026amp;h=363\" width=\"577\" data-attachment-id=\"1664\" data-permalink=\"https:\/\/hideawaystudio.net\/2013\/10\/06\/hideaway-studio-presents-the-orbitone-collection-ii\/nc346-into-orbitone\/#main\" data-orig-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/10\/nc346-into-orbitone.jpg\" data-orig-size=\"1535,967\" data-comments-opened=\"1\" data-image-meta=\"{\" aperture data-image-title=\"NC346 into Orbitone\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/10\/nc346-into-orbitone.jpg?w=300\" data-large-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/10\/nc346-into-orbitone.jpg?w=824\"\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eOrbitone Collection II utilises the same proven 4-voice layering engine as the original release but operating on a brand new sample set constructed using a different combination of source instruments and techniques.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003e\u003cstrong\u003eCombined Libraries…\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eAs well as the new library featuring \u003cem\u003e40 example patches\u003c\/em\u003e and \u003cem\u003e40 layered multis\u003c\/em\u003e, a further \u003cem\u003e40 combined layers\u003c\/em\u003e have been created that combine patches from \u003cspan\u003eboth\u003c\/span\u003e libraries together to form new layered instruments and textures. The new sounds have been presented as a merged installation thus permitting the user to access and walk through patches from both libraries as one.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e*Equipment Used:  1972 Eminent 310U, 1976 Minimoog, 1938 Novachord, rehoused 1978 Polymoog Formant Resonator Section, 1960’s Echo-Reverb tube “Oil Can” Delay, Polymoog 3211, Juno-106, Crumar Bit One, Studio Electronics Omega 8, CE-300 chorus, CS-01.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe Orbitone Collection requires Kontakt version 4.2.2 or higher.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e“GREAT JOB!!   \u003c\/em\u003e\u003cem\u003eI love these new old sounds. Wobbly, retro, noisy as hell in some  \u003c\/em\u003e\u003cbr\u003e\u003cem\u003ecases, worn, distressed, evocative of a bakelite world…\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003eDeath to the Giant Silver Workstation…\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003eJust great programming from an enviable source library. Unique. Saliva- \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eprompting. Above all a profoundly musical collection of refreshingly  \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eflawed tones.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eHarvey Jones\u003c\/strong\u003e, Synth player with Sex and Sorrow, Nadia Ackerman, and Blow Up Hollywood.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan\u003eDownload Contents\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003eThe Orbitone Collection I \u0026amp; II consisting of 607 generously long 24-bit samples\u003c\/li\u003e\n\u003cli\u003e4-Voice Layering Engine with ability to save user patches\u003c\/li\u003e\n\u003cli\u003e48 multi-sampled instruments acting as voices\/partials in the layering engine\u003c\/li\u003e\n\u003cli\u003e80 editable example instrument patches (in .nki format)\u003c\/li\u003e\n\u003cli\u003e40 editable example layered multis (20 combining Orbitone II and 20 combining both libraries)\u003c\/li\u003e\n\u003cli\u003eUser Manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e\u003cspan\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003e\u003cspan\u003e\u003cstrong\u003eSystem Requirements\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h1\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003eBoth Orbitone Collections require Kontakt version 4.2.4 or higher\u003c\/li\u003e\n\u003cli\u003eAround 1GB Free Hard Disk Space for the combined library\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"Orbitone I-II Patch List\" height=\"317\" src=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/10\/orbitone-i-ii-patch-list.jpg?w=824\u0026amp;h=378\" width=\"690\" data-attachment-id=\"1666\" data-permalink=\"https:\/\/hideawaystudio.net\/2013\/10\/06\/hideaway-studio-presents-the-orbitone-collection-ii\/orbitone-i-ii-patch-list\/#main\" data-orig-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/10\/orbitone-i-ii-patch-list.jpg\" data-orig-size=\"1162,534\" data-comments-opened=\"1\" data-image-meta=\"{\" aperture data-image-title=\"Orbitone I-II Patch List\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/10\/orbitone-i-ii-patch-list.jpg?w=300\" data-large-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/10\/orbitone-i-ii-patch-list.jpg?w=824\"\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cimg alt=\"Orbitone_Layering_Engine\" class=\"size-medium wp-image-222 alignleft\" height=\"190\" src=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/orbitone_layering_engine.jpg?w=300\u0026amp;h=190\" width=\"300\" data-attachment-id=\"222\" data-permalink=\"https:\/\/hideawaystudio.net\/2012\/12\/31\/hideaway-studio-introduces-the-orbitone-collection-for-kontakt\/orbitone_layering_engine\/#main\" data-orig-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/orbitone_layering_engine.jpg\" data-orig-size=\"634,403\" data-comments-opened=\"1\" data-image-meta=\"{\" aperture data-image-title=\"Orbitone_Layering_Engine\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/orbitone_layering_engine.jpg?w=300\" data-large-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/orbitone_layering_engine.jpg?w=634\"\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003eA selection of complex warm electronic textures made with an unusual combination of 1972 Eminent 310U, a rehoused 1978 Polymoog Resonator Section, 1976 Minimoog Model D and 1938 Novachord all processed with vintage classic analog and tube technology and brought together in the same proven 4-voice layering engine as the S-VX library….\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003ePlease Note:\u003c\/strong\u003e The Orbitone Collection has since merged with Orbitone II as a combined product.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e“First, the Noble Horns would make any soundtrack maker very happy. It has exactly the right blend of “almost acoustic” and “ageless” and “epicness”. I really, really dig the “grrraaaawwwwrr” of the sound. Amalfi Strings… yum. I think you’re at something that speaks to me in the exact right words. I cannot describe it better.”  \u003c\/em\u003e\u003cstrong\u003ePetri Alanko, Game \u0026amp; Film Score Composer (Xbox 360 game, Alan Wake)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e“Listened to the demo, concluded it was a bloody lovely sound library and bought it on the spot.  Great bargain!  I think it’s a lovely set of sounds.  Really.  Right in the zone for the work I am trying to do.  Gorgeous.  You have a very good ear.”\u003c\/em\u003e \u003cstrong\u003e tropicalontour, KVR Forum\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e“Dan,  I saw your website on Rekkerd.org recently and checked out your demos. I got thru the first Orbitone example and immediately bought both of your sample sets. From earthy to epic, it’s all there. What really impresses me is the warmth of the samples.  I’ve had some real fun combining both the Orbitone and S-VX Hybrid patches. I think the best thing that can be said of your sample sets is that it inspires me to make music!  Great work!!! \u003c\/em\u003e\u003cem\u003eKeep them coming!”  \u003c\/em\u003e\u003cstrong\u003eRick G\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cem\u003e“The sounds are so human and expressive and made me want to record something\/anything immediately. I think that’s a rare skill you have, to be able to create sounds of such delicacy, detail and warmth that are also eminently playable and feel so right under the fingers.”  \u003c\/em\u003e\u003cstrong\u003emaestroeden.com\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003ch1 style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan\u003eDownload Contents\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003c\/div\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003eThe Orbitone Collection consisting of 226 generously long 24-bit samples\u003c\/li\u003e\n\u003cli\u003e28 multi-sampled instruments acting as voices\/partials in the layering engine\u003c\/li\u003e\n\u003cli\u003e4-Voice Layering Engine with ability to save user patches\u003c\/li\u003e\n\u003cli\u003e40 editable example instrument patches (in .nki format)\u003c\/li\u003e\n\u003cli\u003eUser Manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e\u003cspan\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003e\u003cspan\u003e\u003cstrong\u003eSystem Requirements\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h1\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003eThe Orbitone Collection requires Kontakt version 4.2.4 or higher\u003c\/li\u003e\n\u003cli\u003eAround 500Mb Free Hard Disk Space\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003e\u003cstrong\u003eEquipment Used\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"Orbitone_Pinboard II\" class=\"size-medium wp-image-208 alignleft\" height=\"300\" src=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/orbitone_pinboard-ii.jpg?w=300\u0026amp;h=300\" width=\"300\" data-attachment-id=\"208\" data-permalink=\"https:\/\/hideawaystudio.net\/2012\/12\/31\/hideaway-studio-introduces-the-orbitone-collection-for-kontakt\/orbitone_pinboard-ii\/#main\" data-orig-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/orbitone_pinboard-ii.jpg\" data-orig-size=\"1000,1000\" data-comments-opened=\"1\" data-image-meta=\"{\" aperture data-image-title=\"Orbitone_Pinboard II\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/orbitone_pinboard-ii.jpg?w=300\" data-large-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/orbitone_pinboard-ii.jpg?w=824\"\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e1972 Eminent 310U (strings, pads, resonator choir, e-piano, organ), 1976 Minimoog (brass, pads, bells, chimes), 1938 Novachord (strings, e-piano), rehoused 1978 Polymoog Formant Resonator Section (choir), 1976 Revox G36 tube half track tape machine (g36 choir), Panoramic tube Dual Tone Generator (chimes, e-piano), two 1967 Heathkit EUW-27 tube signal generators (chimes, e-piano), ARP Omni Chorus section (strings), Hideaway Studio Triple Tube Hybrid Phaser (evolving pads, phased chimes) and Dual Tube Hybrid Filter (underwurlde sweep), Tube Ring Modulator (bell ratios), Discrete Dual Exponential Sawtooth Generator (french horns), Tube Overdrive and Passive Triple L\/C Resonator buffered with Y-amplifiers from a 1968 Tektronix tube scope! (deep resonator vox), All sound sources captured via two Hideaway Studio Type TEQ-9B Active Tube EQs in 24-bits with the RME Fireface.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e  \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eWarm Textures In the Making….\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"EUW27_Glow\" class=\"size-medium wp-image-221 alignleft\" height=\"221\" src=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/euw27_glow.jpg?w=300\u0026amp;h=221\" width=\"300\" data-attachment-id=\"221\" data-permalink=\"https:\/\/hideawaystudio.net\/2012\/12\/31\/hideaway-studio-introduces-the-orbitone-collection-for-kontakt\/euw27_glow\/#main\" data-orig-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/euw27_glow.jpg\" data-orig-size=\"1418,1048\" data-comments-opened=\"1\" data-image-meta=\"{\" aperture data-image-title=\"EUW27_Glow\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/euw27_glow.jpg?w=300\" data-large-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/euw27_glow.jpg?w=824\"\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eRather than simply making yet another virtual instrument, the arrival of a recently restored 310U was the perfect excuse to bring together a taster of a number of combined sound sources and techniques I’ve been working on to create rich, warm and complex textures.  In particular I’ve fallen in love with the sheer musicality and magic of tube oscillators and wave shaping coupled with rediscovering classic analog synthesis and effects.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e This has formed the basis of a new follow on to the recently released S-VX library and created very much with the idea of the two libraries being used in tandem to offer a very significant degree of opportunity for layering and blending new sounds.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e The Orbitone Collection features the same proven 4-voice layering engine but operating on a brand new sample set made using a very different set of techniques to S-VX but with the similar timbres and textures in mind.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e Like S-VX, Minimoog 7751 was both sampled directly and also washed through the Triple Tube Hybrid Phaser to form a number of looped textures with movement.  Similarly, although the 310U was sampled in isolation, it was also passed through the rehoused resonator section of a Polymoog to magically turn brass formants into a choir!\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e Several tube wave shaping circuits, an L\/C resonator based on the Novachord and vintage signal generators were utilised to produce deep vocal formant drones.   The Tube Strings and were a blend of Novachord, ARP Omni and Discrete Tube Synthesis.  The e-Piano was created by layering piano like timbres from the Novachord, the 310U and three tube oscillators mixed and tube wave shaped.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eThe Arrival of 91-0071750…\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e Over the past few months a dedicated chap from Holland called Albert Steenbergen has been doing a wonderful restoration job for me painstakingly cleaning and recapping a monster.  Albert is best known for keeping Jean Michel Jarre’s infamous fleet of 310’s alive and well for use on tour and simply must win the title of World’s Best and Most Patient 310U Guru!\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e The beast recently safely arrived in the UK in a large crate in the pouring rain which resulted in a manic struggle with a friend to drag her inside through a hastily unhinged doorway – disaster narrowly averted when the 240lb crate very nearly toppled over backwards off the door ledge!\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eSome Background on the Eminent 310U\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"E310U Logo\" class=\"size-medium wp-image-298 alignleft\" height=\"99\" src=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/e310u-logo.jpg?w=300\u0026amp;h=99\" width=\"300\" data-attachment-id=\"298\" data-permalink=\"https:\/\/hideawaystudio.net\/2012\/12\/31\/hideaway-studio-introduces-the-orbitone-collection-for-kontakt\/e310u-logo\/#main\" data-orig-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/e310u-logo.jpg\" data-orig-size=\"2086,689\" data-comments-opened=\"1\" data-image-meta=\"{\" aperture data-image-title=\"E310U Logo\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/e310u-logo.jpg?w=300\" data-large-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/e310u-logo.jpg?w=824\"\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe Eminent 310 “Unique” is largely considered to feature the world’s first commercial string synthesizer section (although that title really ought to go to Laurens Hammond’s incredible 1938 Novachord!).\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e The 310U was designed and manufactured in Holland by Eminent and released in 1972.  This boldly unusual combination of electronic organ and polyphonic synthesizer probably would have probably slipped into historical oblivion if it wasn’t for Jean Michel Jarre discovering its potential and using it to great effect in 1976 on his hugely successful and pioneering album, Oxygene.   Although this is common knowledge, what is less understood is that far more than simply the infamous string section was put to use in the making of this landmark release.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e Although the instrument itself didn’t become hugely popular outside of Holland, Eminent licensed out their string synth technology to ARP to become the successful Solina and Omni range. The 310U boasts really quite an unusual architecture permitting a mixture of sustained and percussive envelopes to be applied to combinations of all of the timbres which can be layered together.  There is also a gorgeous swirly six-stage analog stereo chorus “Orbitone” section and built in spring reverb.   The instrument was significantly more complex than most combo organs of the era due to in the main to the polyphonic percussive and sustain controls using discrete analog technology throughout.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003cimg alt=\"1938 Novachord #346\" class=\"size-medium wp-image-44 alignleft\" height=\"235\" src=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/dan-wilson_novachord_346.jpg?w=300\u0026amp;h=235\" width=\"300\" data-attachment-id=\"44\" data-permalink=\"https:\/\/hideawaystudio.net\/2012\/12\/07\/introducing-the-new-s900-vx90-hybrid-k4-library\/dan-wilson_novachord_346\/#main\" data-orig-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/dan-wilson_novachord_346.jpg\" data-orig-size=\"700,549\" data-comments-opened=\"1\" data-image-meta=\"{\" aperture data-image-title=\"1938 Novachord #346\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/dan-wilson_novachord_346.jpg?w=300\" data-large-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/dan-wilson_novachord_346.jpg?w=700\"\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eIn fact, having studied the workings of both instruments in detail, I’d have to say the 310U is in many ways the closest successor in ethos, character and architecture to the 1938 Novachord and marks an historically important crossover between electronic organ and polyphonic synthesizer technologies.\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"300\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/72972329\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e","brand":"Hideaway Studio","offers":[{"title":"Default Title","offer_id":54332812165404,"sku":"TheOrbitoneCollectionIandII","price":12.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/orbitone-ii-gui.jpg?v=1784615834"},{"product_id":"hideaway-studio-the-string-collection","title":"Hideaway Studio The String Collection Kontakt Instrument","description":"\u003cp style=\"text-align: center;\"\u003e\u003cbr class=\"Apple-interchange-newline\"\u003e\u003cimg alt=\"The String Collection GUI\" class=\"size-full wp-image-1272 alignleft\" src=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/05\/the-string-collection-gui.jpg?w=824\" data-attachment-id=\"1272\" data-permalink=\"https:\/\/hideawaystudio.net\/2013\/05\/05\/hideaway-studio-proudly-presents-the-string-collection\/the-string-collection-gui\/#main\" data-orig-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/05\/the-string-collection-gui.jpg\" data-orig-size=\"636,408\" data-comments-opened=\"1\" data-image-meta=\"{\" aperture data-image-title=\"The String Collection GUI\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/05\/the-string-collection-gui.jpg?w=300\" data-large-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/05\/the-string-collection-gui.jpg?w=636\"\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eI have always had a bit of a soft spot for evocative cinematic synth strings and especially pseudo realistic string ensembles. Probably as a result I’ve almost subconsciously amassed (and sometimes restored) a small collection of historically important string synths over the years and found to my delight that they blend and layer very nicely with one another. These include my \u003cem\u003e1938 Novachord\u003c\/em\u003e, arguably the world’s first polyphonic string synthesizer, the \u003cem\u003e1972 Eminent 310 Unique\u003c\/em\u003e which features an early incarnation of the Solina Strings and its direct relative, the \u003cem\u003eARP Omni\u003c\/em\u003e. I have also been playing with a number of discrete methods to generate exponential sawtooths, passive tube buffered L\/C formant resonators, analog chorus circuits and tube processing. The way most of these early polyphonic instruments worked was very different from the later voltage controlled synths and they very much have a tone and texture of their own. The triple parallel analog BBD based chorus stages with multiple free-running LFOs on the Eminent 310 and Solina alone are significantly more lush and complex than the single stage chorus sections found on later synths. A number of tube processed layers and blends were brought together to form the basic 16 instruments loaded into the layering engine to form the \u003cstrong\u003eThe String Collection…\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e“This instrument is really made with the creative musician in mind , simple , efficient, reliable and inspiring…”   \u003c\/em\u003e\u003cstrong\u003eClaude Samard-Polikar \u003c\/strong\u003eMusical director, musician and arranger for Jean Michel Jarre and award winning film\/video games composer.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e“I have Gforce VSM, K8U, Synth Magic, Tronsonic, etc. But after playing the demo song against a few of my fav’s, I feel like hideaway really has its own identity and spin on a familiar territory. I like the sound of its playability. It just works! Check it out.”\u003c\/em\u003e  \u003cstrong\u003eKK, Chronic Audio NYC\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e“Just to let you know – I hate you.  I was really only going to look at your page and admire the work.  Suddenly my mouse started clicking away.  Now I have spent all my “play” money and part of my food allowance.  Expect me for dinner at some point if I can ever get away from my computer.  This stuff is just Gorgeous!” \u003c\/em\u003e \u003cstrong\u003ehueynym, KVR Forum\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e“This is startlingly beautiful! Well done – it’s a privilege to own such a great collection of synths, and I’m happy you share them with the world. I love the sound of real orchestras, but there’s something about the synthetic voices of the 1960s and 1970s that really works well with modal and minor key pop music.” \u003c\/em\u003e \u003cstrong\u003eRay Savage\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e“Thanks so much for yet another great sounding, great looking and very cleverly programmed instrument! The price is equally great.  11 stars (of 10)…”\u003c\/em\u003e  \u003cstrong\u003eTpot, KVR Forum\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eSystem Requirements\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eThis library requires the full version of Kontakt 4.2.4 or higher.\u003cbr\u003eApproximately \u003cspan\u003e600Mb\u003c\/span\u003e of free hard disk space is required.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eDownload Contents\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan\u003e•244 generously long 24-bit samples\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e•16 multi-sampled voices\/partials\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e•4-Voice Layering Engine with ability to save\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e•12 editable example instrument patches\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e•2 example layered multi patches\u003c\/span\u003e\u003cbr\u003eUser Manual\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"300\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/90866077\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e","brand":"Hideaway Studio","offers":[{"title":"Default Title","offer_id":54332812198172,"sku":"TheStringCollection","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/the-string-collection-i-gui.jpg?v=1784615835"},{"product_id":"hideaway-studio-the-pentodian-resonator-choir","title":"Hideaway Studio The Pentodian Resonator Choir Kontakt Instrument","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"ThePentodianChoir_GUI\" class=\"wp-image-918 alignleft\" height=\"286\" src=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/02\/thepentodianchoir_gui1.jpg?w=445\u0026amp;h=286\" width=\"445\" data-attachment-id=\"918\" data-permalink=\"https:\/\/hideawaystudio.net\/2013\/02\/11\/hideaway-studio-proudly-presents-the-pentodian-resonator-choir\/thepentodianchoir_gui-2\/#main\" data-orig-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/02\/thepentodianchoir_gui1.jpg\" data-orig-size=\"635,408\" data-comments-opened=\"1\" data-image-meta=\"{\" aperture data-image-title=\"ThePentodianChoir_GUI\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/02\/thepentodianchoir_gui1.jpg?w=300\" data-large-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/02\/thepentodianchoir_gui1.jpg?w=635\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003eA selection of twelve unique synthetic choirs made up of 215 hand crafted vocal formants. At least 50% of the samples in this collection were created using little more than a handful of discrete circuits and vintage lab gear all processed with vintage classic analog and tube technology and brought together in the same proven 4-voice layering engine as the Orbitone library….\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003ePassive L\/C Resonator Formant Circuits based on the 1938 Novachord….\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"NC346 Resonators\" class=\" wp-image-919 alignleft\" height=\"207\" src=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/02\/nc346-resonators1.jpg?w=577\u0026amp;h=207\" width=\"577\" data-attachment-id=\"919\" data-permalink=\"https:\/\/hideawaystudio.net\/2013\/02\/11\/hideaway-studio-proudly-presents-the-pentodian-resonator-choir\/nc346-resonators\/#main\" data-orig-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/02\/nc346-resonators1.jpg\" data-orig-size=\"959,344\" data-comments-opened=\"1\" data-image-meta=\"{\" aperture data-image-title=\"NC346 Resonators\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/02\/nc346-resonators1.jpg?w=300\" data-large-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/02\/nc346-resonators1.jpg?w=824\"\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe Celestial Choirs featured in The Pentodian Choir started off life as little more than a series of short pulses created by an old hand-configured analog lab signal generator. The frequency of the pulse train was gently modulated using the swept oscillator function to act as a vibrato. The pulses were converted into exponential ramps using a passive wave shaper circuit similar to those found in early string synths and the resulting sawtooth fed into a Triple Passive L\/C Resonator circuit based on the 1938 Novachord formant resonator section. This is little more than three coils of wire and three capacitors! The resulting waveform was then impedance buffered using the entire vertical signal path of a 1968 Tektronix 545B tube oscilloscope! The output from the vertical signal output socket was then fed into a prototype tube overdrive unit and into a tube equaliser.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"Novachord Resonator\" class=\"size-medium wp-image-929 alignright\" height=\"300\" src=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/02\/novachord-resonator.jpg?w=279\u0026amp;h=300\" width=\"279\" data-attachment-id=\"929\" data-permalink=\"https:\/\/hideawaystudio.net\/2013\/02\/11\/hideaway-studio-proudly-presents-the-pentodian-resonator-choir\/novachord-resonator\/#main\" data-orig-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/02\/novachord-resonator.jpg\" data-orig-size=\"573,614\" data-comments-opened=\"1\" data-image-meta=\"{\" aperture data-image-title=\"Novachord Resonator\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/02\/novachord-resonator.jpg?w=280\" data-large-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/02\/novachord-resonator.jpg?w=573\"\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eWell over 100 samples were painstakingly captured by hand configuring the equipment for each note and then sampling the results. The samples were further EQ’d and loaded into multi-samples.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eSome of multi-samples were further processed with an analog chorus unit.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003ePolymoog Formant Resonators…\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"DW Rehoused Polymoog Resonator cropped\" class=\" wp-image-926 alignleft\" height=\"240\" src=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/02\/dw-rehoused-polymoog-resonator-cropped.jpg?w=234\u0026amp;h=240\" width=\"234\" data-attachment-id=\"926\" data-permalink=\"https:\/\/hideawaystudio.net\/2013\/02\/11\/hideaway-studio-proudly-presents-the-pentodian-resonator-choir\/dw-rehoused-polymoog-resonator-cropped\/#main\" data-orig-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/02\/dw-rehoused-polymoog-resonator-cropped.jpg\" data-orig-size=\"753,769\" data-comments-opened=\"1\" data-image-meta=\"{\" aperture data-image-title=\"DW Rehoused Polymoog Resonator cropped\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/02\/dw-rehoused-polymoog-resonator-cropped.jpg?w=294\" data-large-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/02\/dw-rehoused-polymoog-resonator-cropped.jpg?w=753\"\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eTwo of the choirs were created by feeding the brass organ stop from a 1972 Eminent 310U into a rehoused 1978 Polymoog Resonator Section. This proved remarkably effective and a similarly successful choir was made by feeding a string patch from a Matrix 1000 into the resonator. A third choir was the result of recording the previous results hot onto a 1967 Revox G36 tube tape machine and resampling.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eThe Vox Box…\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"HideawayStudio_VoxBoxProto\" class=\"wp-image-927 alignright\" height=\"220\" src=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/02\/hideawaystudio_voxboxproto.jpg?w=175\u0026amp;h=220\" width=\"175\" data-attachment-id=\"927\" data-permalink=\"https:\/\/hideawaystudio.net\/2013\/02\/11\/hideaway-studio-proudly-presents-the-pentodian-resonator-choir\/hideawaystudio_voxboxproto\/#main\" data-orig-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/02\/hideawaystudio_voxboxproto.jpg\" data-orig-size=\"760,956\" data-comments-opened=\"1\" data-image-meta=\"{\" aperture data-image-title=\"HideawayStudio_VoxBoxProto\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/02\/hideawaystudio_voxboxproto.jpg?w=238\" data-large-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/02\/hideawaystudio_voxboxproto.jpg?w=760\"\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eA curious solo vocal effect was created using a prototype concept consisting of a triode based relaxation oscillator feeding a passive L\/C resonator passed into a tube band pass filter modulated by the same LFO as the pitch vibrato.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003e\u003cstrong\u003eEquipment Used\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003eHand configured analog pulse signal generator modulated by LFO, DIY Passive pulse to exponential wave shaper circuit, DIY Passive Triple L\/C Formant Resonator Circuit based on 1938 Novachord impedance buffered with Y-amplifiers from a 1968 Tektronix 545B tube scope! DIY Tube Overdrive, 1972 Eminent 310U fed into rehoused 1978 Polymoog Formant Resonator Section, prototype analog chorus, 1967 Revox G36 tube half track tape machine, prototype Tube VoxBox, Hideaway Studio TEQ-9B Active 9-Band Gyrator Tube EQ, TL Audio EQ-2011 Tube EQ.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e“I love the The Pentodian Resonator Choir library. I thought it would be good, but I seem to be reaching for it every time I need a choir-like sound at the moment.”   \u003c\/em\u003e\u003cstrong\u003eShangsean, KVR Forum\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e“Pentodian Resonator Choir … Love it, absolute no brainer!!”\u003c\/em\u003e  \u003cstrong\u003edon1thedon, KVR Forum\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e“Love this thing, and not the first I bought from Hideaway and really clicked with it straight away. Keep up the good work!” \u003c\/em\u003e \u003cstrong\u003eVicshere, KVR\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eSystem Requirements\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eThis library requires the full version of Kontakt 4.2.4 or higher.\u003cbr\u003eApproximately \u003cspan\u003e500Mb\u003c\/span\u003e of free hard disk space is required.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eDownload Contents\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan\u003e•215 generously long 24-bit samples\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e•12 hand made multi-sampled resonator choirs\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e•4-Voice Layering Engine with ability to save\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e•12 editable example instrument patches\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"300\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/64389902\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e","brand":"Hideaway Studio","offers":[{"title":"Default Title","offer_id":54332812230940,"sku":"ThePentodianResonatorChoir","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/thepentodianchoir_gui1.jpg?v=1784615835"},{"product_id":"hideaway-studio-the-blue-zone","title":"Hideaway Studio The Blue Zone Special Edition Kontakt Instrument","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"TBZ0125_Promo Image\" height=\"515\" src=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/11\/tbz0125_promo-image.jpg?w=824\u0026amp;h=615\" width=\"690\" data-attachment-id=\"1796\" data-permalink=\"https:\/\/hideawaystudio.net\/2013\/11\/25\/hideaway-studio-proudly-presents-the-blue-zone-01-25-special-edition\/tbz0125_promo-image\/#main\" data-orig-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/11\/tbz0125_promo-image.jpg\" data-orig-size=\"1296,968\" data-comments-opened=\"1\" data-image-meta=\"{\" aperture data-image-title=\"TBZ0125_Promo Image\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/11\/tbz0125_promo-image.jpg?w=300\" data-large-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/11\/tbz0125_promo-image.jpg?w=824\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e“These Blue Zone sound libraries are some of my favorites. Shimmering, murky, distant, distressed, and very evocative. I love sounds that feel like they’ve been through hell on their way to the speakers, and these are right on the money. Highly recommended, and such a bargain!”