{"title":"Computer Hardware\/Audio Interfaces\/External Interfaces","description":"\u003cp\u003eComputer Hardware\/Audio Interfaces\/External Interfaces\u003c\/p\u003e","products":[{"product_id":"auroran16dnt","title":"Lynx Aurora(n) 16 DNT Converter Interface","description":"\u003ch1 style=\"text-align: center;\"\u003e\u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003e\u003cimg height=\"150\" src=\"https:\/\/www.jrrshop.com\/media\/catalog\/product\/l\/y\/lynx-aurora-n-1-jrr-edit_7.jpg\" width=\"690\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eKey features\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e8, 16, 24, and 32 channel versions - each in a 1U format.\u003c\/p\u003e\n\u003cp\u003eOnboard 32-channel microSD recorder for direct recording and playback.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eUpgradable modules available now include a mic pre-amp module a digital connectivity module with optional ADAT IO and an 8 channel A\/D \u0026amp; D\/A module with more to come.\u003c\/p\u003e\n\u003cp\u003eTwo audiophile-grade headphone outs with independent volume controls.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e1-in 3-out word clock with Lynx’s second generation SynchroLock 2™ technology.\u003c\/p\u003e\n\u003cp\u003eFuture-proof LSlot design with swappable USB, Thunderbolt, ProTools®|HD and DANTE cards.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eFull Windows and OSX compatibility\u003c\/p\u003e\n\u003cp\u003eRoad-ready rack-mount reinforced chassis\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e24 Bit - 192 kHz mastering grade A\/D and D\/A conversion\u003c\/p\u003e\n\u003cp\u003eDesigned and built in Southern California, USA\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eLynx Announces Dolby Atmos Compatibility\u003c\/h1\u003e\n\u003cdiv class=\"wrap\"\u003e\n\u003cp\u003eLynx Studio Technology has announced compatibility between their acclaimed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e audio interface\/converter and Dolby Atmos, a revolutionary spatial audio technology for the most immersive sound experience. Atmos expands on existing surround sound systems by adding height channels, allowing sounds to be interpreted as three-dimensional objects with neither horizontal nor vertical limitation.\u003c\/p\u003e\n\u003cp\u003eLynx co-owner and Chief Hardware Engineer Bob Bauman states, “We’ve had many requests from audio engineers who want to combine the sonic transparency of the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the tremendous creative power offered by the Atmos mixing environment. Now they can.”\u003c\/p\u003e\n\u003cp\u003eCo-owner and Chief Software Engineer David Hoatson adds, “From the start, we designed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the flexibility to offer an extraordinary path for future upgrades. Lynx customers who have loyally supported the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e platform now get rewarded with the ability to work within the exciting new realm of immersive audio.”\u003c\/p\u003e\n\u003cp\u003eThe new Dolby Atmos compatibility for the Lynx Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e will be made available via a free firmware update that will be found on the Lynx web site for all registered Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e users. The update includes a slew of new features including support for speaker configurations up to 9.1.6, 530 total room correction filters, up to 16 filters per channel (including parametric, low-pass, high-pass, and shelving), channel level and delay compensation, and comprehensive bass management with LFE channel, all of which is implemented in hardware with 64-bit floating-point accuracy. The update will also allow for perfect integration between Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e and Sonarworks sound calibration software as well as Room EQ Wizard (REW) for room acoustic measurement, loudspeaker measurement and audio device measurement. This compatibility will allow for direct import of speaker calibration parameters into Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with no manual entry required. Dolby Atmos control will also be seamlessly integrated into Lynx’ own NControl software.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eTransparency Matters\u003c\/h1\u003e\n\u003cp\u003eSignal coloration is additive and can kill an otherwise pristine mix. That’s why a colored mix begins to collapse while the transparent mix has space, definition and a level of detail that is simply unattainable with converters that add color and distortion. Lynx’s hallmark sonic transparency is why Lynx converters are being used in the most mission-critical audio applications and in the world’s finest recording facilities. Lynx converters have been specified for their uncanny ability to convert signals without adding any artifacts or color. For audio engineers and producers demanding the most pristine recordings and mixes Lynx is the converter of choice at facilities like Dolby’s new mega complex of audio research, Skywalker Sound, NPR, and the Smithsonian Institute. Lynx converters pass the most stringent tests and shoot outs to become the sought after converters for these discerning professionals. Precision matters more than ever and there is no place for even the slightest coloration or degradation of the signal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eDiscrete Converter Array\u003c\/h1\u003e\n\u003cp\u003eSome manufacturers use multiple converters on a single chip. While that is one way to fit many converter channels in a single rack space while lowering costs, it comes at a steep cost in performance. At Lynx, the analog signal path for each channel has been designed as a self-contained and shielded circuit. Each channel pair has its own dedicated conversion device. This has many sonic advantages by significantly reducing crosstalk and distortion while increasing dynamic range and performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eHilo Converter Technology (HCT)\u003c\/h1\u003e\n\u003cp\u003eDesign and technology borrowed from the development of the Hilo is used to significantly improve specifications and transparency over previous models while attaining stunning Hilo-like performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eFuture-Proof Design:\u003c\/h1\u003e\n\u003ch4\u003eConfigurable I\/O\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAdd Channels – Start with eight, sixteen or twenty four channels and later add additional groups of eight channels for up to thirty two total.\u003c\/li\u003e\n\u003cli\u003eAdd Modules – Digital I\/O, Mic Pre Amp; More are being designed now for future release.\u003c\/li\u003e\n\u003cli\u003eAdd Connection Method – Thunderbolt, DANTE, ProTools|HD or USB via LSlot Cards\u003c\/li\u003e\n\u003cli\u003eAdd Functionality – Via firmware updates. Just as we have for Hilo and Aurora we will continue to improve the Aurora(n)’s functionality and build in new feature sets.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eSynchroLock 2™\u003c\/h1\u003e\n\u003cp\u003eAll new SynchroLock 2™ high-performance sample clock technology provides a whopping 300,000:1 reduction in jitter, 5 second lock time and absolute accuracy. Word clock I\/O provides one input and three outputs on BNC connectors.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eTechnical specifications\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eAnalog Specs\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine In (includes A\/D Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐113dB @1kHz, ‐1dBFS, 20kHz filter, +20dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 119dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon mode rejection: greater than 80dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐108dB @1kHz, ‐1dBFS, 20kHz filter, +20 dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eHeadphone Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐107dB @1kHz, ‐1dBFS, 20kHz filter, volume at max\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐120dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput level: 18.4dBu maximum\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput power: 68mW @ 600Ω, 135mW @ 300Ω, 383mW @ 60Ω, 212mW @ 32Ω, 100mW @ 16Ω\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-PRE4 Preamp Module\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eMicrophone Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -111dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEIN: -129dBu A-weighted, -60dBFS method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 116dB A‐weighted, ‐60dBFS signal method @ 21.68dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency Response: +0.01 \/ -0.08dB max. Deviation over 20-20kHz band, -1dBFS @ all gain settings\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -127dB max. Adjacent channel, -1dBFS, 1kHz @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min. -1dBFS, 60Hz and 1kHz @61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 28.7dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eInput impedance: 2.1k Ohm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain Settings: 5.6dB\/13.6dB to 68.6dB in 1dB steps\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePad attenuation: 13.6dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHigh-pass Filter: 80Hz, 12 dB \/ octave\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eLine Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -113dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 119dB A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010 dB max deviation over 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -138dB max. adjacent channel, -1dBFS 1kHz @ 41.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min, -1dBFS, 60Hz and 1 kHz @ 61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain settings: Fixed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-DIG Digital I\/O Module\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eOptional LM-DIG digital I\/O module\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003e16 input and 16 output channels of 24-bit AES\/EBU\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e44.1 kHz to 192 kHz sample rate support\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTwo 25-pin female D-subs, Yamaha digital I\/O pinout\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eSoftware\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eLynx NControl for Aurora(n) USB, Thunderbolt \u0026amp; Dante models\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eFor total control of all functions and routing from your computer\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNow includes Mic Pre and micro SD record and playback control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eOther\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAdditional modules\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eDigital I\/O\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMicrophone preamp\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMore in development\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Input Connections\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Output Connectors\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eDimensions\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eDepth - 10 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eWidth - 19 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp style=\"text-align: center;\"\u003eHeight - 1.7 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003eRegistration Information\u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003eLicense\u003c\/p\u003e","brand":"Lynx","offers":[{"title":"Default Title","offer_id":53056201589020,"sku":null,"price":4539.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/lynx-aurora-n-1-jrr-edit_7.jpg?v=1758913118"},{"product_id":"auroran16hd","title":"Lynx Aurora(n) 16 HD2 Converter Interface","description":"\u003ch1 style=\"text-align: center;\"\u003e\u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003e\u003cimg height=\"150\" src=\"https:\/\/www.jrrshop.com\/media\/catalog\/product\/l\/y\/lynx-aurora-n-1-jrr-edit_7.jpg\" width=\"690\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eKey features\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e8, 16, 24, and 32 channel versions - each in a 1U format.\u003c\/p\u003e\n\u003cp\u003eOnboard 32-channel microSD recorder for direct recording and playback.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eUpgradable modules available now include a mic pre-amp module a digital connectivity module with optional ADAT IO and an 8 channel A\/D \u0026amp; D\/A module with more to come.\u003c\/p\u003e\n\u003cp\u003eTwo audiophile-grade headphone outs with independent volume controls.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e1-in 3-out word clock with Lynx’s second generation SynchroLock 2™ technology.\u003c\/p\u003e\n\u003cp\u003eFuture-proof LSlot design with swappable USB, Thunderbolt, ProTools®|HD and DANTE cards.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eFull Windows and OSX compatibility\u003c\/p\u003e\n\u003cp\u003eRoad-ready rack-mount reinforced chassis\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e24 Bit - 192 kHz mastering grade A\/D and D\/A conversion\u003c\/p\u003e\n\u003cp\u003eDesigned and built in Southern California, USA\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eLynx Announces Dolby Atmos Compatibility\u003c\/h1\u003e\n\u003cdiv class=\"wrap\"\u003e\n\u003cp\u003eLynx Studio Technology has announced compatibility between their acclaimed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e audio interface\/converter and Dolby Atmos, a revolutionary spatial audio technology for the most immersive sound experience. Atmos expands on existing surround sound systems by adding height channels, allowing sounds to be interpreted as three-dimensional objects with neither horizontal nor vertical limitation.\u003c\/p\u003e\n\u003cp\u003eLynx co-owner and Chief Hardware Engineer Bob Bauman states, “We’ve had many requests from audio engineers who want to combine the sonic transparency of the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the tremendous creative power offered by the Atmos mixing environment. Now they can.”\u003c\/p\u003e\n\u003cp\u003eCo-owner and Chief Software Engineer David Hoatson adds, “From the start, we designed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the flexibility to offer an extraordinary path for future upgrades. Lynx customers who have loyally supported the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e platform now get rewarded with the ability to work within the exciting new realm of immersive audio.”\u003c\/p\u003e\n\u003cp\u003eThe new Dolby Atmos compatibility for the Lynx Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e will be made available via a free firmware update that will be found on the Lynx web site for all registered Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e users. The update includes a slew of new features including support for speaker configurations up to 9.1.6, 530 total room correction filters, up to 16 filters per channel (including parametric, low-pass, high-pass, and shelving), channel level and delay compensation, and comprehensive bass management with LFE channel, all of which is implemented in hardware with 64-bit floating-point accuracy. The update will also allow for perfect integration between Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e and Sonarworks sound calibration software as well as Room EQ Wizard (REW) for room acoustic measurement, loudspeaker measurement and audio device measurement. This compatibility will allow for direct import of speaker calibration parameters into Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with no manual entry required. Dolby Atmos control will also be seamlessly integrated into Lynx’ own NControl software.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eTransparency Matters\u003c\/h1\u003e\n\u003cp\u003eSignal coloration is additive and can kill an otherwise pristine mix. That’s why a colored mix begins to collapse while the transparent mix has space, definition and a level of detail that is simply unattainable with converters that add color and distortion. Lynx’s hallmark sonic transparency is why Lynx converters are being used in the most mission-critical audio applications and in the world’s finest recording facilities. Lynx converters have been specified for their uncanny ability to convert signals without adding any artifacts or color. For audio engineers and producers demanding the most pristine recordings and mixes Lynx is the converter of choice at facilities like Dolby’s new mega complex of audio research, Skywalker Sound, NPR, and the Smithsonian Institute. Lynx converters pass the most stringent tests and shoot outs to become the sought after converters for these discerning professionals. Precision matters more than ever and there is no place for even the slightest coloration or degradation of the signal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eDiscrete Converter Array\u003c\/h1\u003e\n\u003cp\u003eSome manufacturers use multiple converters on a single chip. While that is one way to fit many converter channels in a single rack space while lowering costs, it comes at a steep cost in performance. At Lynx, the analog signal path for each channel has been designed as a self-contained and shielded circuit. Each channel pair has its own dedicated conversion device. This has many sonic advantages by significantly reducing crosstalk and distortion while increasing dynamic range and performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eHilo Converter Technology (HCT)\u003c\/h1\u003e\n\u003cp\u003eDesign and technology borrowed from the development of the Hilo is used to significantly improve specifications and transparency over previous models while attaining stunning Hilo-like performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eFuture-Proof Design:\u003c\/h1\u003e\n\u003ch4\u003eConfigurable I\/O\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAdd Channels – Start with eight, sixteen or twenty four channels and later add additional groups of eight channels for up to thirty two total.\u003c\/li\u003e\n\u003cli\u003eAdd Modules – Digital I\/O, Mic Pre Amp; More are being designed now for future release.\u003c\/li\u003e\n\u003cli\u003eAdd Connection Method – Thunderbolt, DANTE, ProTools|HD or USB via LSlot Cards\u003c\/li\u003e\n\u003cli\u003eAdd Functionality – Via firmware updates. Just as we have for Hilo and Aurora we will continue to improve the Aurora(n)’s functionality and build in new feature sets.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eSynchroLock 2™\u003c\/h1\u003e\n\u003cp\u003eAll new SynchroLock 2™ high-performance sample clock technology provides a whopping 300,000:1 reduction in jitter, 5 second lock time and absolute accuracy. Word clock I\/O provides one input and three outputs on BNC connectors.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eTechnical specifications\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eAnalog Specs\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine In (includes A\/D Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐113dB @1kHz, ‐1dBFS, 20kHz filter, +20dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 119dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon mode rejection: greater than 80dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐108dB @1kHz, ‐1dBFS, 20kHz filter, +20 dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eHeadphone Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐107dB @1kHz, ‐1dBFS, 20kHz filter, volume at max\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐120dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput level: 18.4dBu maximum\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput power: 68mW @ 600Ω, 135mW @ 300Ω, 383mW @ 60Ω, 212mW @ 32Ω, 100mW @ 16Ω\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-PRE4 Preamp Module\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eMicrophone Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -111dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEIN: -129dBu A-weighted, -60dBFS method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 116dB A‐weighted, ‐60dBFS signal method @ 21.68dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency Response: +0.01 \/ -0.08dB max. Deviation over 20-20kHz band, -1dBFS @ all gain settings\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -127dB max. Adjacent channel, -1dBFS, 1kHz @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min. -1dBFS, 60Hz and 1kHz @61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 28.7dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eInput impedance: 2.1k Ohm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain Settings: 5.6dB\/13.6dB to 68.6dB in 1dB steps\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePad attenuation: 13.6dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHigh-pass Filter: 80Hz, 12 dB \/ octave\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eLine Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -113dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 119dB A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010 dB max deviation over 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -138dB max. adjacent channel, -1dBFS 1kHz @ 41.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min, -1dBFS, 60Hz and 1 kHz @ 61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain settings: Fixed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-DIG Digital I\/O Module\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eOptional LM-DIG digital I\/O module\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003e16 input and 16 output channels of 24-bit AES\/EBU\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e44.1 kHz to 192 kHz sample rate support\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTwo 25-pin female D-subs, Yamaha digital I\/O pinout\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eSoftware\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eLynx NControl for Aurora(n) USB, Thunderbolt \u0026amp; Dante models\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eFor total control of all functions and routing from your computer\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNow includes Mic Pre and micro SD record and playback control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eOther\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAdditional modules\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eDigital I\/O\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMicrophone preamp\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMore in development\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Input Connections\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Output Connectors\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eDimensions\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eDepth - 10 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eWidth - 19 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp style=\"text-align: center;\"\u003eHeight - 1.7 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003eRegistration Information\u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003eLicense\u003c\/p\u003e","brand":"Lynx","offers":[{"title":"Default Title","offer_id":53056201621788,"sku":null,"price":3899.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/lynx-aurora-n-1-jrr-edit_5.jpg?v=1758913118"},{"product_id":"auroran16tb","title":"Lynx Aurora(n) 16 TB3 Converter Interface","description":"\u003ch1 style=\"text-align: center;\"\u003e\u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003e\u003cimg height=\"150\" src=\"https:\/\/www.jrrshop.com\/media\/catalog\/product\/l\/y\/lynx-aurora-n-1-jrr-edit_7.jpg\" width=\"690\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eKey features\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e8, 16, 24, and 32 channel versions - each in a 1U format.\u003c\/p\u003e\n\u003cp\u003eOnboard 32-channel microSD recorder for direct recording and playback.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eUpgradable modules available now include a mic pre-amp module a digital connectivity module with optional ADAT IO and an 8 channel A\/D \u0026amp; D\/A module with more to come.\u003c\/p\u003e\n\u003cp\u003eTwo audiophile-grade headphone outs with independent volume controls.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e1-in 3-out word clock with Lynx’s second generation SynchroLock 2™ technology.\u003c\/p\u003e\n\u003cp\u003eFuture-proof LSlot design with swappable USB, Thunderbolt, ProTools®|HD and DANTE cards.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eFull Windows and OSX compatibility\u003c\/p\u003e\n\u003cp\u003eRoad-ready rack-mount reinforced chassis\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e24 Bit - 192 kHz mastering grade A\/D and D\/A conversion\u003c\/p\u003e\n\u003cp\u003eDesigned and built in Southern California, USA\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eLynx Announces Dolby Atmos Compatibility\u003c\/h1\u003e\n\u003cdiv class=\"wrap\"\u003e\n\u003cp\u003eLynx Studio Technology has announced compatibility between their acclaimed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e audio interface\/converter and Dolby Atmos, a revolutionary spatial audio technology for the most immersive sound experience. Atmos expands on existing surround sound systems by adding height channels, allowing sounds to be interpreted as three-dimensional objects with neither horizontal nor vertical limitation.\u003c\/p\u003e\n\u003cp\u003eLynx co-owner and Chief Hardware Engineer Bob Bauman states, “We’ve had many requests from audio engineers who want to combine the sonic transparency of the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the tremendous creative power offered by the Atmos mixing environment. Now they can.”\u003c\/p\u003e\n\u003cp\u003eCo-owner and Chief Software Engineer David Hoatson adds, “From the start, we designed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the flexibility to offer an extraordinary path for future upgrades. Lynx customers who have loyally supported the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e platform now get rewarded with the ability to work within the exciting new realm of immersive audio.”\u003c\/p\u003e\n\u003cp\u003eThe new Dolby Atmos compatibility for the Lynx Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e will be made available via a free firmware update that will be found on the Lynx web site for all registered Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e users. The update includes a slew of new features including support for speaker configurations up to 9.1.6, 530 total room correction filters, up to 16 filters per channel (including parametric, low-pass, high-pass, and shelving), channel level and delay compensation, and comprehensive bass management with LFE channel, all of which is implemented in hardware with 64-bit floating-point accuracy. The update will also allow for perfect integration between Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e and Sonarworks sound calibration software as well as Room EQ Wizard (REW) for room acoustic measurement, loudspeaker measurement and audio device measurement. This compatibility will allow for direct import of speaker calibration parameters into Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with no manual entry required. Dolby Atmos control will also be seamlessly integrated into Lynx’ own NControl software.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eTransparency Matters\u003c\/h1\u003e\n\u003cp\u003eSignal coloration is additive and can kill an otherwise pristine mix. That’s why a colored mix begins to collapse while the transparent mix has space, definition and a level of detail that is simply unattainable with converters that add color and distortion. Lynx’s hallmark sonic transparency is why Lynx converters are being used in the most mission-critical audio applications and in the world’s finest recording facilities. Lynx converters have been specified for their uncanny ability to convert signals without adding any artifacts or color. For audio engineers and producers demanding the most pristine recordings and mixes Lynx is the converter of choice at facilities like Dolby’s new mega complex of audio research, Skywalker Sound, NPR, and the Smithsonian Institute. Lynx converters pass the most stringent tests and shoot outs to become the sought after converters for these discerning professionals. Precision matters more than ever and there is no place for even the slightest coloration or degradation of the signal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eDiscrete Converter Array\u003c\/h1\u003e\n\u003cp\u003eSome manufacturers use multiple converters on a single chip. While that is one way to fit many converter channels in a single rack space while lowering costs, it comes at a steep cost in performance. At Lynx, the analog signal path for each channel has been designed as a self-contained and shielded circuit. Each channel pair has its own dedicated conversion device. This has many sonic advantages by significantly reducing crosstalk and distortion while increasing dynamic range and performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eHilo Converter Technology (HCT)\u003c\/h1\u003e\n\u003cp\u003eDesign and technology borrowed from the development of the Hilo is used to significantly improve specifications and transparency over previous models while attaining stunning Hilo-like performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eFuture-Proof Design:\u003c\/h1\u003e\n\u003ch4\u003eConfigurable I\/O\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAdd Channels – Start with eight, sixteen or twenty four channels and later add additional groups of eight channels for up to thirty two total.\u003c\/li\u003e\n\u003cli\u003eAdd Modules – Digital I\/O, Mic Pre Amp; More are being designed now for future release.\u003c\/li\u003e\n\u003cli\u003eAdd Connection Method – Thunderbolt, DANTE, ProTools|HD or USB via LSlot Cards\u003c\/li\u003e\n\u003cli\u003eAdd Functionality – Via firmware updates. Just as we have for Hilo and Aurora we will continue to improve the Aurora(n)’s functionality and build in new feature sets.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eSynchroLock 2™\u003c\/h1\u003e\n\u003cp\u003eAll new SynchroLock 2™ high-performance sample clock technology provides a whopping 300,000:1 reduction in jitter, 5 second lock time and absolute accuracy. Word clock I\/O provides one input and three outputs on BNC connectors.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eTechnical specifications\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eAnalog Specs\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine In (includes A\/D Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐113dB @1kHz, ‐1dBFS, 20kHz filter, +20dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 119dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon mode rejection: greater than 80dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐108dB @1kHz, ‐1dBFS, 20kHz filter, +20 dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eHeadphone Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐107dB @1kHz, ‐1dBFS, 20kHz filter, volume at max\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐120dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput level: 18.4dBu maximum\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput power: 68mW @ 600Ω, 135mW @ 300Ω, 383mW @ 60Ω, 212mW @ 32Ω, 100mW @ 16Ω\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-PRE4 Preamp Module\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eMicrophone Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -111dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEIN: -129dBu A-weighted, -60dBFS method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 116dB A‐weighted, ‐60dBFS signal method @ 21.68dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency Response: +0.01 \/ -0.08dB max. Deviation over 20-20kHz band, -1dBFS @ all gain settings\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -127dB max. Adjacent channel, -1dBFS, 1kHz @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min. -1dBFS, 60Hz and 1kHz @61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 28.7dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eInput impedance: 2.1k Ohm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain Settings: 5.6dB\/13.6dB to 68.6dB in 1dB steps\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePad attenuation: 13.6dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHigh-pass Filter: 80Hz, 12 dB \/ octave\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eLine Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -113dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 119dB A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010 dB max deviation over 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -138dB max. adjacent channel, -1dBFS 1kHz @ 41.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min, -1dBFS, 60Hz and 1 kHz @ 61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain settings: Fixed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-DIG Digital I\/O Module\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eOptional LM-DIG digital I\/O module\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003e16 input and 16 output channels of 24-bit AES\/EBU\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e44.1 kHz to 192 kHz sample rate support\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTwo 25-pin female D-subs, Yamaha digital I\/O pinout\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eSoftware\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eLynx NControl for Aurora(n) USB, Thunderbolt \u0026amp; Dante models\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eFor total control of all functions and routing from your computer\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNow includes Mic Pre and micro SD record and playback control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eOther\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAdditional modules\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eDigital I\/O\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMicrophone preamp\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMore in development\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Input Connections\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Output Connectors\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eDimensions\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eDepth - 10 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eWidth - 19 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp style=\"text-align: center;\"\u003eHeight - 1.7 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003eRegistration Information\u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003eLicense\u003c\/p\u003e","brand":"Lynx","offers":[{"title":"Default Title","offer_id":53056201654556,"sku":null,"price":4439.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/lynx-aurora-n-1-jrr-edit_6.jpg?v=1758913119"},{"product_id":"auroran16usb","title":"Lynx Aurora(n) 16 USB Converter Interface","description":"\u003ch1 style=\"text-align: center;\"\u003e\u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003e\u003cimg height=\"150\" src=\"https:\/\/www.jrrshop.com\/media\/catalog\/product\/l\/y\/lynx-aurora-n-1-jrr-edit_7.jpg\" width=\"690\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eKey features\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e8, 16, 24, and 32 channel versions - each in a 1U format.\u003c\/p\u003e\n\u003cp\u003eOnboard 32-channel microSD recorder for direct recording and playback.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eUpgradable modules available now include a mic pre-amp module a digital connectivity module with optional ADAT IO and an 8 channel A\/D \u0026amp; D\/A module with more to come.\u003c\/p\u003e\n\u003cp\u003eTwo audiophile-grade headphone outs with independent volume controls.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e1-in 3-out word clock with Lynx’s second generation SynchroLock 2™ technology.\u003c\/p\u003e\n\u003cp\u003eFuture-proof LSlot design with swappable USB, Thunderbolt, ProTools®|HD and DANTE cards.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eFull Windows and OSX compatibility\u003c\/p\u003e\n\u003cp\u003eRoad-ready rack-mount reinforced chassis\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e24 Bit - 192 kHz mastering grade A\/D and D\/A conversion\u003c\/p\u003e\n\u003cp\u003eDesigned and built in Southern California, USA\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eLynx Announces Dolby Atmos Compatibility\u003c\/h1\u003e\n\u003cdiv class=\"wrap\"\u003e\n\u003cp\u003eLynx Studio Technology has announced compatibility between their acclaimed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e audio interface\/converter and Dolby Atmos, a revolutionary spatial audio technology for the most immersive sound experience. Atmos expands on existing surround sound systems by adding height channels, allowing sounds to be interpreted as three-dimensional objects with neither horizontal nor vertical limitation.\u003c\/p\u003e\n\u003cp\u003eLynx co-owner and Chief Hardware Engineer Bob Bauman states, “We’ve had many requests from audio engineers who want to combine the sonic transparency of the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the tremendous creative power offered by the Atmos mixing environment. Now they can.”\u003c\/p\u003e\n\u003cp\u003eCo-owner and Chief Software Engineer David Hoatson adds, “From the start, we designed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the flexibility to offer an extraordinary path for future upgrades. Lynx customers who have loyally supported the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e platform now get rewarded with the ability to work within the exciting new realm of immersive audio.”\u003c\/p\u003e\n\u003cp\u003eThe new Dolby Atmos compatibility for the Lynx Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e will be made available via a free firmware update that will be found on the Lynx web site for all registered Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e users. The update includes a slew of new features including support for speaker configurations up to 9.1.6, 530 total room correction filters, up to 16 filters per channel (including parametric, low-pass, high-pass, and shelving), channel level and delay compensation, and comprehensive bass management with LFE channel, all of which is implemented in hardware with 64-bit floating-point accuracy. The update will also allow for perfect integration between Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e and Sonarworks sound calibration software as well as Room EQ Wizard (REW) for room acoustic measurement, loudspeaker measurement and audio device measurement. This compatibility will allow for direct import of speaker calibration parameters into Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with no manual entry required. Dolby Atmos control will also be seamlessly integrated into Lynx’ own NControl software.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eTransparency Matters\u003c\/h1\u003e\n\u003cp\u003eSignal coloration is additive and can kill an otherwise pristine mix. That’s why a colored mix begins to collapse while the transparent mix has space, definition and a level of detail that is simply unattainable with converters that add color and distortion. Lynx’s hallmark sonic transparency is why Lynx converters are being used in the most mission-critical audio applications and in the world’s finest recording facilities. Lynx converters have been specified for their uncanny ability to convert signals without adding any artifacts or color. For audio engineers and producers demanding the most pristine recordings and mixes Lynx is the converter of choice at facilities like Dolby’s new mega complex of audio research, Skywalker Sound, NPR, and the Smithsonian Institute. Lynx converters pass the most stringent tests and shoot outs to become the sought after converters for these discerning professionals. Precision matters more than ever and there is no place for even the slightest coloration or degradation of the signal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eDiscrete Converter Array\u003c\/h1\u003e\n\u003cp\u003eSome manufacturers use multiple converters on a single chip. While that is one way to fit many converter channels in a single rack space while lowering costs, it comes at a steep cost in performance. At Lynx, the analog signal path for each channel has been designed as a self-contained and shielded circuit. Each channel pair has its own dedicated conversion device. This has many sonic advantages by significantly reducing crosstalk and distortion while increasing dynamic range and performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eHilo Converter Technology (HCT)\u003c\/h1\u003e\n\u003cp\u003eDesign and technology borrowed from the development of the Hilo is used to significantly improve specifications and transparency over previous models while attaining stunning Hilo-like performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eFuture-Proof Design:\u003c\/h1\u003e\n\u003ch4\u003eConfigurable I\/O\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAdd Channels – Start with eight, sixteen or twenty four channels and later add additional groups of eight channels for up to thirty two total.\u003c\/li\u003e\n\u003cli\u003eAdd Modules – Digital I\/O, Mic Pre Amp; More are being designed now for future release.\u003c\/li\u003e\n\u003cli\u003eAdd Connection Method – Thunderbolt, DANTE, ProTools|HD or USB via LSlot Cards\u003c\/li\u003e\n\u003cli\u003eAdd Functionality – Via firmware updates. Just as we have for Hilo and Aurora we will continue to improve the Aurora(n)’s functionality and build in new feature sets.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eSynchroLock 2™\u003c\/h1\u003e\n\u003cp\u003eAll new SynchroLock 2™ high-performance sample clock technology provides a whopping 300,000:1 reduction in jitter, 5 second lock time and absolute accuracy. Word clock I\/O provides one input and three outputs on BNC connectors.