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eCharlie Clouser\u003c\/strong\u003e, Film \u0026amp; TV Composer.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e“when I first came across them, I spent a whole afternoon listening through in absolute wonder. They are without a doubt, some of the best tones I have ever heard \u0026amp; so meticulous in their detail. I’ll look forward to using them on up coming film \u0026amp; media production cues and in a variety of other projects, too.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eSimon Power\u003c\/strong\u003e, Composer \u0026amp; Sound Designer for BBC’s Doctor Who audiobooks\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eThe Blue Zone\u003c\/strong\u003e, was originally incrementally released as an on-going series of one-off experimental electronic textures and instruments which grew over a year to form a unique sound library. It proved to be extremely popular with well over 4000 releases sold to date and now being used in TV, Film and Media studios across the world.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eSince release The Blue Zone Series instruments found their way into a number of high profile projects…\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eMost of the sounds in the series have been created from scratch using unusual combinations of custom tube hybrid equipment, experimental analog circuits, tape delays, ring modulators, vintage analog gear and test equipment. These sounds and textures in this series are mostly but not exclusively aimed at Ambient, New Age and Sound Score genres. Each instrument is presented with a basic subtractive synthesizer interface permitting the user to further tweak the sound to suit his needs.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eIn celebration of the first year of the series a Special Edition release of the first 25 incremental releases are presented as one library along with their original audio demos. The instrument names have been prefixed to indicate their release number. 44 bonus layered multis have been included that span across the library – these have been prefixed with TBZxx and include several complex arpeggiated offerings. A “rogues gallery” of much of the equipment used to make TBZ01-25 can also be found in the documentation folder along with some production notes giving clues on what gear was used for each sound.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eSystem Requirements\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003e• Approximately 1.2GB of free hard disk space is required (full library)\u003cbr\u003e• Kontakt 4.2.4 (full version)\u003cbr\u003e• A Velocity Sensitive Keyboard is Highly Recommended\u003cbr\u003e• A Sustain Pedal will prove very effective in many instances\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eDownload Contents\u003c\/h1\u003e\n\u003ch4 style=\"text-align: center;\"\u003eA full pre-installed download of all 22 instruments officially released to date along with the following extras is now available:\u003c\/h4\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e• 1GB of 24-bit samples\u003cbr\u003e• TBZ13 Area_13 “The One That Got Away”\u003cbr\u003e• TBZ24 Crystallum Modus\u003cbr\u003e• TBZ25 Snow Flakes\u003cbr\u003e• 44 New Layered Multis blending cross library textures with TBZxx prefix\u003cbr\u003e• Original 78 .nkis \u0026amp; 56 .nkms now prefixed for easy identification of release\u003cbr\u003e• Original demos for the first 25 releases (in mp3 format)\u003cbr\u003e• 28 minute long compilation of select demos from the series (mp3 format)\u003cbr\u003e• “Rogues Gallery” of much of the equipment used in the making of the series\u003cbr\u003e• Production release note summary for clues on how each sound was made\u003cbr\u003e• List of instruments and layered multis along with original release dates\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"300\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/64389902\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e","brand":"Hideaway Studio","offers":[{"title":"Default Title","offer_id":54332812263708,"sku":"thebluezone","price":12.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/hideawaythebluezone.jpg?v=1784615838"},{"product_id":"hideaway-studio-bass-machine","title":"Hideaway Studio Bass Machine Kontakt Instrument","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"The Bass Machine GUIb_1\" class=\"size-full wp-image-1575 alignleft\" src=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/09\/the-bass-machine-guib_1.jpg?w=824\" data-attachment-id=\"1575\" data-permalink=\"https:\/\/hideawaystudio.net\/2013\/09\/08\/hideaway-studio-proudly-presents-bass-machine\/the-bass-machine-guib_1\/#main\" data-orig-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/09\/the-bass-machine-guib_1.jpg\" data-orig-size=\"636,405\" data-comments-opened=\"1\" data-image-meta=\"{\" aperture data-image-title=\"The Bass Machine GUIb_1\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/09\/the-bass-machine-guib_1.jpg?w=300\" data-large-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/09\/the-bass-machine-guib_1.jpg?w=636\"\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eBass Machine\u003c\/strong\u003e was in essence an attempt to revisit a commonly used trick of the trade whereby the warm roundness, power and motion of the \u003cem\u003eMinimoog’s\u003c\/em\u003e bottom end was blended with the bite and clinical accuracy of \u003cem\u003eFM\u003c\/em\u003e bass.  The result is a nice example of where the whole is greater than sum of its parts…\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eIn order to capture as much of the Model D’s character as possible, four patches were dialled into the instrument complete with filter envelope.  Since such a process would probably have rendered rather inflexible results another four patches were captured with the filter wide open.  Every white key was captured as four random round robins resulting in over 800 samples from Hideaway Studio’s beloved \u003cem\u003e1976 Minimoog No.7751\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eEight patches were then dialled up on a classic 4-OP FM synth.  Four sounds were lightly tweaked and four were programmed to offer a wide range of sonic palette that suitably complemented the patches from the Model D.  Over 280 samples were captured from the instrument on every white key.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"D-OSC and 4-OP\" class=\"wp-image-1577 alignleft\" height=\"222\" src=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/09\/d-osc-and-4-op.jpg?w=422\u0026amp;h=222\" width=\"422\" data-attachment-id=\"1577\" data-permalink=\"https:\/\/hideawaystudio.net\/2013\/09\/08\/hideaway-studio-proudly-presents-bass-machine\/d-osc-and-4-op\/#main\" data-orig-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/09\/d-osc-and-4-op.jpg\" data-orig-size=\"863,455\" data-comments-opened=\"1\" data-image-meta=\"{\" aperture data-image-title=\"D-OSC and 4-OP\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/09\/d-osc-and-4-op.jpg?w=300\" data-large-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/09\/d-osc-and-4-op.jpg?w=824\"\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eAt the heart of the Bass Machine is a superb dual voice synth engine which was implemented by Stephen Howell (Hollow Sun) and scripting guru Mario Krušelj thus permitting samples from each instrument to be layered complete with independent filters, envelopes and LFO’s for each channel.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eOver 50 example patches were programmed during the course of the project and are bundled with the download.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e“A wonderfully crafted musical instrument. I was able to step sequence some crazy DAF – style basslines that were as enigmatic and unstable as the real machines I was using three decades ago. Also covered are Sub Sine creations that add weight and character to the bottom end in an extremely subtle way. It’s a full – on bass synth studio for Kontakt that i will use a lot i am sure.” \u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eHarvey Jones\u003c\/strong\u003e, Synth player with Sex and Sorrow, Nadia Ackerman, and Blow Up Hollywood.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e“The Bass Machine has an awesome analogue sound to it! Loving what you can do with a bit of tweaking. Congrats on a great product.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003ePhil Meadley\u003c\/strong\u003e (aka Lucidity Lo-Fi)\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"The Bass Machine GUIb_2\" class=\"alignleft  wp-image-1623\" height=\"326\" src=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/09\/the-bass-machine-guib_2.jpg?w=509\u0026amp;h=326\" width=\"509\" data-attachment-id=\"1623\" data-permalink=\"https:\/\/hideawaystudio.net\/2013\/09\/08\/hideaway-studio-proudly-presents-bass-machine\/the-bass-machine-guib_2\/#main\" data-orig-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/09\/the-bass-machine-guib_2.jpg\" data-orig-size=\"636,407\" data-comments-opened=\"1\" data-image-meta=\"{\" aperture data-image-title=\"The Bass Machine GUIb_2\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/09\/the-bass-machine-guib_2.jpg?w=300\" data-large-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/09\/the-bass-machine-guib_2.jpg?w=636\"\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eBass Machine\u003c\/strong\u003e features a performance \/ FX page which is worth a mention…\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eAs well as a useful array of effects including saturation, Bass Machine features a number of functions well suited for bass timbres.  The u\u003cstrong\u003enison\u003c\/strong\u003e control permits several voices to be stacked with variable detune and spread.  Similarly the\u003cstrong\u003e glide\u003c\/strong\u003e function with\u003cstrong\u003e legato\u003c\/strong\u003e and \u003cstrong\u003eretrigger\u003c\/strong\u003e switches is ideal for recreating various performance styles.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eBass Machine also features an extensive \u003cstrong\u003evelocity mapping\u003c\/strong\u003e and routing function.  The user may setup velocity map based on exponential, linear, logarithmic or S-curve laws. The remapped output is then routed in varying degrees to overall volume, filter amount, filter attack phase and VCA attack phase.  In conjunction with the significant degree of movement already present in the Moog’s triple free running oscillators and the round robins, the performance functions really help to breath life into live performances and programmed sequences.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eSeveral of the demo patches also make use of the mod wheel via the LFO mapping function to bring in various vibrato and filter effects.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eSystem Requirements\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eThis library requires the full version of Kontakt 4.2.4 or higher.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eDownload Contents\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan\u003e– Bass Machine Dual Channel Synth Engine\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e– 8 Model D Multi-Oscillator Waves \u003c\/span\u003e\u003cem\u003e(sampled on every white key with 4 round robins)\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e– 8 4-OP FM Oscillator Waves \u003c\/span\u003e\u003cem\u003e(sampled on every white key)\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e– 1104 24-bit Samples \u003c\/span\u003e\u003cem\u003e(**and one other!??)\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e– 52 Editable \u0026amp; Savable Example Patches\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e– User Manual\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"300\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/109464886\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e","brand":"Hideaway Studio","offers":[{"title":"Default Title","offer_id":54332812296476,"sku":"BassMachine","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/the-bass-machine-guib_1.jpg?v=1784615839"},{"product_id":"hideaway-studio-monopolyphonix","title":"Hideaway Studio Monopolyphonix Kontakt Instrument","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"MP_Layering_Engine\" class=\" wp-image-1137 alignleft\" height=\"369\" src=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/04\/mp_layering_engine.jpg?w=573\u0026amp;h=369\" width=\"573\" data-attachment-id=\"1137\" data-permalink=\"https:\/\/hideawaystudio.net\/2013\/04\/01\/hideaway-studio-presents-monopolyphonix\/mp_layering_engine\/#main\" data-orig-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/04\/mp_layering_engine.jpg\" data-orig-size=\"637,410\" data-comments-opened=\"1\" data-image-meta=\"{\" aperture data-image-title=\"MP_Layering_Engine\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/04\/mp_layering_engine.jpg?w=300\" data-large-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/04\/mp_layering_engine.jpg?w=637\"\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eMonopolyphonix\u003c\/strong\u003e was in many ways a celebration of another successful resurrection of an old classic saved from the grave. Much like the Minimoog, ARP Omni-2 and Novachord left their sonic fingerprints on S-VX and The Orbitone Collection, a recently restored Farfisa Syntorchestra manufactured in 1974, gave its all to the creation of Monopolyphonix…\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eWhy the name? Well the Syntorchestra comes from a strange era quite early on in the history of affordable portable synthesizers where manufacturers were quite experimental and tended to do their own thing. This was especially the case with early polyphonics. The net result is that weird and wacky user interfaces and synth architectures were quite the norm in those days!\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"1974 Farfisa Syntorchestra\" class=\"wp-image-1139 alignright\" height=\"284\" src=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/04\/1974-farfisa-syntorchestra.jpg?w=380\u0026amp;h=284\" width=\"380\" data-attachment-id=\"1139\" data-permalink=\"https:\/\/hideawaystudio.net\/2013\/04\/01\/hideaway-studio-presents-monopolyphonix\/1974-farfisa-syntorchestra\/#main\" data-orig-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/04\/1974-farfisa-syntorchestra.jpg\" data-orig-size=\"2160,1620\" data-comments-opened=\"1\" data-image-meta=\"{\" aperture data-image-title=\"1974 Farfisa Syntorchestra\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/04\/1974-farfisa-syntorchestra.jpg?w=300\" data-large-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2013\/04\/1974-farfisa-syntorchestra.jpg?w=824\"\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eWhat makes the Syntorchestra quite unusual is that it features a complete polyphonic divide down section running in complete isolation in parallel with a basic monosynth each of which capable of producing similar timbres. This is quite unlike the paraphonic synth sections of the ARP Omni for example. The result is a rather odd combination of the perfect pitch characteristics of a polyphonic divide down synth beating, phasing and interacting with the far from perfect pitch tracking of a monophonic synth. With some careful front panel tweaking the two sections can be brought together to produce a surprisingly big sound. It also boasts one of the warmest analog synth pianos I think I’ve ever heard. It’s a very basic sound but really quite beautiful through reverb. The monophonic section can produce an array of chime, twang and almost Theremin type timbres too.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eI was really very keen from the start not to let this library turn into yet another virtual offering of an old classic and therefore treated the instrument more as the raw material for an array of new sounds that reached beyond the original.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003e\u003cstrong\u003eEquipment Used\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eAll sample material captured from a recently restored 1974 Farfisa Syntorchestra. Analog Chorus Unit, RME Fireface.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eSystem Requirements\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eThis library requires the full version of Kontakt 4.2.4 or higher.\u003cbr\u003eApproximately \u003cspan\u003e250Mb\u003c\/span\u003e of free hard disk space is required.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eDownload Contents\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan\u003e•165 generously long 24-bit samples\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e•16 multi-sampled voices\/partials\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e•4-Voice Layering Engine with ability to save\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e•34 editable example instrument patches\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e•12 example layered multi patches\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e•User Manual\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"300\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/85863955\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e","brand":"Hideaway Studio","offers":[{"title":"Default Title","offer_id":54332812329244,"sku":"Monopolyphonix","price":8.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/mp_layering_engine.jpg?v=1784615840"},{"product_id":"hideaway-studio-s-vx","title":"Hideaway S-VX Hybrid Library Kontakt Instrument","description":"\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cimg height=\"511\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/hideawaystudiosvx.jpg?v=1784615875\" width=\"641\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e“It’s a very well thought instrument, a very useful and inspiring tool. \u003c\/em\u003e \u003cem\u003eVery user friendly, the GUI shows the essentials, all the needed knobs are here and the presets give a good idea of where this VI goes. \u003c\/em\u003e \u003cem\u003eThe general tone is analog and “tuby” and I could easily find the “hot spots” for the pads to cut through after a little tweaking from the VI knobs. It s really a steal for £10!!!!  With such a street price and power it’s definitely a winner !!!”    \u003c\/em\u003e\u003cstrong\u003eClaude Samard-Polikar (Musician \u0026amp; Musical Director for Jean Michel Jarre)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e“a truly inspiring, deep and unique treasure trove of organic sound. In fact, I got stuck on preset #1, Apollo Strings, and time just flew…”\u003c\/em\u003e    \u003cstrong\u003eJoachim Smith\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e“I bought S-VX yesterday and am liking it a lot. \u003c\/em\u003e\u003cem\u003eI have only just scratched the surface but I can see lots of warm, moving tones and plenty of mangling opportunities. Well done. I look forward to more from you. And the Multis inspired me to try out a few of my own – there are loads of possibilities.”  \u003c\/em\u003e\u003cstrong\u003eDarkStar, KVR Forum\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e“just bought this, and been playing around for a bit, and every single noise that comes out of this beast is warm, lush, and straight-up INSPIRATIONAL!  i have a suspicion i’ll probably be (over)using this beast for quite some time!”  \u003c\/em\u003e\u003cstrong\u003eFunky Lime, KVR Forum\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eComplex Analog Oscillators with 12-bit Crunch into Curtis Filters….\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eIn the mid 80’s AKAI released the infamous S900 which was to be one of the first of a new generation of highly affordable professional samplers.  The S900 and it’s bigger brother, the S950, became big sellers and completely changed the playing field amongst their competitors with their five digit offerings.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe S900 was a 12-bit machine with a tiny 750K memory and a floppy drive for sample storage. At the time it was a revelation but it’s now really very basic by today’s standards.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003eHowever….\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eLike so many early samplers such as the E-mu Emulator II, the SCI Prophet 2000 and the Ensoniq Mirage, the S900 has sonic character in bucket loads and still has a following to this day.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eOne feature of the S900 that was often overlooked was a curious 13 pin connector on the rear panel marked \u003cstrong\u003e“VOICE OUT”\u003c\/strong\u003e…\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cdiv class=\"wp-caption alignleft\" id=\"attachment_16\" style=\"text-align: center;\" data-shortcode=\"caption\"\u003e\n\u003cimg alt=\"Voice Out.FX1\" class=\"size-medium wp-image-16  \" src=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/voice-out-fx1.jpg?w=300\u0026amp;h=297\" data-attachment-id=\"16\" data-permalink=\"https:\/\/hideawaystudio.net\/2012\/12\/07\/introducing-the-new-s900-vx90-hybrid-k4-library\/voice-out-fx1\/#main\" data-orig-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/voice-out-fx1.jpg\" data-orig-size=\"885,888\" data-comments-opened=\"1\" data-image-meta=\"{\" aperture data-image-title=\"Voice Out.FX1\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/voice-out-fx1.jpg?w=300\" data-large-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/voice-out-fx1.jpg?w=824\"\u003e\n\u003cp class=\"wp-caption-text\" id=\"caption-attachment-16\"\u003e \u003c\/p\u003e\n\u003cp class=\"wp-caption-text\"\u003eThe Mystery 13 Pin DIN\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: center;\"\u003eAKAI had released a small number of polyphonic analog synthesizers during the same era as the S900. These included the AX73 keyboard and the VX90 rack mount.  They have often been overlooked over the years possibly due to their rather control-free front panels and menu driven user interfaces. This is a perhaps a little unkind as these instruments feature genuine Curtis VCOs and filters unlike many offerings of the time such as the Juno-106 which was a DCO synth.  To this effect they drift out tune with temperature like the best of them!\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003eThank god for the auto-tune button!…\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe infamous 13 pin connector permitted the sampler to be used as a complex oscillator source driving the filter stages and VCAs modulated by the envelope generators.   In short, you get to mix 12-bit digital crunch with the warmth of analog filters!\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cdiv class=\"wp-caption alignleft\" id=\"attachment_41\" style=\"text-align: center;\" data-shortcode=\"caption\"\u003e\n\u003cimg alt=\"S900_HxC_VX90_Combo (chrome)\" class=\"size-medium wp-image-41 \" height=\"225\" src=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/s900_hxc_vx90_combo-chrome.jpg?w=300\u0026amp;h=225\" width=\"300\" data-attachment-id=\"41\" data-permalink=\"https:\/\/hideawaystudio.net\/2012\/12\/07\/introducing-the-new-s900-vx90-hybrid-k4-library\/s900_hxc_vx90_combo-chrome\/#main\" data-orig-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/s900_hxc_vx90_combo-chrome.jpg\" data-orig-size=\"540,405\" data-comments-opened=\"1\" data-image-meta=\"{\" aperture data-image-title=\"S900_HxC_VX90_Combo (chrome)\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/s900_hxc_vx90_combo-chrome.jpg?w=300\" data-large-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/s900_hxc_vx90_combo-chrome.jpg?w=540\"\u003e\n\u003cp class=\"wp-caption-text\" id=\"caption-attachment-41\"\u003e \u003c\/p\u003e\n\u003cp class=\"wp-caption-text\"\u003eS900 \u0026amp; VX90 As One\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1 style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003e\u003cstrong\u003eThe Sampling Process…\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eThe instruments in the S-VX Hybrid Library were constructed using several vintage analog sound sources acting as complex sampled oscillators feeding the VX90 synth.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cdiv class=\"wp-caption alignleft\" id=\"attachment_42\" style=\"text-align: center;\" data-shortcode=\"caption\"\u003e\n\u003cimg alt=\"Hideaway Minimoog\" class=\"size-medium wp-image-42 \" height=\"225\" src=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/dans-minimoog-sn7751-b.jpg?w=300\u0026amp;h=225\" width=\"300\" data-attachment-id=\"42\" data-permalink=\"https:\/\/hideawaystudio.net\/2012\/12\/07\/introducing-the-new-s900-vx90-hybrid-k4-library\/dans-minimoog-sn7751-b\/#main\" data-orig-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/dans-minimoog-sn7751-b.jpg\" data-orig-size=\"2160,1620\" data-comments-opened=\"1\" data-image-meta=\"{\" aperture data-image-title=\"Hideaway Minimoog\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/dans-minimoog-sn7751-b.jpg?w=300\" data-large-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/dans-minimoog-sn7751-b.jpg?w=824\"\u003e\n\u003cp class=\"wp-caption-text\" id=\"caption-attachment-42\"\u003e \u003c\/p\u003e\n\u003cp class=\"wp-caption-text\"\u003e1976 Model D – Lending it’s Oscillators!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: center;\"\u003eThis formed the basis of an unusual albeit somewhat clunky hybrid synth…. Sound sources were mostly Minimoog model D but also included 1938 Novachord, 1967 Philicorda GM751, 1978 ARP Omni-2 string section, Roland JUNO-106 polysynth and 3  tube waveshaped 1960’s tube oscillators beating in parallel.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cdiv class=\"wp-caption alignleft\" id=\"attachment_44\" style=\"text-align: center;\" data-shortcode=\"caption\"\u003e\n\u003cimg alt=\"1938 Novachord #346\" class=\"size-medium wp-image-44  \" height=\"235\" src=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/dan-wilson_novachord_346.jpg?w=300\u0026amp;h=235\" width=\"300\" data-attachment-id=\"44\" data-permalink=\"https:\/\/hideawaystudio.net\/2012\/12\/07\/introducing-the-new-s900-vx90-hybrid-k4-library\/dan-wilson_novachord_346\/#main\" data-orig-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/dan-wilson_novachord_346.jpg\" data-orig-size=\"700,549\" data-comments-opened=\"1\" data-image-meta=\"{\" aperture data-image-title=\"1938 Novachord #346\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/dan-wilson_novachord_346.jpg?w=300\" data-large-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/dan-wilson_novachord_346.jpg?w=700\"\u003e\n\u003cp class=\"wp-caption-text\" id=\"caption-attachment-44\"\u003e \u003c\/p\u003e\n\u003cp class=\"wp-caption-text\"\u003e1938 Novachord #346 Lending it’s Sheer Organic Warmth\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: center;\"\u003e32 ten second long raw oscillator sources were captured in 12-bits using a recently refurbished S900 fitted with a new backlight and a (superb!) Lotharek HxC virtual floppy drive.  The results were stored on SD card as part of a bank of 79 virtual disks.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cdiv class=\"wp-caption alignleft\" id=\"attachment_43\" style=\"text-align: center;\" data-shortcode=\"caption\"\u003e\n\u003cimg alt=\"Hideaway Omni-2\" class=\"size-medium wp-image-43 \" height=\"225\" src=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/dw-arp-omni-post-recap_sm.jpg?w=300\u0026amp;h=225\" width=\"300\" data-attachment-id=\"43\" data-permalink=\"https:\/\/hideawaystudio.net\/2012\/12\/07\/introducing-the-new-s900-vx90-hybrid-k4-library\/dw-arp-omni-post-recap_sm\/#main\" data-orig-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/dw-arp-omni-post-recap_sm.jpg\" data-orig-size=\"2160,1620\" data-comments-opened=\"1\" data-image-meta=\"{\" aperture data-image-title=\"Hideaway Omni-2\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/dw-arp-omni-post-recap_sm.jpg?w=300\" data-large-file=\"https:\/\/hideawaystudio.files.wordpress.com\/2012\/12\/dw-arp-omni-post-recap_sm.jpg?w=824\"\u003e\n\u003cp class=\"wp-caption-text\" id=\"caption-attachment-43\"\u003e \u003c\/p\u003e\n\u003cp class=\"wp-caption-text\"\u003eARP Omni-2 + Novachord – Basis for Gorgeous Synth Strings!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: center;\"\u003eThe resulting interim sample set acted as oscillator sources for the VX90. Several patches were programmed on the VX90 to filter the oscillators transposed over five octaves from the S900 and the results from the VX90, including it’s gorgeous analog chorus, was multi-sampled direct from the output in 24-bit stereo.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e376\u003c\/strong\u003e samples were captured in this manner for the library.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eThe result?…\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003eComplex warm analog oscillator sources transposed over 5 octaves with a touch of 12-bit crunch shaped with classic Curtis VCFs and VCAs!\u003c\/em\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e\u003cspan\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003e\u003cspan\u003e\u003cstrong\u003eSystem Requirements\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h1\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003eThe S-VX Hybrid Library requires Kontakt version 4.2.4 or higher\u003c\/li\u003e\n\u003cli\u003eAround 700Mb Free Hard Disk Space\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eDownload Contents\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan\u003e•376 24-bit samples\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e•\u003c\/span\u003e32 multi-sampled instruments acting as voices in the layering engine\u003cbr\u003e\u003cspan\u003e•4-Voice Layering Engine with ability to save\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e•\u003c\/span\u003e32 editable example instrument patches (in .nki format)\u003cbr\u003e\u003cspan\u003e•\u003c\/span\u003eUser Manual\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/70276641\u0026amp;show_comments=false\u0026amp;show_user=false\"\u003e\u003c\/iframe\u003e","brand":"Hideaway Studio","offers":[{"title":"Default Title","offer_id":54332813869340,"sku":"svxhybridlibrary","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/hideawaystudiosvx.jpg?v=1784615875"},{"product_id":"audiowarp-blossom","title":"Audiowarp Blossom Dusty Analog Kontakt Library","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/audiowarpblossom.jpg?v=1784615875\" width=\"690\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eBlossom\u003c\/h1\u003e\n\u003ch4 style=\"text-align: center;\"\u003e\u003cspan\u003eA Journey Into The Analogue World\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan\u003eKontakt Version Required:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5.7.1 Full Version (Not for Kontakt Player)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eInspired by old tapes in the attic, the golden age of analogue synths worn down by the hands of time and a true love of pushing the boundaries of what analogue can do, Blossom by Audiowarp is the result of years of recording, re-recording and twisting countless numbers of vintage synths to produce something truly unique that’s become Audiowarp trademark sound.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan\u003ePlease note:\u003c\/span\u003e The FULL version of Kontakt 5.7.1 or above is required (Not for Kontakt Player)\u003c\/p\u003e\n\u003ch1 class=\"h__small\" style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 class=\"h__small\" style=\"text-align: center;\"\u003e4 source xy pad\u003c\/h1\u003e\n\u003cdiv class=\"slide row split tab__col no__paddingtop\" style=\"text-align: center;\"\u003e\n\u003cdiv class=\"content split__content underlineLinks \"\u003e\n\u003cp\u003eBlossom features 4 individual sound sources which can be blended and manipulated in various ways. Using the central XY pad you can dynamically morph between layers. Alternatively use the X and Y dials to constrain to horizontal or vertical axis only. Assign a CC controller to the X or Y dials for instant fun :)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"img split__content\"\u003e\u003cimg alt=\"Supporting image for Blossom\" src=\"https:\/\/www.lootaudio.com\/_media\/images\/kontakthub\/images\/Audiowarp\/Blossom\/1.png\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"slide row split tab__col no__paddingtop\" style=\"text-align: center;\"\u003e\n\u003cdiv class=\"content split__content underlineLinks \"\u003e\n\u003ch1\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/h1\u003e\n\u003ch1\u003e\u003cspan\u003eFEATURES\u003c\/span\u003e\u003c\/h1\u003e\n\u003cul\u003e\n\u003cli\u003e4850 Samples\u003c\/li\u003e\n\u003cli\u003e11.6GB\u003c\/li\u003e\n\u003cli\u003e249 Individual patches\u003c\/li\u003e\n\u003cli\u003e4 voice mixer with XY Control\u003c\/li\u003e\n\u003cli\u003eFactory presets\u003c\/li\u003e\n\u003cli\u003eUser presets\u003c\/li\u003e\n\u003cli\u003eModulation assign system with 4 x LFOs and 4 x envelopes\u003c\/li\u003e\n\u003cli\u003e7 Global Effects\u003c\/li\u003e\n\u003cli\u003eIntelligent Randomisation\u003c\/li\u003e\n\u003cli\u003eIndividual envelopes and filters per layer\u003c\/li\u003e\n\u003cli\u003eArpeggiator\u003c\/li\u003e\n\u003cli\u003eFrom acclaimed sound designer Audiowarp\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePlease note: The FULL version of Kontakt 5.7.1 is required (Not for Kontakt Player)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"img split__content\"\u003e\u003cimg alt=\"Supporting image for Blossom\" src=\"https:\/\/www.lootaudio.com\/_media\/images\/kontakthub\/images\/Audiowarp\/Blossom\/3.png\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"slide row split tab__col no__paddingtop\" style=\"text-align: center;\"\u003e\n\u003cdiv class=\"content split__content underlineLinks \"\u003e\n\u003ch1\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/h1\u003e\n\u003ch1\u003e\u003cspan\u003eIt’s what’s inside that counts.\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003eBlossom features a five page GUI including an FX, Modulation, Arpeggiator, Presets and main quad sample engine page. 228 sample patches, over 1300 incredible never heard before individual samples. We’ve given you the tools, now it’s over to you.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"img split__content\"\u003e\u003cimg alt=\"Supporting image for Blossom\" src=\"https:\/\/www.lootaudio.com\/_media\/images\/kontakthub\/images\/Audiowarp\/Blossom\/4.png\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"slide row split tab__col no__paddingtop\" style=\"text-align: center;\"\u003e\n\u003cdiv class=\"content split__content underlineLinks \"\u003e\n\u003ch1\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/h1\u003e\n\u003ch1\u003e\u003cspan\u003eManipulating Sounds.\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003eAll the sounds within Blossom were recorded and post affected using only vintage outboard analog equipment.\u003c\/p\u003e\n\u003cp\u003eWe took vintage analog synths and using various recording and post production methods such as tape compression and artifact manipulation we created an entirely new set of amazing, unique sounds.\u003c\/p\u003e\n\u003cp\u003eDusty, ghostly, sombre and distant these sounds can only be created in the analog world.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"img split__content\"\u003e\u003cimg alt=\"Supporting image for Blossom\" src=\"https:\/\/www.lootaudio.com\/_media\/images\/kontakthub\/images\/Audiowarp\/Blossom\/2.png\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ciframe width=\"690\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/poid0sOp3DU\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Audiowarp","offers":[{"title":"Default Title","offer_id":54332813902108,"sku":"blossom","price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/audiowarpblossom.jpg?v=1784615875"},{"product_id":"audiowarp-bocs-bundle","title":"Audiowarp BOCS Bundle Kontakt Library","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/audiowarpbocsbundle.jpg?v=1784615876\" width=\"638\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eBOCS Bundle\u003c\/h1\u003e\n\u003ch4 style=\"text-align: center;\"\u003e\u003cspan\u003eBoards of Canada Synthesis\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan\u003eKontakt Version Required:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5.3.1 Full Version (Not for Kontakt Player)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eBOCS (Boards Of Canada Synthesis) is a Kontakt library inspired by the electronic duo Boards of Canada.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eIt's refreshingly different compared to previous efforts from various sample packs and vst synths. The Audiowarp prerequisite will always be that our samples are unique, top quality and highly usable and that we do all of this at the best price possible for you. Contains all three revered BOCS Volumes in one bargain priced bundle - totaling 55 patches which can be blended, morphed and modulated to your taste. These wav files are open for you to use in other applications.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan\u003ePlease note:\u003c\/span\u003e The FULL version of Kontakt 5.3.1 is required (NOT Kontakt player)\u003c\/p\u003e\n\u003ch1 class=\"h__small\" style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003cdiv class=\"content  underlineLinks \" style=\"text-align: center;\"\u003e\n\u003ch1\u003e\u003cspan\u003eSAMPLING SECRETS\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003eThese sounds have been created using similar sampling and recorded methods utilised by the group themselves. Vintage analog synths, 4-tracks, valve amps even VHS recorders were used to create samples more authentic than anything we've heard before. \u003c\/p\u003e\n\u003cp\u003eThese sounds have a dirty, dusty, and dream like quality just like that elusive Boards of Canada sound.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"slide row split tab__col no__paddingtop\" style=\"text-align: center;\"\u003e\n\u003cdiv class=\"content  underlineLinks \"\u003e\n\u003ch1\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/h1\u003e\n\u003ch1\u003e\u003cspan\u003eCONTROLS\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003eAll 55 sample banks each fit into two sound modules within the Kontakt GUI which consists of a patch blend option. Drop the volume on module 2 and use these samples as fantastic sounding individual patches. Combine any two of the ten different sample sounds and change settings such as volume, attack, release or perhaps add a high or low pass filter. With this awesome blend functionality you have the ability to create a vast array of new sounds tailored to your individual needs.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"slide row split tab__col no__paddingtop\" style=\"text-align: center;\"\u003e\n\u003cdiv class=\"content  underlineLinks \"\u003e\n\u003ch1\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/h1\u003e\n\u003ch1\u003e\u003cspan\u003eFILTER MODULATION\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003eUse the modulation controls to change any parameter over time. You want a long silky filter sweep? you got it. Want to control the amount of oscillating micro tuning? Done. You just want those vintage analog synths moving and panning in some crazy manner whilst you control the oscillation speed in real time? Got it covered! \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"slide row split tab__col no__paddingtop\" style=\"text-align: center;\"\u003e\n\u003cdiv class=\"content split__content underlineLinks \"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"I really like the vibe of the BOCS pads. They seems to fit quite perfect in a mix . Can't wait to check out more stuff from Audiowarp\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAnders Trentemøller\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"img split__content\"\u003e\u003cimg alt=\"Supporting image for BOCS Bundle\" src=\"https:\/\/www.lootaudio.com\/_media\/images\/kontakthub\/images\/old_images\/product_images\/tre.png\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ciframe width=\"690\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/UBWt0F3kJVw\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Audiowarp","offers":[{"title":"Default Title","offer_id":54332813934876,"sku":"bocsbundle","price":7.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/audiowarpbocsbundle.jpg?v=1784615876"},{"product_id":"audiowarp-gas","title":"Audiowarp GAS Guitar Analog Synthesis Kontakt Library","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/audiowarpgas.jpg?v=1784615877\" width=\"639\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eGAS\u003c\/h1\u003e\n\u003ch4 style=\"text-align: center;\"\u003e\u003cspan\u003eGuitar Analog Synthesis\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan\u003eKontakt Version Required:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5.5.1 Full Version (Not for Kontakt Player)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eGAS is a hybrid Kontakt synthesiser fusing together six-string electric guitars and analog modular effects. Every sound in the library has been recorded from real guitars ran through a complex sequence of tape machines, effects and pedals. The results are mesmerizing and unlike any sounds heard before.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan\u003eNOTE: The Full version of Kontakt 5.5.1 or above is required please. NOT for Kontakt Player\u003c\/span\u003e\u003c\/p\u003e\n\u003ch1 class=\"h__small\" style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003cdiv class=\"content  underlineLinks \" style=\"text-align: center;\"\u003e\n\u003cdiv class=\"content  underlineLinks \"\u003e\n\u003ch1\u003e\u003cspan\u003eFeatures\u003c\/span\u003e\u003c\/h1\u003e\n\u003cul\u003e\n\u003cli\u003e2.1GB Raw Sample Data\u003c\/li\u003e\n\u003cli\u003e65 Raw Analog Patches\u003c\/li\u003e\n\u003cli\u003eKomplete and Maschine Integration\u003c\/li\u003e\n\u003cli\u003e104 Snapshot Presets\u003c\/li\u003e\n\u003cli\u003e24 Sequencer Presets\u003c\/li\u003e\n\u003cli\u003eCompressed .ncw format samples\u003c\/li\u003e\n\u003cli\u003eAdvanced Step Sequencer\u003c\/li\u003e\n\u003cli\u003eDeep and Creative Waveform Blend Function\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"slide row split tab__col no__paddingtop\"\u003e\n\u003cdiv class=\"content  underlineLinks \"\u003e\n\u003ch1\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/h1\u003e\n\u003ch1\u003e\u003cspan\u003eFrom The Creators Of BOCS\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003eGAS has been created by the team behind the legendary BOCS instruments using similar equipment and methods.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"slide row split tab__col no__paddingtop\"\u003e\n\u003cdiv class=\"content split__content underlineLinks \"\u003e\n\u003ch1\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/h1\u003e\n\u003ch1\u003e\u003cspan\u003eLofi Analog\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003eAudiowarp is proud to present something truly different and special, with lofi analog and organic pads, synths and leads which you won't believe came from an electric guitar.\u003c\/p\u003e\n\u003cp\u003eThe Kontakt interface has a wealth of controls allowing virtually any aspect of the original sound to be controlled and blended together using the incredible waveform blend system.\u003c\/p\u003e\n\u003cp\u003eIt also contains a custom 32 step sequencer for powerful pattern creation and an inbuilt pattern browser and save facility.\u003c\/p\u003e\n\u003cp\u003eSome of the sounds pay homage to artists such as Mogwai, Grails, Explosions in the Sky, Tame Impala, Deftones and of course Boards of Canada but it also has it's own very different character with a vast selection of pads, leads, keys and arps at your fingertips.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"img split__content\"\u003e\u003cimg alt=\"Supporting image for GAS\" src=\"https:\/\/www.lootaudio.com\/_media\/images\/loot\/Audiowarp\/765.png\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"slide row split tab__col no__paddingtop\"\u003e\n\u003cdiv class=\"content split__content underlineLinks \"\u003e\n\u003ch1\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/h1\u003e\n\u003ch1\u003e\u003cspan\u003eRecorded Through Tape\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003eRecorded through an extremely complex signal chain to tape and then back again to create that ethereal and vintage analogue sound.\u003c\/p\u003e\n\u003cp\u003eEach patch has been loveingly crafted and then mutisampled for ease of use and playability\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"img split__content\"\u003e\u003cimg alt=\"Supporting image for GAS\" src=\"https:\/\/www.lootaudio.com\/_media\/images\/loot\/Audiowarp\/gas_tape.jpg\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ciframe width=\"690\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/SflnaDaMIKk\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Audiowarp","offers":[{"title":"Default Title","offer_id":54332813967644,"sku":"gas","price":13.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/audiowarpgas.jpg?v=1784615877"},{"product_id":"audiowarp-retcon","title":"Audiowarp Retcon BOCS Complete Collection Kontakt Library","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/audiowarpretcon.jpg?v=1784615880\" width=\"690\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eRetcon\u003c\/h1\u003e\n\u003ch4 style=\"text-align: center;\"\u003e\u003cspan\u003eBoards of Canada Synthesis Complete Collection\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan\u003eKontakt Version Required:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5.5.1 Full Version (Not for Kontakt Player)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eRetcon is the natural evolution of the BOCS series. It pulls together all three previous libraries along with a massive amount of new content to bring you the finest collection of ambient inspired sounds.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eMore than just another sound library, Retcon is a uniquely designed virtual instrument that features a colour coded HEX layout giving you easy access to a wealth of controls. Designed specifically with ambient and synth music in mind. Retcon contains a host of powerful features built specifically for creating atmospheric, lofi, heavily modulated pads, leads, keys and plucks. The centrepiece of Retcon is its custom 16 step chord sequencer that offers unlimited inspiration with it’s unique approach to creating music.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eQuickly build long evolving chord progressions up to 4 bars in length or program fast moving and otherwise impossible modern chord sequences. With numerous features including legato\/retrigger, latch hold, auto fade and 16 unique patterns all switchable via MIDI keyswitches there is enough power and control to satisfy the needs of even the most demanding user.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan\u003eThe full version of Kontakt is required please - not for Kontakt Player.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch1 class=\"h__small\" style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003cdiv class=\"content  underlineLinks \" style=\"text-align: center;\"\u003e\n\u003cdiv class=\"content  underlineLinks \"\u003e\n\u003cdiv class=\"content  underlineLinks \"\u003e\n\u003ch1\u003e\u003cspan\u003eFEATURES\u003c\/span\u003e\u003c\/h1\u003e\n\u003cul\u003e\n\u003cli\u003eOver 1480 Samples\u003c\/li\u003e\n\u003cli\u003e84 Analogue Patches\u003c\/li\u003e\n\u003cli\u003eDual engine design for blending two sounds together\u003c\/li\u003e\n\u003cli\u003eAdvanced Chord Sequencer\u003c\/li\u003e\n\u003cli\u003eKomplete and Maschine Integration\u003c\/li\u003e\n\u003cli\u003e130 Snapshot Presets\u003c\/li\u003e\n\u003cli\u003eCompressed .NCW Files.\u003c\/li\u003e\n\u003cli\u003eAnimated background\u003c\/li\u003e\n\u003cli\u003eUser Guide\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"slide row split tab__col no__paddingtop\"\u003e\n\u003cdiv class=\"content split__content underlineLinks \"\u003e\n\u003ch1\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/h1\u003e\n\u003ch1\u003e\u003cspan\u003eFILTERS PAGE\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003eThe filters page gives you 3 different filters per Voice which can be dynamically changed using various LFOs and envelopes. Each voice can be filtered individually (Parallel) or together (Series)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"img split__content\"\u003e\u003cimg alt=\"Supporting image for Retcon - Boards Of Canada Synthesis\" src=\"https:\/\/www.lootaudio.com\/_media\/images\/loot\/Audiowarp\/flt.png\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"slide row split tab__col no__paddingtop\"\u003e\n\u003cdiv class=\"content split__content underlineLinks \"\u003e\n\u003ch1\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/h1\u003e\n\u003ch1\u003e\u003cspan\u003eFX PAGE\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003eThe FX page gives you a huge amount of additional control to shape your sound\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"img split__content\"\u003e\u003cimg alt=\"Supporting image for Retcon - Boards Of Canada Synthesis\" src=\"https:\/\/www.lootaudio.com\/_media\/images\/loot\/Audiowarp\/fx_page_cZIHtpD.png\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"slide row split tab__col no__paddingtop\"\u003e\n\u003cdiv class=\"content  underlineLinks \"\u003e\n\u003ch1\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/h1\u003e\n\u003ch1\u003e\u003cspan\u003eOVERVIEW\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003eRetcon is an advanced sound design tool designed for the modern ambient and cinematic composer in mind. Taking obvious cues and inspiration from the revered Boards Of Canada Retcon goes much further by offering complete control to mix and manipulate the sounds therein. At the heart of Retcon is a dual voice wave-based architecture containing 84 unique patches which can be blended and controlled separately or in unison.\u003c\/p\u003e\n\u003cp\u003eRetcon’s feature set is split across six pages of 19 hexagon controls focusing on Voice, Filter, FX, Options, Modulation and Sequencer. Each page is carefully laid out and uses an easily identifiable colour scheme to make the experience intuitive and fast.\u003c\/p\u003e\n\u003cp\u003eDesigned specifically for use with the latest hardware from Native Instruments Retcon is heavily integrated with both Maschine and Komplete Kontrol. Featuring 130 snapshot presets with plugin mapping and seamless control for browsing and loading sounds.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"slide row split tab__col no__paddingtop\"\u003e\n\u003cdiv class=\"content split__content underlineLinks \"\u003e\n\u003ch1\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/h1\u003e\n\u003ch1\u003e\u003cspan\u003eSEQUENCER PAGE\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003eThe sequencer page is an advanced chord generator and pattern creator offering controls over the the Volume, Pitch and Chord of each step. Each patch can hold 12 unique sequences with additional controls for Latch, Fade and Retrigger modes.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"img split__content\"\u003e\u003cimg alt=\"Supporting image for Retcon - Boards Of Canada Synthesis\" src=\"https:\/\/www.lootaudio.com\/_media\/images\/loot\/Audiowarp\/seqqq.png\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ciframe width=\"690\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/fAog2OIOzDI\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Audiowarp","offers":[{"title":"Default Title","offer_id":54332814000412,"sku":"retcon","price":15.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/audiowarpretcon.jpg?v=1784615880"},{"product_id":"audiowarp-tape-xx","title":"Audiowarp Tape XX Kontakt Library","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/audiowarptapexx.jpg?v=1784615880\" width=\"690\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eTape XX\u003c\/h1\u003e\n\u003ch4 style=\"text-align: center;\"\u003e\u003cspan\u003eReplay the Past\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan\u003eKontakt Version Required:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5.7.1 Full Version (Not for Kontakt Player)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eTape XX is a unique library produced by the acclaimed developers, Audiowarp.\u003c\/p\u003e\n\u003cp\u003eTape XX features 37 live drum loops, 54 electronic drum loops, 54 drones and 44 individual sample loops consisting of pad, guitar, mallet, pluck, analog synth and bass sequences.\u003c\/p\u003e\n\u003cp\u003eWith such a diverse palette of high quality sounds it's easy to create complete tracks with just Tape XX but it's also designed to be a perfect accompaniment with our other Audiowarp synths.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003ePLEASE NOTE: The FULL version of Kontakt 5.7.1 is required to load the nki files. Kontakt Player will only load them in Demo Mode.\u003c\/p\u003e\n\u003ch1 class=\"h__small\" style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003cdiv class=\"content  underlineLinks \" style=\"text-align: center;\"\u003e\n\u003cdiv class=\"content  underlineLinks \"\u003e\n\u003cdiv class=\"content  underlineLinks \"\u003e\n\u003ch1\u003e\u003cspan\u003eWARM SOUNDS\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003eEvery sample has been recorded to tape with external analog equipment.\u003c\/p\u003e\n\u003cp\u003eTape XX uses the same bespoke post-production techniques as our critically acclaimed synths, BOCS and Retcon.\u003c\/p\u003e\n\u003cp\u003eEvery sample in Tape XX comes with its own tempo synced Kontakt NKI file with ADSR settings making it easy to integrate into your projects.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"img split__content\"\u003e\u003cimg alt=\"Supporting image for Tape XX\" src=\"https:\/\/www.lootaudio.com\/_media\/images\/sampleism\/Banners\/Untitled-2.jpg\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Audiowarp","offers":[{"title":"Default Title","offer_id":54332814033180,"sku":"tapexx","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/audiowarptapexx.jpg?v=1784615880"},{"product_id":"paper-stone-instruments-creative-junk","title":"Paper Stone Instruments Creative Junk Kontakt Library","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/paperstonecreativejunk.jpg?v=1784615881\" width=\"637\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eCreative Junk\u003c\/h1\u003e\n\u003ch4 style=\"text-align: center;\"\u003e\u003cspan\u003eExperimental Percussion for Kontakt\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan\u003eKontakt Version Required:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5.3.1 Full Version (Not for Kontakt Player)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eCreative Junk is an organic percussion suite designed to fire your imagination.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eIt was created with hits from everyday objects of many shapes and sizes that were carefully selected for their tone and character and their special interaction when played as a set.\u003c\/p\u003e\n\u003ch1 class=\"h__small\" style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003cdiv class=\"content  underlineLinks \" style=\"text-align: center;\"\u003e\n\u003cdiv class=\"content  underlineLinks \"\u003e\n\u003cdiv class=\"content  underlineLinks \"\u003e\n\u003cdiv class=\"content split__content underlineLinks \"\u003e\n\u003ch1\u003e\u003cspan\u003eAnything Goes\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003eIndustrial heaters, bouncing balls, bottles, jugs, and filing cabinets, Creative Junk is a goldmine of unique hits, quirky transients and inspirational tones, all recorded using 3 mic positions, thus allowing the user to incorporate the beautiful acoustics of our Cinematic live room using the ambient stereo pair, or to create a tighter sound with the close mic setting.\u003c\/p\u003e\n\u003cp\u003eFrom the Tom Waits Junk drums sound to a melodious Solaris style tuned percussion, Creative Junks tonal remit is far reaching and will bring a fresh perspective to your projects.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"img split__content\"\u003e\u003cimg alt=\"Supporting image for Creative Junk\" src=\"https:\/\/www.lootaudio.com\/_media\/images\/old_images\/product_images\/creative_junk_2.png\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"slide row split tab__col no__paddingtop\"\u003e\n\u003cdiv class=\"content  underlineLinks \"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cem\u003eWhen I’m writing I’m always looking for inspirational sounds, I want sounds that haven’t been created by conventional instruments. This propels me to seek out unusual or abstract objects to manipulate and sample. I wanted to put together a collection of these objects and then sample them with multiple mic positions, and give them an interface that would allow each sound to be tuned and blended individually or as groups across 3 different mic positions.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eSam Brown - Paper Stone Studios\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"slide row split tab__col no__paddingtop\"\u003e\n\u003cdiv class=\"content split__content underlineLinks \"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003cp\u003eExercise balls, basket balls, table tennis balls, footballs and others were recorded using 3 mic positions in our Cinematic live room. The fun begins by switching 'Global' to 'Local', which allows each note to be sculpted individually, meaning each bounce can have it's own mic position\/level, pitch, pan and filter setting.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"slide row split tab__col no__paddingtop\"\u003e\n\u003cdiv class=\"content split__content underlineLinks \"\u003e\n\u003cp\u003eThe final product is a 1.03 GB, 2050 sample, atonal and tuned percussion collection for Kontakt, made up of 20 nkis and featuring 100 multi sampled objects, each with up to 7 velocity layers.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"img split__content\"\u003e\u003cimg alt=\"Supporting image for Creative Junk\" src=\"https:\/\/www.lootaudio.com\/_media\/images\/old_images\/product_images\/j22.png\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Paper Stone","offers":[{"title":"Default Title","offer_id":54332814065948,"sku":"creativejunk","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/paperstonecreativejunk.jpg?v=1784615881"},{"product_id":"paper-stone-instruments-cymbals","title":"Paper Stone Instruments PSI Cymbals Kontakt Library","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/paperstonecymbals.jpg?v=1784615882\" width=\"632\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003ePSI Cymbals\u003c\/h1\u003e\n\u003ch4 style=\"text-align: center;\"\u003eIMPECCABLE EXTENSIVE CYMBAL COLLECTION\u003c\/h4\u003e\n\u003cp style=\"text-align: center;\"\u003eKontakt Version Required:\u003cbr\u003e4.2.2 Full Version (Not for Kontakt Player)\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003ePSI Cymbals features an extensive array of our favourite Meinl, Sabian, Dream and Zilgian Cymbals, extensively sampled in our incredible live room.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ch1\u003eHigh Hats\u003c\/h1\u003e\n\u003cp\u003e3 wonderful high hats forensically sampled with up to 40 velocity layers\u003c\/p\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eRides\u003c\/h1\u003e\n\u003cp\u003e5 exquisite rides recorded with sticks and softbeaters\u003c\/p\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eCrashes\u003c\/h1\u003e\n\u003cp\u003eA dazzling selection of crashes, chinas, splashes and an electrostack\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eEach sample is impeccably captured in 3 mic positions with some of the finest recording equipment:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eClose mic. Flea 47 into a BAE 1073D\u003c\/li\u003e\n\u003cli\u003eOverheads. AKG 414BULS pair into the API 3124 pre.\u003c\/li\u003e\n\u003cli\u003eRoom: Neumann KM184 pair into ISA 428 pre\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eall into PRISM converters.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eHATS\u003c\/h1\u003e\n\u003cul\u003e\n\u003cli\u003e1 Mein Tight C0\u003c\/li\u003e\n\u003cli\u003e2 Mein Closed D0\u003c\/li\u003e\n\u003cli\u003e3 Mein Trashy E0\u003c\/li\u003e\n\u003cli\u003e4 Mein Open F0\u003c\/li\u003e\n\u003cli\u003e5 Mein Pedal G0\u003c\/li\u003e\n\u003cli\u003e6 Mein OpenSht A0\u003c\/li\u003e\n\u003cli\u003e7 Mein Buzz B0\u003c\/li\u003e\n\u003cli\u003e8 Sab Tight C1\u003c\/li\u003e\n\u003cli\u003e9 Sab Closed D1\u003c\/li\u003e\n\u003cli\u003e10 Sab Trashy E1\u003c\/li\u003e\n\u003cli\u003e11 Sab Open F1\u003c\/li\u003e\n\u003cli\u003e12 Sab Pedal G1\u003c\/li\u003e\n\u003cli\u003e13 Sab OpenSht A1\u003c\/li\u003e\n\u003cli\u003e14 Sab Buzz B1\u003c\/li\u003e\n\u003cli\u003e15 Drm Tight C2\u003c\/li\u003e\n\u003cli\u003e16 Drm Closed D2\u003c\/li\u003e\n\u003cli\u003e17 Drm Trashy E2\u003c\/li\u003e\n\u003cli\u003e18 Drm Open F2\u003c\/li\u003e\n\u003cli\u003e19 Drm Pedal G2\u003c\/li\u003e\n\u003cli\u003e20 Drm OpenSht A2\u003c\/li\u003e\n\u003cli\u003e21 Drm Buzz B2\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg alt=\"Supporting image for PSI Cymbals\" src=\"https:\/\/www.lootaudio.com\/_media\/images\/kontakthub\/images\/Paper%20Stone%20Instruments\/PSI%20Cymbals\/Untitled-3.png\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eRIDES\u003c\/h1\u003e\n\u003cul\u003e\n\u003cli\u003e22 DrmRide Bell C 3\u003c\/li\u003e\n\u003cli\u003e23 DrmRide Edge C#3\u003c\/li\u003e\n\u003cli\u003e24 DrmRide Soft D 3\u003c\/li\u003e\n\u003cli\u003e25 DrmRide Cres D#3\u003c\/li\u003e\n\u003cli\u003e26 DrmRide Roll E 3\u003c\/li\u003e\n\u003cli\u003e27 M Light Bell F 3\u003c\/li\u003e\n\u003cli\u003e28 M Light Edge F#3\u003c\/li\u003e\n\u003cli\u003e29 M Light Soft G 3\u003c\/li\u003e\n\u003cli\u003e30 M Light Cres G#3\u003c\/li\u003e\n\u003cli\u003e31 M Light Roll A 3\u003c\/li\u003e\n\u003cli\u003e32 M Med Bell C 4\u003c\/li\u003e\n\u003cli\u003e33 M Med Edge C#4\u003c\/li\u003e\n\u003cli\u003e34 M Med Soft D 4\u003c\/li\u003e\n\u003cli\u003e35 M Med Cres D#4\u003c\/li\u003e\n\u003cli\u003e36 M Med Roll E 4\u003c\/li\u003e\n\u003cli\u003e37 M Heavy Bell F 4\u003c\/li\u003e\n\u003cli\u003e38 M Heavy Edge F#4\u003c\/li\u003e\n\u003cli\u003e39 M Heavy Soft G 4\u003c\/li\u003e\n\u003cli\u003e40 M Heavy Cres G#4\u003c\/li\u003e\n\u003cli\u003e41 M Heavy Roll A 4\u003c\/li\u003e\n\u003cli\u003e42 M Heav Screw A#4\u003c\/li\u003e\n\u003cli\u003e43 Sabian Ride B4\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg alt=\"Supporting image for PSI Cymbals\" src=\"https:\/\/www.lootaudio.com\/_media\/images\/kontakthub\/images\/Paper%20Stone%20Instruments\/PSI%20Cymbals\/Untitled-4.png\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eCRASHES\u003c\/h1\u003e\n\u003cul\u003e\n\u003cli\u003e44 Z Crsh Short C 5\u003c\/li\u003e\n\u003cli\u003e45 Z Crsh Sus D 5\u003c\/li\u003e\n\u003cli\u003e46 Z Crsh Soft D#5\u003c\/li\u003e\n\u003cli\u003e47 Sab AAX Crsh E 5\u003c\/li\u003e\n\u003cli\u003e48 Sab XS Crsh F 5\u003c\/li\u003e\n\u003cli\u003e49 M Splash Sus G 5\u003c\/li\u003e\n\u003cli\u003e50 M Spl Short G#5\u003c\/li\u003e\n\u003cli\u003e51 Sab China A 5\u003c\/li\u003e\n\u003cli\u003e52 Sab Chi Soft B 5\u003c\/li\u003e\n\u003cli\u003e53 ElectroStack C 6\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg alt=\"Supporting image for PSI Cymbals\" src=\"https:\/\/www.lootaudio.com\/_media\/images\/kontakthub\/images\/Paper%20Stone%20Instruments\/PSI%20Cymbals\/Untitled-5.png\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Paper Stone","offers":[{"title":"Default Title","offer_id":54332814197020,"sku":"psicymbals","price":11.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/paperstonecymbals.jpg?v=1784615882"},{"product_id":"paper-stone-instruments-snare","title":"Paper Stone Instruments PSI Snare Kontakt Library","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/paperstonesnare.jpg?v=1784615885\" width=\"638\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003ePSI Snare\u003c\/h1\u003e\n\u003ch4 style=\"text-align: center;\"\u003e1 Snaredrum \/ 5596 Samples\u003c\/h4\u003e\n\u003cp style=\"text-align: center;\"\u003eKontakt Version Required:\u003cbr\u003e4 Full Version (Not for Kontakt Player)\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003ePSI Snare is a 1.02GB, 5596 sample, Multi-sampled Snare Drum, playable in the full version of Kontakt 4.0.2 and 5.0\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThere is a simple concept behind the PSI Snare – Rather than going down the normal route of superficially recording a range of snares, our focus was to capture the huge amount of different tones and effects that can be created on one high quality drum. In fact we wanted to offer the user all the flexibility and sound shaping possibilities of owning a real snare.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe wide range of hits and tunings means The Snare is capable of working in many different musical styles, it works like a dream as a replacer\/enhancer snare in drum mixes where the original recording of the snare left something to be desired. It can also be programmed very creatively using its powerful editing controls and its ability to use the controls either in Global or Local mode.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv class=\"content split__content underlineLinks \"\u003e\n\u003ch1\u003e\u003cspan\u003eDeeply Sampled\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003eThe success of our previous instrument ‘The Clap’ alerted us to the usefulness and desirability of an instrument that does one job, but does it very well! \u003c\/p\u003e\n\u003cp\u003eThe end result features 35 different playing styles and tunings with up to 56 velocity layers recorded in 5 mic positions:\u003c\/p\u003e\n\u003cp\u003e'Close'(Mono), 'Bottom' (Mono), Tube (Mono), 'Overhead' (stereo) and 'Room' (ambient stereo).\u003c\/p\u003e\n\u003cp\u003eThe 35 Hits include 6 tunings, Muted Snares, Open Snares, Hands, Buzzes, Flams, Brushes, Hot Rods, Rim Shots and Rim Clicks.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"img split__content\"\u003e\u003cimg alt=\"Supporting image for PSI Snare\" src=\"https:\/\/www.lootaudio.com\/_media\/images\/old_images\/product_images\/33_RzoKDBa.png\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"slide row split tab__col no__paddingtop\"\u003e\n\u003cdiv class=\"content split__content underlineLinks \"\u003e\n\u003ch1\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/h1\u003e\n\u003ch1\u003e\u003cspan\u003eStudio 2 - Live Room\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003eThe Instrument was recorded in the revered Studio 2 live room of Paper Stone Studios, Nottingham, England, using purely audiophile quality signal paths.\u003c\/p\u003e\n\u003cp\u003eWith a great live room, isolation booth and amp side rooms Studio 2 is our primary tracking space. Studio 1 has an outstanding hybrid mix\/mastering setup. It combines the best 'in the box' processing with analogue outboard eqs and compressors.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"img split__content\"\u003e\u003cimg alt=\"Supporting image for PSI Snare\" src=\"https:\/\/www.lootaudio.com\/_media\/images\/old_images\/product_images\/studio1-006.jpg\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"slide row split tab__col no__paddingtop\"\u003e\n\u003cdiv class=\"content  underlineLinks \"\u003e\n\u003ch1\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/h1\u003e\n\u003ch1\u003e\u003cspan\u003eThe Space\u003c\/span\u003e\u003c\/h1\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\"Outside of London, it's rare that you find a room as musical as Studio 2 to record in. Having the space to let your music breathe can do wonders for the sound, and given the excellent choice of mics and preamps there are always a number of different ways you can approach a recording. All the best studios have great recording rooms, and Studio 2 is no exception!\"\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eMark Cousins - Music Tech Magazine \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Paper Stone","offers":[{"title":"Default Title","offer_id":54332814262556,"sku":"psisnare","price":9.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/paperstonesnare.jpg?v=1784615885"},{"product_id":"paper-stone-instruments-kick","title":"Paper Stone Instruments PSI Kick Kontakt Library","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/paperstonekick.jpg?v=1784615885\" width=\"649\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003ePSI Kick\u003c\/h1\u003e\n\u003ch4 style=\"text-align: center;\"\u003eDeeply Sampled Kick Drum Library\u003c\/h4\u003e\n\u003cp style=\"text-align: center;\"\u003eKontakt Version Required:\u003cbr\u003e5.8.1 Full Version (Not for Kontakt Player)\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe PSI Kick Drum is a massive collection of kick drums with loads of added control and functionality to enable you to sculpt the perfect kick drum.