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eTechnical specifications\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eAnalog Specs\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine In (includes A\/D Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐113dB @1kHz, ‐1dBFS, 20kHz filter, +20dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 119dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon mode rejection: greater than 80dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐108dB @1kHz, ‐1dBFS, 20kHz filter, +20 dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eHeadphone Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐107dB @1kHz, ‐1dBFS, 20kHz filter, volume at max\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐120dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput level: 18.4dBu maximum\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput power: 68mW @ 600Ω, 135mW @ 300Ω, 383mW @ 60Ω, 212mW @ 32Ω, 100mW @ 16Ω\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-PRE4 Preamp Module\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eMicrophone Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -111dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEIN: -129dBu A-weighted, -60dBFS method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 116dB A‐weighted, ‐60dBFS signal method @ 21.68dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency Response: +0.01 \/ -0.08dB max. Deviation over 20-20kHz band, -1dBFS @ all gain settings\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -127dB max. Adjacent channel, -1dBFS, 1kHz @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min. -1dBFS, 60Hz and 1kHz @61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 28.7dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eInput impedance: 2.1k Ohm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain Settings: 5.6dB\/13.6dB to 68.6dB in 1dB steps\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePad attenuation: 13.6dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHigh-pass Filter: 80Hz, 12 dB \/ octave\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eLine Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -113dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 119dB A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010 dB max deviation over 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -138dB max. adjacent channel, -1dBFS 1kHz @ 41.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min, -1dBFS, 60Hz and 1 kHz @ 61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain settings: Fixed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-DIG Digital I\/O Module\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eOptional LM-DIG digital I\/O module\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003e16 input and 16 output channels of 24-bit AES\/EBU\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e44.1 kHz to 192 kHz sample rate support\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTwo 25-pin female D-subs, Yamaha digital I\/O pinout\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eSoftware\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eLynx NControl for Aurora(n) USB, Thunderbolt \u0026amp; Dante models\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eFor total control of all functions and routing from your computer\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNow includes Mic Pre and micro SD record and playback control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eOther\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAdditional modules\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eDigital I\/O\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMicrophone preamp\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMore in development\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Input Connections\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Output Connectors\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eDimensions\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eDepth - 10 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eWidth - 19 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp style=\"text-align: center;\"\u003eHeight - 1.7 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003eRegistration Information\u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003eLicense\u003c\/p\u003e","brand":"Lynx","offers":[{"title":"Default Title","offer_id":53056201720092,"sku":null,"price":3899.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/lynx-aurora-n-1-jrr-edit_4.jpg?v=1758913122"},{"product_id":"auroran24dnt","title":"Lynx Aurora(n) 24 DNT Converter Interface","description":"\u003ch1 style=\"text-align: center;\"\u003e\u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003e\u003cimg height=\"150\" src=\"https:\/\/www.jrrshop.com\/media\/catalog\/product\/l\/y\/lynx-aurora-n-1-jrr-edit_7.jpg\" width=\"690\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eKey features\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e8, 16, 24, and 32 channel versions - each in a 1U format.\u003c\/p\u003e\n\u003cp\u003eOnboard 32-channel microSD recorder for direct recording and playback.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eUpgradable modules available now include a mic pre-amp module a digital connectivity module with optional ADAT IO and an 8 channel A\/D \u0026amp; D\/A module with more to come.\u003c\/p\u003e\n\u003cp\u003eTwo audiophile-grade headphone outs with independent volume controls.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e1-in 3-out word clock with Lynx’s second generation SynchroLock 2™ technology.\u003c\/p\u003e\n\u003cp\u003eFuture-proof LSlot design with swappable USB, Thunderbolt, ProTools®|HD and DANTE cards.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eFull Windows and OSX compatibility\u003c\/p\u003e\n\u003cp\u003eRoad-ready rack-mount reinforced chassis\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e24 Bit - 192 kHz mastering grade A\/D and D\/A conversion\u003c\/p\u003e\n\u003cp\u003eDesigned and built in Southern California, USA\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eLynx Announces Dolby Atmos Compatibility\u003c\/h1\u003e\n\u003cdiv class=\"wrap\"\u003e\n\u003cp\u003eLynx Studio Technology has announced compatibility between their acclaimed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e audio interface\/converter and Dolby Atmos, a revolutionary spatial audio technology for the most immersive sound experience. Atmos expands on existing surround sound systems by adding height channels, allowing sounds to be interpreted as three-dimensional objects with neither horizontal nor vertical limitation.\u003c\/p\u003e\n\u003cp\u003eLynx co-owner and Chief Hardware Engineer Bob Bauman states, “We’ve had many requests from audio engineers who want to combine the sonic transparency of the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the tremendous creative power offered by the Atmos mixing environment. Now they can.”\u003c\/p\u003e\n\u003cp\u003eCo-owner and Chief Software Engineer David Hoatson adds, “From the start, we designed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the flexibility to offer an extraordinary path for future upgrades. Lynx customers who have loyally supported the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e platform now get rewarded with the ability to work within the exciting new realm of immersive audio.”\u003c\/p\u003e\n\u003cp\u003eThe new Dolby Atmos compatibility for the Lynx Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e will be made available via a free firmware update that will be found on the Lynx web site for all registered Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e users. The update includes a slew of new features including support for speaker configurations up to 9.1.6, 530 total room correction filters, up to 16 filters per channel (including parametric, low-pass, high-pass, and shelving), channel level and delay compensation, and comprehensive bass management with LFE channel, all of which is implemented in hardware with 64-bit floating-point accuracy. The update will also allow for perfect integration between Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e and Sonarworks sound calibration software as well as Room EQ Wizard (REW) for room acoustic measurement, loudspeaker measurement and audio device measurement. This compatibility will allow for direct import of speaker calibration parameters into Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with no manual entry required. Dolby Atmos control will also be seamlessly integrated into Lynx’ own NControl software.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eTransparency Matters\u003c\/h1\u003e\n\u003cp\u003eSignal coloration is additive and can kill an otherwise pristine mix. That’s why a colored mix begins to collapse while the transparent mix has space, definition and a level of detail that is simply unattainable with converters that add color and distortion. Lynx’s hallmark sonic transparency is why Lynx converters are being used in the most mission-critical audio applications and in the world’s finest recording facilities. Lynx converters have been specified for their uncanny ability to convert signals without adding any artifacts or color. For audio engineers and producers demanding the most pristine recordings and mixes Lynx is the converter of choice at facilities like Dolby’s new mega complex of audio research, Skywalker Sound, NPR, and the Smithsonian Institute. Lynx converters pass the most stringent tests and shoot outs to become the sought after converters for these discerning professionals. Precision matters more than ever and there is no place for even the slightest coloration or degradation of the signal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eDiscrete Converter Array\u003c\/h1\u003e\n\u003cp\u003eSome manufacturers use multiple converters on a single chip. While that is one way to fit many converter channels in a single rack space while lowering costs, it comes at a steep cost in performance. At Lynx, the analog signal path for each channel has been designed as a self-contained and shielded circuit. Each channel pair has its own dedicated conversion device. This has many sonic advantages by significantly reducing crosstalk and distortion while increasing dynamic range and performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eHilo Converter Technology (HCT)\u003c\/h1\u003e\n\u003cp\u003eDesign and technology borrowed from the development of the Hilo is used to significantly improve specifications and transparency over previous models while attaining stunning Hilo-like performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eFuture-Proof Design:\u003c\/h1\u003e\n\u003ch4\u003eConfigurable I\/O\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAdd Channels – Start with eight, sixteen or twenty four channels and later add additional groups of eight channels for up to thirty two total.\u003c\/li\u003e\n\u003cli\u003eAdd Modules – Digital I\/O, Mic Pre Amp; More are being designed now for future release.\u003c\/li\u003e\n\u003cli\u003eAdd Connection Method – Thunderbolt, DANTE, ProTools|HD or USB via LSlot Cards\u003c\/li\u003e\n\u003cli\u003eAdd Functionality – Via firmware updates. Just as we have for Hilo and Aurora we will continue to improve the Aurora(n)’s functionality and build in new feature sets.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eSynchroLock 2™\u003c\/h1\u003e\n\u003cp\u003eAll new SynchroLock 2™ high-performance sample clock technology provides a whopping 300,000:1 reduction in jitter, 5 second lock time and absolute accuracy. Word clock I\/O provides one input and three outputs on BNC connectors.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eTechnical specifications\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eAnalog Specs\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine In (includes A\/D Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐113dB @1kHz, ‐1dBFS, 20kHz filter, +20dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 119dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon mode rejection: greater than 80dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐108dB @1kHz, ‐1dBFS, 20kHz filter, +20 dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eHeadphone Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐107dB @1kHz, ‐1dBFS, 20kHz filter, volume at max\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐120dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput level: 18.4dBu maximum\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput power: 68mW @ 600Ω, 135mW @ 300Ω, 383mW @ 60Ω, 212mW @ 32Ω, 100mW @ 16Ω\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-PRE4 Preamp Module\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eMicrophone Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -111dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEIN: -129dBu A-weighted, -60dBFS method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 116dB A‐weighted, ‐60dBFS signal method @ 21.68dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency Response: +0.01 \/ -0.08dB max. Deviation over 20-20kHz band, -1dBFS @ all gain settings\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -127dB max. Adjacent channel, -1dBFS, 1kHz @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min. -1dBFS, 60Hz and 1kHz @61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 28.7dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eInput impedance: 2.1k Ohm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain Settings: 5.6dB\/13.6dB to 68.6dB in 1dB steps\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePad attenuation: 13.6dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHigh-pass Filter: 80Hz, 12 dB \/ octave\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eLine Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -113dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 119dB A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010 dB max deviation over 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -138dB max. adjacent channel, -1dBFS 1kHz @ 41.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min, -1dBFS, 60Hz and 1 kHz @ 61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain settings: Fixed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-DIG Digital I\/O Module\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eOptional LM-DIG digital I\/O module\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003e16 input and 16 output channels of 24-bit AES\/EBU\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e44.1 kHz to 192 kHz sample rate support\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTwo 25-pin female D-subs, Yamaha digital I\/O pinout\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eSoftware\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eLynx NControl for Aurora(n) USB, Thunderbolt \u0026amp; Dante models\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eFor total control of all functions and routing from your computer\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNow includes Mic Pre and micro SD record and playback control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eOther\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAdditional modules\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eDigital I\/O\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMicrophone preamp\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMore in development\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Input Connections\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Output Connectors\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eDimensions\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eDepth - 10 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eWidth - 19 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp style=\"text-align: center;\"\u003eHeight - 1.7 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003eRegistration Information\u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003eLicense\u003c\/p\u003e","brand":"Lynx","offers":[{"title":"Default Title","offer_id":53056201752860,"sku":null,"price":5539.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/lynx-aurora-n-1-jrr-edit_10.jpg?v=1758913124"},{"product_id":"auroran24hd","title":"Lynx Aurora(n) 24 HD2 Converter Interface","description":"\u003ch1 style=\"text-align: center;\"\u003e\u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003e\u003cimg height=\"150\" src=\"https:\/\/www.jrrshop.com\/media\/catalog\/product\/l\/y\/lynx-aurora-n-1-jrr-edit_7.jpg\" width=\"690\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eKey features\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e8, 16, 24, and 32 channel versions - each in a 1U format.\u003c\/p\u003e\n\u003cp\u003eOnboard 32-channel microSD recorder for direct recording and playback.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eUpgradable modules available now include a mic pre-amp module a digital connectivity module with optional ADAT IO and an 8 channel A\/D \u0026amp; D\/A module with more to come.\u003c\/p\u003e\n\u003cp\u003eTwo audiophile-grade headphone outs with independent volume controls.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e1-in 3-out word clock with Lynx’s second generation SynchroLock 2™ technology.\u003c\/p\u003e\n\u003cp\u003eFuture-proof LSlot design with swappable USB, Thunderbolt, ProTools®|HD and DANTE cards.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eFull Windows and OSX compatibility\u003c\/p\u003e\n\u003cp\u003eRoad-ready rack-mount reinforced chassis\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e24 Bit - 192 kHz mastering grade A\/D and D\/A conversion\u003c\/p\u003e\n\u003cp\u003eDesigned and built in Southern California, USA\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eLynx Announces Dolby Atmos Compatibility\u003c\/h1\u003e\n\u003cdiv class=\"wrap\"\u003e\n\u003cp\u003eLynx Studio Technology has announced compatibility between their acclaimed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e audio interface\/converter and Dolby Atmos, a revolutionary spatial audio technology for the most immersive sound experience. Atmos expands on existing surround sound systems by adding height channels, allowing sounds to be interpreted as three-dimensional objects with neither horizontal nor vertical limitation.\u003c\/p\u003e\n\u003cp\u003eLynx co-owner and Chief Hardware Engineer Bob Bauman states, “We’ve had many requests from audio engineers who want to combine the sonic transparency of the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the tremendous creative power offered by the Atmos mixing environment. Now they can.”\u003c\/p\u003e\n\u003cp\u003eCo-owner and Chief Software Engineer David Hoatson adds, “From the start, we designed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the flexibility to offer an extraordinary path for future upgrades. Lynx customers who have loyally supported the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e platform now get rewarded with the ability to work within the exciting new realm of immersive audio.”\u003c\/p\u003e\n\u003cp\u003eThe new Dolby Atmos compatibility for the Lynx Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e will be made available via a free firmware update that will be found on the Lynx web site for all registered Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e users. The update includes a slew of new features including support for speaker configurations up to 9.1.6, 530 total room correction filters, up to 16 filters per channel (including parametric, low-pass, high-pass, and shelving), channel level and delay compensation, and comprehensive bass management with LFE channel, all of which is implemented in hardware with 64-bit floating-point accuracy. The update will also allow for perfect integration between Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e and Sonarworks sound calibration software as well as Room EQ Wizard (REW) for room acoustic measurement, loudspeaker measurement and audio device measurement. This compatibility will allow for direct import of speaker calibration parameters into Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with no manual entry required. Dolby Atmos control will also be seamlessly integrated into Lynx’ own NControl software.