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eCouple this with the PSI Snare and PSI Cymbal and you have the most flexible collection of drums we could possibly build.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eNOTE: The FULL version of Kontakt 5.8.1 is required. Not for Kontakt Player\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv class=\"content split__content underlineLinks \"\u003e\n\u003cdiv class=\"content  underlineLinks \"\u003e\n\u003ch1\u003e\u003cspan\u003eSuper Flexible Blend System.\u003c\/span\u003e\u003c\/h1\u003e\n\u003ch4\u003eBlend and control each drum with additional Trigger and Sub Samples. \u003c\/h4\u003e\n\u003cp\u003eUse the trigger samples to add extra bite to the attack with a selection of acoustic and electronic triggers to choose from. Control the Tuning, Pan, Attack, Release, High and Lo Pass Filters for each trigger independently to the main kick. Each Trigger also has two microphone positions to blend together to craft the perfect trigger.\u003c\/p\u003e\n\u003cp\u003eUse the Sub to add bottom end to the core kick sound with an additional 13 tuned subs and 13 misc subs to choose from. Control the tuning and release for each sub individually.\u003c\/p\u003e\n\u003cp\u003eEach Drum has 5 microphone positions and up to 27 Velocity Layers. If you've ever used the PSI snare you'll know just how flexible this system is for producing perfect drums for any purpose.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"slide row split tab__col no__paddingtop\"\u003e\n\u003cdiv class=\"content  underlineLinks \"\u003e\n\u003ch1\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/h1\u003e\n\u003ch1\u003e\u003cspan\u003eRECORDING EQUIPMENT USED\u003c\/span\u003e\u003c\/h1\u003e\n\u003cul\u003e\n\u003cli\u003ePosition\/Mics\/Pres\/Converters\u003c\/li\u003e\n\u003cli\u003eIN- Telefunken M82- API 3124MB\/ Prism Conversion\u003c\/li\u003e\n\u003cli\u003eOUT- Original Neuman FET 47- API 3124MB\/ Prism Conversion\u003c\/li\u003e\n\u003cli\u003eFRONT - RE20- API 3124MB\/ Prism Conversion\u003c\/li\u003e\n\u003cli\u003eOVERHEADS - C414 BULS- Neve 1073 \/Prism Conversion\u003c\/li\u003e\n\u003cli\u003eROOM - Neuman KM184 - ISA 428\/ Prism Conversion\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"slide row split tab__col no__paddingtop\"\u003e\n\u003cdiv class=\"content split__content underlineLinks \"\u003e\n\u003ch1\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/h1\u003e\n\u003ch1\u003e\u003cspan\u003eVital Statistics\u003c\/span\u003e\u003c\/h1\u003e\n\u003cul\u003e\n\u003cli\u003e6 Multisampled Kick Drums\u003c\/li\u003e\n\u003cli\u003e6\/7 options\/treatments for each Drum\u003c\/li\u003e\n\u003cli\u003e5 Mic positions\u003c\/li\u003e\n\u003cli\u003eRock Solid Phase alignment\u003c\/li\u003e\n\u003cli\u003e4135 Samples.\u003c\/li\u003e\n\u003cli\u003eOver 1GB data\u003c\/li\u003e\n\u003cli\u003e2 trigger sections\u003c\/li\u003e\n\u003cli\u003e52 trigger options\u003c\/li\u003e\n\u003cli\u003eUp to 27 Velocity Layers\u003c\/li\u003e\n\u003cli\u003eIntuative user interface\u003c\/li\u003e\n\u003cli\u003eWorld Class recording equipment\u003c\/li\u003e\n\u003cli\u003e1600sq ft live room\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"img split__content\"\u003e\u003cimg alt=\"Supporting image for PSI Kick\" src=\"https:\/\/www.lootaudio.com\/_media\/images\/kontakthub\/images\/Paper%20Stone%20Instruments\/PSI%20Kick\/IMG_2239.jpg\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"slide row split tab__col no__paddingtop\"\u003e\n\u003cdiv class=\"content  underlineLinks \"\u003e\n\u003ch1\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/h1\u003e\n\u003ch1\u003e\u003cspan\u003eMAPPING DETAILS\u003c\/span\u003e\u003c\/h1\u003e\n\u003ch4\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/h4\u003e\n\u003ch4\u003e\u003cspan\u003ePremiere Resonator 22\"\u003c\/span\u003e\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eC-1 Prem A Deep Tuned with Felt Beater \u003c\/li\u003e\n\u003cli\u003eD-1 Prem B same as A but with snare resonance\u003c\/li\u003e\n\u003cli\u003eE-1 Prem C wooden beater -more padding, batter head tightened\u003c\/li\u003e\n\u003cli\u003eF-1 Prem D same as C but with snare resonance\u003c\/li\u003e\n\u003cli\u003eG-1 Prem E tightened back head, padding added\u003c\/li\u003e\n\u003cli\u003eA-1 Prem F same as E soft beater\u003c\/li\u003e\n\u003cli\u003eB-1 Prem G Same as F with snare resonance\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/h4\u003e\n\u003ch4\u003e\u003cspan\u003eYamaha Custom 20\"\u003c\/span\u003e\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eC0 Yam A No Padding Felt Beater \u003c\/li\u003e\n\u003cli\u003eD0 Yam B Padding tighter resonant head\u003c\/li\u003e\n\u003cli\u003eE0 Yam C B with snare\u003c\/li\u003e\n\u003cli\u003eF0 Yam D C with floor tom \u003c\/li\u003e\n\u003cli\u003eG0 Yam E soft beater slacker front, tighter back\u003c\/li\u003e\n\u003cli\u003eA0 Yam F wood beater \u003c\/li\u003e\n\u003cli\u003eB0 Yam G felt beater added padding tighter front\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/h4\u003e\n\u003ch4\u003e\u003cspan\u003eDW Collectors Exotic 22\"\u003c\/span\u003e\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eC1 DW A = with built in dampener standard tuning felt beater\u003c\/li\u003e\n\u003cli\u003eD1 DW B = A with snare \u003c\/li\u003e\n\u003cli\u003eE1 DW C = Cranked front head Soft beater\u003c\/li\u003e\n\u003cli\u003eF1 DW D = Wooden beater\u003c\/li\u003e\n\u003cli\u003eG1 DW E = wooden beater added padding\u003c\/li\u003e\n\u003cli\u003eA1 DW F = felt beater added padding tighter front skin, slackened back skin\u003c\/li\u003e\n\u003cli\u003eB1 DW G = slacker front head, tighter rear head plastic beater\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/h4\u003e\n\u003ch4\u003e\u003cspan\u003eBeverley Retro 18\"\u003c\/span\u003e\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eC2 Bev A Soft beater No Padding\u003c\/li\u003e\n\u003cli\u003eD2 Bev B A with floor tom \u003c\/li\u003e\n\u003cli\u003eE2 Bev C with f tom and snare resonance\/ tighter font head, batter down\u003c\/li\u003e\n\u003cli\u003eF2 Bev D with padding no tom or snare\u003c\/li\u003e\n\u003cli\u003eG2 Bev E felt beater\u003c\/li\u003e\n\u003cli\u003eA2 Bev F wood beater\u003c\/li\u003e\n\u003cli\u003eB2 Bev G less padding\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/h4\u003e\n\u003ch4\u003e\u003cspan\u003ePearl Masters 24\"\u003c\/span\u003e\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eC3 Pearl A = Felt Beater\u003c\/li\u003e\n\u003cli\u003eD3 Pearl B = with snare \u0026amp; Floor tom\u003c\/li\u003e\n\u003cli\u003eE3 Pearl C = tighter front with padding plastic beater \u003c\/li\u003e\n\u003cli\u003eF3 Pearl D = tighter reso(back) head soft beater\u003c\/li\u003e\n\u003cli\u003eG3 Pearl E = wood beater with snare\u003c\/li\u003e\n\u003cli\u003eA3 Pearl F = no snare\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/h4\u003e\n\u003ch4\u003e\u003cspan\u003eTama Starclassic 22\"\u003c\/span\u003e\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eC4 Tama A no padding, felt beater, low tuning\u003c\/li\u003e\n\u003cli\u003eD4 Tama B A with snare resonance\u003c\/li\u003e\n\u003cli\u003eE4 Tama C padding added\u003c\/li\u003e\n\u003cli\u003eF4 Tama D wood beater\u003c\/li\u003e\n\u003cli\u003eG4 Tama E tighten batter head, tighten reso head\u003c\/li\u003e\n\u003cli\u003eA4 Tama F soft beater\u003c\/li\u003e\n\u003cli\u003eB4 Tama G with snare, and kick's dampener ring removed\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Paper Stone","offers":[{"title":"Default Title","offer_id":54332814295324,"sku":"psikick","price":11.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/paperstonekick.jpg?v=1784615885"},{"product_id":"paper-stone-instruments-toms","title":"Paper Stone Instruments PSI Toms Kontakt Library","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/paperstonetoms.jpg?v=1784615886\" width=\"649\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003ePSI Toms\u003c\/h1\u003e\n\u003ch4 style=\"text-align: center;\"\u003eDeeply Sampled Tom Drum Library\u003c\/h4\u003e\n\u003cp style=\"text-align: center;\"\u003eKontakt Version Required:\u003cbr\u003e5.8.1 Full Version (Not for Kontakt Player)\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003ePSI Toms is a massive collection of Tom drums with loads of added control and functionality to enable you to sculpt the perfect Tom drum. Couple this with the PSI Snare, PSI Cymbal and PSI Kick and you have the most flexible collection of drums we could possibly build.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eA collection of our 5 favourite Toms from our Premier Resonator and Tama Star Classic kits.\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003ePremier Floor Tom 1 18\"\u003c\/li\u003e\n\u003cli\u003eTama Floor Tom 2 16\" (2 tunings A\/B)\u003c\/li\u003e\n\u003cli\u003eTama Rack Tom 1 12\"\u003c\/li\u003e\n\u003cli\u003eTama Rack Tom 2 10\"\u003c\/li\u003e\n\u003cli\u003ePremier High Tom 8\" (2 tunings A\/B)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"text-align: center;\"\u003eEach Tom was sampled with Sticks, Soft Beater and an Extra Dampened Version in a world class studio environment.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan\u003eNOTE:\u003c\/span\u003e The FULL version of Kontakt 5.8.1 is required. Not for Kontakt Player\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv class=\"content split__content underlineLinks \"\u003e\n\u003cdiv class=\"content  underlineLinks \"\u003e\n\u003ch1\u003e\u003cspan\u003eOVERVIEW\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003eMulitsampled with 4 mic positions 2xClose, Overheads and Room and containing 2,252 Samples the PSI Tom's give you a wonderful craftable Tom instrument like no other.\u003c\/p\u003e\n\u003cp\u003eThe intuitive user interface allows you to alter the balance of the Microphones then filter, tune and pan each drum, shaping your Tom Set to any genre.\u003c\/p\u003e\n\u003ch1\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/h1\u003e\n\u003ch1\u003e\u003cspan\u003eRecording Equipment:\u003c\/span\u003e\u003c\/h1\u003e\n\u003cul\u003e\n\u003cli\u003eClose 1: Telefunken M82 API Preamp PrismSound AD.\u003c\/li\u003e\n\u003cli\u003eClose 2: Senheiser MD421 API Preamp PrismSound AD.\u003c\/li\u003e\n\u003cli\u003eOverheads: AKG 414 BULS Pair Neve 1083 Preamp PrismSound AD.\u003c\/li\u003e\n\u003cli\u003eRoom: Neumann KM184 Pair SSL Preamp PrismSound AD.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Paper Stone","offers":[{"title":"Default Title","offer_id":54332814328092,"sku":"psitoms","price":8.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/paperstonetoms.jpg?v=1784615886"},{"product_id":"paper-stone-instruments-marimba","title":"Paper Stone Instruments PSI Marimba Kontakt Library","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/paperstonemarimba.jpg?v=1784615887\" width=\"690\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003ePSI Marimba\u003c\/h1\u003e\n\u003ch4 style=\"text-align: center;\"\u003eAudiophile Quality Marimba\u003c\/h4\u003e\n\u003cp style=\"text-align: center;\"\u003eKontakt Version Required:\u003cbr\u003e4.2.2 Full Version (Not for Kontakt Player)\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe PSI Marimba is a 52 note, 10,221 sample, 6.2 GB (3.2 compressed) virtual Instrument, playable in the full version of Kontakt 4.2.2 and above\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe phase alignment of the audio was essential to the sound to ensure a focused tone, this had to be done for each note. The end result represents a forensic, audiophile yet characterful recreation of a world class instrument.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan\u003ePlease Note:\u003c\/span\u003e The full version of Kontakt 4.2.2 or above is required. Not for Kontakt Player.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv class=\"content split__content underlineLinks \"\u003e\n\u003cdiv class=\"content  underlineLinks \"\u003e\n\u003cdiv class=\"content  underlineLinks \" style=\"text-align: center;\"\u003e\n\u003ch1\u003e\u003cspan\u003eMICROPHONES\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTo do justice to this 6 foot long Marimba we felt it was necessary to capture its sound using 5 microphone positions. Only this would convey its full tone and feel and also allow for endless acoustic possibilities in the mix.\u003c\/p\u003e\n\u003cp\u003eUsing the faders on the GUI the user can create the optimal blend of ‘Centre’, ‘Stereo’, ‘Wide’, ‘Ribbon’ \u0026amp; ‘Room’ mics for their purposes.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e​Close Mics\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCenter (Neumann TLM 103)\u003c\/li\u003e\n\u003cli\u003eStereo (Neumann KM184 pair)\u003c\/li\u003e\n\u003cli\u003eWide (AKG C414 B-ULS pair)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAmbient Mics\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRibbon (Coles 4038 pair)\u003c\/li\u003e\n\u003cli\u003eRoom (Neumann u87 pair)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"slide row split tab__col no__paddingtop\" style=\"text-align: center;\"\u003e\n\u003cdiv class=\"content  underlineLinks \"\u003e\n\u003ch1\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/h1\u003e\n\u003ch1\u003e\u003cspan\u003eROBERT VAN SICE ARTIST MARIMBA\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003eEach note of a Robert Van Sice Artist Series 4 \u0026amp; 1\/3 Octave Rosewood Marimba was intensively sampled in our cinematic live room to recreate the authentic sound of this beautiful instrument, using 9 microphones and with up to 23 velocity levels.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"slide row split tab__col no__paddingtop\" style=\"text-align: center;\"\u003e\n\u003cdiv class=\"content  underlineLinks \"\u003e\n\u003ch1\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/h1\u003e\n\u003ch1\u003e\u003cspan\u003eINSTRUMENTS\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003eThere are 2 main instruments:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e'Main' with felt beaters (contains rolls and straight hits)\u003c\/li\u003e\n\u003cli\u003e'Soft' with softer beater (contains rolls and straight hits)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThere are also 2 patches which contain the rolls without the standard hits, for times when you need just the roll.\u003c\/p\u003e\n\u003cp\u003eThe Main instruments also have have a 'Less Stereo Width' version with a narrower stereo field- for situations where the natural width of the instrument needs to be reduced.\u003c\/p\u003e\n\u003cp\u003eThere are also 5 bonus patches which have a a hard rubber beater, drag strokes with a felt beater and 5th,Minor 3rd and Major 3rd intervals also with the standard felt beater.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"slide row split tab__col no__paddingtop\"\u003e\n\u003cdiv class=\"content  underlineLinks \"\u003e\n\u003ch1 style=\"text-align: center;\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003e\u003cspan\u003eBEATERS\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eWe also wanted to represent the varying tones and effects created by different beaters and hitting techniques, and so have created nkis featuring Felt beaters, Soft Felt beaters and Rubber beaters, plus straight hits, rolls and drags.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Paper Stone","offers":[{"title":"Default Title","offer_id":54332814360860,"sku":"psimarimba","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/paperstonemarimba.jpg?v=1784615887"},{"product_id":"paper-stone-instruments-vibraphone","title":"Paper Stone Instruments PSI Vibraphone Kontakt Library","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/paperstonevibraphone.jpg?v=1784615890\" width=\"690\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003ePSI Vibraphone\u003c\/h1\u003e\n\u003ch4 style=\"text-align: center;\"\u003eLush and Deeply Sampled Vibraphone\u003c\/h4\u003e\n\u003cp style=\"text-align: center;\"\u003eKontakt Version Required:\u003cbr\u003e4.2.3 Full Version (Not for Kontakt Player)\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eEach note of the 1960s 3 octave Premier 751 Vibraphone has been meticulously sampled in our cinematic live room.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe PSI Vibraphone is a 1.9Gb 37 note virtual instrument using Native Instruments lossless .ncw compressed format samples.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003ePlease note - You must own the full version of Kontakt 4.2.3+ (not suitable for Kontakt Player)\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv class=\"content split__content underlineLinks \"\u003e\n\u003cdiv class=\"content  underlineLinks \"\u003e\n\u003cdiv class=\"content  underlineLinks \" style=\"text-align: center;\"\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003eCustomer Feedback\u003c\/h1\u003e\n\u003cblockquote\u003e\n\u003cp\u003eGreat job on the PSI Vibraphone! It has a wonderful warm tone and is full of character. I particularly love the Vibrato \u0026amp; Muted Bonus patches. Thanks for all the effort you put in to making such great instruments at such fair prices.\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e- Richard Nappi via Disqus\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eMusic Tech Magazine Value Award\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCompared to the sterile sound of many sampled vibraphones, PSI’s Vibraphone really captures the character and charm of the real instrument. Given the use of ambient mics placement (in addition to the close mics), you can really feel the air around the instrument, and as a result, the vibraphone tends to sit in the mix in a more naturalistic way. The PSI Vibraphone is a great choice for retro-style tracks, although it can also be a great addition to a virtual orchestra setup, or another productions requiring a more naturalistic vibraphone sound\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eMark Cousins - senior writer Music Tech Magazine - Winner of MTMs Value Award.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eComputer Music Magazine 8\/10\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIf a Vibraphones what you need, this one certainly does the business\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eComputer Music Magazine - 8\/10\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eDetails\u003c\/h1\u003e\n\u003cp\u003eThere are 4 main instruments: \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSustain (pedalled) with soft felt beaters\u003c\/li\u003e\n\u003cli\u003eSustain (pedalled) with medium felt beaters\u003c\/li\u003e\n\u003cli\u003eStaccato (unpedalled) with medium felt beaters\u003c\/li\u003e\n\u003cli\u003eStaccato (unpedalled) with hard (rubber) beaters\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAll 4 have 3 velocity levels.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe 3 bonus instruments are muted (hand muted unpedalled), Soft beater Vibrato and medium beater Vibrato (both using the original 1960s tremolo effect).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAll 7 instruments were sampled using 3 pairs of stereo mics: \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ecentre (close)\u003c\/li\u003e\n\u003cli\u003eStereo (wide)\u003c\/li\u003e\n\u003cli\u003eRoom (distant)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg alt=\"Supporting image for PSI Vibraphone\" src=\"https:\/\/www.lootaudio.com\/_media\/images\/old_images\/product_images\/vib2.png\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Paper Stone","offers":[{"title":"Default Title","offer_id":54332814393628,"sku":"pcivibraphone","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/paperstonevibraphone.jpg?v=1784615890"},{"product_id":"paper-stone-instruments-the-clap","title":"Paper Stone Instruments The Clap V2 Kontakt Library","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/paperstonetheclap.jpg?v=1784615890\" width=\"690\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eThe Clap\u003c\/h1\u003e\n\u003ch4 style=\"text-align: center;\"\u003eClap Machine with Loose, Natural and Tight Articulations\u003c\/h4\u003e\n\u003cp style=\"text-align: center;\"\u003eKontakt Version Required:\u003cbr\u003e4.2.3 Full Version (Not for Kontakt Player)\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e'The Clap V2' is a 410MB natural clap machine from Paper Stone Instruments using Native Instruments .ncw lossless compression format for faster loading times. What makes the clap special is that you decide how many people you want clapping in your music, from 1 (C3) to 2 (C#3) all the way to 13 (C4)!\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe Clap V2 has been rebuilt from the ground up to encompass 3 clap variants and improved interface features. The Clap V2 has Loose, Natural and Tight clap variants making it 3 times the size and flexibility of the original. The Machine Clap Section has also been reworked to be pre-filter and each machine clap can be turned on and off.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eNote: The FULL version of Kontakt 4.2.3 or above is required (NOT Kontakt Player)\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003eDeveloper Quote\u003c\/h1\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\"After using the first clap, I found it sounded great at higher BPMs but too rigid for slower tracks.. so the clap 2 was born.. with loose clap for slow tracks, natural for medium and tight for uptempo.. also the option to mix them up to add to realism and variation.\"\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e- Sam Brown - Paper Stone Instruments\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cimg alt=\"Supporting image for The Clap V2\" src=\"https:\/\/www.lootaudio.com\/_media\/images\/old_images\/product_images\/pss.png\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003eRealistic Control\u003c\/h1\u003e\n\u003cp\u003eEach clap has 5 round robins and is multi-sampled at 4 velocities.\u003c\/p\u003e\n\u003cp\u003eThe Clap V2 was recorded using Close, Stereo and Room microphone techniques at Paper-Stone studios in Nottingham, England.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg alt=\"Supporting image for The Clap V2\" src=\"https:\/\/www.lootaudio.com\/_media\/images\/old_images\/product_images\/clap1main.png\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv class=\"content split__content underlineLinks \"\u003e\n\u003cdiv class=\"content  underlineLinks \"\u003e\n\u003cdiv class=\"content  underlineLinks \" style=\"text-align: center;\"\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Paper Stone","offers":[{"title":"Default Title","offer_id":54332814426396,"sku":"theclap","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/paperstonetheclap.jpg?v=1784615890"},{"product_id":"paper-stone-instruments-german-log-drum","title":"Paper Stone Instruments German Log Drum Kontakt Library","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/paperstonegermanlogdrum.jpg?v=1784615891\" width=\"690\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eGerman Log Drum\u003c\/h1\u003e\n\u003ch4 style=\"text-align: center;\"\u003ePremium Pentatonic Logdrum\u003c\/h4\u003e\n\u003cp style=\"text-align: center;\"\u003eKontakt Version Required:\u003cbr\u003e4.2.3 Full Version (Not for Kontakt Player)\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe German Log Drum is a 356MB virtual instrument. Each note of our 8 note pentatonic Logdrum has been meticulously sampled at 6 velocity levels, then turned into a chromatic instrument within Kontakt. The instrument used was a Schlagwerk 8 note Oak Log Drum in Bb major pentatonic (F2 G2 Bb2 C3 D3 F3 G3 Bb3)\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eWe recorded it with center, stereo and room microphones, and played it with timpani felt beaters (soft and hard) as well as with the hand.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003eFeatures\u003c\/h1\u003e\n\u003cul\u003e\n\u003cli\u003e1188 samples at 24bit 44.1 KHz.\u003c\/li\u003e\n\u003cli\u003e3 Microphone Positions\u003c\/li\u003e\n\u003cli\u003eQuick switch articulations\u003c\/li\u003e\n\u003cli\u003eOriginal user interface and advanced custom scripting engine.\u003c\/li\u003e\n\u003cli\u003eGLD Full.nki (All articulations and dynamic keyswitching).\u003c\/li\u003e\n\u003cli\u003eGLD Felt.nki (‘lighter’ version with just the Felt articulation loaded).\u003c\/li\u003e\n\u003cli\u003eGLD Soft.nki (‘lighter’ version with just the Soft articulation loaded).\u003c\/li\u003e\n\u003cli\u003eGLD Hand.nki (‘lighter’ version with just the Hand articulation loaded).\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eBuzzrolls\u003c\/h1\u003e\n\u003cp\u003eBuzz rolls are also included (2 octaves above the clean hit) and various percussive hits are found an octave below.  Buzz rolls are where the beater is allowed to come to a natural rest on the note. We included this feature for round robin possibilities and creative options!\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg alt=\"Supporting image for German Log Drum\" src=\"https:\/\/www.lootaudio.com\/_media\/images\/old_images\/product_images\/gldm2.png\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e\u003c\/h1\u003e\n\u003c\/div\u003e","brand":"Paper Stone","offers":[{"title":"Default Title","offer_id":54332814459164,"sku":"germanlogdrum","price":8.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/paperstonegermanlogdrum.jpg?v=1784615891"},{"product_id":"paper-stone-instruments-palm-mute-piano","title":"Paper Stone Instruments Palm Mute Piano Kontakt Library","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/paperstonepalmmutepiano.jpg?v=1784615892\" width=\"690\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003ePalm Mute Piano\u003c\/h1\u003e\n\u003ch4 style=\"text-align: center;\"\u003eCinematic, Finger Dampened Piano\u003c\/h4\u003e\n\u003cp style=\"text-align: center;\"\u003eKontakt Version Required:\u003cbr\u003e4.2.3 Full Version (Not for Kontakt Player)\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe PSI Palm Mute Piano is a unique Kontakt instrument created by meticulously sampling a Grand Piano using finger dampening to create what is essentially a brand new instrument.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003ePlease Note: The full version of Kontakt 4.2.3 or above is required. Not compatible with Kontakt Player\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003eRecording Equipment\u003c\/h1\u003e\n\u003cul\u003e\n\u003cli\u003eClose - C414 B-ULS, API 3124MB preamp, Prism converters.\u003c\/li\u003e\n\u003cli\u003eStereo - Neumann KM184 pair, Focusrite ISA Preamps, Prism converters\u003c\/li\u003e\n\u003cli\u003eRoom - Pair of Neumann U87 AI, API 3142MB preamp, Prism converters.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eMusic Tech Magazine\u003c\/h1\u003e\n\u003cp\u003ePalm Mute Piano is a unique and creative slant on an otherwise familiar instrument, offering whole new ways of employing the sound of a piano in your music. From intricate harmonic-like lines, to ethereal pads, Palm Muted Piano is a surprisingly versatile musical tool. \u003c\/p\u003e\n\u003cp\u003e- Mark Cousins, Music Tech Magazine\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eRecorded in a Lush Warm Space\u003c\/h1\u003e\n\u003cp\u003eThe Piano has been sampled in 3 individual articulations to create the widest range of tones possible, staccato, sustained, and the epic sounding pedalled. The recordings have also been made using 3 microphone positions which can be individually controlled and blended to maximise the range of obtainable sounds and effects. \u003c\/p\u003e\n\u003cp\u003ePalm Mute Piano was recorded in Studio 2 of Paper Stone Studios in Nottingham, UK, a converted cinema auditorium dating back to 1914 with incredible acoustics. This combined with with a class A signal chain has given the PMP a beautifully captured rich and characterful sound all of its own.\u003cbr\u003e\u003cbr\u003eThe piano was sampled within a keyrange of A-1 to C5\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg alt=\"Supporting image for Palm Mute Piano\" src=\"https:\/\/www.lootaudio.com\/_media\/images\/old_images\/product_images\/space.png\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e\u003c\/h1\u003e\n\u003c\/div\u003e","brand":"Paper Stone","offers":[{"title":"Default Title","offer_id":54332814491932,"sku":"PalmMutePiano","price":17.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/paperstonepalmmutepiano.jpg?v=1784615892"},{"product_id":"paper-stone-instruments-plucked-piano","title":"Paper Stone Instruments Plucked Piano Kontakt Library","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/paperstonepluckedpiano.jpg?v=1784615895\" width=\"690\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003ePlucked Piano\u003c\/h1\u003e\n\u003ch4 style=\"text-align: center;\"\u003ePlucked 1960s Danemann Piano for Kontakt\u003c\/h4\u003e\n\u003cp style=\"text-align: center;\"\u003eKontakt Version Required:\u003cbr\u003e5.8.1 Full Version (Not for Kontakt Player)\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eSampled from our 1960s Danemann Piano, the PSI Plucked Piano is a 1.5GB 88 key Multisampled Instrument for Kontakt 5 and above.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003ePlucked Piano features 783 samples created in 3 Mic positions:\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003eRibbon (Coles 4038 pair)\u003c\/li\u003e\n\u003cli\u003e414 (AKG 414 BULS)\u003c\/li\u003e\n\u003cli\u003eROOM (Neumann KM184)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"text-align: center;\"\u003eRecorded at 3 velocity levels and then phased aligned to create a smooth and dynamic response.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eAll recording took place in our 1600sq foot liveroom. This former cinema auditorium and has an arched ceiling and truly breath-taking acoustics. The recording chain is world class, featuring API and Neve 1073 Preamps captured flawlessly with Prism Conversion.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe bespoke GUI allows simple but effective manipulation of the Plucked Piano to create a unique yet diverse compositional instrument.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe result of all of this?\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eA stunningly deep, realistic and playable plucked piano for your productions.\u003c\/p\u003e","brand":"Paper Stone","offers":[{"title":"Default Title","offer_id":54332814590236,"sku":"pluckedpiano","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/paperstonepluckedpiano.jpg?v=1784615895"},{"product_id":"waverley-instruments-synthetic-materials","title":"Waverley Instruments Synthetic Materials Kontakt Library","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/waverleyinstrumentssyntheticmaterials.jpg?v=1784615895\" width=\"690\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eSynthetic Materials\u003c\/h1\u003e\n\u003ch4 style=\"text-align: center;\"\u003eClassic analog and wavetable sounds with a scale-quantised semi-generative sequencer\u003c\/h4\u003e\n\u003cp style=\"text-align: center;\"\u003eKontakt Version Required:\u003cbr\u003e6.6.1 Kontakt Player\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eSynthetic Materials is a simple, but powerful KONTAKT instrument fuelled by a rich assortment of modern-day classic analog and wavetable synthesiser sounds, complete with a scale-quantised semi-generative sequencer and support for user samples.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eAll the factory instruments (60 in total, approx 5GB compressed) have been sampled in 24 bit super-wide stereo, and include plenty of interesting content for long, evolving and atmospheric pads. The instrument comes with 100 snapshots plus 25 sequencer demos, but Synthetic Materials is really about making those sounds your own. There are also 50 Multis demonstrating what can be achieved by layering Synthetic Materials instruments plus five 4-track demo “songs” comprising 20 sequencer snapshots.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eCompatible with KONTAKT Free Player and Full version: 6.6.1\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003eINSTRUMENT\u003c\/h1\u003e\n\u003cp\u003eRefine your sonic creations selecting from two different types of low pass filter (with envelope and LFO) or add some grit with a drive effect that has its own dedicated envelope. Further enhance your sounds with the instrument’s built-in effects, including 4-band EQ, stereo ping-pong delay, rotary, chorus, reverb and compression.\u003c\/p\u003e\n\u003cp\u003eAdd pitch-based expression with a unique velocity threshold legato glide, vibrato and an effects pedal inspired pitch shifter. The pitch shifter allows you to generate up to two additional notes for each one you play, for octave or chord effects, including velocity scaling, automated pan and subtle detuning. You can even emulate analog-like instability with variable pitch and velocity drift that randomly alters the pitch and tone of every single note.\u003c\/p\u003e\n\u003cp\u003eConfigure all of these parameters from a single screen on the instrument’s GUI or from your NKS controller.\u003c\/p\u003e\n\u003cp\u003eSynthetic Materials also has its own percussion instrument, the “DM 78” which includes over 200 analog drum samples showcased by 100 “vintage” and “modern” sequencer snapshots of readymade beats for your projects.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cimg alt=\"Supporting image for Synthetic Materials\" src=\"https:\/\/admin.lootaudio.com\/_media\/images\/loot\/Waverley%20Instruments\/Synthetic%20Materials\/new\/main2.png\" width=\"690\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eUSER SAMPLES\u003c\/h1\u003e\n\u003cp\u003eSynthetic Materials also supports user sample import giving you access to the same sample zone mapping design used by the factory sounds.\u003c\/p\u003e\n\u003cp\u003eSimply drag and drop your audio files, tweak your sample and loop points, then save custom instruments as snapshots.\u003c\/p\u003e\n\u003cp\u003eYou can even share your creations with other Synthetic Materials users.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg alt=\"Supporting image for Synthetic Materials\" src=\"https:\/\/admin.lootaudio.com\/_media\/images\/loot\/Waverley%20Instruments\/Synthetic%20Materials\/new\/samples.png\" width=\"690\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eSOUNDS\u003c\/h1\u003e\n\u003cp\u003eAll the base sounds (60 in total, approx 5GB compressed) have been sampled in 24 bit super-wide stereo, and include plenty of interesting content for long, evolving and atmospheric pads. The instrument comes with 100 snapshots plus 25 sequencer demos, but Synthetic Materials is really about making those sounds your own with its flexible sound design engine.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg alt=\"Supporting image for Synthetic Materials\" src=\"https:\/\/admin.lootaudio.com\/_media\/images\/loot\/Waverley%20Instruments\/Synthetic%20Materials\/new\/sounds.png\" width=\"690\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003ePOWERFUL SEQUENCER\u003c\/h1\u003e\n\u003cp\u003eLast but not least, the Synthetic Materials step sequencer has been designed to be fun, creative and musically inspiring. Despite having only 16 steps maximum, the sequencer is driven by a generative probability-based engine that allows you to develop patterns that will never sound the same twice. Step length for each sequence can be set from a sixteenth note to a massive 8 beats in length for evolving soundscapes and simple chords. Velocity and gate is adjustable for each step, and steps can be optionally sub-divided for old-school “ratcheting” effects. Gate times can also be overlapped for glides between steps. \u003c\/p\u003e\n\u003cp\u003eBut the fun really starts when you explore some of the sequencer's more unusual features... \u003c\/p\u003e\n\u003cp\u003eThe A\/B options allows you to configure musical variation with alternative or combined pitches for each step. Add anything from subtle direction shifts to all-out chaos by assigning steps to “bump” or “jump”. All of this is probability-based of course! And finally, you can even sketch out musical ideas using the sequencer’s “shift automation” feature that auto-transposes your sequence while it’s running, with everything staying perfectly in key and in tune using built-in scale quantisation.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg alt=\"Supporting image for Synthetic Materials\" src=\"https:\/\/admin.lootaudio.com\/_media\/images\/loot\/Waverley%20Instruments\/Synthetic%20Materials\/new\/sequencer.png\" width=\"690\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eKONTAKT PLAYER AND NKS\u003c\/h1\u003e\n\u003cp\u003eSynthetic Materials is compatible with the Free KONTAKT player, so you don’t need the paid full version of KONTAKT to use the library.  Synthetic Materials is also compliant with Native Instrument’s NKS standard, with categorised snapshots and parameter mapping, allowing you to browse and edit sounds from any NKS-compatible controller.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg alt=\"Supporting image for Synthetic Materials\" src=\"https:\/\/admin.lootaudio.com\/_media\/images\/loot\/Soundiron\/Hyperion%20Brass%20Elements\/nks.png\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ciframe width=\"690\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/M8GxAdA-Zdg\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\u003ciframe width=\"690\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/ShCfF5U9Luk\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Waverley Instruments","offers":[{"title":"Default Title","offer_id":54332814623004,"sku":"syntheticmaterials","price":11.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/waverleyinstrumentssyntheticmaterials.jpg?v=1784615895"},{"product_id":"soundiron-hyperion-strings-elements","title":"Soundiron Hyperion Strings Elements","description":"\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv id=\"productInfo-product\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ch1 style=\"text-align: center;\"\u003e\u003cimg height=\"690\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/soundironhyperionstringselements2.jpg?v=1784696932\" width=\"690\"\u003e\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eHyperion Strings Elements\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003eKontakt Player \n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cimg alt=\"This is a Powered By Kontakt Player library. It can be used in the free Kontakt Player or the full version of Kontakt. It can be added to the Libraries browser. It requires online serial number activation through Native Instruments\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0371\/2865\/files\/Main_Icon_Kontakt_Player_300x_df7c1947-46e5-420f-a6e9-c4bcd0cedef7.png?15305959163108939313\" title=\"This is a Powered By Kontakt Player library. It can be used in the free Kontakt Player or the full version of Kontakt. It can be added to the Libraries browser. It requires online serial number activation through Native Instruments\" width=\"200\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"scroll-sections\"\u003e\n\u003cdiv id=\"about\" style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eHyperion Strings Elements is a universal string ensemble library built for everyone. It was recorded with uncompromising engineering precision and then hand-edited and carefully balanced to achieve a new benchmark in quality and playability. It's made for Native Instruments’ free Kontakt Player and the NKS Standard. This virtual instrument is a robust musical production workhorse that will serve you well, whether you’re a working composer, student, producer, songwriter, teacher, arranger, band, sound designer, or are just curious about creating your own music. It’s ready to perform from the moment you load it up.\u003c\/p\u003e\n\u003cp\u003eThe Hyperion String ensemble has a forward and robust sound unlike any other. It has a strong tone and wide dynamic range that can be shaped to fit any genre or style. It can also be used to fatten and layer with other strings to create massive arrangements. We’ve also equipped the interface with plenty of spatialization, environment simulation and positioning controls and options to let you dial in the sound and character you need.\u003c\/p\u003e\n\u003cp\u003eThe library includes a full-ensemble preset and 4 Master and True-Legato section presets for 8 Violins, 6 Violas, 5 Cellos and 4 Double Basses. The Master presets include a broad selection of fundamental articulations, each with their own range of customizable real-time performance options, key-switch and mapping options, handy auto-functions, apregiators, FX and performance tools. These master presets allow you to blend and switch effortlessly vibrato, non-vibrato and tremolo sustains, a variety of short bow strokes and naturally dynamic tempo-based expressions, effects, rhythmic patterns, runs and sequences.\u003c\/p\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cp align=\"center\"\u003e\u003cimg alt=\"This is a Powered By Kontakt Player library. It can be used in the free Kontakt Player or the full version of Kontakt. It can be added to the Libraries browser. It requires online serial number activation through Native Instruments\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0371\/2865\/files\/Icon_KontaktPlayer.png?404104693253705365\" title=\"This is a Powered By Kontakt Player library. It can be used in the free Kontakt Player or the full version of Kontakt. It can be added to the Libraries browser. It requires online serial number activation through Native Instruments\" width=\"120\"\u003e \u003cimg alt=\"This library is encoded in the NKS format to provided compatibility with all Komplete Kontrol software and hardware by Native Instruments\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0371\/2865\/files\/Icon_NKS.png?11418751195084457166\" title=\"This library is encoded in the NKS format to provided compatibility with all Komplete Kontrol software and hardware by Native Instruments\" width=\"120\"\u003e\u003cimg alt=\"Mac users: The Kontakt presets in this library require OSX 10.12 or later\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0371\/2865\/files\/Icon_OS_OSX_10.12.png\" title=\"Mac users: The Kontakt presets in this library require OSX 10.12 or later\" width=\"120\"\u003e\u003cimg alt=\"PC users: The Kontakt presets in this library require Windows 7 or later\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0371\/2865\/files\/Icon_OS_Windows.png\" title=\"PC users: The Kontakt presets in this library require Windows 7 or later\" width=\"120\"\u003e\u003cimg alt=\"The samples in this library are losslessly compressed 24 bit 48 kHz NCW files. They can only be played by Kontakt or Kontakt Player.\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0371\/2865\/files\/Icon_Format_NCW_2448.png\" title=\"The samples in this library are losslessly compressed 24 bit 48 kHz NCW files. They can only be played by Kontakt or Kontakt Player.\" width=\"120\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"contents\" style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch2\u003e \u003c\/h2\u003e\n\u003ch2\u003eCONTENTS\u003c\/h2\u003e\n\u003cp\u003eHyperion Strings Elements includes a combined full ensemble preset, as well as individual section master and true legato presets for our chamber string orchestra, with 8 Violins, 6 Violas, 5 Cellos and 4 Double Basses. For this Elements Edition, each section is fully equiped with fingered and gliss true legato for vibrato and non-vibrato sustains, tremolo, a full spectrum of short note speeds\/styles, and an extended catalog of modular dynamic expressions like crescendos, decrescendos, sforzandos and swells.\u003c\/p\u003e\n\u003cp\u003eThe True Legato presets weave together multi-dynamic lush vibrato and clean non-vibrato, recorded naturally in piano, mezzo-forte and forte dynamics. You can switch instantly between agile fingered and smooth glissando legato transition styles for vibrato and non-vibrato sustains, with speed control that adapts to the way you play when you want it to, yet gives you total hands-on control when you need it. You can use it to craft startlingly realistic and seamless performances, whether you’re playing quick slurred runs or long, silky-smooth melodies.\u003c\/p\u003e\n\u003cp\u003eThe Short articulations make it easy to humanize your arrangements and find the perfect bow stroke or emotive expression for any musical moment. You can switch instantly between long \u0026amp; dotted 8th-note staccatos, 16th \u0026amp; 32nd-note short staccatos, 32nd \u0026amp; 64th-note spiccatos, as well as loose \u0026amp; tight pizzicatos, Bartok pitz snaps and Col Legno taps. They include 4 round-robins per note, with optional velocity\/swell control and automatic time-based switching for refined realism and control.\u003c\/p\u003e\n\u003cp\u003eThe modular dynamic Expressions allow real-time dynamically-aware release sample triggering, tempo-synching and time-stretching. When combined with the Offset and Attack controls, you can carve out just about any dynamic shape you could ever need.\u003c\/p\u003e\n\u003cp\u003eThe library includes a broad selection of flexible articulations, each with their own range of customizable real-time performance options, key-switch and mapping options and performance tools. It is fully equiped for the professional composer with time-saving performance tools, adaptive controls, sound-shaping and positiong features and an incredibly rich and robust sound.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003ctable align=\"center\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth valign=\"top\"\u003eSustains:\n\u003cli\u003eVibrato: p, mf and f with fingered and gliss true-legato\u003c\/li\u003e\n\u003cli\u003eNon-vibrato: p, mf and f with fingered and gliss true-legato\u003c\/li\u003e\n\u003cli\u003eTremolo: p, mf and f\u003c\/li\u003e\nShort Notes:\n\u003cli\u003eLong 8th Note Staccatos: p, mf and f\u003c\/li\u003e\n\u003cli\u003eShort 8th Note Staccatos: p, mf and f\u003c\/li\u003e\n\u003cli\u003e16th-Note Staccatos: p, mf and f\u003c\/li\u003e\n\u003cli\u003e32nd-Note Staccatos: p, mf and f\u003c\/li\u003e\n\u003cli\u003e32nd-Note Spiccatos: p, mf and f\u003c\/li\u003e\n\u003cli\u003e64th-Note Spiccatos: p, mf and f\u003c\/li\u003e\n\u003cli\u003eLoose Pizzicatos: p and f\u003c\/li\u003e\n\u003cli\u003eTight Pizzicatos: p and f\u003c\/li\u003e\n\u003cli\u003eLoose Bartok Pizz string snaps: ff\u003c\/li\u003e\n\u003cli\u003eTight Bartok Pizz string snaps: ff\u003c\/li\u003e\n\u003cli\u003eLoose Col Legno bow taps: pp\u003c\/li\u003e\n\u003cli\u003eTight Col Legno bow taps: pp\u003c\/li\u003e\n\u003c\/th\u003e\n\u003cth valign=\"top\"\u003eExpressions:\n\u003cli\u003e8-count Crescendo p \u0026lt; mf, mp \u0026lt; F and p \u0026lt; F with and without vibrato\u003c\/li\u003e\n\u003cli\u003e4-count Crescendo p \u0026lt; mf, mp \u0026lt; F and p \u0026lt; F\u003c\/li\u003e\n\u003cli\u003e2-count Crescendo p \u0026lt; F\u003c\/li\u003e\n\u003cli\u003e1-count Crescendo p \u0026lt; F\u003c\/li\u003e\n\u003cli\u003e8-count Decrescendo F \u0026gt; mp, mf \u0026gt; p, F \u0026gt; p with and without vibrato\u003c\/li\u003e\n\u003cli\u003e4-count Decrescendo F \u0026gt; mp, mf \u0026gt; p, F \u0026gt; p\u003c\/li\u003e\n\u003cli\u003e2-count Decrescendo F \u0026gt; p\u003c\/li\u003e\n\u003cli\u003e1-count Decrescendo F \u0026gt; p\u003c\/li\u003e\n\u003cli\u003e4-count Sforzando F \u0026gt; p \u0026lt; F\u003c\/li\u003e\n\u003cli\u003e4-count Sforzando mp \u0026gt; p \u0026lt; mp Low\u003c\/li\u003e\n\u003cli\u003e4-count Swell p \u0026lt; F \u0026gt; p\u003c\/li\u003e\n\u003cli\u003e4-count Swell p \u0026lt; mp \u0026gt; p Low\u003c\/li\u003e\n\u003cli\u003eTremolo 4-count Crescendo p \u0026lt; F\u003c\/li\u003e\n\u003cli\u003eTremolo 4-count Decrescendo F \u0026gt; p\u003c\/li\u003e\n\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"kontakt\"\u003e\n\u003ch2 style=\"text-align: center;\"\u003e \u003c\/h2\u003e\n\u003ch2 style=\"text-align: center;\"\u003eMADE FOR KONTAKT PLAYER\u003c\/h2\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cimg border=\"0\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0371\/2865\/files\/Player_NKS_Sticker_Combo.png?4247422523135284707\" style=\"display: block; margin-left: auto; margin-right: auto;\" title=\"The latest version of the free Kontakt Player or the full version of Kontakt 5.7.3 or later is required to use the nki files in this library.\" width=\"340\"\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eThis library has been licensed for use in the free Kontakt Player virtual instrument engine. It can be used in Kontakt Player or the full retail version of Kontakt (version 6.0.1 or later) for VST, AU or AAX instrument plugin formats. You can add this product to the Kontakt “Libraries” browser. It requires online serial number registration through the Native Instruments Native Access system. This library is also fully compatible with Komplete Kontrol and all NKS Standard hardware and software by Native Instruments. Purchasing this library qualifies you for a great cross-grade discount toward the full unlocked version of Kontakt through Native Instruments!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"spec\"\u003e\n\u003ch2\u003e \u003c\/h2\u003e\n\u003ch2 style=\"text-align: center;\"\u003eSPECIFICATIONS\u003c\/h2\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003eProduct Version 1.0\u003c\/li\u003e\n\u003cli\u003e9 master presets for Ensemble, Violins, Violas, Cellos, Basses.\u003c\/li\u003e\n\u003cli\u003ePlenty of articulation maps, seating arrangements, arpeggio patterns and FX chains to choose from.\u003c\/li\u003e\n\u003cli\u003e20,148 Samples\u003c\/li\u003e\n\u003cli\u003e10 GB installed (14 GB wav source)\u003c\/li\u003e\n\u003cli\u003e24-bit, 48 kHz Stereo Lossless NCW Format.\u003c\/li\u003e\n\u003cli\u003eMulti-dynamic sustains, with smooth real-time control over natural vibrato and dynamic transitions. \u003c\/li\u003e\n\u003cli\u003eMulti-dynamic long and short staccatos, spiccatos and pizzicatos with loose\/tight variants and 4x round-robin.\u003c\/li\u003e\n\u003cli\u003eBartok Pizzicato snaps and Col Legno bow string taps with loose\/tight variants and 4x round-robin.\u003c\/li\u003e\n\u003cli\u003eA full suite of Expressions in a variety of lengths, timings and dynamics, including crescendos, decrescendos, sforzandos and swells, with time-stretching, tempo-synching and automatic release. \u003c\/li\u003e\n\u003cli\u003eFlexible and intuitive user interface with pro features, deep customizability and simple workflow.\u003c\/li\u003e\n\u003cli\u003eFree soundstage positioning for each section within dozens of custom rooms, halls, chambers and FX environments.\u003c\/li\u003e\n\u003cli\u003eAdaptive Play Assist and Arpeggio systems for instant inspiration.\u003c\/li\u003e\n\u003cli\u003eYou can apply your full purchase amount toward your upgrade to the full Hyperion Symphonic Strings when they're released.\u003c\/li\u003e\n\u003cli\u003eMade for the free Kontakt Player (version 6.0.1+), Komplete Kontrol, all S-Series Keyboards and NKS software and hardware by Native Instruments\u003c\/li\u003e\n\u003cli\u003eWorks with the Kontakt \"Libraries\" browser and Native Access.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eSystem Requirements\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eThis Powered-By-Kontakt Player Edition is supported by the latest version of the free Kontakt Player (VST, AU, AAX) and the special “Libraries” rack. Windows 7 or higher required for PC. OSX 10.12 or higher required for Mac. Dual Core CPU, 3+ GB System Ram, SATA or SSD hard drive recommended for this library. This software is delivered as a digital download, so a broadband connection is required. All sales are final. Please see our Help Page for download and installation instructions, tutorials and the End User Licensing Agreement before ordering.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"reviews\"\u003e\n\u003cdiv\u003e\n\u003ch2 style=\"text-align: center;\"\u003e \u003c\/h2\u003e\n\u003ch2 style=\"text-align: center;\"\u003eREVIEWS \u0026amp; ENDORSEMENTS\u003c\/h2\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Hyperion Strings Elements is an incredibly accessible strings library with all the desired standard articulations. The sound is vibrant and clear, and the interface is top notch. Overall, it’s a great tool for sequencing strings quickly and cleanly.\"\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e- Ramin Djawadi (Game of Thrones, Westworld)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e”I have recently started working with Soundiron Hyperion Strings Elements library. I found them very useful and very easy to work with. Two of the things I liked the most are – they tend to be very bright, and this really helps when layering them on top of other strings sound. It gives it this brightness that brings the strings sound alive! Not many libraries have this sonority and I was looking for this layer. This library definitely gives you numerous ways to change and enhance the sounds in a very natural way. Highly recommended!”\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e  \u003c\/p\u003e\n\u003cp\u003e- Inon Zur (Fallout Series, Dragon Age Series, and Price Of Persia Series)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e“The interface alone has made this one of the most useful string libraries. It's so easy to manipulate the sound and space that it's already become part of my regular template. The arpeggiator is perfect!\"\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e  \u003c\/p\u003e\n\u003cp\u003e- Jacob Yoffee (Best Shot, Andi Mack, Finding Carter, Ingress: The Animation)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003e  \u003c\/p\u003e\n\u003cdiv align=\"justify\" style=\"text-align: center;\"\u003e\n\u003cp\u003e\"Hyperion Strings is evolving to be a heavyweight in the string category that won’t leave you with a lite wallet. Thanks to the top-notch sample set, Stage Placement tool, and great sounding IRs, there are infinite possibilities of how playback of these studio chamber strings can sound.\"\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: center;\"\u003e  \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e- Sample Library Review\u003ca href=\"https:\/\/www.samplelibraryreview.com\/the-reviews\/first-look-hyperion-string-elements-by-soundiron\/\" rel=\"noopener\" target=\"_blank\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ciframe width=\"690\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/GtZn6pp6lCc\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\u003ciframe width=\"100%\" height=\"450\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/815861793\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e","brand":"Soundiron","offers":[{"title":"Default Title","offer_id":54332814950684,"sku":"HyperionStringsElements","price":59.4,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/soundironhyperionstringselements.jpg?v=1784615901"},{"product_id":"unearthed-sampling-bowed-fences","title":"Unearthed Sampling Bowed Fences Kontakt Library","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/unearthedsamplingbowedfences.jpg?v=1784615903\" width=\"690\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eBowed Fences\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eFor the FULL Version of Kontakt 4.2.4.5316+ (ONLY WORKS IN DEMO MODE IN KONTAKT PLAYER)\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eInspired by the tonal work of artist \/ musician \/ mastermind Jon Rose, we went out into the middle of nowhere in south Texas and took a cello bow to a handful of old barbed wire fences.  The end results are delightfully spooky and perfect fodder for your next sci fi or horror score!  These recordings are so hardcore, that our cello bow is now completely ripped to shreds... but it was worth it :).\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe 3 main patches consist of unique one shot recordings all of which vary in length and timbre.  The DRONES PATCH contains grisly low end material, the WHINES PATCH contains higher pitched scream like material, and the HITS PATCH contains various metal fence poles and wire which we hit with the bow while recording.  The HITS PATCH has 6 unique hits all with 4 x RR!\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eAs a bonus, we processed the heck out of these recordings by mangling their speed, EQ, and timbre to create a series of 14 processed PAD patches which would accomodate making creepout \/ tension beds.  These all loop and are appropriately horrific, with a low pass filter mapped directly to the mod wheel, the timbre of these can totally change at the flick of a finger.  In addition to the processed PADlike material, we also included a series of 5 percussive \/ impact patches which are well suited for accent or trailer hits.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe GUI is highly tweakable as you have direct access to the Lo, Mid, and Hi EQ, Pitch, Reverb (with 13 original impulse responses), attack \/ release, and a GRIT KNOB which adds distortion to make the patches even more grimey! \u003c\/p\u003e\n\u003cdiv id=\"Cntnr0-189m\"\u003e\n\u003cdiv data-mesh-id=\"Cntnr0-189minlineContent\" data-testid=\"inline-content\"\u003e\n\u003cdiv data-mesh-id=\"Cntnr0-189minlineContent-gridContainer\" data-testid=\"mesh-container-content\"\u003e\n\u003cdiv id=\"WRchTxt0-l9x\" data-testid=\"richTextElement\"\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003e​Features\u003c\/h1\u003e\n\u003cul\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eCinematically bowed barbed wire fences... recorded in Texas... in the middle of nowhere\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eExtremely cinematic tonal material from drones, scrapes, whines, and designed looping pads\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eMain DRONE PATCH with 19 original drones\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eMain WHINES PATCH with 16 original whine like bowings\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eMain HITS PATCH with 6 unique hits each with 4 X RR\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003e1 tuned \"string\" patch which is very playable and melodic\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003e5 designed Percussive \/ Impact patches, these are wonderful for accent or trailer hits and sound HUGE\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003e14 designed looping PAD PATCHES with a Lo Pass filter mapped right to the mod wheel\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eGreat instrument for Sci Fi, Horror, and Action cues\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003e22 Kontakt Instruments\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eHighly (and easily) tweakable GUI\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eA GRIT KNOB to add distortion... gritty!\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eToggleable Convolution Reverb with 13 oroginal impulse responses selectable via the GUI\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eControl the High, Mid, and LO EQ tweaks from the GUI\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eControl the attack of each patch from the GUI\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eCinematic tension filled awesomeness out of the box!\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp style=\"text-align: center;\"\u003eFor the FULL version of Kontakt 4.2+\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ciframe width=\"690\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/B2nVjO2wWCk\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Unearthed Sampling","offers":[{"title":"Default Title","offer_id":54332814983452,"sku":"BowedFences","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/unearthedsamplingbowedfences.jpg?v=1784615903"},{"product_id":"unearthed-sampling-esper-synth","title":"Unearthed Sampling Esper Synth Kontakt Library","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/unearthedsamplingespersynth.jpg?v=1784615905\" width=\"690\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eEsper Synth\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eEarly in the 21st Century, UNEARTHED SAMPLING advanced synth sample recording into the ESPER phase - a kontakt instrument virtually identical to a handful of sounds found on an actual CS-80 synthesizer, known as a Replicant -  The ESPER SYNTH is used Off-World as slave labor in sci fi scores or Bladerunner score re-creations, and usually during the hazardous exploration and colonization of other planets.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cdiv id=\"ibqutz4w_2\" data-testid=\"richTextElement\"\u003e\n\u003cp style=\"text-align: center;\"\u003eFor Kontakt 5.5.1.451 + (ONLY WORKS IN DEMO MODE IN KONTAKT PLAYER)\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eBladerunner...\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eA film which any self respecting film buff will tell you is a masterpiece due to many factors including the mesmorizing synth score by mastermind composer Vangelis.  As composers, we've all sought the perfect recreation of the lead sound which defined this score, well look no further, the brass lead which permeates the Bladerunner score has been UnEarthed!\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eEsper Synth sets out to accurately recreate some of the most iconic sounds heard from Vangelis iconic score such as the awesome brassy lead and pad found in Main Titles and Blade Runner Blues.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThis isn't a synth recreation, or samples taken from the soundtrack.  Esper Synth is sampled directly from patches painstakingly re-created on an actual CS 80 synth which is, in essence, the sound of Bladerunner.  The brass leads are the highlight of the library and are extremely playable out of the box.  No knob turning, no digging for the perfect reverb, just load and play.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e  \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eIn most cases, the volume of each patch is mapped directly to the modwheel for easy dynamic control (so remember to tweak the modwheel if you're not hearing anything!).  The Noir Sci-fi styled GUI contains controls for LOW, MID, and HI EQ as well as attack \/ release sliders, a reverb \/ space control knob, and a button to turn the patch from poly to monophonic if you're after authenticity.  \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThere are 5 versions of \"the\" brassy lead sound, 4 pads, 2 bell instruments, and even a HUGE offworld percussion section (inspired by the bladerunner main title cue) with reverb baked in.  12 patches in total.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eAre these exact re-creations?  Nope, but extremely close and heck of a lot of fun to play.  Perfect for Bladerunner fans or your next scifi score.  Curious just how close we got in this re-creation experiement?  Just check out the demos to the right!  Everything heard is from Esper Synth.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e  \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eFOR KONTAKT 5+\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ciframe width=\"690\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/aUkHFBJ3JW8\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\u003ciframe width=\"100%\" height=\"450\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/122465134\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e","brand":"Unearthed Sampling","offers":[{"title":"Default Title","offer_id":54332815016220,"sku":"EsperSynth","price":8.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/unearthedsamplingespersynth.jpg?v=1784615905"},{"product_id":"unearthed-sampling-hammer-on","title":"Unearthed Sampling Hammer On Kontakt Library","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/unearthedsamplinghammeron.jpg?v=1784615906\" width=\"690\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eHammer On\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eFor Kontakt 5.3.1.37 + (ONLY WORKS IN DEMO MODE IN KONTAKT PLAYER)\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe Hammer-On technique is usually utilized to bridge notes together... or for killer solos.  For this library it is the sole articulation used and played on a stratocaster which has been cleanly recorded and multisampled.  There are no loops here (save for one temposynced patch), each patch contains multisamples.  As this sort of play style is normally not showcased, this instrument has a very unique sound and timbre not found anywhere else.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eConsisting of 13 patches, Hammer-On can sound soft and sweet, creepy, or up tension in an action scene.  If you play in the higher ranges it can even sound ethnic, similar to a dulcimer.  The GUI (or \"unearthed verbamp 80\") has controls for EQ (bass, mid, hi), reverb (a huge hall convolution reverb), and attack.  The attack and EQ knobs can drastically alter the sound and vibe of each patch. \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eHammer-On is NOT your average guitar library. Yes, it does contain multisampled electric guitar patches, but it is aimed more squarely at cinematic and video game scores than producing authentic rock ballads.  Soft, sweet, deadly... those are the words that come to mind here.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eFOR KONTAKT 5+\u003c\/h1\u003e\n\u003ciframe width=\"690\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/7uDGlEkB8bU\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\u003ciframe width=\"100%\" height=\"450\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/72497267\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e","brand":"Unearthed Sampling","offers":[{"title":"Default Title","offer_id":54332815048988,"sku":"HammerOn","price":7.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/unearthedsamplinghammeron.jpg?v=1784615906"},{"product_id":"unearthed-sampling-antique-metal-percussion","title":"Unearthed Sampling Antique Metal Percussion Kontakt Library","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/unearthedsamplingantiquemetalpercussion.jpg?v=1784696974\" width=\"644\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eAntique Metal Percussion\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eFor the FULL Version of Kontakt 4.2.4.5316+ (ONLY WORKS IN DEMO MODE IN KONTAKT PLAYER)\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eAntique Metal Percussion (AMP) is a very unique kontakt sample library which is derived from banging (lightly) on a handful of metal antique items. Some of the items heard in this sample library are “one of a kind” and include an old iron bedrail, a library book cart, an old seaside lantern from the North East, a “Childs” brand copper fire extinguisher from the turn of the century (which sounds really cool), a WWII .50 Caliber Metal Ammunition Box, and even a decommissioned WWII Mk27 Hand Grenade. A few of these are pictured below for your viewing pleasure.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eSure there are plenty of other metal impacts \/ hits libraries out there for you to choose from, but AMP strives to set itself apart from the rest by bringing you extremely cinematic sounds from a handful of interesting metal antique items, each of which has their own personality and timbre. These patches are meant to sound great and be usable right out of the box! But should you want to tinker a bit with them (and we certainly encourage you to), the included GUI makes it very easy to tweak a handful of the most important parameters and includes toggleable convolution reverb (with custom and selectable impulse responses), a built in Arpeggiator, pitch control, control of the attack and release of each instrument, ability to control the low, med, and hi EQ range.  On top of that, every hit has 4 X round robins to help fight repetition and all of the instruments are velocity sensitive.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eEach instrument... well.. artifact... has its own “master patch” which consists of each hit set recorded for that specific item. They also have a handful of pitch shifted and manipulated counterpart patches as well. There are also many FX patches for your enjoyment, including a scrapes and FX patch (consisting of nearly 30 unique scrape recordings), an “ensemble hits” patch which consists of several hits between the different instruments layered together which can sound HUGE.  We even took things into deep and twisted territory and mangled some of the session recordings into looping atonal pads and multiple lengths of reversals with the mod wheel mapped to the filter... these are perfect for scene transitions, building tension, and can sound absolutely horrifying!\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eFeatures\u003c\/h1\u003e\n\u003cul\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eUnique set of antique artifacts turned into percussion!