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eTransparency Matters\u003c\/h1\u003e\n\u003cp\u003eSignal coloration is additive and can kill an otherwise pristine mix. That’s why a colored mix begins to collapse while the transparent mix has space, definition and a level of detail that is simply unattainable with converters that add color and distortion. Lynx’s hallmark sonic transparency is why Lynx converters are being used in the most mission-critical audio applications and in the world’s finest recording facilities. Lynx converters have been specified for their uncanny ability to convert signals without adding any artifacts or color. For audio engineers and producers demanding the most pristine recordings and mixes Lynx is the converter of choice at facilities like Dolby’s new mega complex of audio research, Skywalker Sound, NPR, and the Smithsonian Institute. Lynx converters pass the most stringent tests and shoot outs to become the sought after converters for these discerning professionals. Precision matters more than ever and there is no place for even the slightest coloration or degradation of the signal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eDiscrete Converter Array\u003c\/h1\u003e\n\u003cp\u003eSome manufacturers use multiple converters on a single chip. While that is one way to fit many converter channels in a single rack space while lowering costs, it comes at a steep cost in performance. At Lynx, the analog signal path for each channel has been designed as a self-contained and shielded circuit. Each channel pair has its own dedicated conversion device. This has many sonic advantages by significantly reducing crosstalk and distortion while increasing dynamic range and performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eHilo Converter Technology (HCT)\u003c\/h1\u003e\n\u003cp\u003eDesign and technology borrowed from the development of the Hilo is used to significantly improve specifications and transparency over previous models while attaining stunning Hilo-like performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eFuture-Proof Design:\u003c\/h1\u003e\n\u003ch4\u003eConfigurable I\/O\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAdd Channels – Start with eight, sixteen or twenty four channels and later add additional groups of eight channels for up to thirty two total.\u003c\/li\u003e\n\u003cli\u003eAdd Modules – Digital I\/O, Mic Pre Amp; More are being designed now for future release.\u003c\/li\u003e\n\u003cli\u003eAdd Connection Method – Thunderbolt, DANTE, ProTools|HD or USB via LSlot Cards\u003c\/li\u003e\n\u003cli\u003eAdd Functionality – Via firmware updates. Just as we have for Hilo and Aurora we will continue to improve the Aurora(n)’s functionality and build in new feature sets.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eSynchroLock 2™\u003c\/h1\u003e\n\u003cp\u003eAll new SynchroLock 2™ high-performance sample clock technology provides a whopping 300,000:1 reduction in jitter, 5 second lock time and absolute accuracy. Word clock I\/O provides one input and three outputs on BNC connectors.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eTechnical specifications\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eAnalog Specs\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine In (includes A\/D Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐113dB @1kHz, ‐1dBFS, 20kHz filter, +20dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 119dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon mode rejection: greater than 80dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐108dB @1kHz, ‐1dBFS, 20kHz filter, +20 dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eHeadphone Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐107dB @1kHz, ‐1dBFS, 20kHz filter, volume at max\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐120dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput level: 18.4dBu maximum\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput power: 68mW @ 600Ω, 135mW @ 300Ω, 383mW @ 60Ω, 212mW @ 32Ω, 100mW @ 16Ω\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-PRE4 Preamp Module\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eMicrophone Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -111dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEIN: -129dBu A-weighted, -60dBFS method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 116dB A‐weighted, ‐60dBFS signal method @ 21.68dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency Response: +0.01 \/ -0.08dB max. Deviation over 20-20kHz band, -1dBFS @ all gain settings\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -127dB max. Adjacent channel, -1dBFS, 1kHz @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min. -1dBFS, 60Hz and 1kHz @61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 28.7dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eInput impedance: 2.1k Ohm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain Settings: 5.6dB\/13.6dB to 68.6dB in 1dB steps\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePad attenuation: 13.6dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHigh-pass Filter: 80Hz, 12 dB \/ octave\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eLine Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -113dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 119dB A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010 dB max deviation over 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -138dB max. adjacent channel, -1dBFS 1kHz @ 41.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min, -1dBFS, 60Hz and 1 kHz @ 61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain settings: Fixed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-DIG Digital I\/O Module\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eOptional LM-DIG digital I\/O module\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003e16 input and 16 output channels of 24-bit AES\/EBU\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e44.1 kHz to 192 kHz sample rate support\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTwo 25-pin female D-subs, Yamaha digital I\/O pinout\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eSoftware\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eLynx NControl for Aurora(n) USB, Thunderbolt \u0026amp; Dante models\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eFor total control of all functions and routing from your computer\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNow includes Mic Pre and micro SD record and playback control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eOther\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAdditional modules\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eDigital I\/O\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMicrophone preamp\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMore in development\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Input Connections\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Output Connectors\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eDimensions\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eDepth - 10 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eWidth - 19 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp style=\"text-align: center;\"\u003eHeight - 1.7 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003eRegistration Information\u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003eLicense\u003c\/p\u003e","brand":"Lynx","offers":[{"title":"Default Title","offer_id":53056201785628,"sku":null,"price":4899.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/lynx-aurora-n-1-jrr-edit_8.jpg?v=1758913124"},{"product_id":"auroran24tb","title":"Lynx Aurora(n) 24 TB3 Converter Interface","description":"\u003ch1 style=\"text-align: center;\"\u003e\u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003e\u003cimg height=\"150\" src=\"https:\/\/www.jrrshop.com\/media\/catalog\/product\/l\/y\/lynx-aurora-n-1-jrr-edit_7.jpg\" width=\"690\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eKey features\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e8, 16, 24, and 32 channel versions - each in a 1U format.\u003c\/p\u003e\n\u003cp\u003eOnboard 32-channel microSD recorder for direct recording and playback.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eUpgradable modules available now include a mic pre-amp module a digital connectivity module with optional ADAT IO and an 8 channel A\/D \u0026amp; D\/A module with more to come.\u003c\/p\u003e\n\u003cp\u003eTwo audiophile-grade headphone outs with independent volume controls.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e1-in 3-out word clock with Lynx’s second generation SynchroLock 2™ technology.\u003c\/p\u003e\n\u003cp\u003eFuture-proof LSlot design with swappable USB, Thunderbolt, ProTools®|HD and DANTE cards.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eFull Windows and OSX compatibility\u003c\/p\u003e\n\u003cp\u003eRoad-ready rack-mount reinforced chassis\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e24 Bit - 192 kHz mastering grade A\/D and D\/A conversion\u003c\/p\u003e\n\u003cp\u003eDesigned and built in Southern California, USA\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eLynx Announces Dolby Atmos Compatibility\u003c\/h1\u003e\n\u003cdiv class=\"wrap\"\u003e\n\u003cp\u003eLynx Studio Technology has announced compatibility between their acclaimed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e audio interface\/converter and Dolby Atmos, a revolutionary spatial audio technology for the most immersive sound experience. Atmos expands on existing surround sound systems by adding height channels, allowing sounds to be interpreted as three-dimensional objects with neither horizontal nor vertical limitation.\u003c\/p\u003e\n\u003cp\u003eLynx co-owner and Chief Hardware Engineer Bob Bauman states, “We’ve had many requests from audio engineers who want to combine the sonic transparency of the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the tremendous creative power offered by the Atmos mixing environment. Now they can.”\u003c\/p\u003e\n\u003cp\u003eCo-owner and Chief Software Engineer David Hoatson adds, “From the start, we designed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the flexibility to offer an extraordinary path for future upgrades. Lynx customers who have loyally supported the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e platform now get rewarded with the ability to work within the exciting new realm of immersive audio.”\u003c\/p\u003e\n\u003cp\u003eThe new Dolby Atmos compatibility for the Lynx Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e will be made available via a free firmware update that will be found on the Lynx web site for all registered Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e users. The update includes a slew of new features including support for speaker configurations up to 9.1.6, 530 total room correction filters, up to 16 filters per channel (including parametric, low-pass, high-pass, and shelving), channel level and delay compensation, and comprehensive bass management with LFE channel, all of which is implemented in hardware with 64-bit floating-point accuracy. The update will also allow for perfect integration between Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e and Sonarworks sound calibration software as well as Room EQ Wizard (REW) for room acoustic measurement, loudspeaker measurement and audio device measurement. This compatibility will allow for direct import of speaker calibration parameters into Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with no manual entry required. Dolby Atmos control will also be seamlessly integrated into Lynx’ own NControl software.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eTransparency Matters\u003c\/h1\u003e\n\u003cp\u003eSignal coloration is additive and can kill an otherwise pristine mix. That’s why a colored mix begins to collapse while the transparent mix has space, definition and a level of detail that is simply unattainable with converters that add color and distortion. Lynx’s hallmark sonic transparency is why Lynx converters are being used in the most mission-critical audio applications and in the world’s finest recording facilities. Lynx converters have been specified for their uncanny ability to convert signals without adding any artifacts or color. For audio engineers and producers demanding the most pristine recordings and mixes Lynx is the converter of choice at facilities like Dolby’s new mega complex of audio research, Skywalker Sound, NPR, and the Smithsonian Institute. Lynx converters pass the most stringent tests and shoot outs to become the sought after converters for these discerning professionals. Precision matters more than ever and there is no place for even the slightest coloration or degradation of the signal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eDiscrete Converter Array\u003c\/h1\u003e\n\u003cp\u003eSome manufacturers use multiple converters on a single chip. While that is one way to fit many converter channels in a single rack space while lowering costs, it comes at a steep cost in performance. At Lynx, the analog signal path for each channel has been designed as a self-contained and shielded circuit. Each channel pair has its own dedicated conversion device. This has many sonic advantages by significantly reducing crosstalk and distortion while increasing dynamic range and performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eHilo Converter Technology (HCT)\u003c\/h1\u003e\n\u003cp\u003eDesign and technology borrowed from the development of the Hilo is used to significantly improve specifications and transparency over previous models while attaining stunning Hilo-like performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eFuture-Proof Design:\u003c\/h1\u003e\n\u003ch4\u003eConfigurable I\/O\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAdd Channels – Start with eight, sixteen or twenty four channels and later add additional groups of eight channels for up to thirty two total.\u003c\/li\u003e\n\u003cli\u003eAdd Modules – Digital I\/O, Mic Pre Amp; More are being designed now for future release.\u003c\/li\u003e\n\u003cli\u003eAdd Connection Method – Thunderbolt, DANTE, ProTools|HD or USB via LSlot Cards\u003c\/li\u003e\n\u003cli\u003eAdd Functionality – Via firmware updates. Just as we have for Hilo and Aurora we will continue to improve the Aurora(n)’s functionality and build in new feature sets.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eSynchroLock 2™\u003c\/h1\u003e\n\u003cp\u003eAll new SynchroLock 2™ high-performance sample clock technology provides a whopping 300,000:1 reduction in jitter, 5 second lock time and absolute accuracy. Word clock I\/O provides one input and three outputs on BNC connectors.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eTechnical specifications\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eAnalog Specs\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine In (includes A\/D Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐113dB @1kHz, ‐1dBFS, 20kHz filter, +20dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 119dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon mode rejection: greater than 80dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐108dB @1kHz, ‐1dBFS, 20kHz filter, +20 dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eHeadphone Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐107dB @1kHz, ‐1dBFS, 20kHz filter, volume at max\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐120dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput level: 18.4dBu maximum\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput power: 68mW @ 600Ω, 135mW @ 300Ω, 383mW @ 60Ω, 212mW @ 32Ω, 100mW @ 16Ω\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-PRE4 Preamp Module\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eMicrophone Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -111dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEIN: -129dBu A-weighted, -60dBFS method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 116dB A‐weighted, ‐60dBFS signal method @ 21.68dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency Response: +0.01 \/ -0.08dB max. Deviation over 20-20kHz band, -1dBFS @ all gain settings\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -127dB max. Adjacent channel, -1dBFS, 1kHz @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min. -1dBFS, 60Hz and 1kHz @61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 28.7dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eInput impedance: 2.1k Ohm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain Settings: 5.6dB\/13.6dB to 68.6dB in 1dB steps\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePad attenuation: 13.6dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHigh-pass Filter: 80Hz, 12 dB \/ octave\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eLine Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -113dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 119dB A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010 dB max deviation over 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -138dB max. adjacent channel, -1dBFS 1kHz @ 41.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min, -1dBFS, 60Hz and 1 kHz @ 61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain settings: Fixed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-DIG Digital I\/O Module\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eOptional LM-DIG digital I\/O module\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003e16 input and 16 output channels of 24-bit AES\/EBU\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e44.1 kHz to 192 kHz sample rate support\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTwo 25-pin female D-subs, Yamaha digital I\/O pinout\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eSoftware\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eLynx NControl for Aurora(n) USB, Thunderbolt \u0026amp; Dante models\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eFor total control of all functions and routing from your computer\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNow includes Mic Pre and micro SD record and playback control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eOther\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAdditional modules\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eDigital I\/O\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMicrophone preamp\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMore in development\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Input Connections\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Output Connectors\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eDimensions\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eDepth - 10 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eWidth - 19 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp style=\"text-align: center;\"\u003eHeight - 1.7 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003eRegistration Information\u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003eLicense\u003c\/p\u003e","brand":"Lynx","offers":[{"title":"Default Title","offer_id":53056201883932,"sku":null,"price":5439.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/lynx-aurora-n-1-jrr-edit_9.jpg?v=1758913124"},{"product_id":"auroran32dnt","title":"Lynx Aurora(n) 32 DNT Converter Interface","description":"\u003ch1 style=\"text-align: center;\"\u003e\u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003e\u003cimg height=\"150\" src=\"https:\/\/www.jrrshop.com\/media\/catalog\/product\/l\/y\/lynx-aurora-n-1-jrr-edit_7.jpg\" width=\"690\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eKey features\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e8, 16, 24, and 32 channel versions - each in a 1U format.\u003c\/p\u003e\n\u003cp\u003eOnboard 32-channel microSD recorder for direct recording and playback.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eUpgradable modules available now include a mic pre-amp module a digital connectivity module with optional ADAT IO and an 8 channel A\/D \u0026amp; D\/A module with more to come.\u003c\/p\u003e\n\u003cp\u003eTwo audiophile-grade headphone outs with independent volume controls.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e1-in 3-out word clock with Lynx’s second generation SynchroLock 2™ technology.\u003c\/p\u003e\n\u003cp\u003eFuture-proof LSlot design with swappable USB, Thunderbolt, ProTools®|HD and DANTE cards.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eFull Windows and OSX compatibility\u003c\/p\u003e\n\u003cp\u003eRoad-ready rack-mount reinforced chassis\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e24 Bit - 192 kHz mastering grade A\/D and D\/A conversion\u003c\/p\u003e\n\u003cp\u003eDesigned and built in Southern California, USA\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eLynx Announces Dolby Atmos Compatibility\u003c\/h1\u003e\n\u003cdiv class=\"wrap\"\u003e\n\u003cp\u003eLynx Studio Technology has announced compatibility between their acclaimed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e audio interface\/converter and Dolby Atmos, a revolutionary spatial audio technology for the most immersive sound experience. Atmos expands on existing surround sound systems by adding height channels, allowing sounds to be interpreted as three-dimensional objects with neither horizontal nor vertical limitation.\u003c\/p\u003e\n\u003cp\u003eLynx co-owner and Chief Hardware Engineer Bob Bauman states, “We’ve had many requests from audio engineers who want to combine the sonic transparency of the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the tremendous creative power offered by the Atmos mixing environment. Now they can.”\u003c\/p\u003e\n\u003cp\u003eCo-owner and Chief Software Engineer David Hoatson adds, “From the start, we designed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the flexibility to offer an extraordinary path for future upgrades. Lynx customers who have loyally supported the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e platform now get rewarded with the ability to work within the exciting new realm of immersive audio.”