\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003e42 Kontakt patches total\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eInstruments are sampled from a turn of the century Copper Fire Extinguisher, a WW II .50 Cal Metal Ammo Box, a WW II Mk II Grenade (Decomissioned... we think..), a Seaside Lantern from back east, an old Iron Headboard, and an old (haunted?) library book cart\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eOver 330 unique samples\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003e4 x RR for each hit\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eHighly (and easily) tweakable GUI\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eToggleable Convolution Reverb \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eControl the High, Mid, and LO EQ tweaks from the GUI\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eControl the attack and release of each patch from the GUI\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eControl the PITCH of each patch from the GUI\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003e13 custom convolution reverb IRs, easily selectable via the GUI\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eBuilt in Arpeggiator\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eA \"Master\" patch for each instrument\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eOver 70 \"Reversal\" sounds derived from the sessions, perfect for horror or avante garde material.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003e13 VERY long reversal \"Tension Builders\" for extreme tension\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003e12 Atonal (and looping) pads\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eA slew of FX patches based on the samples of each instrument\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eGrisly Scrapes and FX patch from the sessions\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eCinematic Metal Impact goodness out of the box!\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp style=\"text-align: center;\"\u003eFor the FULL version of Kontakt 4.2+\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ciframe width=\"690\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/aEsYUuh7qHs\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\u003ciframe width=\"100%\" height=\"450\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/21677443\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e","brand":"Unearthed Sampling","offers":[{"title":"Default Title","offer_id":54332815081756,"sku":"AntiqueMetalPercussion","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/unearthedsamplingantiquemetalpercussion_1.jpg?v=1784615906"},{"product_id":"unearthed-sampling-interplanetary","title":"Unearthed Sampling Interplanetary Kontakt Library","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/unearthedsamplinginterplanetary.jpg?v=1784615908\" width=\"690\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eInterplanetary\u003c\/h1\u003e\n\u003cdiv data-mesh-id=\"i5790s09inlineContent\" data-testid=\"inline-content\"\u003e\n\u003cdiv data-mesh-id=\"i5790s09inlineContent-gridContainer\" data-testid=\"mesh-container-content\"\u003e\n\u003cdiv id=\"i5790s09_0\" data-testid=\"richTextElement\"\u003e\n\u003cp style=\"text-align: center;\"\u003eFor Kontakt 5.3.1.37 + (ONLY WORKS IN DEMO MODE IN KONTAKT PLAYER)\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eInspired heavily by scores like Interstellar and Solaris, Interplanetary features cinematic multisamples taken from an antique glass bowl which have been turned into something otherworldly.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eFor this instrument we struck the bowl with fingers, sticks, and mallets and each patch not only contains 6 round robins, but has also been carefully tuned to give you maximum flexibility as a composer.  The 16 patches cover a wide variety of playing styles including the tuned struck patches mentioned above as well as etheral pads and even a couple of patches we derived from bowing the bowl with a cello bow.  For an added bonus, there is also a low and hard hitting multisampled analogue synth bass patch which is good for underlaying these instruments... or the instruments \/ libraries of your choosing.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eCombine Interplanetary with the arpeggiator of your choice and you're sure to be whisked off to another planet.  When used as a traditional instrument, the bowl also has a very interesting ethnic quality which is well suited to many types of music and scoring.  Beauty, tension, curiosity... these are the three words which immediately come to mind.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eEVERYTHING in the demo songs to the right comes from Interplanetary.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eFOR KONTAKT 5+\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ciframe width=\"690\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/fCoKWW_ObRY\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\u003ciframe width=\"100%\" height=\"450\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/74357723\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e","brand":"Unearthed Sampling","offers":[{"title":"Default Title","offer_id":54332815114524,"sku":"Interplanetary","price":7.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/unearthedsamplinginterplanetary.jpg?v=1784615908"},{"product_id":"unearthed-sampling-sawmonium","title":"Unearthed Sampling SAWmonium Kontakt Library","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/unearthedsamplingsawmonium.jpg?v=1784615910\" width=\"690\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eSAWmonium\u003c\/h1\u003e\n\u003cdiv data-mesh-id=\"i5790s09inlineContent\" data-testid=\"inline-content\"\u003e\n\u003cdiv data-mesh-id=\"i5790s09inlineContent-gridContainer\" data-testid=\"mesh-container-content\"\u003e\n\u003cdiv id=\"i5790s09_0\" data-testid=\"richTextElement\"\u003e\n\u003cdiv data-mesh-id=\"Cntnr1-1a0zinlineContent\" data-testid=\"inline-content\"\u003e\n\u003cdiv data-mesh-id=\"Cntnr1-1a0zinlineContent-gridContainer\" data-testid=\"mesh-container-content\"\u003e\n\u003cdiv id=\"WRchTxt2-1947\" data-testid=\"richTextElement\"\u003e\n\u003cp style=\"text-align: center;\"\u003eFor the FULL Version of Kontakt 4.2.4.5316+ (ONLY WORKS IN DEMO MODE IN KONTAKT PLAYER)\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eA basic woodsaw, a small mitre back saw, a basic hacksaw.... who knew what musical awesomeness these everyday tools held?  We had a clue, but until we started using a cello bow on them and banging them with the likes of mallets, rattans, and sticks... these were just for sawing wood, metal, or girls in wooden boxes on stage in half.  Welcome to our second release... welcome to the horror.. welcome to, THE SAWmonium!\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eSAWmonium brings you 10 very unique Kontakt patches which are, as usual, very cinematic in sound and geared towards the horrific, quirky, or even mysterious!  We utilized a cello bow on the wood saw and hacksaw to create some very strange and unique FX sounds... some of which harken back to the odd FX from the Jerry Goldsmith scores of the 60s and 70s.  The bow also helped us to create some very usable tonal staccs, really creepy growls, and one patch which is a definite nod to Zimmers' Joker motif from The Dark Knight.  The bowed sustains patch is tuned and loops... it has the sound of a gritty glass harmonica and is very playable.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eWe also banged on each saw using a concert mallet, a rattan, and traditional drum sticks.  The HITS patch contains all of these and each hit has 4 X RR to help fight repetition.  These, when used with the built in Arpeggiator, are highly useable.  Speaking of the Arpeggiator, the GUI from Antique Metal Percussion has returned (with a facelift) giving you full control over the EQ, Attack \/ Decay, and the Pitch in addition to the 13 custom impulse reponses to put these strange sounds in a varying degree of different rooms.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eGeared towards the quirky, horror, and sci fi genres... SAWmonium is an avante garde approach to music and will give your next piece of music or film \/ game score a very unique touch.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eSAWmonium is for the full version of Kontakt 4.2+\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eFeatures\u003c\/h1\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eBowed and struck handsaws\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eRecorded in a dry studio setting \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e10 uniquely terrifying Kontakt instruments\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eIncludes an old rusty and used wood saw, an old hacksaw, a brand new hacksaw, and a very used mitre back saw\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eBowing the instruments to achieve Tons of Bowed FX, Bowed Tonal Staccs, a Tuned \/ Looped Bowed Sustain patch, and Growls\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eStruck each saw with a concert mallet, Rottan, and traditional Drum Sticks to achieve Anvil type hits, Various hits all over each saw, and 4 X RR for each hit in the HITS patch\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHighly (and easily) tweakable GUI\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eToggleable Convolution Reverb \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eControl the High, Mid, and LO EQ tweaks from the GUI\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eControl the attack and release of each patch from the GUI\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eControl the PITCH of each patch from the GUI\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e13 custom convolution reverb IRs, easily selectable via the GUI\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eBuilt in Arpeggiator\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCinematic and creeeptastic sound out of the box!\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFor the FULL version of Kontakt 4.2+\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003ePatch List\u003c\/h1\u003e\n\u003cul\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eSAWmonium Anvilike\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eSAWmonium Bowed FX\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eSAWmonium Bowed Staccs Linear\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eSAWmonium Bowed Staccs Random\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eSAWmonium Bowed Sustains\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eSAWmonium Bowed Tonal Shorts\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eSAWmonium Growls\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eSAWmonium Hits\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eSAWmonium Impacts\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp style=\"text-align: center;\"\u003eSAWmonium Jokster (HOLD)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ciframe width=\"690\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/25t0n7dqv9c\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\u003ciframe width=\"100%\" height=\"450\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/24209049\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e","brand":"Unearthed Sampling","offers":[{"title":"Default Title","offer_id":54332815147292,"sku":"SAWmonium","price":7.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/unearthedsamplingsawmonium.jpg?v=1784615910"},{"product_id":"unearthed-sampling-spaceology","title":"Unearthed Sampling Spaceology Kontakt Library","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/unearthedsamplingspaceology.jpg?v=1784615912\" width=\"690\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eSpaceology\u003c\/h1\u003e\n\u003cdiv data-mesh-id=\"i5790s09inlineContent\" data-testid=\"inline-content\"\u003e\n\u003cdiv data-mesh-id=\"i5790s09inlineContent-gridContainer\" data-testid=\"mesh-container-content\"\u003e\n\u003cdiv id=\"i5790s09_0\" data-testid=\"richTextElement\"\u003e\n\u003cdiv data-mesh-id=\"Cntnr1-1a0zinlineContent\" data-testid=\"inline-content\"\u003e\n\u003cdiv data-mesh-id=\"Cntnr1-1a0zinlineContent-gridContainer\" data-testid=\"mesh-container-content\"\u003e\n\u003cdiv id=\"WRchTxt2-1947\" data-testid=\"richTextElement\"\u003e\n\u003cdiv data-mesh-id=\"i4yib3rv_2inlineContent\" data-testid=\"inline-content\"\u003e\n\u003cdiv data-mesh-id=\"i4yib3rv_2inlineContent-gridContainer\" data-testid=\"mesh-container-content\"\u003e\n\u003cdiv id=\"i4yib3rv_3\" data-testid=\"richTextElement\"\u003e\n\u003cp style=\"text-align: center;\"\u003eFor Kontakt 5.3.1.37 + (ONLY WORKS IN DEMO MODE IN KONTAKT PLAYER) Spaceology contains 13 patches for Kontakt 5+ from space... no, really!\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe patches are all derived from the actual NASA recordings recently released into the public domain (this instrument is in no way endorsed by NASA). Creepy pads, ethereal tempo synced pulses (one of which is derived from the infamous Sputnik signal), as well as a Mission VOX patch which contains 22 choice bits of dialogue from NASA missions and various radio beeps and static one shots mapped to the lower octaves.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eAll of the samples utilized were meticulously remastered and cleaned for maximum clarity for both sample awesomeness and archival purposes. Check out all of the patches in the video walkthrough.  \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe instrument patches are solid for your next sci fi or horror score while the VOX patch is great for remixers and space enthusiasts alike! There is no other kontakt instrument on the planet like Spaceology! Will only work in demo mode with the Free Kontakt Player so please do not buy unless you have the FULL version of Kontakt.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eFOR KONTAKT 5+\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ciframe width=\"690\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/3zFkUty8At8\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/175701740\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e","brand":"Unearthed Sampling","offers":[{"title":"Default Title","offer_id":54332815245596,"sku":"Spaceology","price":7.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/unearthedsamplingspaceology.jpg?v=1784615912"},{"product_id":"unearthed-sampling-siege-drum","title":"Unearthed Sampling Siege Drum Kontakt Library","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/unearthedsamplingsiegedrum.jpg?v=1784615916\" width=\"690\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eSiege Drum\u003c\/h1\u003e\n\u003cdiv data-mesh-id=\"i5790s09inlineContent\" data-testid=\"inline-content\"\u003e\n\u003cdiv data-mesh-id=\"i5790s09inlineContent-gridContainer\" data-testid=\"mesh-container-content\"\u003e\n\u003cdiv id=\"i5790s09_0\" data-testid=\"richTextElement\"\u003e\n\u003cdiv data-mesh-id=\"Cntnr1-1a0zinlineContent\" data-testid=\"inline-content\"\u003e\n\u003cdiv data-mesh-id=\"Cntnr1-1a0zinlineContent-gridContainer\" data-testid=\"mesh-container-content\"\u003e\n\u003cdiv id=\"WRchTxt2-1947\" data-testid=\"richTextElement\"\u003e\n\u003cdiv data-mesh-id=\"i4yib3rv_2inlineContent\" data-testid=\"inline-content\"\u003e\n\u003cdiv data-mesh-id=\"i4yib3rv_2inlineContent-gridContainer\" data-testid=\"mesh-container-content\"\u003e\n\u003cdiv id=\"i4yib3rv_3\" data-testid=\"richTextElement\"\u003e\n\u003cp style=\"text-align: center;\"\u003eFor the FULL Version of Kontakt 4.2.4.5316+ (ONLY WORKS IN DEMO MODE IN KONTAKT PLAYER)\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eWhether a dragon is attacking a town, or a squad of archers are releasing a hellfire of arrows on to a castle... SIEGE DRUM should be in your composing arsenal to help up the drama of your music! Our third release brings a cost effective set of cinematic \/ epic drum multisamples to your composing palette perfect for your next film or game score. For SIEGE DRUM we have recorded a large 13 x 13 Medieval Davul Drum in both a studio setting for extremely dry recordings as well as in an old late 19th century hall built in 1896 giving the recordings a very unique and nice sense of space. Only compatible with the FULL version of Kontakt 4.2+\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eWe recorded (in both venues) the drum being hit by hands, a large leather mallet, a rattan, as well as traditional sticks each giving the drum a very unique timbre. Every hit has 4X Round Robins and up to 5 velocity layers. 14 patches in all, this drum can have some serious low end or even masquerade as a tom, open snare, or frame drum. If played together these patches can sound MASSIVE. Also included are a series of FX and rolls adding a nice bonus to the entire package. Like Ambient Metal Percussion, the GUI has all of the same tweaks and features from an Arpeggiator, to pitch control, 13 custom Impulse Responses, a dry \/ wet control, and even the ability to control the EQ, attack, and release of the samples! \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe pitch control in particular makes SIEGE DRUM into a wholly new instrument.  Lowering the pitch can make it sound much like a huge taiko or bassdrum, while raising it can make the drum sound like a Tom or even a Dholak.  Versatility all at a cost effective price are key with this release and we know you'll love adding this to your compositions.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eFeatures\u003c\/h1\u003e\n\u003cul\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eHUGE out of the box epic percussion goodness\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eRecordings of a large 13\" x 13\" old medieval drum\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eRecorded in a dry studio setting AND in a large hall built in 1896\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eThe drum was recorded being struck by a traditional large leather mallet, traditional Drum Sticks, a Rottan (traditionally used with frame drums), and Hands\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003e4 x RR for each hit and up to 5 velocity layers!\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eClose to 500 Unique Samples\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eAdditional FX \/ Rolls patches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eHighly (and easily) tweakable GUI\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eToggleable Convolution Reverb \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eControl the High, Mid, and LO EQ tweaks from the GUI\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eControl the attack and release of each patch from the GUI\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eControl the PITCH of each patch from the GUI\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003e13 custom convolution reverb IRs, easily selectable via the GUI\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eBuilt in Arpeggiator\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eCinematic and EPIC percussion out of the box!\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp style=\"text-align: center;\"\u003eFor the FULL version of Kontakt 4.2+\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ciframe width=\"690\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/dlqJkByCs1I\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\u003ciframe width=\"100%\" height=\"450\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/27071281\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e","brand":"Unearthed Sampling","offers":[{"title":"Default Title","offer_id":54332815278364,"sku":"SiegeDrum","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/unearthedsamplingsiegedrum.jpg?v=1784615916"},{"product_id":"unearthed-sampling-stealth-wind","title":"Unearthed Sampling Stealth Wind Kontakt Library","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/unearthedsamplingstealthwind.jpg?v=1784615916\" width=\"690\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eStealth Wind\u003c\/h1\u003e\n\u003cdiv data-mesh-id=\"i5790s09inlineContent\" data-testid=\"inline-content\"\u003e\n\u003cdiv data-mesh-id=\"i5790s09inlineContent-gridContainer\" data-testid=\"mesh-container-content\"\u003e\n\u003cdiv id=\"i5790s09_0\" data-testid=\"richTextElement\"\u003e\n\u003cdiv data-mesh-id=\"Cntnr1-1a0zinlineContent\" data-testid=\"inline-content\"\u003e\n\u003cdiv data-mesh-id=\"Cntnr1-1a0zinlineContent-gridContainer\" data-testid=\"mesh-container-content\"\u003e\n\u003cdiv id=\"WRchTxt2-1947\" data-testid=\"richTextElement\"\u003e\n\u003cdiv data-mesh-id=\"i4yib3rv_2inlineContent\" data-testid=\"inline-content\"\u003e\n\u003cdiv data-mesh-id=\"i4yib3rv_2inlineContent-gridContainer\" data-testid=\"mesh-container-content\"\u003e\n\u003cdiv id=\"i4yib3rv_3\" data-testid=\"richTextElement\"\u003e\n\u003cdiv data-mesh-id=\"comp-ija87vd0inlineContent\" data-testid=\"inline-content\"\u003e\n\u003cdiv data-mesh-id=\"comp-ija87vd0inlineContent-gridContainer\" data-testid=\"mesh-container-content\"\u003e\n\u003cdiv id=\"comp-ija87vd2\" data-testid=\"richTextElement\"\u003e\n\u003cp style=\"text-align: center;\"\u003eFor Kontakt 5.5.1.451 + (ONLY WORKS IN DEMO MODE IN KONTAKT PLAYER)\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe Shakuhachi Flute\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eIt was originally introduced from China into Japan in the 8th century and underwent a resurgence in the early Edo Period. The shakuhachi is traditionally made of bamboo, but versions now exist in ABS and hardwoods. It was used by the monks of the Fuke school of Zen Buddhism in the practice of suizen.  It was also a favorite of film composer James Horner and used on countless of his film scores.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eStealth Wind\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eStealth Wind sets out to capture that \"James Horner\" cinematic shakuhachi vibe through the use of carefully selected \/ recorded phrases (both ethnic and cinematic) along with some craftily sampled multisampled staccatos and sustains.  While the main vibe of the sound is centered around stealth and sneaking ninjas, there are also quite a few ethnic phrases and motifs which are on the lighter and more traditional side of things.  Outside of the two separate cinematic phrase patches and two ethnic patches, there are also various staccato patches, a handful of low \"Elephant Calls\" which definitely ooze cinematic goodness, and \"Enigma Calls\" which, as the name suggests, stem from various re-recordings and takes of a certain Shakuhachi sample used extensively by the artist Enigma.   \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eLet it be known that this library is NOT full of loads of legato articulations, but sets out to be more of an ethnic accent for your game and film scores.  This library was recorded by utilizing a couple of the most amazing Shakuhachi players we could find, Jon Johnston and Jonathan McCollum.  The end result from \"the two jons\" is a Kontakt instrument which will add cinematic ethno flare to just about any track.  We even included a multisampled Taiko patch which serves as a nice bonus to tie everything together (said taiko appears in the second demo on soundcloud... \"Ninjas in the Mist\".)\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003e17 Kontakt Instruments\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eSW - Percussion - Taikos\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eSW - Phrases Accents\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eSW - Phrases Cinematic A\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eSW - Phrases Cinematic B\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eSW - Phrases Elephant Calls\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eSW - Phrases Enigma Calls\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eSW - Phrases Ethnic A\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eSW - Phrases Ethnic B\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eSW - Phrases Hi\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eSW - Phrases Trills\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eSW - Staccs - Dual 1\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eSW - Staccs - Dual 2\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eSW - Staccs - Dual 3\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eSW - Staccs - Stealthy\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eSW - Sustains - Rane Man\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eSW - Sustains 1\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eSW - Sustains 2\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eFOR KONTAKT 5+\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ciframe width=\"690\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/ajfwT0UJcdI\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\u003ciframe width=\"100%\" height=\"450\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/184501018\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e","brand":"Unearthed Sampling","offers":[{"title":"Default Title","offer_id":54332815311132,"sku":"StealthWind","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/unearthedsamplingstealthwind.jpg?v=1784615916"},{"product_id":"unearthed-sampling-the-bosque-piano","title":"Unearthed Sampling The Bosque Piano Kontakt Library","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/unearthedsamplingthebosquepiano.jpg?v=1784615921\" width=\"690\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eThe Bosque Piano\u003c\/h1\u003e\n\u003cdiv data-mesh-id=\"i5790s09inlineContent\" data-testid=\"inline-content\"\u003e\n\u003cdiv data-mesh-id=\"i5790s09inlineContent-gridContainer\" data-testid=\"mesh-container-content\"\u003e\n\u003cdiv id=\"i5790s09_0\" data-testid=\"richTextElement\"\u003e\n\u003cdiv data-mesh-id=\"Cntnr1-1a0zinlineContent\" data-testid=\"inline-content\"\u003e\n\u003cdiv data-mesh-id=\"Cntnr1-1a0zinlineContent-gridContainer\" data-testid=\"mesh-container-content\"\u003e\n\u003cdiv id=\"WRchTxt2-1947\" data-testid=\"richTextElement\"\u003e\n\u003cdiv data-mesh-id=\"i4yib3rv_2inlineContent\" data-testid=\"inline-content\"\u003e\n\u003cdiv data-mesh-id=\"i4yib3rv_2inlineContent-gridContainer\" data-testid=\"mesh-container-content\"\u003e\n\u003cdiv id=\"i4yib3rv_3\" data-testid=\"richTextElement\"\u003e\n\u003cp style=\"text-align: center;\"\u003eFor Kontakt 5.6.8 + (ONLY WORKS IN DEMO MODE IN KONTAKT PLAYER)\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe Bosque Piano is a very old upright piano we discovered in a 100 year old college auditorium found in Bosque County Texas. Both the space itself and the piano had such amazing tones it was just begging to be sampled, so we did.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThis library contains multisampled longs, multisampled shorts (hard and soft) and a slew of cinematic phrases and accents which ooze scores from the late 1960s and 1970s by composers such as Jerry Goldsmith and David Shire.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eTo keep things as lightweight as possible within your DAW the instrument has a very small footprint and only contains the four patches listed above to keep things as user friendly, useable, instantly inspiring, and simple as possible.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eFULL version of Kontakt 5.6.8 required - NOT Kontakt Player\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eCore Controls\u003c\/h1\u003e\n\u003cp\u003eThe GUI has controls for EQ, an added long reverb, a nice delay, as well as attack and release controls so you can make the sound what you need or want it to be.\u003c\/p\u003e\n\u003cp\u003eWe know there are loads of pianos out there, but sought out to create something that is not only competitive in sound with the others out there, but also something unique which sounds cinematic out of the box, has tweakability, and is as cost effective as possible for those of you on a budget.\u003c\/p\u003e\n\u003cp\u003eA piano doesn't need to have millions of samples to sound cinematc, it just needs to have its own personality and a nice hall to record in.\u003c\/p\u003e\n\u003cp\u003eWe hope you have as much fun working the bosque piano into your productions as we did sampling it!\u003c\/p\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cimg alt=\"Supporting image for The Bosque Piano\" src=\"https:\/\/www.lootaudio.com\/_media\/images\/kontakthub\/images\/UnEarthed%20Sampling\/The%20Bosque%20Piano\/p1.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eUnique Tone\u003c\/h1\u003e\n\u003cp\u003eAs The Bosque Piano was recorded within the hall it resides with a pair of high quality stereo mics from the middle of the room it has a very unique tone.\u003c\/p\u003e\n\u003cp\u003eThe reverb is burned into the samples to give it a sense of space so there are no dry samples here and this library is geared towards scoring games and films.\u003c\/p\u003e\n\u003cp\u003eThe phrase patch harkens back to a time when the piano was used within film scores in a much more avante garde \/ John Cage fashion so they have a unique vibe not found anywhere else.\u003c\/p\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg alt=\"Supporting image for The Bosque Piano\" src=\"https:\/\/www.lootaudio.com\/_media\/images\/kontakthub\/images\/UnEarthed%20Sampling\/The%20Bosque%20Piano\/p2.jpg\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ciframe width=\"690\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/3nsTGwWN1tU\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Unearthed Sampling","offers":[{"title":"Default Title","offer_id":54332815409436,"sku":"TheBosquePiano","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/unearthedsamplingthebosquepiano.jpg?v=1784615921"},{"product_id":"unearthed-sampling-tension-drums","title":"Unearthed Sampling Tension Drums Kontakt Library","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/unearthedsamplingtensiondrums.jpg?v=1784615921\" width=\"690\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eTension Drums\u003c\/h1\u003e\n\u003cdiv data-mesh-id=\"i5790s09inlineContent\" data-testid=\"inline-content\"\u003e\n\u003cdiv data-mesh-id=\"i5790s09inlineContent-gridContainer\" data-testid=\"mesh-container-content\"\u003e\n\u003cdiv id=\"i5790s09_0\" data-testid=\"richTextElement\"\u003e\n\u003cdiv data-mesh-id=\"Cntnr1-1a0zinlineContent\" data-testid=\"inline-content\"\u003e\n\u003cdiv data-mesh-id=\"Cntnr1-1a0zinlineContent-gridContainer\" data-testid=\"mesh-container-content\"\u003e\n\u003cdiv id=\"WRchTxt2-1947\" data-testid=\"richTextElement\"\u003e\n\u003cdiv data-mesh-id=\"i4yib3rv_2inlineContent\" data-testid=\"inline-content\"\u003e\n\u003cdiv data-mesh-id=\"i4yib3rv_2inlineContent-gridContainer\" data-testid=\"mesh-container-content\"\u003e\n\u003cdiv id=\"i4yib3rv_3\" data-testid=\"richTextElement\"\u003e\n\u003cp style=\"text-align: center;\"\u003eFor Kontakt 5.3.1 + (ONLY WORKS IN DEMO MODE IN KONTAKT PLAYER)\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eTension Drums contains three action-packed, tension-filled metallic percussion Kontakt instruments.\u003c\/p\u003e\n\u003cp\u003eSampled from various machine parts, metallic objects, tools and old mining equipment in a great recording environment these sounds are crisp and sharp and perfect for horror and tension filled hits and atmospheres.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFULL version of Kontakt 5.3.1 required - NOT Kontakt Player\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eKIT 1\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eDon't be fooled by the small size... this library sounds HUGE!\u003c\/p\u003e\n\u003cp\u003eOnce upon a time, the area near Ennis Montana was ripe with copper and silver mining sites. These areas have since dried up leaving behind tons of old mining tools and equipment. Long derelict and out of commission, we decided to bang on a handful of these pieces of mining history turning them into an action packed, tension filled, or horrific metallic percussion Kontakt instrument.\u003c\/p\u003e\n\u003cp\u003eMake no mistake, these are highly unique samples!\u003c\/p\u003e\n\u003cp\u003eThe GUI is extremely versatile and can drastically alter the sound and timbre of this instrument! Thanks to the pitch knob, it can sound downright huge or extremely small in size. Also available on the GUI are EQ (with low, mid, and hi control knobs), a LPF (also mapped to the modwheel), a grit knob to add distortion, a reverb knob to control the amount of reverb, and lastly an attack knob to control the attack of the samples.\u003c\/p\u003e\n\u003cp\u003e7 Kontakt instruments total... all oozing with cinematic awesomeness!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eKIT 2\u003c\/h1\u003e\n\u003cp\u003eKit 2 of the Derelict Collection is an extension to Kit 1 and features a fresh selection of unique metallic hits and effects.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eKIT 3\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eTension Hits 2 focuses on loud and epic impacts. All of these impacts come from unconventional sources such as chairs, tubes, stage hits, doors, sticks, metal shelves, and candelabras. We even recorded ensemble stomps on the stage which sound HUGE and epic!\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eTension Hits 2 is a wealth of instant inspiration stemming from unconventional percussion sources. There are no loops or phrases here, these are all multisampled recordings meticulously recorded via a very nice matched pair mic set.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eSpeaking of recording.. these were all recorded in a large old hall built in the late 1800s so they all have a very cool air about them. All of the patches (save for one of the two stomps patches) feature 4 X RR.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe GUI features some easily tweakable controls to really change the sound of each of the patches. These tweaks include Attack, Release, Lo, Mid, and Hi gain knobs, and the indispensable pitch knob. The toggleable covolution reverb makes these sound HUGE and we even included 13 easily selectable impulse responses.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ciframe width=\"690\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/qCEIpgq-cgQ\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Unearthed Sampling","offers":[{"title":"Default Title","offer_id":54332815442204,"sku":"TensionDrums","price":12.