\u003c\/p\u003e\n\u003cp\u003eThe new Dolby Atmos compatibility for the Lynx Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e will be made available via a free firmware update that will be found on the Lynx web site for all registered Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e users. The update includes a slew of new features including support for speaker configurations up to 9.1.6, 530 total room correction filters, up to 16 filters per channel (including parametric, low-pass, high-pass, and shelving), channel level and delay compensation, and comprehensive bass management with LFE channel, all of which is implemented in hardware with 64-bit floating-point accuracy. The update will also allow for perfect integration between Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e and Sonarworks sound calibration software as well as Room EQ Wizard (REW) for room acoustic measurement, loudspeaker measurement and audio device measurement. This compatibility will allow for direct import of speaker calibration parameters into Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with no manual entry required. Dolby Atmos control will also be seamlessly integrated into Lynx’ own NControl software.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eTransparency Matters\u003c\/h1\u003e\n\u003cp\u003eSignal coloration is additive and can kill an otherwise pristine mix. That’s why a colored mix begins to collapse while the transparent mix has space, definition and a level of detail that is simply unattainable with converters that add color and distortion. Lynx’s hallmark sonic transparency is why Lynx converters are being used in the most mission-critical audio applications and in the world’s finest recording facilities. Lynx converters have been specified for their uncanny ability to convert signals without adding any artifacts or color. For audio engineers and producers demanding the most pristine recordings and mixes Lynx is the converter of choice at facilities like Dolby’s new mega complex of audio research, Skywalker Sound, NPR, and the Smithsonian Institute. Lynx converters pass the most stringent tests and shoot outs to become the sought after converters for these discerning professionals. Precision matters more than ever and there is no place for even the slightest coloration or degradation of the signal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eDiscrete Converter Array\u003c\/h1\u003e\n\u003cp\u003eSome manufacturers use multiple converters on a single chip. While that is one way to fit many converter channels in a single rack space while lowering costs, it comes at a steep cost in performance. At Lynx, the analog signal path for each channel has been designed as a self-contained and shielded circuit. Each channel pair has its own dedicated conversion device. This has many sonic advantages by significantly reducing crosstalk and distortion while increasing dynamic range and performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eHilo Converter Technology (HCT)\u003c\/h1\u003e\n\u003cp\u003eDesign and technology borrowed from the development of the Hilo is used to significantly improve specifications and transparency over previous models while attaining stunning Hilo-like performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eFuture-Proof Design:\u003c\/h1\u003e\n\u003ch4\u003eConfigurable I\/O\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAdd Channels – Start with eight, sixteen or twenty four channels and later add additional groups of eight channels for up to thirty two total.\u003c\/li\u003e\n\u003cli\u003eAdd Modules – Digital I\/O, Mic Pre Amp; More are being designed now for future release.\u003c\/li\u003e\n\u003cli\u003eAdd Connection Method – Thunderbolt, DANTE, ProTools|HD or USB via LSlot Cards\u003c\/li\u003e\n\u003cli\u003eAdd Functionality – Via firmware updates. Just as we have for Hilo and Aurora we will continue to improve the Aurora(n)’s functionality and build in new feature sets.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eSynchroLock 2™\u003c\/h1\u003e\n\u003cp\u003eAll new SynchroLock 2™ high-performance sample clock technology provides a whopping 300,000:1 reduction in jitter, 5 second lock time and absolute accuracy. Word clock I\/O provides one input and three outputs on BNC connectors.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eTechnical specifications\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eAnalog Specs\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine In (includes A\/D Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐113dB @1kHz, ‐1dBFS, 20kHz filter, +20dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 119dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon mode rejection: greater than 80dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐108dB @1kHz, ‐1dBFS, 20kHz filter, +20 dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eHeadphone Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐107dB @1kHz, ‐1dBFS, 20kHz filter, volume at max\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐120dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput level: 18.4dBu maximum\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput power: 68mW @ 600Ω, 135mW @ 300Ω, 383mW @ 60Ω, 212mW @ 32Ω, 100mW @ 16Ω\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-PRE4 Preamp Module\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eMicrophone Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -111dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEIN: -129dBu A-weighted, -60dBFS method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 116dB A‐weighted, ‐60dBFS signal method @ 21.68dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency Response: +0.01 \/ -0.08dB max. Deviation over 20-20kHz band, -1dBFS @ all gain settings\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -127dB max. Adjacent channel, -1dBFS, 1kHz @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min. -1dBFS, 60Hz and 1kHz @61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 28.7dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eInput impedance: 2.1k Ohm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain Settings: 5.6dB\/13.6dB to 68.6dB in 1dB steps\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePad attenuation: 13.6dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHigh-pass Filter: 80Hz, 12 dB \/ octave\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eLine Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -113dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 119dB A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010 dB max deviation over 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -138dB max. adjacent channel, -1dBFS 1kHz @ 41.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min, -1dBFS, 60Hz and 1 kHz @ 61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain settings: Fixed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-DIG Digital I\/O Module\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eOptional LM-DIG digital I\/O module\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003e16 input and 16 output channels of 24-bit AES\/EBU\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e44.1 kHz to 192 kHz sample rate support\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTwo 25-pin female D-subs, Yamaha digital I\/O pinout\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eSoftware\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eLynx NControl for Aurora(n) USB, Thunderbolt \u0026amp; Dante models\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eFor total control of all functions and routing from your computer\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNow includes Mic Pre and micro SD record and playback control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eOther\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAdditional modules\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eDigital I\/O\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMicrophone preamp\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMore in development\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Input Connections\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Output Connectors\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eDimensions\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eDepth - 10 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eWidth - 19 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp style=\"text-align: center;\"\u003eHeight - 1.7 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003eRegistration Information\u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003eLicense\u003c\/p\u003e","brand":"Lynx","offers":[{"title":"Default Title","offer_id":53056201949468,"sku":null,"price":6539.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/lynx-aurora-n-1-jrr-edit_13.jpg?v=1758913128"},{"product_id":"auroran32hd","title":"Lynx Aurora(n) 32 HD2 Converter Interface","description":"\u003ch1 style=\"text-align: center;\"\u003e\u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003e\u003cimg height=\"150\" src=\"https:\/\/www.jrrshop.com\/media\/catalog\/product\/l\/y\/lynx-aurora-n-1-jrr-edit_7.jpg\" width=\"690\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eKey features\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e8, 16, 24, and 32 channel versions - each in a 1U format.\u003c\/p\u003e\n\u003cp\u003eOnboard 32-channel microSD recorder for direct recording and playback.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eUpgradable modules available now include a mic pre-amp module a digital connectivity module with optional ADAT IO and an 8 channel A\/D \u0026amp; D\/A module with more to come.\u003c\/p\u003e\n\u003cp\u003eTwo audiophile-grade headphone outs with independent volume controls.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e1-in 3-out word clock with Lynx’s second generation SynchroLock 2™ technology.\u003c\/p\u003e\n\u003cp\u003eFuture-proof LSlot design with swappable USB, Thunderbolt, ProTools®|HD and DANTE cards.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eFull Windows and OSX compatibility\u003c\/p\u003e\n\u003cp\u003eRoad-ready rack-mount reinforced chassis\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e24 Bit - 192 kHz mastering grade A\/D and D\/A conversion\u003c\/p\u003e\n\u003cp\u003eDesigned and built in Southern California, USA\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eLynx Announces Dolby Atmos Compatibility\u003c\/h1\u003e\n\u003cdiv class=\"wrap\"\u003e\n\u003cp\u003eLynx Studio Technology has announced compatibility between their acclaimed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e audio interface\/converter and Dolby Atmos, a revolutionary spatial audio technology for the most immersive sound experience. Atmos expands on existing surround sound systems by adding height channels, allowing sounds to be interpreted as three-dimensional objects with neither horizontal nor vertical limitation.\u003c\/p\u003e\n\u003cp\u003eLynx co-owner and Chief Hardware Engineer Bob Bauman states, “We’ve had many requests from audio engineers who want to combine the sonic transparency of the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the tremendous creative power offered by the Atmos mixing environment. Now they can.”\u003c\/p\u003e\n\u003cp\u003eCo-owner and Chief Software Engineer David Hoatson adds, “From the start, we designed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the flexibility to offer an extraordinary path for future upgrades. Lynx customers who have loyally supported the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e platform now get rewarded with the ability to work within the exciting new realm of immersive audio.”\u003c\/p\u003e\n\u003cp\u003eThe new Dolby Atmos compatibility for the Lynx Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e will be made available via a free firmware update that will be found on the Lynx web site for all registered Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e users. The update includes a slew of new features including support for speaker configurations up to 9.1.6, 530 total room correction filters, up to 16 filters per channel (including parametric, low-pass, high-pass, and shelving), channel level and delay compensation, and comprehensive bass management with LFE channel, all of which is implemented in hardware with 64-bit floating-point accuracy. The update will also allow for perfect integration between Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e and Sonarworks sound calibration software as well as Room EQ Wizard (REW) for room acoustic measurement, loudspeaker measurement and audio device measurement. This compatibility will allow for direct import of speaker calibration parameters into Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with no manual entry required. Dolby Atmos control will also be seamlessly integrated into Lynx’ own NControl software.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eTransparency Matters\u003c\/h1\u003e\n\u003cp\u003eSignal coloration is additive and can kill an otherwise pristine mix. That’s why a colored mix begins to collapse while the transparent mix has space, definition and a level of detail that is simply unattainable with converters that add color and distortion. Lynx’s hallmark sonic transparency is why Lynx converters are being used in the most mission-critical audio applications and in the world’s finest recording facilities. Lynx converters have been specified for their uncanny ability to convert signals without adding any artifacts or color. For audio engineers and producers demanding the most pristine recordings and mixes Lynx is the converter of choice at facilities like Dolby’s new mega complex of audio research, Skywalker Sound, NPR, and the Smithsonian Institute. Lynx converters pass the most stringent tests and shoot outs to become the sought after converters for these discerning professionals. Precision matters more than ever and there is no place for even the slightest coloration or degradation of the signal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eDiscrete Converter Array\u003c\/h1\u003e\n\u003cp\u003eSome manufacturers use multiple converters on a single chip. While that is one way to fit many converter channels in a single rack space while lowering costs, it comes at a steep cost in performance. At Lynx, the analog signal path for each channel has been designed as a self-contained and shielded circuit. Each channel pair has its own dedicated conversion device. This has many sonic advantages by significantly reducing crosstalk and distortion while increasing dynamic range and performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eHilo Converter Technology (HCT)\u003c\/h1\u003e\n\u003cp\u003eDesign and technology borrowed from the development of the Hilo is used to significantly improve specifications and transparency over previous models while attaining stunning Hilo-like performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eFuture-Proof Design:\u003c\/h1\u003e\n\u003ch4\u003eConfigurable I\/O\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAdd Channels – Start with eight, sixteen or twenty four channels and later add additional groups of eight channels for up to thirty two total.\u003c\/li\u003e\n\u003cli\u003eAdd Modules – Digital I\/O, Mic Pre Amp; More are being designed now for future release.\u003c\/li\u003e\n\u003cli\u003eAdd Connection Method – Thunderbolt, DANTE, ProTools|HD or USB via LSlot Cards\u003c\/li\u003e\n\u003cli\u003eAdd Functionality – Via firmware updates. Just as we have for Hilo and Aurora we will continue to improve the Aurora(n)’s functionality and build in new feature sets.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eSynchroLock 2™\u003c\/h1\u003e\n\u003cp\u003eAll new SynchroLock 2™ high-performance sample clock technology provides a whopping 300,000:1 reduction in jitter, 5 second lock time and absolute accuracy. Word clock I\/O provides one input and three outputs on BNC connectors.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eTechnical specifications\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eAnalog Specs\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine In (includes A\/D Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐113dB @1kHz, ‐1dBFS, 20kHz filter, +20dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 119dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon mode rejection: greater than 80dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐108dB @1kHz, ‐1dBFS, 20kHz filter, +20 dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eHeadphone Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐107dB @1kHz, ‐1dBFS, 20kHz filter, volume at max\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐120dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput level: 18.4dBu maximum\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput power: 68mW @ 600Ω, 135mW @ 300Ω, 383mW @ 60Ω, 212mW @ 32Ω, 100mW @ 16Ω\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-PRE4 Preamp Module\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eMicrophone Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -111dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEIN: -129dBu A-weighted, -60dBFS method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 116dB A‐weighted, ‐60dBFS signal method @ 21.68dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency Response: +0.01 \/ -0.08dB max. Deviation over 20-20kHz band, -1dBFS @ all gain settings\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -127dB max. Adjacent channel, -1dBFS, 1kHz @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min. -1dBFS, 60Hz and 1kHz @61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 28.7dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eInput impedance: 2.1k Ohm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain Settings: 5.6dB\/13.6dB to 68.6dB in 1dB steps\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePad attenuation: 13.6dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHigh-pass Filter: 80Hz, 12 dB \/ octave\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eLine Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -113dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 119dB A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010 dB max deviation over 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -138dB max. adjacent channel, -1dBFS 1kHz @ 41.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min, -1dBFS, 60Hz and 1 kHz @ 61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain settings: Fixed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-DIG Digital I\/O Module\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eOptional LM-DIG digital I\/O module\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003e16 input and 16 output channels of 24-bit AES\/EBU\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e44.1 kHz to 192 kHz sample rate support\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTwo 25-pin female D-subs, Yamaha digital I\/O pinout\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eSoftware\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eLynx NControl for Aurora(n) USB, Thunderbolt \u0026amp; Dante models\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eFor total control of all functions and routing from your computer\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNow includes Mic Pre and micro SD record and playback control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eOther\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAdditional modules\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eDigital I\/O\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMicrophone preamp\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMore in development\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Input Connections\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Output Connectors\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eDimensions\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eDepth - 10 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eWidth - 19 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp style=\"text-align: center;\"\u003eHeight - 1.7 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003eRegistration Information\u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003eLicense\u003c\/p\u003e","brand":"Lynx","offers":[{"title":"Default Title","offer_id":53056202015004,"sku":null,"price":5899.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/lynx-aurora-n-1-jrr-edit_11.jpg?v=1758913129"},{"product_id":"auroran32tb","title":"Lynx Aurora(n) 32 TB3 Converter Interface","description":"\u003ch1 style=\"text-align: center;\"\u003e\u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003e\u003cimg height=\"150\" src=\"https:\/\/www.jrrshop.com\/media\/catalog\/product\/l\/y\/lynx-aurora-n-1-jrr-edit_7.jpg\" width=\"690\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eKey features\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e8, 16, 24, and 32 channel versions - each in a 1U format.\u003c\/p\u003e\n\u003cp\u003eOnboard 32-channel microSD recorder for direct recording and playback.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eUpgradable modules available now include a mic pre-amp module a digital connectivity module with optional ADAT IO and an 8 channel A\/D \u0026amp; D\/A module with more to come.\u003c\/p\u003e\n\u003cp\u003eTwo audiophile-grade headphone outs with independent volume controls.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e1-in 3-out word clock with Lynx’s second generation SynchroLock 2™ technology.\u003c\/p\u003e\n\u003cp\u003eFuture-proof LSlot design with swappable USB, Thunderbolt, ProTools®|HD and DANTE cards.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eFull Windows and OSX compatibility\u003c\/p\u003e\n\u003cp\u003eRoad-ready rack-mount reinforced chassis\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e24 Bit - 192 kHz mastering grade A\/D and D\/A conversion\u003c\/p\u003e\n\u003cp\u003eDesigned and built in Southern California, USA\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eLynx Announces Dolby Atmos Compatibility\u003c\/h1\u003e\n\u003cdiv class=\"wrap\"\u003e\n\u003cp\u003eLynx Studio Technology has announced compatibility between their acclaimed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e audio interface\/converter and Dolby Atmos, a revolutionary spatial audio technology for the most immersive sound experience. Atmos expands on existing surround sound systems by adding height channels, allowing sounds to be interpreted as three-dimensional objects with neither horizontal nor vertical limitation.\u003c\/p\u003e\n\u003cp\u003eLynx co-owner and Chief Hardware Engineer Bob Bauman states, “We’ve had many requests from audio engineers who want to combine the sonic transparency of the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the tremendous creative power offered by the Atmos mixing environment. Now they can.”\u003c\/p\u003e\n\u003cp\u003eCo-owner and Chief Software Engineer David Hoatson adds, “From the start, we designed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the flexibility to offer an extraordinary path for future upgrades. Lynx customers who have loyally supported the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e platform now get rewarded with the ability to work within the exciting new realm of immersive audio.”\u003c\/p\u003e\n\u003cp\u003eThe new Dolby Atmos compatibility for the Lynx Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e will be made available via a free firmware update that will be found on the Lynx web site for all registered Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e users. The update includes a slew of new features including support for speaker configurations up to 9.1.6, 530 total room correction filters, up to 16 filters per channel (including parametric, low-pass, high-pass, and shelving), channel level and delay compensation, and comprehensive bass management with LFE channel, all of which is implemented in hardware with 64-bit floating-point accuracy. The update will also allow for perfect integration between Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e and Sonarworks sound calibration software as well as Room EQ Wizard (REW) for room acoustic measurement, loudspeaker measurement and audio device measurement. This compatibility will allow for direct import of speaker calibration parameters into Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with no manual entry required. Dolby Atmos control will also be seamlessly integrated into Lynx’ own NControl software.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eTransparency Matters\u003c\/h1\u003e\n\u003cp\u003eSignal coloration is additive and can kill an otherwise pristine mix. That’s why a colored mix begins to collapse while the transparent mix has space, definition and a level of detail that is simply unattainable with converters that add color and distortion. Lynx’s hallmark sonic transparency is why Lynx converters are being used in the most mission-critical audio applications and in the world’s finest recording facilities. Lynx converters have been specified for their uncanny ability to convert signals without adding any artifacts or color. For audio engineers and producers demanding the most pristine recordings and mixes Lynx is the converter of choice at facilities like Dolby’s new mega complex of audio research, Skywalker Sound, NPR, and the Smithsonian Institute. Lynx converters pass the most stringent tests and shoot outs to become the sought after converters for these discerning professionals. Precision matters more than ever and there is no place for even the slightest coloration or degradation of the signal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eDiscrete Converter Array\u003c\/h1\u003e\n\u003cp\u003eSome manufacturers use multiple converters on a single chip. While that is one way to fit many converter channels in a single rack space while lowering costs, it comes at a steep cost in performance. At Lynx, the analog signal path for each channel has been designed as a self-contained and shielded circuit. Each channel pair has its own dedicated conversion device. This has many sonic advantages by significantly reducing crosstalk and distortion while increasing dynamic range and performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eHilo Converter Technology (HCT)\u003c\/h1\u003e\n\u003cp\u003eDesign and technology borrowed from the development of the Hilo is used to significantly improve specifications and transparency over previous models while attaining stunning Hilo-like performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eFuture-Proof Design:\u003c\/h1\u003e\n\u003ch4\u003eConfigurable I\/O\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAdd Channels – Start with eight, sixteen or twenty four channels and later add additional groups of eight channels for up to thirty two total.\u003c\/li\u003e\n\u003cli\u003eAdd Modules – Digital I\/O, Mic Pre Amp; More are being designed now for future release.\u003c\/li\u003e\n\u003cli\u003eAdd Connection Method – Thunderbolt, DANTE, ProTools|HD or USB via LSlot Cards\u003c\/li\u003e\n\u003cli\u003eAdd Functionality – Via firmware updates. Just as we have for Hilo and Aurora we will continue to improve the Aurora(n)’s functionality and build in new feature sets.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eSynchroLock 2™\u003c\/h1\u003e\n\u003cp\u003eAll new SynchroLock 2™ high-performance sample clock technology provides a whopping 300,000:1 reduction in jitter, 5 second lock time and absolute accuracy. Word clock I\/O provides one input and three outputs on BNC connectors.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eTechnical specifications\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eAnalog Specs\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine In (includes A\/D Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐113dB @1kHz, ‐1dBFS, 20kHz filter, +20dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 119dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon mode rejection: greater than 80dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐108dB @1kHz, ‐1dBFS, 20kHz filter, +20 dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eHeadphone Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐107dB @1kHz, ‐1dBFS, 20kHz filter, volume at max\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐120dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput level: 18.4dBu maximum\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput power: 68mW @ 600Ω, 135mW @ 300Ω, 383mW @ 60Ω, 212mW @ 32Ω, 100mW @ 16Ω\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-PRE4 Preamp Module\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eMicrophone Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -111dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEIN: -129dBu A-weighted, -60dBFS method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 116dB A‐weighted, ‐60dBFS signal method @ 21.68dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency Response: +0.01 \/ -0.08dB max. Deviation over 20-20kHz band, -1dBFS @ all gain settings\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -127dB max. Adjacent channel, -1dBFS, 1kHz @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min. -1dBFS, 60Hz and 1kHz @61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 28.7dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eInput impedance: 2.1k Ohm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain Settings: 5.6dB\/13.6dB to 68.6dB in 1dB steps\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePad attenuation: 13.6dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHigh-pass Filter: 80Hz, 12 dB \/ octave\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eLine Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -113dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 119dB A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010 dB max deviation over 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -138dB max. adjacent channel, -1dBFS 1kHz @ 41.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min, -1dBFS, 60Hz and 1 kHz @ 61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain settings: Fixed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-DIG Digital I\/O Module\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eOptional LM-DIG digital I\/O module\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003e16 input and 16 output channels of 24-bit AES\/EBU\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e44.1 kHz to 192 kHz sample rate support\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTwo 25-pin female D-subs, Yamaha digital I\/O pinout\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eSoftware\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eLynx NControl for Aurora(n) USB, Thunderbolt \u0026amp; Dante models\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eFor total control of all functions and routing from your computer\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNow includes Mic Pre and micro SD record and playback control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eOther\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAdditional modules\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eDigital I\/O\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMicrophone preamp\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMore in development\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Input Connections\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Output Connectors\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eDimensions\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eDepth - 10 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eWidth - 19 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp style=\"text-align: center;\"\u003eHeight - 1.7 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003eRegistration Information\u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003eLicense\u003c\/p\u003e","brand":"Lynx","offers":[{"title":"Default Title","offer_id":53056202047772,"sku":null,"price":6439.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/lynx-aurora-n-1-jrr-edit_12.jpg?v=1758913129"},{"product_id":"auroran8dnt","title":"Lynx Aurora(n) 8 DNT Converter Interface","description":"\u003ch1 style=\"text-align: center;\"\u003e\u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003e\u003cimg height=\"150\" src=\"https:\/\/www.jrrshop.com\/media\/catalog\/product\/l\/y\/lynx-aurora-n-1-jrr-edit_7.jpg\" width=\"690\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eKey features\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e8, 16, 24, and 32 channel versions - each in a 1U format.\u003c\/p\u003e\n\u003cp\u003eOnboard 32-channel microSD recorder for direct recording and playback.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eUpgradable modules available now include a mic pre-amp module a digital connectivity module with optional ADAT IO and an 8 channel A\/D \u0026amp; D\/A module with more to come.\u003c\/p\u003e\n\u003cp\u003eTwo audiophile-grade headphone outs with independent volume controls.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e1-in 3-out word clock with Lynx’s second generation SynchroLock 2™ technology.\u003c\/p\u003e\n\u003cp\u003eFuture-proof LSlot design with swappable USB, Thunderbolt, ProTools®|HD and DANTE cards.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eFull Windows and OSX compatibility\u003c\/p\u003e\n\u003cp\u003eRoad-ready rack-mount reinforced chassis\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e24 Bit - 192 kHz mastering grade A\/D and D\/A conversion\u003c\/p\u003e\n\u003cp\u003eDesigned and built in Southern California, USA\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eLynx Announces Dolby Atmos Compatibility\u003c\/h1\u003e\n\u003cdiv class=\"wrap\"\u003e\n\u003cp\u003eLynx Studio Technology has announced compatibility between their acclaimed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e audio interface\/converter and Dolby Atmos, a revolutionary spatial audio technology for the most immersive sound experience. Atmos expands on existing surround sound systems by adding height channels, allowing sounds to be interpreted as three-dimensional objects with neither horizontal nor vertical limitation.\u003c\/p\u003e\n\u003cp\u003eLynx co-owner and Chief Hardware Engineer Bob Bauman states, “We’ve had many requests from audio engineers who want to combine the sonic transparency of the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the tremendous creative power offered by the Atmos mixing environment. Now they can.”\u003c\/p\u003e\n\u003cp\u003eCo-owner and Chief Software Engineer David Hoatson adds, “From the start, we designed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the flexibility to offer an extraordinary path for future upgrades. Lynx customers who have loyally supported the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e platform now get rewarded with the ability to work within the exciting new realm of immersive audio.”\u003c\/p\u003e\n\u003cp\u003eThe new Dolby Atmos compatibility for the Lynx Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e will be made available via a free firmware update that will be found on the Lynx web site for all registered Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e users. The update includes a slew of new features including support for speaker configurations up to 9.1.6, 530 total room correction filters, up to 16 filters per channel (including parametric, low-pass, high-pass, and shelving), channel level and delay compensation, and comprehensive bass management with LFE channel, all of which is implemented in hardware with 64-bit floating-point accuracy. The update will also allow for perfect integration between Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e and Sonarworks sound calibration software as well as Room EQ Wizard (REW) for room acoustic measurement, loudspeaker measurement and audio device measurement. This compatibility will allow for direct import of speaker calibration parameters into Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with no manual entry required. Dolby Atmos control will also be seamlessly integrated into Lynx’ own NControl software.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eTransparency Matters\u003c\/h1\u003e\n\u003cp\u003eSignal coloration is additive and can kill an otherwise pristine mix. That’s why a colored mix begins to collapse while the transparent mix has space, definition and a level of detail that is simply unattainable with converters that add color and distortion. Lynx’s hallmark sonic transparency is why Lynx converters are being used in the most mission-critical audio applications and in the world’s finest recording facilities. Lynx converters have been specified for their uncanny ability to convert signals without adding any artifacts or color. For audio engineers and producers demanding the most pristine recordings and mixes Lynx is the converter of choice at facilities like Dolby’s new mega complex of audio research, Skywalker Sound, NPR, and the Smithsonian Institute. Lynx converters pass the most stringent tests and shoot outs to become the sought after converters for these discerning professionals. Precision matters more than ever and there is no place for even the slightest coloration or degradation of the signal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eDiscrete Converter Array\u003c\/h1\u003e\n\u003cp\u003eSome manufacturers use multiple converters on a single chip. While that is one way to fit many converter channels in a single rack space while lowering costs, it comes at a steep cost in performance. At Lynx, the analog signal path for each channel has been designed as a self-contained and shielded circuit. Each channel pair has its own dedicated conversion device. This has many sonic advantages by significantly reducing crosstalk and distortion while increasing dynamic range and performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eHilo Converter Technology (HCT)\u003c\/h1\u003e\n\u003cp\u003eDesign and technology borrowed from the development of the Hilo is used to significantly improve specifications and transparency over previous models while attaining stunning Hilo-like performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eFuture-Proof Design:\u003c\/h1\u003e\n\u003ch4\u003eConfigurable I\/O\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAdd Channels – Start with eight, sixteen or twenty four channels and later add additional groups of eight channels for up to thirty two total.\u003c\/li\u003e\n\u003cli\u003eAdd Modules – Digital I\/O, Mic Pre Amp; More are being designed now for future release.\u003c\/li\u003e\n\u003cli\u003eAdd Connection Method – Thunderbolt, DANTE, ProTools|HD or USB via LSlot Cards\u003c\/li\u003e\n\u003cli\u003eAdd Functionality – Via firmware updates. Just as we have for Hilo and Aurora we will continue to improve the Aurora(n)’s functionality and build in new feature sets.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eSynchroLock 2™\u003c\/h1\u003e\n\u003cp\u003eAll new SynchroLock 2™ high-performance sample clock technology provides a whopping 300,000:1 reduction in jitter, 5 second lock time and absolute accuracy. Word clock I\/O provides one input and three outputs on BNC connectors.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eTechnical specifications\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eAnalog Specs\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine In (includes A\/D Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐113dB @1kHz, ‐1dBFS, 20kHz filter, +20dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 119dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon mode rejection: greater than 80dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐108dB @1kHz, ‐1dBFS, 20kHz filter, +20 dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eHeadphone Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐107dB @1kHz, ‐1dBFS, 20kHz filter, volume at max\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐120dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput level: 18.4dBu maximum\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput power: 68mW @ 600Ω, 135mW @ 300Ω, 383mW @ 60Ω, 212mW @ 32Ω, 100mW @ 16Ω\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-PRE4 Preamp Module\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eMicrophone Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -111dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEIN: -129dBu A-weighted, -60dBFS method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 116dB A‐weighted, ‐60dBFS signal method @ 21.68dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency Response: +0.01 \/ -0.08dB max. Deviation over 20-20kHz band, -1dBFS @ all gain settings\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -127dB max. Adjacent channel, -1dBFS, 1kHz @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min. -1dBFS, 60Hz and 1kHz @61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 28.7dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eInput impedance: 2.1k Ohm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain Settings: 5.6dB\/13.6dB to 68.6dB in 1dB steps\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePad attenuation: 13.6dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHigh-pass Filter: 80Hz, 12 dB \/ octave\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eLine Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -113dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 119dB A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010 dB max deviation over 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -138dB max. adjacent channel, -1dBFS 1kHz @ 41.