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/unearthedsamplingtensiondrums.jpg?v=1784615921"},{"product_id":"unearthed-sampling-legacy-bundle","title":"Unearthed Sampling Legacy Bundle Kontakt Library","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/unearthedsamplinglegacybundle.jpg?v=1784615921\" width=\"690\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLegacy Bundle\u003c\/h1\u003e\n\u003cdiv data-mesh-id=\"i5790s09inlineContent\" data-testid=\"inline-content\"\u003e\n\u003cdiv data-mesh-id=\"i5790s09inlineContent-gridContainer\" data-testid=\"mesh-container-content\"\u003e\n\u003cdiv id=\"i5790s09_0\" data-testid=\"richTextElement\"\u003e\n\u003cdiv data-mesh-id=\"Cntnr1-1a0zinlineContent\" data-testid=\"inline-content\"\u003e\n\u003cdiv data-mesh-id=\"Cntnr1-1a0zinlineContent-gridContainer\" data-testid=\"mesh-container-content\"\u003e\n\u003cdiv id=\"WRchTxt2-1947\" data-testid=\"richTextElement\"\u003e\n\u003cdiv data-mesh-id=\"i4yib3rv_2inlineContent\" data-testid=\"inline-content\"\u003e\n\u003cdiv data-mesh-id=\"i4yib3rv_2inlineContent-gridContainer\" data-testid=\"mesh-container-content\"\u003e\n\u003cdiv id=\"i4yib3rv_3\" data-testid=\"richTextElement\"\u003e\n\u003cp style=\"text-align: center;\"\u003eFor Kontakt 5.0.1 + (ONLY WORKS IN DEMO MODE IN KONTAKT PLAYER)\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eThe Legacy Bundle contains 9 Kontakt instruments designed for tension, scoring and sound design cues.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003eCinematic Tonal Violin\u003c\/h1\u003e\n\u003cp\u003eCinematic Tonal Violin is perfect for adding a very subtle (but tense) human element to your scores and is perfect for horror, drama, thriller, and action score writing. The vibe of this library is similar to the fiddle \/ solo violin playing heard in The Dark Knight (during the opening heist) and Black Hawk Down.\u003c\/p\u003e\n\u003cp\u003eThere are 28 loops spread across 4 groups in the keys of A, C, E, G (laid out in that order on the keyboard). For ease, there is a reverb control right on the GUI and the starting note represents that groups key range. While these loops are tempo synced, their root tempo is 120 BPM... so tempos that are drastically different may cause slight audio artifacts.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cimg alt=\"Supporting image for Legacy Bundle\" src=\"https:\/\/www.lootaudio.com\/_media\/images\/kontakthub\/images\/UnEarthed%20Sampling\/Legacy%20Bundle\/tonal-violin.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eFistful of Tension\u003c\/h1\u003e\n\u003cp\u003eFistful of Tension is NOT your average guitar library. Yes, it does contain multisampled acoustic and electric guitar samples... but think of it more like Ennio Morricone \/ Sergio Leone \/ Spaghetti Western in a box! This is definitely geared more towards cinematic writing.\u003c\/p\u003e\n\u003cp\u003eI used some fairly unconventional recording techniques including placing the mic accross the room from the electric guitar cabinet then washing it in reverb. The end result (the patch is \"Stranger Leaves\") is fairly cool and oozes \"Man With The Harmonica\". The other patches include an array of multisampled acoustic guitar patches and a handful of interesting FX patches containing strange hits and slides. ALL of the 14 patches included stem from guitar recordings and are patches I have found most useful over the years on several projects... hopefully you will too!\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg alt=\"Supporting image for Legacy Bundle\" src=\"https:\/\/www.lootaudio.com\/_media\/images\/kontakthub\/images\/UnEarthed%20Sampling\/Legacy%20Bundle\/fistful-of-tension.jpg\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eJungle Flute FX\u003c\/h1\u003e\n\u003cp\u003eIf your next scoring assignment takes your music into a jungle to rescue POWs, slaughter aliens, make a difficult shot from a mile away, or track down terrorists... you also need JUNGLE FLUTE FX in your arsenal of samples.\u003c\/p\u003e\n\u003cp\u003eFor this sample set, I found a very nice custom Moseno Flute, which is a South American bamboo flute, sampled it, and (as usual) mangled some of the recordings. The end result is a collection of uniquely ethnic and immensely atmospheric FX, Phrases, and padlike instruments.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg alt=\"Supporting image for Legacy Bundle\" src=\"https:\/\/www.lootaudio.com\/_media\/images\/kontakthub\/images\/UnEarthed%20Sampling\/Legacy%20Bundle\/jungle-flute.jpg\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eOddity Collection\u003c\/h1\u003e\n\u003cp\u003eThe Oddity Bundle consists of 12 Kontakt instruments from two very different instrument sets..HUM and SCRAPE ORCHESTRA. This instrument set would be perfect for your next game or film score and even suited for the ambient, electronic, and chillout genres. The GUI contains the option to easily edit the attack, decay, and reverb all in one place, while the mod wheel is mapped directly to the filter which can totally change the timbre of each patch.\u003c\/p\u003e\n\u003cp\u003eHUM features recordings of electronic items (such as generators) which have been mutated, processed, and\/or stretched to make for a very unique set of 6 instruments. These can sound like ethereal pads, synth leads, and even organs.\u003c\/p\u003e\n\u003cp\u003eSCRAPE ORCHESTRA features recordings taken from various tools scraping a metal shed door. The results are horrifying and definitely geared towards the horror genre.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg alt=\"Supporting image for Legacy Bundle\" src=\"https:\/\/admin.lootaudio.com\/_media\/images\/loot\/UnEarthed%20Sampling\/Legacy%20Bundle\/oddity.png\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eSoft Tension Hits\u003c\/h1\u003e\n\u003cp\u003eSoft Tension Hits is something I have used for years on various game \/ film projects and only just recently revamped it for public release. After taking a cue from Hans Zimmer and how he records his custom percussion libs with lots of low nuances (and making the hall a character in each recording)... I decided to create this beast of a sample package for Kontakt.\u003c\/p\u003e\n\u003cp\u003eDon't let the name fool you, this library is geared towards film and game composers in need of HUGE unique percussion hits that have been stylistically recorded and designed specifically for horror, sci fi, and action writing. Even the \"small\" patches sound huge (I'm looking at you \"Table Flicks\"). While there are a handful of multisampled and\/or tuned patches, this is not meant to be played like a traiditional drum kit (as there are no round robins). STH is intended more for stabs, tension building, wipes, and scene transitions.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg alt=\"Supporting image for Legacy Bundle\" src=\"https:\/\/www.lootaudio.com\/_media\/images\/kontakthub\/images\/UnEarthed%20Sampling\/Legacy%20Bundle\/soft-tension-hits.jpg\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eThe Cello of Damascus\u003c\/h1\u003e\n\u003cp\u003eA multisampled bowed electric guitar, but recorded and mastered in a way that gives it a uniquely cinematic and ethnic timbre perfect for your next game or film project. This kontakt instrument consists of 10 instruments, and 5 multis and features a very nice GUI which makes tweaking the attack, added reverb, or EQ exceptionally easy.\u003c\/p\u003e\n\u003cp\u003eThe volume is mapped to the MOD wheel for added expression. In fact, these tweaks can totally change the vibe of some of these patches! The instruments range from multisampled sustains, multisampled tremolo dimenuendos, scrapes, FX, to synthy pads, all of which can sound heartfelt, ethnic, or even downright creepy.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg alt=\"Supporting image for Legacy Bundle\" src=\"https:\/\/www.lootaudio.com\/_media\/images\/kontakthub\/images\/UnEarthed%20Sampling\/Legacy%20Bundle\/cellos-of-damascus.jpg\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eThe Door\u003c\/h1\u003e\n\u003cp\u003eThis library consists of horrifying, terrifying, extremely creepy percussive and ambient elements sampled from.... a barn door? Sounds ridiculous I know, but once you listen to the patches via the youtube video to, you'll be a true believer in just how creepy a basic barn door can be.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg alt=\"Supporting image for Legacy Bundle\" src=\"https:\/\/www.lootaudio.com\/_media\/images\/kontakthub\/images\/UnEarthed%20Sampling\/Legacy%20Bundle\/the-door.jpg\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eTribal Tension\u003c\/h1\u003e\n\u003cp\u003eThis... is some extremely epic and cinematic stuff. Once again, prepare for some serious low end! If your next film or game project finds you scoring a war be it modern, fantasy, or midieval, this is the kontakt instrument you need to have in your arsenal. I recorded a solo burundi drum in a concert hall and thanks to the help of the sampleism team, have added some very handy controls to the GUI.\u003c\/p\u003e\n\u003cp\u003eYou can toggle the excess reverb, use the threshold control to pull back the natural hall reverb, and make the drums as punchy or boomy as you like via the EQ gain controls right on the GUI. Check out the HD video for a complete walkthrough and to hear just how epic this instrument is.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg alt=\"Supporting image for Legacy Bundle\" src=\"https:\/\/www.lootaudio.com\/_media\/images\/kontakthub\/images\/UnEarthed%20Sampling\/Legacy%20Bundle\/tribal-tension.jpg\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ciframe width=\"690\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/QS_ElPIdQ1Q\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Unearthed Sampling","offers":[{"title":"Default Title","offer_id":54332815474972,"sku":"LegacyBundle","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/unearthedsamplinglegacybundle.jpg?v=1784615921"},{"product_id":"soundiron-hyperion-strings-micro","title":"Soundiron Hyperion Strings Micro","description":"\u003ch2 style=\"text-align: center;\"\u003e\u003cimg height=\"600\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/hyperion_cover_new_blue_final_grande_b277a916-ad9d-4051-893a-e418f5bd0228.jpg?v=1784696755\" width=\"600\"\u003e\u003c\/h2\u003e\n\u003ch2 style=\"text-align: center;\"\u003e \u003c\/h2\u003e\n\u003ch2 style=\"text-align: center;\"\u003eABOUT\u003c\/h2\u003e\n\u003cp style=\"text-align: center;\"\u003eHyperion Strings Micro is our introductory orchestral string library for Native Instruments’ free Kontakt Player, Komplete Kontrol and S-Series Keyboards. This library is the perfect starter pack for songwriters and musicians just getting into orchestral writing, as well as seasoned composers wanting new colors in their orchestral palette. No matter what your creative needs are, you’ll discover the powerful toolset and outstanding audio quality that you’re looking for in this convenient and extraordinarily flexible virtual instrument library.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThis library has a forward and robust sound unlike any other. We recorded our string ensemble sections up close on a dry sound-stage — the historic Studio A at Fantasy Studios in Berkeley, CA — and then equipped the interface with plenty of spatialization, environment simulation and positioning controls and options to let you dial in the sound and character you need. It’s perfect for any musical style from rock, pop and EDM, to fully orchestral compositions. The interface is detailed, configurable and feature-rich to allow total customization. However, for all of the bells and whistles we’ve designed into Hyperion Micro, we’ve carefully refined every feature to be intuitive and naturally simple to use, with virtually no learning curve.\u003c\/p\u003e\n\u003cdiv id=\"contents\" style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch2\u003e \u003c\/h2\u003e\n\u003ch2\u003eCONTENTS\u003c\/h2\u003e\n\u003cp\u003eHyperion Strings Micro includes a combined full ensemble preset, as well as 4 main section presets for our 8 Violins, 6 Violas, 5 Cellos and 4 Double Basses. For this Micro Edition, we’ve included the most essential core articulations for each section: multi-dynamic sustains both with and without natural vibrato, staccatos, spiccatos and pizzicatos, as well as two basic dynamic expressions: long crescendos and decrescendos.\u003c\/p\u003e\n\u003cp\u003eThe multi-dynamic sustain, staccato, spiccato and pizzicato articulations allow smooth crossfading across dynamic layers, from piano to forte with the Swell control. In addition to dynamic layering, you can also choose rich, natural vibrato or clean non-vibrato sustain types or seamlessly blend between them with the sustain blend control. You can also instantly switch the staccatos, spiccatos and pizzicatos to velocity sensitivity mode and control dynamics directly as you play. The pizzicatos also allow manual or automatic switching between naturally loose flams and precise tight plucks that adapt to your speed. Each of these short articulation types also features two “round-robin” variations per note. The Crescendo and Decrescendo expressions allow real-time dynamically-aware release sample triggering, tempo-synching and time-stretching. These are a great introduction to our broader “Expressions” concept for modular arrangement.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eArticulations included for each section:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eVibrato Sustains: p, mf and f\u003c\/li\u003e\n\u003cli\u003eNon-vibrato Sustains: p, mf and f\u003c\/li\u003e\n\u003cli\u003e8-count Crescendo p \u0026lt; F with vibrato\u003c\/li\u003e\n\u003cli\u003e8-count Decrescendo F \u0026gt; p with vibrato\u003c\/li\u003e\n\u003cli\u003e8th-note Staccatos (2x rr): p, mf and f\u003c\/li\u003e\n\u003cli\u003e32nd-note Spiccatos (2x rr): p, mf and f\u003c\/li\u003e\n\u003cli\u003eLoose Pizzicato plucks (2x rr): p and f\u003c\/li\u003e\n\u003cli\u003eTight Pizzicato plucks (2x rr): p and f\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"kontakt\" style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch2\u003eMADE FOR KONTAKT PLAYER\u003c\/h2\u003e\n\u003cimg border=\"0\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0371\/2865\/files\/Player_NKS_Sticker_Combo.png?4247422523135284707\" title=\"The latest version of the free Kontakt Player or the full version of Kontakt 5.7.3 or later is required to use the nki files in this library.\" width=\"340\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis library has been licensed for use in the free Kontakt Player virtual instrument engine. It can be used in Kontakt Player or the full retail version of Kontakt (version 5.7.3 or later) for VST, AU or AAX instrument plugin formats. You can add this product to the Kontakt “Libraries” browser. It requires online serial number registration through the Native Instruments Service Center app. This library is also fully compatible with Komplete Kontrol and all S-Series Keyboard Controllers by Native Instruments. Purchasing this library qualifies you for a great cross-grade discount toward the full unlocked version of Kontakt through Native Instruments!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"spec\"\u003e\n\u003cdiv\u003e\n\u003ch2 style=\"text-align: center;\"\u003e \u003c\/h2\u003e\n\u003ch2 style=\"text-align: center;\"\u003eSPECIFICATIONS\u003c\/h2\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003eProduct Version 1.0\u003c\/li\u003e\n\u003cli\u003e5 nki Kontakt instrument Banks\u003c\/li\u003e\n\u003cli\u003e2,950 Samples\u003c\/li\u003e\n\u003cli\u003e2.5 GB installed\u003c\/li\u003e\n\u003cli\u003e24-bit, 48 kHz Stereo Lossless NCW Format.\u003c\/li\u003e\n\u003cli\u003e5 master section presets: Ensemble, Violins, Violas, Cellos, Basses.\u003c\/li\u003e\n\u003cli\u003eMulti-dynamic sustains, with smooth real-time control over natural vibrato and dynamic transitions. \u003c\/li\u003e\n\u003cli\u003eMulti-dynamic staccatos, spiccatos and pizzicatos with 2x round-robin.\u003c\/li\u003e\n\u003cli\u003eDynamic auto-release and tempo-synching for Crescendo and Decrescendo expressions. \u003c\/li\u003e\n\u003cli\u003eFlexible and intuitive user interface with pro features, deep customizability and simple workflow.\u003c\/li\u003e\n\u003cli\u003eFree soundstage positioning for each section within dozens of custom rooms, halls, chambers and FX environments.\u003c\/li\u003e\n\u003cli\u003eAdaptive Play Assist and Arpeggio systems for instant inspiration.\u003c\/li\u003e\n\u003cli\u003eYou can apply your full purchase amount toward your upgrade to Hyperion Strings Elements or the full Hyperion Symphonic Strings when they're released.\u003c\/li\u003e\n\u003cli\u003eMade for the free Kontakt Player (version 5.7.3+), Komplete Kontrol, all S-Series Keyboards and NKS software and hardware by Native Instruments\u003c\/li\u003e\n\u003cli\u003eWorks with the Kontakt \"Libraries\" browser and Native Access.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eSystem Requirements\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eThis Powered-By-Kontakt Player Edition is supported by the latest version of the free Kontakt Player (VST, AU, AAX) and the special “Libraries” rack. Windows 7 or higher required for PC. OSX 10.10 or higher required for Mac. Dual Core CPU, 3+ GB System Ram, SATA or SSD hard drive recommended for this library. This software is delivered as a digital download, so a broadband connection is required. All sales are final.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ciframe width=\"690\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/ySP6PFQhI-E\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Soundiron","offers":[{"title":"Default Title","offer_id":54332816490780,"sku":"hyperionstringsmicro","price":29.4,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/hyperion_cover_new_blue_final_grande_881b958c-8bb5-4ee7-8122-7ff890cc3aa4.jpg?v=1784615931"},{"product_id":"ergo-kukke-aleatoric","title":"Ergo Kukke Aleatoric Kontakt Library","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/ergokukkealeatoric.jpg?v=1784615936\" width=\"690\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eAleatoric\u003c\/h1\u003e\n\u003ch4 style=\"text-align: center;\"\u003eMultilayered, Pitched Textural Kontakt Instrument\u003c\/h4\u003e\n\u003cp style=\"text-align: center;\"\u003eKontakt Version Required:\u003cbr\u003e6.4.2 Full Version (Not for Kontakt Player)\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e“Aleatoric Metamorphic Movement” sets the new standard for multi-voiced textural Kontakt instruments. By making use of contemporary sound shaping methods, AMM brings gritty atmospheric sampling into the modern era. With freedom of expression being at the core of AMM’s qualities, translating a soundscape from your head, into your DAW, has never been so easy.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eFundamentally, AMM contains four individually adjustable sample sources, each housing an abundance of fully modulatable parameters. The critical inclusion of the effortlessly unique ‘Source Movement’ \u0026amp; ‘Filter Movement’ manipulation pads help cement AMM as a true zero compromise sampling machine, as the flexibility of these pads allow for outstandingly distinctive sounds.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eCompatible with KONTAKT Full version: 6.4.2\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003cdiv\u003e\n\u003ch1 style=\"text-align: center;\"\u003eKey Features\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003eFour Sample Sources, each being allocated one of 305 different samples.\u003c\/li\u003e\n\u003cli\u003e105 Included Snapshots\u003c\/li\u003e\n\u003cli\u003eIndependent 3-band EQ, Envelope \u0026amp; Filter Parameters, for each source\u003c\/li\u003e\n\u003cli\u003ePitch Shifting Controls, for shifting +\/- 36 semitones\u003c\/li\u003e\n\u003cli\u003eSource-Specific Panning Controls\u003c\/li\u003e\n\u003cli\u003eSample Selection Randomisation\u003c\/li\u003e\n\u003cli\u003e‘Source Movement’ Manipulation Pad, controlling the Gain Distribution Ratio\u003c\/li\u003e\n\u003cli\u003e‘Filter Movement’ Manipulation Pad, controlling Filter Cutoff \u0026amp; Resonance on either all sources, or per-source\u003c\/li\u003e\n\u003cli\u003e‘Horizontal’, ‘Vertical’ \u0026amp; ‘Circular’ Modulation Units, for both Manipulation Pads\u003c\/li\u003e\n\u003cli\u003e‘Edit Modulation’ Menu, containing 4 LFO Modules, for modulating any source parameter, alongside 4 Envelope Modules, for controlling the dynamics of multiple different source parameters\u003c\/li\u003e\n\u003cli\u003e‘Edit Effects’ Menu, featuring 9 different Effects Modules; Chorus, Distortion, Lo-Fi (Bitcrusher), Replika Delay, Spatial (Stereo Field Enhancer), Filter, Phasis (Phaser), Convolution (Reverb) \u0026amp; Flair (Tuned, Harmonics-Enhancing Flanger)\u003c\/li\u003e\n\u003cli\u003e‘Edit Randomise’ Page, housing toggles for the randomisation of multiple sets of parameters\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch2\u003e\u003cimg alt=\"logo\" src=\"https:\/\/www.lootaudio.com\/_assets\/core-images\/icons\/products\/Kontakt_Full_Active.png?v2\"\u003e\u003c\/h2\u003e\n\u003ch2\u003e \u003c\/h2\u003e\n\u003ch2\u003eThis product is compatible with Kontakt Full V6.4.2 or later\u003c\/h2\u003e\n\u003cp\u003eKontakt Version Required:\u003cbr\u003e6.4.2 Full Version (Not for Kontakt Player) - \u003ca title=\"learn more\" data-video=\"sbcNSflh3XY\"\u003elearn more\u003c\/a\u003e\u003cbr\u003eProduct Version: 1\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eOverview\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch4\u003e \u003c\/h4\u003e\n\u003ch4\u003eIncluded Samples \u0026amp; Snapshots\u003c\/h4\u003e\n\u003cp\u003eThe 305 included samples range from classic tonal woodwind instruments, to gritty string samples, ambient wind \u0026amp; water samples, and everything in between. Consequently, AMM is virtually genreless, making it the perfect tool to use in an essentially infinite number of production scenarios. Whether you’re looking for a rich, dark pad-like space enhancer, or a meditative, textural atmosphere, AMM has you covered.\u003c\/p\u003e\n\u003cp\u003eThe best of what AMM has to offer is available for auditioning right out of the box; with the 105 catagorised Snapshots. Being handily divided into ‘Beautiful’, ‘Fantasy’, ‘Horror’ \u0026amp; ‘Sci-Fi’ subgroups allows for exceptionally efficient location of track-appropriate sounds. Each snapshot is easily adaptable, making it simple to pinpoint the perfect sound.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg alt=\"Supporting image for Aleatoric\" src=\"https:\/\/www.lootaudio.com\/_media\/images\/loot\/Ergo%20Kukke\/AMM\/1-snaps.png\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch4\u003e \u003c\/h4\u003e\n\u003ch4\u003eFour Flexible Sample Sources\u003c\/h4\u003e\n\u003cp\u003eWith layering being one of the most defining aspects of modern production, it’s crucial that it gets done right. The clean and straightforward controls of each audio source ensure that your layered compositions remain distinct, yet cohesive, in the most effective manner.\u003c\/p\u003e\n\u003cp\u003eAdditionally, all four of the sample audio sources contain identical EQ, Envelope \u0026amp; Filter units, for speedy mixing and dynamics alterations; on-the-fly amendments just became a whole lot more intuitive!\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg alt=\"Supporting image for Aleatoric\" src=\"https:\/\/www.lootaudio.com\/_media\/images\/loot\/Ergo%20Kukke\/AMM\/2-sources.png\" width=\"690\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch4\u003e \u003c\/h4\u003e\n\u003ch4\u003e‘Source Movement’ Manipulation Pad\u003c\/h4\u003e\n\u003cp\u003eBeing one of AMM’s most defining features, the ‘Source Movement’ Manipulation Pad permits for unrivalled control over gain dynamics; continually shifting the focus of your soundscape. Moving transparently between between each source, in a completely user-definable fashion, causes the resultant sound to become extremely unique — making your composition stand out among a sea of competition.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg alt=\"Supporting image for Aleatoric\" src=\"https:\/\/www.lootaudio.com\/_media\/images\/loot\/Ergo%20Kukke\/AMM\/3-source.png\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch4\u003e \u003c\/h4\u003e\n\u003ch4\u003e‘Filter Movement’ Manipulation Pad\u003c\/h4\u003e\n\u003cp\u003eBy allowing for the modulation of the filter cutoff frequency and resonance of each audio source independently, ultimate control over the timbre of each layer is entirely possible. Possessing almost surgical power over the tonal dynamics of your sound exponentially increases the range of possible outputs. When combined with the already impressive freedom of the ‘Source Movement’ Pad, the possibilities truly are endless.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg alt=\"Supporting image for Aleatoric\" src=\"https:\/\/www.lootaudio.com\/_media\/images\/loot\/Ergo%20Kukke\/AMM\/4-filter.png\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch4\u003e \u003c\/h4\u003e\n\u003ch4\u003e‘Edit Modulation’ Menu\u003c\/h4\u003e\n\u003cp\u003eThe inclusion of four LFO modules, utilised for modulating the plethora of parameters available in AMM, alongside four Envelope units, makes for incredible management over the dynamic character of your sound. It’s hard to imagine a soundscape that you couldn’t craft when making use of these impressive tools.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg alt=\"Supporting image for Aleatoric\" src=\"https:\/\/www.lootaudio.com\/_media\/images\/loot\/Ergo%20Kukke\/AMM\/5-mod.png\" width=\"690\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch4\u003e \u003c\/h4\u003e\n\u003ch4\u003eNine Included Effects Units\u003c\/h4\u003e\n\u003cp\u003eThe handy built-in effects units can be used to further enhance your sonic masterpiece. Whether it be delay, helping to thicken your atmospheric sounds, or with chorus, to aid in developing retro-sounding spatial voicing to your output, these sonic supplements are easily dependable.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg alt=\"Supporting image for Aleatoric\" src=\"https:\/\/www.lootaudio.com\/_media\/images\/loot\/Ergo%20Kukke\/AMM\/6-effects.png\" width=\"690\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch4\u003e \u003c\/h4\u003e\n\u003ch4\u003e‘Edit Randomise’ Page\u003c\/h4\u003e\n\u003cp\u003eOften, making use of a randomisation algorithm can spark inspiration by crafting notably particular sounds. A common disadvantage of such algorithms, however, is that not all values are always intended to be changed. AMM elegantly solves this issue by incorporating a randomisation properties toggle menu. Overall, this grants for additional flexibility, by permitting for control over which sets of parameters are to be affected.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg alt=\"Supporting image for Aleatoric\" src=\"https:\/\/www.lootaudio.com\/_media\/images\/loot\/Ergo%20Kukke\/AMM\/7-random.png\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Ergo Kukke","offers":[{"title":"Default Title","offer_id":54332816687388,"sku":"Aleatoric","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/ergokukkealeatoric.jpg?v=1784615936"},{"product_id":"ergo-kukke-aleatoric-rhythms","title":"Ergo Kukke Aleatoric Rhythms Kontakt Library","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/ergokukkealeatoricrhythms.jpg?v=1784615936\" width=\"690\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eAleatoric Rhythms\u003c\/h1\u003e\n\u003ch4 style=\"text-align: center;\"\u003eCinematic Rhythmic Pulses for Kontakt\u003c\/h4\u003e\n\u003cp style=\"text-align: center;\"\u003eKontakt Version Required:\u003cbr\u003e6.5.2 Full Version (Not for Kontakt Player)\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eAleatoric Rhythms is a bold new instrument that uses sounds from synthesizers and real life recordings. Sounds vary from nasty bass riffs to sneaky and immersive percussion loops. Recorded with a portable studio microphone, the sounds were captured in real environments – the exact environments, sometimes clever and sometimes nasty, that the loops want to portray. The sounds dear to be different and are meant to give immediate inspiration together with their powerful engine. This ensures that you will stand out from the crowd and immerse listeners into your work.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe Aleatoric Rhythms engine is easy to use, but can give rich and complex outcomes. Aleatoric Rhythms contains four individually adjustable sample sources, each housing an abundance of fully modulatable parameters. The ‘Source Movement’ \u0026amp; ‘Filter Movement’ manipulation pads makes your score come alive and move with the picture.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eFor more creative options, the single loops are made available for you to use in your DAW. These wave files are also categorised and named to carry all relevant information about key, bpm and length.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eCompatible with KONTAKT Full version: 6.5.2\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003cdiv\u003e\n\u003ch1 style=\"text-align: center;\"\u003eKey Features\u003c\/h1\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003eFour Sample Sources, each being allocated one of 200 different samples.\u003c\/li\u003e\n\u003cli\u003e80 Thematic Categorized Snapshots\u003c\/li\u003e\n\u003cli\u003eIndependent 3-band EQ, Envelope \u0026amp; Filter Parameters, for each source\u003c\/li\u003e\n\u003cli\u003ePitch Shifting Controls, for shifting +\/- 36 semitones\u003c\/li\u003e\n\u003cli\u003eSource-Specific Panning Controls\u003c\/li\u003e\n\u003cli\u003eSample Selection Randomisation\u003c\/li\u003e\n\u003cli\u003e‘Source Movement’ Manipulation Pad, controlling the Gain Distribution Ratio\u003c\/li\u003e\n\u003cli\u003e‘Filter Movement’ Manipulation Pad, controlling Filter Cutoff \u0026amp; Resonance on either all sources, or per-source\u003c\/li\u003e\n\u003cli\u003e‘Horizontal’, ‘Vertical’ \u0026amp; ‘Circular’ Modulation Units, for both Manipulation Pads\u003c\/li\u003e\n\u003cli\u003e‘Edit Modulation’ Menu, containing 4 LFO Modules, for modulating any source parameter, alongside 4 Envelope Modules, for controlling the dynamics of multiple different source parameters\u003c\/li\u003e\n\u003cli\u003e‘Edit Effects’ Menu, featuring 9 different Effects Modules; Chorus, Distortion, Lo-Fi (Bitcrusher), Replika Delay, Spatial (Stereo Field Enhancer), Filter, Phasis (Phaser), Convolution (Reverb) \u0026amp; Flair (Tuned, Harmonics-Enhancing Flanger)\u003c\/li\u003e\n\u003cli\u003e‘Edit Randomise’ Page, housing toggles for the randomisation of multiple sets of parameters\u003c\/li\u003e\n\u003cli\u003eBest performance is around 115bpm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch2\u003e\u003cimg alt=\"logo\" src=\"https:\/\/www.lootaudio.com\/_assets\/core-images\/icons\/products\/Kontakt_Full_Active.png?v2\"\u003e\u003c\/h2\u003e\n\u003ch2\u003e \u003c\/h2\u003e\n\u003ch2\u003eThis product is compatible with Kontakt Full V6.5.2 or later\u003c\/h2\u003e\n\u003cp\u003eKontakt Version Required:\u003cbr\u003e6.5.2 Full Version (Not for Kontakt Player) - \u003ca title=\"learn more\" data-video=\"sbcNSflh3XY\"\u003elearn more\u003c\/a\u003e\u003cbr\u003eProduct Version: 1\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch2 style=\"text-align: center;\"\u003eOverview\u003c\/h2\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch4\u003e \u003c\/h4\u003e\n\u003ch4\u003eIncluded Samples \u0026amp; Snapshots\u003c\/h4\u003e\n\u003cp\u003eThe 200 included samples range from classic tonal beats, to gritty bass, ambient layers \u0026amp; snappy percussion loops, and everything in between. Consequently, Aleatoric Rhythms was designed for cinematic material, but can be used as an expressive layer in most genres of music. Whether you’re looking for a simple layer to make your cue come to life or a more complex and thematic feel for your track, Aleatoric Rhythms will make your job easier.\u003c\/p\u003e\n\u003cp\u003eThe best of what Aleatoric Rhythms has to offer is available for auditioning right out of the box; with the 80 categorized Snapshots. They are handily divided into ‘Action’, ‘Tensed’, ‘Sneaky’ \u0026amp; ‘Freaky’ subgroups for exceptionally efficient location of track-appropriate sounds. Each snapshot is easily adaptable, making it simple to modify into the perfect sound.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg alt=\"Supporting image for Aleatoric Rhythms\" src=\"https:\/\/www.lootaudio.com\/_media\/images\/loot\/Ergo%20Kukke\/Aleatoric%20Rhythms\/aleatoric-snapshots.png\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch4\u003e \u003c\/h4\u003e\n\u003ch4\u003eFour Flexible Sample Sources\u003c\/h4\u003e\n\u003cp\u003eThe four sound sources allow you to layer sounds from \"Bass'', \"Drum Loops'', \"FX\", \"Layers'', \"Melodics\" and \"Percussion\". Together they will produce an inspiring starter or a progressive continuation to your music.\u003c\/p\u003e\n\u003cp\u003eThe controls on each sound source allow you to tailor the sound to your project's needs, thus making them extremely effective. These include EQ, Envelope \u0026amp; Filter to mix your sounds and make them unique.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg alt=\"Supporting image for Aleatoric Rhythms\" src=\"https:\/\/www.lootaudio.com\/_media\/images\/loot\/Ergo%20Kukke\/Aleatoric%20Rhythms\/aleatoric-sources.png\" width=\"690\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch4\u003e \u003c\/h4\u003e\n\u003ch4\u003eSource Movement Manipulation Pad\u003c\/h4\u003e\n\u003cp\u003eOne of Aleatoric Rhythms most defining features, the ‘Source Movement’ Manipulation Pad permits for unrivalled control over the four sound source gain dynamics. Continually shifting the focus of your rhythmic layers, the produced sound will start to breathe together with the characters on screen or the crowd watching. You can easily change how the sounds mix with each other with the onboard controls and tailor the result to your specific needs.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg alt=\"Supporting image for Aleatoric Rhythms\" src=\"https:\/\/www.lootaudio.com\/_media\/images\/loot\/Ergo%20Kukke\/Aleatoric%20Rhythms\/aleatoric-sources-pad.png\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch4\u003e \u003c\/h4\u003e\n\u003ch4\u003eFilter Movement Manipulation Pad\u003c\/h4\u003e\n\u003cp\u003eBy allowing for the modulation of the filter cutoff frequency and resonance of each audio source independently, ultimate control over the timbre of each layer is now possible. This control over tonal dynamics massively increases possible sound outcomes for interesting and unique sound. When combined with the already impressive freedom of the ‘Source Movement’ Pad, the possibilities truly are infinite.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg alt=\"Supporting image for Aleatoric Rhythms\" src=\"https:\/\/www.lootaudio.com\/_media\/images\/loot\/Ergo%20Kukke\/Aleatoric%20Rhythms\/aleatoric-filters-pad.png\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch4\u003e \u003c\/h4\u003e\n\u003ch4\u003eEdit Modulation Menu\u003c\/h4\u003e\n\u003cp\u003eLike \"Trails\" and \"AMM\" Aleatoric Rhythms has four LFO's and four ADSR Envelopes with various Sound Source parameters to choose from. Whether you want control in your hands of how the sound moves and behaves or you want to be surprised by the Randomise function, these tools are there to add dynamic character to your sounds.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg alt=\"Supporting image for Aleatoric Rhythms\" src=\"https:\/\/www.lootaudio.com\/_media\/images\/loot\/Ergo%20Kukke\/Aleatoric%20Rhythms\/aleatoric-mod.png\" width=\"690\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch4\u003e \u003c\/h4\u003e\n\u003ch4\u003eNine Included Effects Units\u003c\/h4\u003e\n\u003cp\u003eThe nine built-in effects can be used to further mix the sounds or add crazy flavours. Whether you want to thicken up the sound, add distortions or widen your sound, these effects are extremely useful tools at your service.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg alt=\"Supporting image for Aleatoric Rhythms\" src=\"https:\/\/www.lootaudio.com\/_media\/images\/loot\/Ergo%20Kukke\/Aleatoric%20Rhythms\/aleatoric-effects.png\" width=\"690\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch4\u003e \u003c\/h4\u003e\n\u003ch4\u003eEdit Randomise Page\u003c\/h4\u003e\n\u003cp\u003eRandomisation can spark infinite ideas and get a new track started, so we made sure that the randomising engine changes parameters and values that make the most inspirational sense. The randomisation menu puts control in your hands, so you can choose what you would like to change on a sound.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg alt=\"Supporting image for Aleatoric Rhythms\" src=\"https:\/\/www.lootaudio.com\/_media\/images\/loot\/Ergo%20Kukke\/Aleatoric%20Rhythms\/aleatoric-random.png\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Ergo Kukke","offers":[{"title":"Default Title","offer_id":54332816720156,"sku":"aleatoricrhythms","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/ergokukkealeatoricrhythms.jpg?v=1784615936"},{"product_id":"ergo-kukke-aleatoric-keys","title":"Ergo Kukke Aleatoric Keys Kontakt Library","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/ergokukkealeatorickeys.jpg?v=1784615938\" width=\"690\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eAleatoric Keys\u003c\/h1\u003e\n\u003ch4 style=\"text-align: center;\"\u003eOver 14GB of Samples In A Powerful Sound Design Engine\u003c\/h4\u003e\n\u003cp style=\"text-align: center;\"\u003eKontakt Version Required:\u003cbr\u003e6.7 Full Version (Not for Kontakt Player)\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eAleatoric Keys is an inspirational tool for producers covering a vast variety of genres.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eAleatoric Keys uses sounds from synthesizers and real life recordings and seamlessly morphs them together to form a new era of inspiring sounds. Sound categories include bass, keys \u0026amp; strings, synths, pads and FX, but the individual sounds cover most categories from natural wind instruments to synthesized brass. Having the modern producer in mind, Aleatoric Keys is meant to be the workhorse tool for that \"nasty lead\" or the \"mass\" layer for EDM lead synth or pads. Now you can save time to get that unique sound and no more programming of trance leads or pads. Our powerful engine allows you to have a full sound quicker than using regular workflow or you can let it generate some quick and unique ideas using the \"randomise\" tool. With the sound of Aleatoric Keys you will stand out, which is massively important in the modern world.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe Aleatoric Keys engine is easy to use, but can give rich and complex outcomes. Aleatoric Keys contains four individually adjustable sample sources, each housing an abundance of fully modulatable parameters. The \"Source Movement\" \u0026amp; \"Filter Movement\" manipulation pads make your score or come alive and move with the picture.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eAleatoric Keys is a tool only utilizing new sounds that you cannot get anywhere else. Many natural sounds come from synthesized sources and emulate classical instruments, but also, many natural sounds turn into synthesizers.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eTo make your life easier, many individual sounds come in premixed, so that you can save time making them unique to your mix.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e14GB of Samples and Content\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eCompatible with KONTAKT Full version: 6.7\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003cdiv\u003e\n\u003ch1 style=\"text-align: center;\"\u003eKey Features\u003c\/h1\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003eFour Sample Sources, each being allocated one of 160 instruments and versions\u003c\/li\u003e\n\u003cli\u003eMultisampled, Multi Velocity level, Articulated and Oneshot instruments\u003c\/li\u003e\n\u003cli\u003e112 Thematic Categorized Snapshots\u003c\/li\u003e\n\u003cli\u003eIndependent 3-band EQ, Envelope \u0026amp; Filter Parameters, for each source\u003c\/li\u003e\n\u003cli\u003ePitch Shifting Controls, for shifting +\/- 36 semitones\u003c\/li\u003e\n\u003cli\u003eSource-Specific Panning Controls\u003c\/li\u003e\n\u003cli\u003eSample Selection Randomisation\u003c\/li\u003e\n\u003cli\u003eSource Movement Manipulation Pad, controlling the Gain Distribution Ratio\u003c\/li\u003e\n\u003cli\u003eFilter Movement Manipulation Pad, controlling Filter Cutoff \u0026amp; Resonance on either all sources, or per-source\u003c\/li\u003e\n\u003cli\u003e\"Horizontal\", \"Vertical\" \u0026amp; \"Circular\" Modulation Units, for both Manipulation Pads\u003c\/li\u003e\n\u003cli\u003e\"Edit Modulation\" Menu, containing 4 LFO Modules, for modulating any source parameter, alongside 4 Envelope Modules, for controlling the dynamics of multiple different source parameters\u003c\/li\u003e\n\u003cli\u003e\"Edit Effects\" Menu, featuring 9 different Effects Modules; Chorus, Distortion, Lo-Fi (Bitcrusher), Replika Delay, Spatial (Stereo Field Enhancer), Filter, Phasis (Phaser), Convolution (Reverb) \u0026amp; Flair (Tuned, Harmonics-Enhancing Flanger)\u003c\/li\u003e\n\u003cli\u003e\"Edit Randomise\" Page, housing toggles for the randomisation of multiple sets of parameters\u003c\/li\u003e\n\u003cli\u003eFull version of Kontakt 6.7+ required. Not for Kontakt Player\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch2\u003e\u003cimg alt=\"logo\" src=\"https:\/\/www.lootaudio.com\/_assets\/core-images\/icons\/products\/Kontakt_Full_Active.png?v2\"\u003e\u003c\/h2\u003e\n\u003ch2\u003e \u003c\/h2\u003e\n\u003ch2\u003eThis product is compatible with Kontakt Full V6.7 or later\u003c\/h2\u003e\n\u003cp\u003eKontakt Version Required:\u003cbr\u003e6.7 Full Version (Not for Kontakt Player) - \u003ca title=\"learn more\" data-video=\"sbcNSflh3XY\"\u003elearn more\u003c\/a\u003e\u003cbr\u003eProduct Version: 1\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch2 style=\"text-align: center;\"\u003eOverview\u003c\/h2\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch4\u003e \u003c\/h4\u003e\n\u003ch4\u003eIncluded Samples \u0026amp; Snapshots\u003c\/h4\u003e\n\u003cp\u003eThe 160 included instruments range from reinnovated classid EPianos, to gritty bass, ambient pads and soundscapes, EDM and re-envisioned classic synths, Winds and FX. Consequently, Aleatoric Keys were designed for cinematic material, but can be used as an expressive layer in most genres of music. Make your cue or soundtrack unique or add layers of juicy synths with Aleatoric Keys.\u003c\/p\u003e\n\u003cp\u003eThe best of what Aleatoric Keys has to offer is available for auditioning right out of the box; with the 112 categorized Snapshots. They are handily divided into \"Bass\", \"Keys \u0026amp; Strings\", \"Pads\", \"Synths\" \u0026amp; \"FX\" subgroups for exceptionally efficient sound spectrum fillment. Each snapshot is easily adaptable, making it simple to modify into the perfect sound.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg alt=\"Supporting image for Aleatoric Keys\" src=\"https:\/\/admin.lootaudio.com\/_media\/images\/loot\/Ergo%20Kukke\/aleatoric-keys\/snapshots.png\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch4\u003e \u003c\/h4\u003e\n\u003ch4\u003eFour Flexible Sample Sources\u003c\/h4\u003e\n\u003cp\u003eThe four sound sources allow you to layer sounds from \"Bass'', \"FX'', \"Keys\", \"Leads'', \"Natural\", \"Pad\", \"Winds\" \u0026amp; \"Xtra\". Together they will produce an inspiring starter or a progressive continuation to your music.\u003c\/p\u003e\n\u003cp\u003eThe controls on each sound source allow you to tailor the sound to your project's needs, thus making them extremely effective. These include EQ, Envelope \u0026amp; Filter to mix your sounds and make them unique.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg alt=\"Supporting image for Aleatoric Keys\" src=\"https:\/\/admin.lootaudio.com\/_media\/images\/loot\/Ergo%20Kukke\/aleatoric-keys\/sources.png\" width=\"690\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch4\u003e \u003c\/h4\u003e\n\u003ch4\u003eSource Movement’ Manipulation Pad\u003c\/h4\u003e\n\u003cp\u003eOne of Aleatoric Keys most defining features, the \"Source Movement\" Manipulation Pad permits for unrivalled control over the four sound source gain dynamics. Continually shifting the focus of your key or pad layers, the produced sound will come to life and tell a story for characters on the screen. You can easily change how the sounds mix with each other with the onboard controls and tailor the result to your specific needs.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg alt=\"Supporting image for Aleatoric Keys\" src=\"https:\/\/admin.lootaudio.com\/_media\/images\/loot\/Ergo%20Kukke\/AMM\/3-source.png\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch4\u003e \u003c\/h4\u003e\n\u003ch4\u003eFilter Movement’ Manipulation Pad\u003c\/h4\u003e\n\u003cp\u003eBy allowing for the modulation of the filter cutoff frequency and resonance of each audio source independently, ultimate control over the timbre of each layer is now possible. This control over tonal dynamics massively increases possible sound outcomes for interesting and unique sound. When combined with the already impressive freedom of the \"Source Movement\" Pad, the possibilities truly are infinite.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg alt=\"Supporting image for Aleatoric Keys\" src=\"https:\/\/admin.lootaudio.com\/_media\/images\/loot\/Ergo%20Kukke\/AMM\/4-filter.png\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch4\u003e \u003c\/h4\u003e\n\u003ch4\u003eEdit Modulation’ Menu\u003c\/h4\u003e\n\u003cp\u003eLike \"Trails\" and \"AMM\" Aleatoric Keys has four LFO's and four ADSR Envelopes with various Sound Source parameters to choose from. Whether you want control in your hands of how the sound moves and behaves or you want to be surprised by the Randomise function, these tools are there to add dynamic character to your sounds.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg alt=\"Supporting image for Aleatoric Keys\" src=\"https:\/\/admin.lootaudio.com\/_media\/images\/loot\/Ergo%20Kukke\/aleatoric-keys\/mod.png\" width=\"690\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch4\u003e \u003c\/h4\u003e\n\u003ch4\u003eNine Included Effects Units\u003c\/h4\u003e\n\u003cp\u003eThe nine built-in effects can be used to further mix the sounds or add crazy flavours. Whether you want to thicken up the sound, add distortions or widen your sound, these effects are extremely useful tools at your service.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg alt=\"Supporting image for Aleatoric Keys\" src=\"https:\/\/admin.lootaudio.com\/_media\/images\/loot\/Ergo%20Kukke\/aleatoric-keys\/effects.png\" width=\"690\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch4\u003e \u003c\/h4\u003e\n\u003ch4\u003eEdit Randomise’ Page\u003c\/h4\u003e\n\u003cp\u003eRandomisation can spark infinite ideas and get a new track started, so we made sure that the randomising engine changes parameters and values that make the most inspirational sense. The randomisation menu puts control in your hands, so you can choose what you would like to change on a sound.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg alt=\"Supporting image for Aleatoric Keys\" src=\"https:\/\/admin.lootaudio.com\/_media\/images\/loot\/Ergo%20Kukke\/aleatoric-keys\/rand.png\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Ergo Kukke","offers":[{"title":"Default Title","offer_id":54332816752924,"sku":"AleatoricKeys","price":24.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/ergokukkealeatorickeys.jpg?v=1784615938"},{"product_id":"ergo-kukke-trails","title":"Ergo Kukke Trails Kontakt Library","description":"\u003cp style=\"text-align: center;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/ergokukketrails.jpg?v=1784615941\" width=\"690\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eTrails\u003c\/h1\u003e\n\u003ch4 style=\"text-align: center;\"\u003eVisionary Cinematic Library\u003c\/h4\u003e\n\u003cp style=\"text-align: center;\"\u003eKontakt Version Required:\u003cbr\u003e5.8.1 Full Version (Not for Kontakt Player)\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eTrails is a huge custom made collection of intense, dark and sometimes beautiful trailer sound effects, featuring the expert sound design skills of Ergo Kukke.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eTrails contains thousands of brand new designed sounds, from processed atmospherics and synthetic-based haunting risers, to fully host-synchronized patterns and pulses, to dark and dangerous impacts and boomers.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eEach of the 5 carefully categorized banks contains a massive selection of expertly designed sounds, selected to both enhance existing pieces as well as to inspire brand new tracks.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eTrails includes our innovative Motion User Interface with a variety of useful controls, including a full suit of effects, 4 Voice Playback, Sample Start Offset Control and Full Randomization – all accessible from the main interface. You can also go much deeper and control everything from Filters, a 3 Band EQ, Stereo Delay, Bit Crusher, Distortion, Convolution Reverb and of course our powerful automated Motion XY pad.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eTrails sets a new benchmark with the most modern, creative, impactful and atmospheric cinematic collection of sounds available today.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eTrails contains hundreds of snapshot presets. Each preset has been built from the ground up to function as its own performance. For example, in the Atmos category you can hold down a key and the sounds will continue and evolve indefinitely, dial in the Motion XY pad control and apply your own automation to make the sound even more dynamic and ever-changing.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eBuilt from the ground up, this collection of instruments offers you all the necessary tools to perfect the art and workflow of creating truly epic cinematic scores. We made sure to include all the sound categories any composer or sound designer would need, such as a wealth of Deep Impacts and Hits, futuristic Effects and Mechanical Sounds, Risers, rich and evolving Drones and various tempo-based Rhythms to help inspire and add energy and drive into your next composition.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe advanced features included in the library are all easily accessible through the custom user-interface. Quickly adjust or automate the Attack, Release, Speed and or Filter of your chosen set of sounds, letting them perfectly fit within your track.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eTrails contains everything you need to create your next cinematic masterpiece.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eCompatible with KONTAKT Full version: 5.8.1\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003cdiv\u003e\n\u003ch1 style=\"text-align: center;\"\u003eKey Features\u003c\/h1\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003eKontakt VST \/ AU \/ AAX\u003c\/li\u003e\n\u003cli\u003e2239 Hand-crafted Samples (12GB of samples included)\u003c\/li\u003e\n\u003cli\u003eDownload size 8.8GB\u003c\/li\u003e\n\u003cli\u003e276 Snapshots. Each snapshot is a custom performance\u003c\/li\u003e\n\u003cli\u003eAll new banks of epic cinematic sounds split into 5 categories: Atmospheres | FX | Menus | Oneshots | Rhythmic\u003c\/li\u003e\n\u003cli\u003eWaveform Viewer\u003c\/li\u003e\n\u003cli\u003eEach Voice is fully editable\u003c\/li\u003e\n\u003cli\u003eTake the audience on a journey with intense ever-evolving atmospheres and effects\u003c\/li\u003e\n\u003cli\u003eFully Tempo synchronized Rhythms categories.\u003c\/li\u003e\n\u003cli\u003eProduct only available as a Direct Download.\u003c\/li\u003e\n\u003cli\u003eUnique Selectable animations\u003c\/li\u003e\n\u003cli\u003eFully Automatable\u003c\/li\u003e\n\u003cli\u003eMovement control for XY Pad\u003c\/li\u003e\n\u003cli\u003eFull Retail Version of Kontakt 5.8.1 (or later) Required - Not for Kontakt Player\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch2\u003e\u003cimg alt=\"logo\" src=\"https:\/\/www.lootaudio.com\/_assets\/core-images\/icons\/products\/Kontakt_Full_Active.png?v2\"\u003e\u003c\/h2\u003e\n\u003ch2\u003e \u003c\/h2\u003e\n\u003ch2\u003eThis product is compatible with Kontakt Full V5.8.1 or later\u003c\/h2\u003e\n\u003cp\u003eKontakt Version Required:\u003cbr\u003e5.8.1 Full Version (Not for Kontakt Player) - learn more\u003cbr\u003eProduct Version: 1\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eOverview\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch4\u003e \u003c\/h4\u003e\n\u003ch4\u003eMAIN PAGE\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e4 Voices\u003c\/li\u003e\n\u003cli\u003eEach Voice has independent sub-pages for Source, Envelopes, Filter and EQ\u003c\/li\u003e\n\u003cli\u003eSource Sub-page: Volume, Tuning, Pan, Stereo Width\u003c\/li\u003e\n\u003cli\u003eEnvelop Sub-page: Attack, Sustain, Delay, Release\u003c\/li\u003e\n\u003cli\u003eFilter Sub-page: Cutoff, Resonance, Type (LP2, LP4, BP2, BP4, HP2, HP4, Phaser, Notch, Formant, Vowel), Drive\u003c\/li\u003e\n\u003cli\u003eEQ Sub-page: 3 Band EQ with Freg and Gain per band.\u003c\/li\u003e\n\u003cli\u003eVelocity Sensitivity Control per Voice\u003c\/li\u003e\n\u003cli\u003eSample Start Offset Control per Voice\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg alt=\"Supporting image for Trails\" src=\"https:\/\/www.lootaudio.com\/_media\/images\/kontakthub\/images\/Ergo%20Kukke\/Main.png\" width=\"690\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch4\u003e \u003c\/h4\u003e\n\u003ch4\u003eMODULATION PAGE\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e4 LFOs - 7 Destination per LFO\u003c\/li\u003e\n\u003cli\u003e4 Envelopes- 7 Destination per Envelope\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg alt=\"Supporting image for Trails\" src=\"https:\/\/www.lootaudio.com\/_media\/images\/kontakthub\/images\/Ergo%20Kukke\/Mod.png\" width=\"690\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch4\u003e \u003c\/h4\u003e\n\u003ch4\u003eFX PAGE\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eChorus (Speed, Depth, Wet)\u003c\/li\u003e\n\u003cli\u003eDistortion (Drive, Damping)\u003c\/li\u003e\n\u003cli\u003eLo-Fi (Sample rate, Bit Crush)\u003c\/li\u003e\n\u003cli\u003eDelay (Rate, Length, Pan, Wet)\u003c\/li\u003e\n\u003cli\u003eFilter (Cutoff, Resonance, Type [LP2, LP4, BP2, BP4, HP2, HP4, Phaser, Notch, Formant, Vowel]\u003c\/li\u003e\n\u003cli\u003eSpatial (Width, Pan)\u003c\/li\u003e\n\u003cli\u003eConvolution Reverb (16 selectable impulse responses) Controls for Pre-delay, Low Pass, Hi Pass, Length, Dry and Wet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg alt=\"Supporting image for Trails\" src=\"https:\/\/www.lootaudio.com\/_media\/images\/kontakthub\/images\/Ergo%20Kukke\/FX.png\" width=\"690\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch4\u003e \u003c\/h4\u003e\n\u003ch4\u003eMOVEMENT PAGE\u003c\/h4\u003e\n\u003cp\u003eBuild your own transitions using the highly flexible XY Movement Page.\u003c\/p\u003e\n\u003cp\u003eSet the Horizontal and Vertical speed, depth and smoothness. Sync with your DAW or leave unsynced. Retrigger mode re-starts the movement each time a new key is pressed.\u003c\/p\u003e\n\u003cp\u003eCircular Mode cannot be active at the same time as Horizontal or Vertical. Clockwise or Anti-clockwise directions can be chosen.\u003c\/p\u003e\n\u003cp\u003eUse the smoothness control to make the transition between point smooth or instant (or anywhere in between). Eg, setting the smoothness control to its minimal value will cause it to jump from point a to point B instantly (created quick rhythmic effects)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg alt=\"Supporting image for Trails\" src=\"https:\/\/www.lootaudio.com\/_media\/images\/kontakthub\/images\/Ergo%20Kukke\/Movement.png\" width=\"690\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eCATEGORIES\u003c\/h1\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAtmos Category contains 396 selectable voices\u003c\/p\u003e\n\u003cp\u003eFX Category contains 392 selectable voices\u003c\/p\u003e\n\u003cp\u003eOneshots Category contains 289 selectable voices\u003c\/p\u003e\n\u003cp\u003eRhythmic Category contains 217 selectable voices\u003c\/p\u003e\n\u003cp\u003eMenus Category contains 11 selectable voices (each voice has samples mapped to individual keys giving you a total of 561 unique samples to use). ‘Menus’ is a little different from the other categories. ‘Menus’ allows you to access sounds derived from 11 sub-categories with sounds mapped across individual keys. This allows you to find just the right sound quickly without having to navigate through all 516 included samples.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eFEATURING TRAILS\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eTrails was used during the production of the superb 'Tura' album by Robert Jung.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e''A great tool during the production of these soundscapes was a sample library, called “Trails”. This KONTAKT-library allows me to easily sculpt an atmospheric sound with a vector-based interface and add effects and movements to it through programmable settings. It was very inspiring to use and to just add that final “dab of sauce” to the overall track. I also found the name “Trails” very fitting to the musical world I was working on.''\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe Tracks I used it on: Cove, Pisik, Euxoa and Volná\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Ergo Kukke","offers":[{"title":"Default Title","offer_id":54332816851228,"sku":"trails","price":74.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/ergokukketrails.jpg?v=1784615941"},{"product_id":"soundiron-olympus-choir-elements","title":"Soundiron Olympus Choir Elements","description":"\u003cdiv id=\"about\"\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg height=\"420\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/true_legato.jpg?v=1784696964\" width=\"632\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eOlympus Elements is a powerful choral instrument for Native Instruments Kontakt Player, Komplete Kontrol and S-Series Keyboards that puts the core functionality and raw sonic power of our massive 63-voice Olympus Symphonic Choir into a compact and easy-to-use interface, with rich features, dynamic playability and brilliant acoustics. This Powered-By-Kontakt library is designed for everyone, whether you're just beginning your musical career or are a seasoned professional. If you want a glorious sounding, efficient and user-friendly choir without sophisticated lyrical phrasing or solo content, this is the virtual instrument you've been waiting for.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eOlympus Elements contains the wide close stage blend microphone position for all 8 core vowel articulations: Ah, Ee, Eh, Ei, Ih, Mm, Oh and Oo. The choir is completely configurable, with independent control over male and female divisi sections. You'll find sustains, staccatos and marcatos, with pp-ff dynamic layering and intelligent round robin. This choir packs a massive forte punch and velvety smooth piano dynamics, giving you complete expressive control and creative freedom. We also bring you our newly upgraded true ah \u0026amp; oo legato sustains, with up to 6-part polyphonic harmony and fluid interval shaping. The library also features a wide variety of classic choral effects, swells, sweeps, shouts, whispers and more. Each preset comes with an array of fine performance controls, EQ, 50 custom convolution environmental and fx reverbs to choose from. And of course, we've included our signature hand-crafted choral atmospheres, pads and evolving soundscapes to open up more creative possibilities.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp align=\"center\" style=\"text-align: center;\"\u003e\u003cimg alt=\"This is a Powered By Kontakt Player library. It can be used in the free Kontakt Player or the full version of Kontakt. It can be added to the Libraries browser. It requires online serial number activation through Native Instruments\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0371\/2865\/files\/Icon_KontaktPlayer.png?404104693253705365\" title=\"This is a Powered By Kontakt Player library. It can be used in the free Kontakt Player or the full version of Kontakt. It can be added to the Libraries browser. It requires online serial number activation through Native Instruments\" width=\"19%\"\u003e \u003cimg alt=\"This library is encoded in the NKS format to provided compatibility with all Komplete Kontrol software and hardware by Native Instruments\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0371\/2865\/files\/Icon_NKS.png?11418751195084457166\" title=\"This library is encoded in the NKS format to provided compatibility with all Komplete Kontrol software and hardware by Native Instruments\" width=\"19%\"\u003e \u003cimg alt=\"Mac users: The Kontakt presets in this library require OSX 10.10 or later\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0371\/2865\/files\/Icon_OS_OSX_10.9.png\" title=\"Mac users: The Kontakt presets in this library require OSX 10.10 or later\" width=\"19%\"\u003e \u003cimg alt=\"PC users: The Kontakt presets in this library require Windows 7 or later\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0371\/2865\/files\/Icon_OS_Windows.png\" title=\"PC users: The Kontakt presets in this library require Windows 7 or later\" width=\"19%\"\u003e \u003cimg alt=\"The samples in this library are losslessly compressed 24 bit 48 kHz NCW files. They can only be played by Kontakt or Kontakt Player.\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0371\/2865\/files\/Icon_Format_NCW_2448.png?404104693253705365\" title=\"The samples in this library are losslessly compressed 24 bit 48 kHz NCW files. They can only be played by Kontakt or Kontakt Player.\" width=\"19%\"\u003e\u003c\/p\u003e\n\u003cdiv id=\"contents\" style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch2\u003e \u003c\/h2\u003e\n\u003ch2\u003eCONTENTS\u003c\/h2\u003e\n\u003cdiv\u003e\n\u003cp\u003eOlympus Elements features a fully automatable custom user interface that allows for full control over sound shaping and performance. You'll have full control over Swell, Attack, Release Time, Release Volume, Sample Start Offset and Panning for each choral section. Section note ranges are fully configurable, and keyswitches are available to quickly select between all the available articulations for each layer.\u003c\/p\u003e\n\u003cp\u003eEvery preset has access to over 50 integrated convolution reverb impulses and full 3-band Equalizer. Many presets also have an optional vibrato feature to simulate molto forte. We also offer our exclusive flexible legato system for up to 6-part polyphonic harmony (3 per section), with full interval range, speed and intensity control. Our Vowelmaster preset is the all-in-one solution, providing live sustain and staccato switching for any vowel for each section, with layer blending and stacking, dynamic shaping and total performance control. Elements also includes the latest version of our Phrasemaster, which gives you the power to sequence up to 16 different complex 16-step sustain\/staccato phrases, using your choice of GUI, CC automation and keyswitch control. You can even assign each step to just the men, women or the full choir. The Phrasemaster is key-switch configurable and you can save and load your own custom phrases.\u003c\/p\u003e\n\u003chr width=\"100%\"\u003e\n\u003cul\u003e\n\u003cli\u003eFull Men's and Women's divisi sections, with freely adjustable note ranges\u003c\/li\u003e\n\u003cli\u003eAll 8 major vowel sustains w\/releases -- Ah, Ee, Eh, Ei, Ih, Mm, Oh and Oo -- available in both soft pp and forceful ff dynamics.\u003c\/li\u003e\n\u003cli\u003eAll 8 major vowel staccatos and marcatos: Ah, Ee, Eh, Ei, Ih, Mm, Oh and Oo with shaping and time-stretching options.\u003c\/li\u003e\n\u003cli\u003eAdvanced, configurable simulated legato for all vowel sustains.\u003c\/li\u003e\n\u003cli\u003eTrue Divisi Legato for core Ah and Oo vowels, with fluid real-time pp-ff dynamic and vowel morphing.\u003c\/li\u003e\n\u003cli\u003eAll legato features adjustable interval speed, range, polyphony and intensity.\u003c\/li\u003e\n\u003cli\u003eLarge selection of vowel-based Choral FX from whispers to drones and clusters, with tuning, shaping and time-stretching options.\u003c\/li\u003e\n\u003cli\u003eVowelmaster preset gives quick access to both sustaining and staccato articulations for all vowels.\u003c\/li\u003e\n\u003cli\u003ePhrasemaster preset allows up to 16 user-sequenced patterns with 16 steps each - supports live sustain\/staccato and men\/women\/ensemble switching for each step!\u003c\/li\u003e\n\u003cli\u003eOffset, Attack \u0026amp; Release controls let you shape your own syllables, sustains and phrases\u003c\/li\u003e\n\u003cli\u003eSwell and Blend controls allow real-time dynamic performance shaping and morphing.\u003c\/li\u003e\n\u003cli\u003eRelease time and volume controls, to shape release accents and natural room decay.\u003c\/li\u003e\n\u003cli\u003eIndependent Pan controls for each divisi section.\u003c\/li\u003e\n\u003cli\u003eBonus Special FX presets for creating atmospheric pads and soundscapes.\u003c\/li\u003e\n\u003cli\u003eOver 50 custom reverb impulses, including Halls, Cathedrals, Churches, Studios, Bunkers, Garages, Special FX and more.\u003c\/li\u003e\n\u003cli\u003eEnsemble and Divisi Preset types with independent controls for each section, with dual layer blending, crossfading and vowel morphing.\u003c\/li\u003e\n\u003cli\u003e12 Bonus Atmospheric and Custom FX instrument presets.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"kontakt\" style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003ch2\u003e \u003c\/h2\u003e\n\u003ch2\u003eMADE FOR KONTAKT PLAYER\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cimg border=\"0\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0371\/2865\/files\/Player_NKS_Sticker_Combo.png?4247422523135284707\" title=\"The latest version of the free Kontakt Player or the full version of Kontakt 5.5.1 or later is required to use the nki files in this library.\" width=\"340\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis library has been licensed for use in the free Kontakt Player virtual instrument engine. It can be used in Kontakt Player or the full retail version of Kontakt (version 5.5.1 or later) for VST, AU or AAX instrument plugin formats. You can add this product to the Kontakt “Libraries” browser. It requires online serial number registration through the Native Instruments Service Center app. This library is also fully compatible with Komplete Kontrol and all S-Series Keyboard Controllers by Native Instruments. Purchasing this library qualifies you for a great cross-grade discount toward the full unlocked version of Kontakt through Native Instruments!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"spec\"\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eProduct Specs\u003c\/h1\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003eProduct Version 1.5\u003c\/li\u003e\n\u003cli\u003e3,058 Samples\u003c\/li\u003e\n\u003cli\u003e2.51 GB installed\u003c\/li\u003e\n\u003cli\u003e53 nki Kontakt instrument presets\u003c\/li\u003e\n\u003cli\u003e24 bit \/ 48kHz lossless NCW format samples\u003c\/li\u003e\n\u003cli\u003eWorks with the free Kontakt Player and Library browser\u003c\/li\u003e\n\u003cli\u003eCompatible with Komplete Kontrol and all S-Series Keyboards by Native Instruments\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eSystem Requirements\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eThis Powered-By-Kontakt Player Edition is supported by Kontakt Player version 5.5.1 or later and can be added to the special “Libraries” rack. Windows 7 or higher required for PC. OSX 10.9 or higher required for Mac. Dual Core CPU, 2 GB System Ram, SATA or SSD hard drive recommended for best results. This software is delivered as a digital download, so a broadband connection is required.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ciframe width=\"690\" height=\"388\" src=\"https:\/\/www.youtube.com\/embed\/rY_5eQTnw8U\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Soundiron","offers":[{"title":"Default Title","offer_id":54332816883996,"sku":"olympuschoirelements","price":59.4,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/olympus_choir_micro_packshot.jpg?v=1784615941"}],"url":"https:\/\/jrrshop-3235.myshopify.com\/collections\/computer-software-sound-libraries-native-instruments-kontakt.oembed?page=10","provider":"jrrshop","version":"1.0","type":"link"}