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min, -1dBFS, 60Hz and 1 kHz @ 61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain settings: Fixed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-DIG Digital I\/O Module\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eOptional LM-DIG digital I\/O module\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003e16 input and 16 output channels of 24-bit AES\/EBU\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e44.1 kHz to 192 kHz sample rate support\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTwo 25-pin female D-subs, Yamaha digital I\/O pinout\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eSoftware\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eLynx NControl for Aurora(n) USB, Thunderbolt \u0026amp; Dante models\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eFor total control of all functions and routing from your computer\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNow includes Mic Pre and micro SD record and playback control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eOther\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAdditional modules\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eDigital I\/O\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMicrophone preamp\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMore in development\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Input Connections\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Output Connectors\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eDimensions\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eDepth - 10 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eWidth - 19 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp style=\"text-align: center;\"\u003eHeight - 1.7 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003eRegistration Information\u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003eLicense\u003c\/p\u003e","brand":"Lynx","offers":[{"title":"Default Title","offer_id":53056202080540,"sku":null,"price":3539.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/lynx-aurora-n-1-jrr-edit_3.jpg?v=1758913129"},{"product_id":"auroran8hd","title":"Lynx Aurora(n) 8 HD2 Converter Interface","description":"\u003ch1 style=\"text-align: center;\"\u003e\u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003e\u003cimg height=\"150\" src=\"https:\/\/www.jrrshop.com\/media\/catalog\/product\/l\/y\/lynx-aurora-n-1-jrr-edit_7.jpg\" width=\"690\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eKey features\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e8, 16, 24, and 32 channel versions - each in a 1U format.\u003c\/p\u003e\n\u003cp\u003eOnboard 32-channel microSD recorder for direct recording and playback.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eUpgradable modules available now include a mic pre-amp module a digital connectivity module with optional ADAT IO and an 8 channel A\/D \u0026amp; D\/A module with more to come.\u003c\/p\u003e\n\u003cp\u003eTwo audiophile-grade headphone outs with independent volume controls.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e1-in 3-out word clock with Lynx’s second generation SynchroLock 2™ technology.\u003c\/p\u003e\n\u003cp\u003eFuture-proof LSlot design with swappable USB, Thunderbolt, ProTools®|HD and DANTE cards.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eFull Windows and OSX compatibility\u003c\/p\u003e\n\u003cp\u003eRoad-ready rack-mount reinforced chassis\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e24 Bit - 192 kHz mastering grade A\/D and D\/A conversion\u003c\/p\u003e\n\u003cp\u003eDesigned and built in Southern California, USA\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eLynx Announces Dolby Atmos Compatibility\u003c\/h1\u003e\n\u003cdiv class=\"wrap\"\u003e\n\u003cp\u003eLynx Studio Technology has announced compatibility between their acclaimed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e audio interface\/converter and Dolby Atmos, a revolutionary spatial audio technology for the most immersive sound experience. Atmos expands on existing surround sound systems by adding height channels, allowing sounds to be interpreted as three-dimensional objects with neither horizontal nor vertical limitation.\u003c\/p\u003e\n\u003cp\u003eLynx co-owner and Chief Hardware Engineer Bob Bauman states, “We’ve had many requests from audio engineers who want to combine the sonic transparency of the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the tremendous creative power offered by the Atmos mixing environment. Now they can.”\u003c\/p\u003e\n\u003cp\u003eCo-owner and Chief Software Engineer David Hoatson adds, “From the start, we designed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the flexibility to offer an extraordinary path for future upgrades. Lynx customers who have loyally supported the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e platform now get rewarded with the ability to work within the exciting new realm of immersive audio.”\u003c\/p\u003e\n\u003cp\u003eThe new Dolby Atmos compatibility for the Lynx Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e will be made available via a free firmware update that will be found on the Lynx web site for all registered Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e users. The update includes a slew of new features including support for speaker configurations up to 9.1.6, 530 total room correction filters, up to 16 filters per channel (including parametric, low-pass, high-pass, and shelving), channel level and delay compensation, and comprehensive bass management with LFE channel, all of which is implemented in hardware with 64-bit floating-point accuracy. The update will also allow for perfect integration between Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e and Sonarworks sound calibration software as well as Room EQ Wizard (REW) for room acoustic measurement, loudspeaker measurement and audio device measurement. This compatibility will allow for direct import of speaker calibration parameters into Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with no manual entry required. Dolby Atmos control will also be seamlessly integrated into Lynx’ own NControl software.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eTransparency Matters\u003c\/h1\u003e\n\u003cp\u003eSignal coloration is additive and can kill an otherwise pristine mix. That’s why a colored mix begins to collapse while the transparent mix has space, definition and a level of detail that is simply unattainable with converters that add color and distortion. Lynx’s hallmark sonic transparency is why Lynx converters are being used in the most mission-critical audio applications and in the world’s finest recording facilities. Lynx converters have been specified for their uncanny ability to convert signals without adding any artifacts or color. For audio engineers and producers demanding the most pristine recordings and mixes Lynx is the converter of choice at facilities like Dolby’s new mega complex of audio research, Skywalker Sound, NPR, and the Smithsonian Institute. Lynx converters pass the most stringent tests and shoot outs to become the sought after converters for these discerning professionals. Precision matters more than ever and there is no place for even the slightest coloration or degradation of the signal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eDiscrete Converter Array\u003c\/h1\u003e\n\u003cp\u003eSome manufacturers use multiple converters on a single chip. While that is one way to fit many converter channels in a single rack space while lowering costs, it comes at a steep cost in performance. At Lynx, the analog signal path for each channel has been designed as a self-contained and shielded circuit. Each channel pair has its own dedicated conversion device. This has many sonic advantages by significantly reducing crosstalk and distortion while increasing dynamic range and performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eHilo Converter Technology (HCT)\u003c\/h1\u003e\n\u003cp\u003eDesign and technology borrowed from the development of the Hilo is used to significantly improve specifications and transparency over previous models while attaining stunning Hilo-like performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eFuture-Proof Design:\u003c\/h1\u003e\n\u003ch4\u003eConfigurable I\/O\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAdd Channels – Start with eight, sixteen or twenty four channels and later add additional groups of eight channels for up to thirty two total.\u003c\/li\u003e\n\u003cli\u003eAdd Modules – Digital I\/O, Mic Pre Amp; More are being designed now for future release.\u003c\/li\u003e\n\u003cli\u003eAdd Connection Method – Thunderbolt, DANTE, ProTools|HD or USB via LSlot Cards\u003c\/li\u003e\n\u003cli\u003eAdd Functionality – Via firmware updates. Just as we have for Hilo and Aurora we will continue to improve the Aurora(n)’s functionality and build in new feature sets.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eSynchroLock 2™\u003c\/h1\u003e\n\u003cp\u003eAll new SynchroLock 2™ high-performance sample clock technology provides a whopping 300,000:1 reduction in jitter, 5 second lock time and absolute accuracy. Word clock I\/O provides one input and three outputs on BNC connectors.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eTechnical specifications\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eAnalog Specs\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine In (includes A\/D Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐113dB @1kHz, ‐1dBFS, 20kHz filter, +20dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 119dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon mode rejection: greater than 80dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐108dB @1kHz, ‐1dBFS, 20kHz filter, +20 dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eHeadphone Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐107dB @1kHz, ‐1dBFS, 20kHz filter, volume at max\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐120dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput level: 18.4dBu maximum\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput power: 68mW @ 600Ω, 135mW @ 300Ω, 383mW @ 60Ω, 212mW @ 32Ω, 100mW @ 16Ω\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-PRE4 Preamp Module\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eMicrophone Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -111dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEIN: -129dBu A-weighted, -60dBFS method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 116dB A‐weighted, ‐60dBFS signal method @ 21.68dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency Response: +0.01 \/ -0.08dB max. Deviation over 20-20kHz band, -1dBFS @ all gain settings\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -127dB max. Adjacent channel, -1dBFS, 1kHz @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min. -1dBFS, 60Hz and 1kHz @61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 28.7dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eInput impedance: 2.1k Ohm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain Settings: 5.6dB\/13.6dB to 68.6dB in 1dB steps\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePad attenuation: 13.6dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHigh-pass Filter: 80Hz, 12 dB \/ octave\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eLine Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -113dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 119dB A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010 dB max deviation over 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -138dB max. adjacent channel, -1dBFS 1kHz @ 41.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min, -1dBFS, 60Hz and 1 kHz @ 61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain settings: Fixed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-DIG Digital I\/O Module\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eOptional LM-DIG digital I\/O module\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003e16 input and 16 output channels of 24-bit AES\/EBU\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e44.1 kHz to 192 kHz sample rate support\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTwo 25-pin female D-subs, Yamaha digital I\/O pinout\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eSoftware\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eLynx NControl for Aurora(n) USB, Thunderbolt \u0026amp; Dante models\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eFor total control of all functions and routing from your computer\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNow includes Mic Pre and micro SD record and playback control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eOther\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAdditional modules\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eDigital I\/O\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMicrophone preamp\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMore in development\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Input Connections\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Output Connectors\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eDimensions\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eDepth - 10 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eWidth - 19 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp style=\"text-align: center;\"\u003eHeight - 1.7 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003eRegistration Information\u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003eLicense\u003c\/p\u003e","brand":"Lynx","offers":[{"title":"Default Title","offer_id":53056202178844,"sku":null,"price":3899.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/lynx-aurora-n-1-jrr-edit_1.jpg?v=1758913134"},{"product_id":"auroran8tb","title":"Lynx Aurora(n) 8 TB3 Converter Interface","description":"\u003ch1 style=\"text-align: center;\"\u003e\u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003e\u003cimg height=\"150\" src=\"https:\/\/www.jrrshop.com\/media\/catalog\/product\/l\/y\/lynx-aurora-n-1-jrr-edit_7.jpg\" width=\"690\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eKey features\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e8, 16, 24, and 32 channel versions - each in a 1U format.\u003c\/p\u003e\n\u003cp\u003eOnboard 32-channel microSD recorder for direct recording and playback.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eUpgradable modules available now include a mic pre-amp module a digital connectivity module with optional ADAT IO and an 8 channel A\/D \u0026amp; D\/A module with more to come.\u003c\/p\u003e\n\u003cp\u003eTwo audiophile-grade headphone outs with independent volume controls.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e1-in 3-out word clock with Lynx’s second generation SynchroLock 2™ technology.\u003c\/p\u003e\n\u003cp\u003eFuture-proof LSlot design with swappable USB, Thunderbolt, ProTools®|HD and DANTE cards.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eFull Windows and OSX compatibility\u003c\/p\u003e\n\u003cp\u003eRoad-ready rack-mount reinforced chassis\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e24 Bit - 192 kHz mastering grade A\/D and D\/A conversion\u003c\/p\u003e\n\u003cp\u003eDesigned and built in Southern California, USA\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eLynx Announces Dolby Atmos Compatibility\u003c\/h1\u003e\n\u003cdiv class=\"wrap\"\u003e\n\u003cp\u003eLynx Studio Technology has announced compatibility between their acclaimed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e audio interface\/converter and Dolby Atmos, a revolutionary spatial audio technology for the most immersive sound experience. Atmos expands on existing surround sound systems by adding height channels, allowing sounds to be interpreted as three-dimensional objects with neither horizontal nor vertical limitation.\u003c\/p\u003e\n\u003cp\u003eLynx co-owner and Chief Hardware Engineer Bob Bauman states, “We’ve had many requests from audio engineers who want to combine the sonic transparency of the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the tremendous creative power offered by the Atmos mixing environment. Now they can.”\u003c\/p\u003e\n\u003cp\u003eCo-owner and Chief Software Engineer David Hoatson adds, “From the start, we designed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the flexibility to offer an extraordinary path for future upgrades. Lynx customers who have loyally supported the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e platform now get rewarded with the ability to work within the exciting new realm of immersive audio.”\u003c\/p\u003e\n\u003cp\u003eThe new Dolby Atmos compatibility for the Lynx Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e will be made available via a free firmware update that will be found on the Lynx web site for all registered Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e users. The update includes a slew of new features including support for speaker configurations up to 9.1.6, 530 total room correction filters, up to 16 filters per channel (including parametric, low-pass, high-pass, and shelving), channel level and delay compensation, and comprehensive bass management with LFE channel, all of which is implemented in hardware with 64-bit floating-point accuracy. The update will also allow for perfect integration between Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e and Sonarworks sound calibration software as well as Room EQ Wizard (REW) for room acoustic measurement, loudspeaker measurement and audio device measurement. This compatibility will allow for direct import of speaker calibration parameters into Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with no manual entry required. Dolby Atmos control will also be seamlessly integrated into Lynx’ own NControl software.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eTransparency Matters\u003c\/h1\u003e\n\u003cp\u003eSignal coloration is additive and can kill an otherwise pristine mix. That’s why a colored mix begins to collapse while the transparent mix has space, definition and a level of detail that is simply unattainable with converters that add color and distortion. Lynx’s hallmark sonic transparency is why Lynx converters are being used in the most mission-critical audio applications and in the world’s finest recording facilities. Lynx converters have been specified for their uncanny ability to convert signals without adding any artifacts or color. For audio engineers and producers demanding the most pristine recordings and mixes Lynx is the converter of choice at facilities like Dolby’s new mega complex of audio research, Skywalker Sound, NPR, and the Smithsonian Institute. Lynx converters pass the most stringent tests and shoot outs to become the sought after converters for these discerning professionals. Precision matters more than ever and there is no place for even the slightest coloration or degradation of the signal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eDiscrete Converter Array\u003c\/h1\u003e\n\u003cp\u003eSome manufacturers use multiple converters on a single chip. While that is one way to fit many converter channels in a single rack space while lowering costs, it comes at a steep cost in performance. At Lynx, the analog signal path for each channel has been designed as a self-contained and shielded circuit. Each channel pair has its own dedicated conversion device. This has many sonic advantages by significantly reducing crosstalk and distortion while increasing dynamic range and performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eHilo Converter Technology (HCT)\u003c\/h1\u003e\n\u003cp\u003eDesign and technology borrowed from the development of the Hilo is used to significantly improve specifications and transparency over previous models while attaining stunning Hilo-like performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eFuture-Proof Design:\u003c\/h1\u003e\n\u003ch4\u003eConfigurable I\/O\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAdd Channels – Start with eight, sixteen or twenty four channels and later add additional groups of eight channels for up to thirty two total.\u003c\/li\u003e\n\u003cli\u003eAdd Modules – Digital I\/O, Mic Pre Amp; More are being designed now for future release.\u003c\/li\u003e\n\u003cli\u003eAdd Connection Method – Thunderbolt, DANTE, ProTools|HD or USB via LSlot Cards\u003c\/li\u003e\n\u003cli\u003eAdd Functionality – Via firmware updates. Just as we have for Hilo and Aurora we will continue to improve the Aurora(n)’s functionality and build in new feature sets.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eSynchroLock 2™\u003c\/h1\u003e\n\u003cp\u003eAll new SynchroLock 2™ high-performance sample clock technology provides a whopping 300,000:1 reduction in jitter, 5 second lock time and absolute accuracy. Word clock I\/O provides one input and three outputs on BNC connectors.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eTechnical specifications\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eAnalog Specs\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine In (includes A\/D Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐113dB @1kHz, ‐1dBFS, 20kHz filter, +20dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 119dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon mode rejection: greater than 80dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐108dB @1kHz, ‐1dBFS, 20kHz filter, +20 dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eHeadphone Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐107dB @1kHz, ‐1dBFS, 20kHz filter, volume at max\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐120dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput level: 18.4dBu maximum\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput power: 68mW @ 600Ω, 135mW @ 300Ω, 383mW @ 60Ω, 212mW @ 32Ω, 100mW @ 16Ω\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-PRE4 Preamp Module\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eMicrophone Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -111dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEIN: -129dBu A-weighted, -60dBFS method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 116dB A‐weighted, ‐60dBFS signal method @ 21.68dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency Response: +0.01 \/ -0.08dB max. Deviation over 20-20kHz band, -1dBFS @ all gain settings\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -127dB max. Adjacent channel, -1dBFS, 1kHz @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min. -1dBFS, 60Hz and 1kHz @61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 28.7dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eInput impedance: 2.1k Ohm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain Settings: 5.6dB\/13.6dB to 68.6dB in 1dB steps\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePad attenuation: 13.6dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHigh-pass Filter: 80Hz, 12 dB \/ octave\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eLine Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -113dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 119dB A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010 dB max deviation over 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -138dB max. adjacent channel, -1dBFS 1kHz @ 41.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min, -1dBFS, 60Hz and 1 kHz @ 61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain settings: Fixed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-DIG Digital I\/O Module\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eOptional LM-DIG digital I\/O module\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003e16 input and 16 output channels of 24-bit AES\/EBU\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e44.1 kHz to 192 kHz sample rate support\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTwo 25-pin female D-subs, Yamaha digital I\/O pinout\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eSoftware\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eLynx NControl for Aurora(n) USB, Thunderbolt \u0026amp; Dante models\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eFor total control of all functions and routing from your computer\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNow includes Mic Pre and micro SD record and playback control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eOther\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAdditional modules\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eDigital I\/O\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMicrophone preamp\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMore in development\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Input Connections\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Output Connectors\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eDimensions\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eDepth - 10 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eWidth - 19 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp style=\"text-align: center;\"\u003eHeight - 1.7 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003eRegistration Information\u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003eLicense\u003c\/p\u003e","brand":"Lynx","offers":[{"title":"Default Title","offer_id":53056202277148,"sku":null,"price":3439.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/lynx-aurora-n-1-jrr-edit_2.jpg?v=1758913135"},{"product_id":"auroran8usb","title":"Lynx Aurora(n) 8 USB Converter Interface","description":"\u003ch1 style=\"text-align: center;\"\u003e\u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003e\u003cimg height=\"150\" src=\"https:\/\/www.jrrshop.com\/media\/catalog\/product\/l\/y\/lynx-aurora-n-1-jrr-edit_7.jpg\" width=\"690\"\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eKey features\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e8, 16, 24, and 32 channel versions - each in a 1U format.\u003c\/p\u003e\n\u003cp\u003eOnboard 32-channel microSD recorder for direct recording and playback.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eUpgradable modules available now include a mic pre-amp module a digital connectivity module with optional ADAT IO and an 8 channel A\/D \u0026amp; D\/A module with more to come.\u003c\/p\u003e\n\u003cp\u003eTwo audiophile-grade headphone outs with independent volume controls.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e1-in 3-out word clock with Lynx’s second generation SynchroLock 2™ technology.\u003c\/p\u003e\n\u003cp\u003eFuture-proof LSlot design with swappable USB, Thunderbolt, ProTools®|HD and DANTE cards.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eFull Windows and OSX compatibility\u003c\/p\u003e\n\u003cp\u003eRoad-ready rack-mount reinforced chassis\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e24 Bit - 192 kHz mastering grade A\/D and D\/A conversion\u003c\/p\u003e\n\u003cp\u003eDesigned and built in Southern California, USA\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eLynx Announces Dolby Atmos Compatibility\u003c\/h1\u003e\n\u003cdiv class=\"wrap\"\u003e\n\u003cp\u003eLynx Studio Technology has announced compatibility between their acclaimed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e audio interface\/converter and Dolby Atmos, a revolutionary spatial audio technology for the most immersive sound experience. Atmos expands on existing surround sound systems by adding height channels, allowing sounds to be interpreted as three-dimensional objects with neither horizontal nor vertical limitation.\u003c\/p\u003e\n\u003cp\u003eLynx co-owner and Chief Hardware Engineer Bob Bauman states, “We’ve had many requests from audio engineers who want to combine the sonic transparency of the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the tremendous creative power offered by the Atmos mixing environment. Now they can.”\u003c\/p\u003e\n\u003cp\u003eCo-owner and Chief Software Engineer David Hoatson adds, “From the start, we designed Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with the flexibility to offer an extraordinary path for future upgrades. Lynx customers who have loyally supported the Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e platform now get rewarded with the ability to work within the exciting new realm of immersive audio.”\u003c\/p\u003e\n\u003cp\u003eThe new Dolby Atmos compatibility for the Lynx Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e will be made available via a free firmware update that will be found on the Lynx web site for all registered Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e users. The update includes a slew of new features including support for speaker configurations up to 9.1.6, 530 total room correction filters, up to 16 filters per channel (including parametric, low-pass, high-pass, and shelving), channel level and delay compensation, and comprehensive bass management with LFE channel, all of which is implemented in hardware with 64-bit floating-point accuracy. The update will also allow for perfect integration between Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e and Sonarworks sound calibration software as well as Room EQ Wizard (REW) for room acoustic measurement, loudspeaker measurement and audio device measurement. This compatibility will allow for direct import of speaker calibration parameters into Aurora\u003cspan class=\"superscript\"\u003e(n)\u003c\/span\u003e with no manual entry required. Dolby Atmos control will also be seamlessly integrated into Lynx’ own NControl software.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eTransparency Matters\u003c\/h1\u003e\n\u003cp\u003eSignal coloration is additive and can kill an otherwise pristine mix. That’s why a colored mix begins to collapse while the transparent mix has space, definition and a level of detail that is simply unattainable with converters that add color and distortion. Lynx’s hallmark sonic transparency is why Lynx converters are being used in the most mission-critical audio applications and in the world’s finest recording facilities. Lynx converters have been specified for their uncanny ability to convert signals without adding any artifacts or color. For audio engineers and producers demanding the most pristine recordings and mixes Lynx is the converter of choice at facilities like Dolby’s new mega complex of audio research, Skywalker Sound, NPR, and the Smithsonian Institute. Lynx converters pass the most stringent tests and shoot outs to become the sought after converters for these discerning professionals. Precision matters more than ever and there is no place for even the slightest coloration or degradation of the signal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eDiscrete Converter Array\u003c\/h1\u003e\n\u003cp\u003eSome manufacturers use multiple converters on a single chip. While that is one way to fit many converter channels in a single rack space while lowering costs, it comes at a steep cost in performance. At Lynx, the analog signal path for each channel has been designed as a self-contained and shielded circuit. Each channel pair has its own dedicated conversion device. This has many sonic advantages by significantly reducing crosstalk and distortion while increasing dynamic range and performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eHilo Converter Technology (HCT)\u003c\/h1\u003e\n\u003cp\u003eDesign and technology borrowed from the development of the Hilo is used to significantly improve specifications and transparency over previous models while attaining stunning Hilo-like performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eFuture-Proof Design:\u003c\/h1\u003e\n\u003ch4\u003eConfigurable I\/O\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAdd Channels – Start with eight, sixteen or twenty four channels and later add additional groups of eight channels for up to thirty two total.\u003c\/li\u003e\n\u003cli\u003eAdd Modules – Digital I\/O, Mic Pre Amp; More are being designed now for future release.\u003c\/li\u003e\n\u003cli\u003eAdd Connection Method – Thunderbolt, DANTE, ProTools|HD or USB via LSlot Cards\u003c\/li\u003e\n\u003cli\u003eAdd Functionality – Via firmware updates. Just as we have for Hilo and Aurora we will continue to improve the Aurora(n)’s functionality and build in new feature sets.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003ch1\u003eSynchroLock 2™\u003c\/h1\u003e\n\u003cp\u003eAll new SynchroLock 2™ high-performance sample clock technology provides a whopping 300,000:1 reduction in jitter, 5 second lock time and absolute accuracy. Word clock I\/O provides one input and three outputs on BNC connectors.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eTechnical specifications\u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eAnalog Specs\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine In (includes A\/D Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐113dB @1kHz, ‐1dBFS, 20kHz filter, +20dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 119dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon mode rejection: greater than 80dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eLine Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐108dB @1kHz, ‐1dBFS, 20kHz filter, +20 dBu trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull‐scale trim settings: +6dBV, 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eHeadphone Out (includes D\/A Conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: ‐107dB @1kHz, ‐1dBFS, 20kHz filter, volume at max\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic range: 120dB, A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.025dB, 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: ‐120dB maximum @ 1kHz, ‐1dBFS signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput level: 18.4dBu maximum\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOutput power: 68mW @ 600Ω, 135mW @ 300Ω, 383mW @ 60Ω, 212mW @ 32Ω, 100mW @ 16Ω\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-PRE4 Preamp Module\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eMicrophone Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -111dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEIN: -129dBu A-weighted, -60dBFS method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 116dB A‐weighted, ‐60dBFS signal method @ 21.68dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency Response: +0.01 \/ -0.08dB max. Deviation over 20-20kHz band, -1dBFS @ all gain settings\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -127dB max. Adjacent channel, -1dBFS, 1kHz @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min. -1dBFS, 60Hz and 1kHz @61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 28.7dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eInput impedance: 2.1k Ohm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain Settings: 5.6dB\/13.6dB to 68.6dB in 1dB steps\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePad attenuation: 13.6dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHigh-pass Filter: 80Hz, 12 dB \/ octave\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eLine Input (includes A\/D conversion)\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eTHD+N: -113dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDynamic Range: 119dB A‐weighted, ‐60dBFS signal method\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrequency response: ±0.010 dB max deviation over 20–20kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCrosstalk: -138dB max. adjacent channel, -1dBFS 1kHz @ 41.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCommon Mode Rejection: 75dB min, -1dBFS, 60Hz and 1 kHz @ 61.6dB gain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull-scale Input Level for A\/D: 20dBu\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain settings: Fixed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnector: Female XLR on Neutrik jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eLM-DIG Digital I\/O Module\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eOptional LM-DIG digital I\/O module\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003e16 input and 16 output channels of 24-bit AES\/EBU\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e44.1 kHz to 192 kHz sample rate support\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTwo 25-pin female D-subs, Yamaha digital I\/O pinout\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eSoftware\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003eLynx NControl for Aurora(n) USB, Thunderbolt \u0026amp; Dante models\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003e\n\u003cp\u003eFor total control of all functions and routing from your computer\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNow includes Mic Pre and micro SD record and playback control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eOther\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAdditional modules\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eDigital I\/O\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMicrophone preamp\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMore in development\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Input Connections\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003eAnalog Output Connectors\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 8 - 1 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 16 - 2 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 24 - 3 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAurora(n) 32 - 4 x DB25\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eDimensions\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eDepth - 10 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: center;\"\u003e\n\u003cp\u003eWidth - 19 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp style=\"text-align: center;\"\u003eHeight - 1.7 inches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003eRegistration Information\u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003eLicense\u003c\/p\u003e","brand":"Lynx","offers":[{"title":"Default Title","offer_id":53056202342684,"sku":null,"price":2899.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/lynx-aurora-n-1-jrr-edit.jpg?v=1758913135"},{"product_id":"lttbthunderboltexpansion","title":"Lynx LT-TB3 Thunderbolt Expansion for Aurora Converters","description":"\u003ch1 style=\"text-align: center;\"\u003e\u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003cdiv dir=\"ltr\" data-font-name=\"g_font_213_0\" data-canvas-width=\"286.20799999999997\"\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eLynx Studio Technology created the LT-TB3 Thunderbolt 3 LSlot interface for its Aurora(n) and Hilo converters. The LT-TB3 is a two-port Thunderbolt 3 expansion card that supports daisy-chaining Aurora(n) and Hilo converters for up to six total certified Thunderbolt devices plus a display on both Apple and Windows computers.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003ePlease note the Aurora classic (silver) does not support the LT-TB3.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.lynxstudio.com\/go\/wp-content\/uploads\/LT-TB3-1000x667.jpg\" data-src=\"https:\/\/cdn.lynxstudio.com\/go\/wp-content\/uploads\/LT-TB3-500x333.jpg\" data-src-retina=\"https:\/\/cdn.lynxstudio.com\/go\/wp-content\/uploads\/LT-TB3-1000x667.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003eThe LT-TB3 LSlot card can be installed into any existing Hilo or Aurora(n) with an easy and free firmware update. In addition, Lynx is making Thunderbolt 3 equipped Aurora(n) and Hilo models available at the same time. These models are:\u003c\/p\u003e\n\u003cul style=\"text-align: center;\"\u003e\n\u003cli\u003eHilo-TB3 in Black and Silver\u003c\/li\u003e\n\u003cli\u003eAurora(n) 32-TB3\u003c\/li\u003e\n\u003cli\u003eAurora(n) 24-TB3\u003c\/li\u003e\n\u003cli\u003eAurora(n) 16-TB3\u003c\/li\u003e\n\u003cli\u003eAurora(n) 8-TB3\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\n\u003ch1 style=\"text-align: center;\"\u003eFeatures\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003cbr\u003e• Available for Aurora(n) and Hilo\u003cbr\u003e• Supports connection of up to 6 other Thunderbolt devices total plus a display\u003cbr\u003e• Compatible with Thunderbolt 1 and Thunderbolt 2 devices (with customer supplied adapter)\u003cbr\u003e• Supports up to 40Gbps data speed\u003cbr\u003e• Integrates seamlessly with Aurora(n) and Hilo\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eThe LT-TB3 is the latest in a series of LSlot connectivity cards available for the acclaimed Aurora(n) and Hilo A\/D and D\/A converter interfaces. The LT-TB3 allows the Aurora(n) and Hilo to have direct connectivity to Thunderbolt 3TM equipped devices without the need of Thunderbolt adapters. Other LSlot modules available include Dante, USB and ProTools|HD versions. Lynx’s continual LSlot module development ensures the Aurora(n) and Hilo will continue to be compatible with the future high performance connectivity standards for both PC and Mac.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e“From its inception, the upgradeable LSlot feature was designed for both the Aurora and Hilo so that owners would not need to replace their entire interface each time a new or improved connection standard hits the market. It can be quite expensive and disconcerting for the customer. Regularly delivering new modules as well as firmware updates allows us to keep up with market demands for features and capabilities.” Stated Bob Bauman, Co-Owner and Chief Hardware Engineer. “We could simply release new interface models with added capabilities every six months, or continue to add value with our current platform. We believe our customers would rather just download a free firmware update or easily add a new module to get a slew of new features and capabilities than entirely replace their interfaces.”\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e“Thunderbolt 3 can support up to a 40Gbps bi-directional data rate and was primarily designed to handle the bandwidth demands of 4K video.” explained Lynx Co-Founder and Chief Software Engineer David Hoatson. “Even with Thunderbolt 1 there was plenty of extra bandwidth for the demands of multiple channels of audio even at the highest sample rates. With Thunderbolt 3 there’s even less strain on the data flow and much more bandwidth than we would ever need for multi-channel audio. And with the new Thunderbolt 3 computing devices our customers won’t need any Thunderbolt adapters.”\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003ch1 style=\"text-align: center;\"\u003e \u003c\/h1\u003e\u003ch1 style=\"text-align: center;\"\u003eRegistration Information\u003c\/h1\u003e\u003cp style=\"text-align: center;\"\u003eLicense\u003c\/p\u003e","brand":"Lynx","offers":[{"title":"Default Title","offer_id":53056203194652,"sku":null,"price":900.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/1983\/4140\/files\/lynxlttb3.jpg?v=1758913157"}],"url":"https:\/\/jrrshop-3235.myshopify.com\/collections\/computer-hardware-audio-interfaces-external-interfaces.oembed","provider":"jrrshop","version":"1.0","type":"link"}